Synopsis: The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
Stars: Chris Pine, Casey Affleck, Ben Foster, Holliday Grainger, John Ortiz, Eric Bana
Director: Craig Gillespie
Running Length: 117 minutes
Trailer Review: Here
TMMM Score: (5/10)
Review: Back in the ‘50s and ‘60s, Walt Disney Studios used to crank out their live-action pictures with regularity, keeping the home fires burning while readying their latest animated release. From shaggy dogs to absent-minded professors to a king of the wild frontier, from identical twins pulling a fast one on their divorced parents to a monkey’s uncle to babes in toyland, the studio cast a wide net of fantasy and more often than not put forth winning family entertainment that weren’t Oscar caliber but have managed to stand the test of time all the same.
In recent years, there’s been a revitalization of Disney focusing on live-action features. Favoring true stories of uphill battles instead of the more fantastical escapism that maybe was more necessary half a century ago, there’s a definite formula at work here and no one seems particularly interested in changing it up. A few of these films have won me over like McFarland U.S.A. and Alexander and the Terrible, Horrible, No Good, Very Bad Day but on the other side of the coin you have disappointments like The Odd Life of Timothy Green and Million Dollar Arm.
The director of the overstuffed Million Dollar Arm, Craig Gillespie, returns to cinemas with The Finest Hours, a drama in real life adventure documenting the brave rescue of a crew on a sinking oil liner by a small Coast Guard boat. The early trailers may have given most of the movie away, but to their credit they are far more exciting than the finished product.
Coast Guard Captain Bernie Webber (Chris Pine, Into the Woods) barely has time to ask his commanding officer (Eric Bana, Closed Circuit) permission to marry his girlfriend (Holliday Grainger, Cinderella, Disney’s excellent 2015 offering) before he’s sent out to rescue the crew of SS Pendleton, a T-2 oil tanker headed for Boston ripped in half during a large weather system felt up and down the New England coast. Aboard the failing ship, engineer Ray Sybert (Casey Affleck, Interstellar) overcomes crew resistance to lead the men on a risky maneuver in hopes of buying more time as their rescue vessel draws near.
All the makings of an exciting movie…if only we could see what was actually going on. Gillespie and cinematographer Javier Aguirresarobe (Goosebumps, Blue Jasmine, the remake of Poltergeist) set so much of the film in the whiteout conditions on land or the rain heavy visages on the open sea that audiences will wind up relying on voice recognition to figure out who’s talking and what’s happening. It doesn’t help that in dark lighting and soaking wet almost every male in the film starts to look alike, further complicating attempts to follow the action. And did I mention it’s in 3D? And it’s the 3D that doesn’t improve the feature in the slightest, with the only noticeable dimensional change coming during the credits.
Pine makes another bid for dramatic leading man but it’s clear he’s better suited to being the captain of the Starship Enterprise in Star Trek, Star Trek: Into Darkness and the upcoming Star Trek Beyond. With so many close-ups of his mournful (and, it must be said, slightly crossed) eyes, Pine emotes enough for the entire cast which is directly countered by Affleck’s barely awake effort. Reacting to his sinking vessel or a fallen shipmate with the gusto of Rip Van Winkle, Affleck may have been going for laid-back but winds up flat-backed, sleepwalking through most of the film.
If there’s a reason to see the movie, it’s for Grainger as Bernie’s spitfire fiancée. Determined not to lose the man she loves so soon after they get engaged, she’s got spirit to spare whether she’s standing up to Bernie’s boss or learning the hard realities of signing up to being the wife of a Coast Guard captain. Alas, Grainger can’t be in two places at once so every time the film shifts back to the sea we feel her absence. Poor Ben Foster (Lone Survivor) looks absolutely miserable as Bernie’s second in command…and not just because he spends the majority of the film sopping wet. Foster is known to go all-in with his characters but feels restrained here and it clearly makes him uncomfortable.
Based on the novel The Finest Hours: The True Story of the U.S. Coast Guard’s Most Daring Sea Rescue by Michael J. Tougias and Casey Sherman, the script from Scott Silver, Paul Tamasy, and Eric Johnson dallies around in the first half before rushing through the climactic rescue attempt that should be the dramatic peak of the film. In all fairness, little weight is given to anything in the film but it’s strange the scene highlighted in all of the marketing materials comes up and is over so quickly.
Those feeling nostalgic for the films made by Walt Disney back in the studio’s live-action golden days were likely looking forward to The Finest Hours. I know because I was one of them. So it’s a bummer to report there’s a curious lack of the adventure and magic I had hoped to find in this true life tale of a rescue against all odds on the high seas. While there were a few beacons of light to be found, should you choose to head out to sea with Pine and the gang the hours you’ll spend in the theater won’t be the finest…they’ll be merely fine.