2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Movie Review ~ Cinderella (2015)

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The Facts:

Synopsis: When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella’s fortunes begin to change after meeting a dashing stranger in the woods.

Stars: Lily James, Helena Bonham Carter, Cate Blanchett, Stellan Skarsgård, Derek Jacobi, Nonso Anozie, Holliday Grainger, Richard Madden, Sophie McShera

Director: Kenneth Branagh

Rated: PG

Running Length: 112 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: I remember being none too plussed when it was announced that Walt Disney Pictures would be giving their timeless classic Cinderella the live-action treatment. Could you really blame a fella for worrying that the studio that turned their lovely Alice in Wonderland into a madcap mind meld that wasn’t even interesting to look at (it’s one of the few films in recent memory that lulled me to sleep behind my 3D glasses) would muck it all up again by sending another valued animated classic into the live-action void just in time for its 65th anniversary?

Turns out that the studio saw the error of their ways (even though an Alice sequel is in the works…shudder shudder) and took a very traditional approach to bringing the tale of the orphaned girl that slept in the cinders who gets to go to a ball courtesy of a fairy godmother to the screen. Well, traditional isn’t really the right word because that suggests something perhaps more serviceable than memorable…and this Cinderella might just be a classic all its own.

With a script from Chris Weitz (A Better Life) that hits all the proper beats of Charles Perrault’s pristine fairy tale, this Cinderella is a gossamer gown of a film that beats with a heart that’s true. It’s so rare these days to be able to describe a film as celebrating goodness without passing out an airsick bag to anyone that’s listening but even at its most saccharine (and it does get ever so close to diabetic-shock inducing sweetness) there’s something so totally winning and, yes, enchanting to be found in every frame.

The look and feel that director Kenneth Branagh (Jack Ryan: Shadow Recruit) brings to the screen can be attributed to Branagh’s classy Shakespearean roots, as well as Haris Zambarloukos’s (Thor) unobtrusive cinematography, Dante Ferretti’s (Hugo) striking production design, and Sandy Powell’s (The Wolf of Wall Street) gorgeous costumes. All of these production elements work in harmony to create a world of fantasy that doesn’t seem so hard to believe in.

Branagh has assembled a cast that are across the board perfect for their roles. Though she’s playing a damsel in need of a Prince’s salvation (which could be enough to make any grrrl power supporter raise an eyebrow or two), Lily James never lets her Cinderella be pitied. Though suffering through the tragic loss of her beloved parents and forced into servitude to a wicked trio of women, she never loses the goodness inside her or the search for the goodness she believes is in everyone else. She’s matched well by Richard Madden’s restless Prince, handsome and quite dashing is the name of Madden’s game. James and Madden create some palpably chaste chemistry, so by the time the two meet when James makes the kind of entrance usually reserved for a Broadway stage, we long to see them kiss more than anything else.

Oscar winner Cate Blanchett (Blue Jasmine) has a devil of a fun time as the wicked stepmother and is wise enough to understand that she’s in a sophisticated re-thinking of Cinderella, resisting the urge to camp it up. Hers is a porcelain doll of a performance, never showing the cracks underneath until very near the end when some believable rationale for her treatment of her stepdaughter is revealed. Blanchett gets to wear Powell’s most gorgeous frocks and the actress revels in every moment onscreen.

Wicked stepsisters Holliday Grainger (Anna Karenina) and Sophie McShera may not be as comical as their animated counterparts, but they balance it nicely by being such refreshingly clueless dingbats. Derek Jacobi has several wise scenes as the King and Nonso Anozie (The Grey) is particularly impressive as the Prince’s trusted right-hand man. I could have done without a largely unnecessary political subplot involving Stellan Skarsgård, it’s the one weak spot in an otherwise rock-solid film.

Oh yes…let’s talk about Helena Bonham-Carter’s (The Lone Ranger) daffy Fairy Godmother. Sporting some interesting veneers, the actress is a looney treat as she bibbity bobbity boo’s her way through her short appearance onscreen. Her transformation of Cinderella, several four-legged friends, and one pumpkin into a troupe fit for a palace ball is, of course, a highlight.

This is one of those movie-going experiences I call a 1-101. It’s perfect for any age and moves briskly enough to hold your attention…not that you’d be bored with the sumptuous costumes and shimmering magic on display. I rarely see movies twice in the theater but this is one I’m looking forward to experiencing on the big screen again. Don’t forget to stay until the end for some familiar tunes!

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Cinderella is great entertainment on its own…but the good feelings start even before the credits roll because Disney is also releasing a new Frozen short before the film and it’s nearly worth the price of admission itself.

Picking up shortly after the events of Frozen, Frozen Fever finds ice princess Elsa planning the perfect birthday party for her sister Anna. Things don’t go quite as planned as Elsa comes down with a…wait for it…cold. With sneezes that produce mini snowmen (Disney’s attempt to Minion-ize their cash cow of a franchise), Elsa sings her way through her party plans while Olaf and Kristoff help out in their own way. The song featured here is no Let It Go (parents, you’ll be glad!) but it displays the same playful fun that won the same songwriters an Oscar a year ago.

It’s a truly delightful 7 minutes, so don’t be late!