Movie Review ~ The Lion King (2019)


The Facts
:

Synopsis: After the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery.

Stars: Donald Glover, James Earl Jones, Billy Eichner, Seth Rogen, John Oliver, Alfre Woodard, Beyonce Knowles, Chiwetel Ejiofor, JD McCrary, Shahadi Wright Joseph, John Kani, Florence Kasumba, Eric Andre, Keegan-Michael Key

Director: Jon Favreau

Rated: PG

Running Length: 118 minutes

TMMM Score: (6.5/10)

Review: There seem to be two camps of Disney animation aficionados. The first feel the studio hit its apex of its second golden age of hand-drawn animation in 1991 with Beauty & the Beast and the other side believe the tipping point was 1994 with the release of The Lion King. Both are a little right because each represent new advances not just in animation but in storytelling and musicality. Fans of the The Lion King are many and while I don’t count myself as one of the ride-or-die devotees of this Hamlet in the Serengeti tale I do appreciate it’s mature themes and humanistic approach to life and loss.

Even though I don’t find the film to be as precious as others, I was considerably surprised Disney would take the risk of adding this beloved classic to their growing roster of revisited films for a new generation.  It was easy to get Cinderella to go to the ball, Aladdin to find his magic lamp, and Pete’s Dragon was downright delightful…though it was considerably harder to convince audiences to see Dumbo take flight. Even so, how would they capture life in the African veldt in a somewhat realistic way? Going off of the success of the photorealistic computer generated animals created for 2016’s The Jungle Book, Disney handed the reins to back to director Jon Favreau and asked him to fully immerse himself in the technology to bring The Lion King to life.

Frankly, while the film is gorgeous to look at and makes the transition to screen far better than any other 2019 release has, it’s ultimately a bit of a pointless endeavor due to it being a nearly shot for shot remake of the animated original with very little creativity added in. At times, the film is frustratingly stuck in 1994, completely ignoring all of the new music added into the subsequent 1997 behemoth Broadway musical and many of its wise decisions in narrative structure. Once I resigned myself to it being so furiously beholden to the original film, I was able to settle in and admittedly got swept up in some of the grand scale of majesty, both visual and emotional, on display.

I have a feeling there will be a lot of audience members coming out of this 2019 retelling of The Lion King looking for someone to blame for the film not living up to their expectations so I’m going to run down the list of blame-ees to see if we can’t land on a culprit.

Blame Jon Favreau (Spider-Man: Far From Home). This one’s easy. Blame the director who brought only a concept to the table. Yes, the technology for The Jungle Book was a massive undertaking and the results quite splendid but the same magic doesn’t translate here. Going for realism over fantasy limits the film with rules in ways the animated one didn’t have to abide by. There’s little ingenuity to how the movie is constructed, with much of it, including the still goose-bump inducing ‘Circle of Life’ opening (sung by long time London Rafiki Brown Lindiwe Mkhize), just a complete copy of the first film.  I’m familiar enough with that opening sequence to recognize similar focus pulls and camera zooms so I’d love to see the two sequences side by side to see how close they are to each other. I’m a bit taken aback at how frightening Favreau let this one get. Animals that were slightly menacing as animated cells are positively terrifying when realistically rendered – parents should take note of the trio of teeth gnashing hyenas that are decidedly not played for laughs. There’s an attack/chase scene in this that rivaled Crawl for it’s tension and element of surprise.

Blame Julie Taymor. Poor Taymor has long been a scapegoat in the industry so why not throw her to the aforementioned hyenas here as well, right? I guess you could say she “ruined” The Lion King for multiple generations by creating such an unforgettable Broadway musical out of the original material. With brilliant costumes, soaring additional music, and a genius creativity flowing through each and every nook and cranny it set a new standard for what was possible in translating a film to stage.   Actually, she did what I feel the studio should have done here and that is to take the original film, retain the best parts about it and make something equally amazing out of it that lets both exist independently of the other. That doesn’t happen here. I can’t imagine people will be more inclined to watch this 2019 version over the 1994 original and then only if they couldn’t get tickets to the Broadway show.

Blame the cast. While it was nice to hear James Earl Jones (Rogue One: A Star Wars Story) back as Mufasa and Billy Eichner is dang delight as Timon, much of the casting falls flat. What’s worse, several of the actors just plain and simple can’t sing. As perfect a villain voice as Chiwetel Ejiofor (Secret in Their Eyes) provides as Scar, his speak-singing his way through a stupefyingingly truncated ‘Be Prepared’ and unsure high notes are a real bummer. As Pumbaa, Seth Rogen (Sausage Party) is the worst offender and while the part doesn’t require a good voice it at least requires someone to stay on pitch. Donald Glover (The Martian) is also a bit of a dud as the adult Simba showing little fire while Beyonce Knowles-Carter’s Nala (Dreamgirls) doesn’t exactly sound like she’s part of a regal pride of lionesses.  Everyone sounds like they’ve just been woken up from a nap, the lions were definitely sleeping tonight before recording their lines.

Blame the Disney executives. Here is where I think we have our winner, the big baddie of them all. Though this can’t be called a live-action remake seeing that the entire film is computer-generated, it represents another attempt by Disney to again cannibalize their catalog. For what purpose? The argument I’ve heard is that “every generation deserves their version of these stories” but that’s just…stupid. By signing off on giving The Lion King a CGI upgrade but not bothering to incorporate any of the new music (aside from Beyonce’s incredibly mediocre Oscar-bait single which has no place in the film) or making inventive creative choices they’ve not provided a purpose for the movie to exist other than lining their purses.  At its best, this new Lion King takes flight because of the durability of the source material and at it’s worst it’s merely a product crafted mindlessly for consumption with a pretty awful Elton John sung tacked into the credits for good measure.

Yet I’m still encouraging people to see this film and will likely see it again myself in theaters.  It’s absolutely better than the dull Dumbo and wooden Aladdin and operates on a different scale of filmmaking.  When all is said and done, the bottom line is that the movie is incredible to look at and what works the best is what has made The Lion King a classic since it was first released 25 years ago. The songs from Elton John and Tim Rice are melodic and will stick in your head, Hans Zimmer’s score is rousing, and the storyline of parental loss and finding strength within is as resonant as ever. I’ve listened to the soundtrack now a few times since seeing the movie and still get chills when the chorus of ‘Circle of Life’ fully kick in. No improvement on the original was needed to reinforce those feelings, though.

Movie Review ~ The Internship

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internship

The Facts:

Synopsis: Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.

Stars: Vince Vaughn, Owen Wilson, Max Minghella, Rose Byrne, John Goodman, Dylan O’Brien, JoAnna Garcia, Eric Andre, Josh Brener, Tiya Sircar, Tobit Raphael, Will Ferrell

Director: Shawn Levy

Rated: PG-13

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review:  Though summer is traditionally the time of big budget franchise pictures that boast state of the art special effects and gigantic action sequences, it’s nice to remember that there are also high profile studio pictures that provide nice counter programming to more bombastic films.  Now along comes The Internship, a comedy that takes a big gamble that pays off for the most part and proves that you don’t need superheroes and alien effects to entertain.

It’s hard to imagine everything that was on the line with the pitch that screenwriter Vince Vaughn and Jared Stern made to the studio in hopes of getting this movie made.  A comedy about two washed up salesmen that worm their way into a summer internship at Google, the entire film really depended on the participation of the massive internet company.  Without them, the movie simply couldn’t have been made.

Thankfully, after reading the script the company agreed to lend their name and blessing to the genial comedy and even if it could be argued that the movie is just one big ad for Google there’ s no denying that there’s a fun movie at the center of all the product placement.  Giving viewers an inside look at the Google campus (though little to none of it was actually filmed there), we see the atmosphere that the company has created with free food, nap pods (I’d like to order one of those, please), slides that take you from one floor to another, and a collegiate atmosphere that stimulates creativity while pushing the boundaries of imagination.

I get the impression that this was originally targeted as an R-Rated feature but it’s relatively tame considering that the film stars the men from 2005’s raunchy Wedding Crashers.  More than a few times I could tell some more explicit words and images were removed to get the film to more audience friendly PG-13 but it really doesn’t matter because the comedy comes from a more genuine place and its largely thanks to its stars.

While Vaughn struck gold early with Swingers he only manages a good film every fourth movie released.  He’s in his comfort zone here as a fast-talking dyed in the wool salesman that suddenly is up against people half his age that have double the tech knowledge he so sorely lacks.  Wilson (who seems to look more like a young old man with each film) is a nicely centered counter to Vaughn’s more hyperactive character.  The two work well together and even if a few of their likely ad-libbed scenes go on a little too long you can tell that there’s a real respect there.

As part of their internship, Vaughn and Wilson must team up with a group of misfits to complete challenges that will get them one step closer to a full time job at the end of the summer.  The plot actually reminded me of the recent Monsters University where two goofballs are forced to work with a team of outcasts to gain admission to a highly competitive college program.  Instead of monster related shenanigans, The Internship puts Vaughn, Wilson, and their outliers up against a set of Google related challenges and asks them to square off opposite a perfectly smarmy Max Minghella.

Normally I bristle at a romance that feels shoe-horned in but the playful banter exchanged between Wilson and Rose Byrne (The Place Beyond the Pines) is genuinely surprising and makes good use of the refreshing appeal of both actors.  Byrne’s role could easily have been a one-note ice queen that gets melted by Wilson’s aw-shucks charm but she gives some extra gravitas to her take on her character that somehow makes a familiar romantic sparring situation feel new.

Director Shawn Levy (Night at the Museum) keeps things moving at a nice pace and for a comedy that almost tips the scales at two hours the result is a breezy laugher that’s as harmless as a low-level virus that has infected your G-Mail account.  Even a cameo by the sometimes unrestrained Will Ferrell lands squarely on the funny bone and doesn’t overstay its welcome.  While The Internship is most likely a film with little re-watch value, there’s a lot of fun to be had if you’re up for something that doesn’t involve star treks with iron men of steel on the pacific rim.

The Silver Bullet ~ The Internship

internship

Synopsis: Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.

Release Date: June 7, 2013

Thoughts: Watching the trailer for The Internship reminds me of the kind of movies we saw in the mid to late nineties – big studio comedies with a box office stars that were bright, fun, and harmless.  Though I’m not the biggest fan of either Vaughn or Wilson (and their current status as A-list box office stars is debatable) I have to say this looks like a welcome return to form for both comic actors.  While it does come off like a feature length ad for Google, I’d still bet good money that there are plenty of laughs to be had in this summer internship.