Movie Review ~ Jem and the Holograms

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The Facts:

Synopsis: As a small-town girl catapults from underground video sensation to global superstar, she and her three sisters begin a journey of discovering that some talents are too special to keep hidden

Stars: Juliette Lewis, Molly Ringwald, Aubrey Peeples, Stefanie Scott, Ryan Guzman, Hayley Kiyoko, Aurora Perrineau

Director: Jon M. Chu

Rated: PG

Running Length: 118 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: Though I found myself sitting through it often, I wouldn’t say that I was a huge fan of the Jem cartoon series that ran from 1985-1988. The animation was rough, the music was a little grating, and the focus on “glamour and glitter, fashion and fame” didn’t really register in my pre-teen consciousness. In the cartoon, Jerrica Benton is the owner of Starlight Music and, with the help of her holographic computer Synergy becomes Jem, a rock star singer taking the world by storm with her band the Holograms. They are often in competition with The Misfits, another all-girl band usually is up to no good and getting in the way of the Holograms success. It was fantasy entertainment to the tune of 80s girl group pop rock and it was nothing if not a pleasant distraction.

Talk of a big-screen Jem has been raging on for years and what was initially planned as an animated feature morphed into the live-action doozy that’s being released 27 years after the series ended. If you aren’t familiar with the cartoon you may be willing to give the filmmakers a pass in what is in the end another in a long line of failed female driven franchises. Banking on the success of Pitch Perfect and its sequel, Universal Studios enlisted director Jon M. Chu and screenwriter Ryan Landels to produce a new take on Jem and it’s a miscalculated failure on nearly every level.

First off, this should never have been a live-action film. The appeal of the cartoon was the colorful world of fantasy and fashion the series nailed in its relatively charming low-budget way. The concept of a holographic computer creating images and scenes to protect its owner isn’t that far removed from the kind of animated offerings released by major studios today. Plus how often have we had an all-out rock cartoon, and a female-led one at that? If anything, a feature length cartoon of Jem should have found its way to theaters in the early nineties after the series has ended.

Landels hollows out the film down to its bare bones, leaving most of the names intact and switching the gender of the main antagonist. Jerrica Benton is a meek singer/songwriter too scared to go out on her own still living with her younger sister Kimber (Stefanie Scott, Insidious: Chapter 3), and two foster sisters (Hayley Kiyoko and Aurora Perrineau). Times are tough and their guardian aunt (Molly Ringwald, Sixteen Candles) is in danger of losing their California suburban home, threating to split the tight-knit family apart. When Jerrica takes on the persona of Jem and records a late night acoustic song, Kimber uploads it onto YouTube where it becomes a viral sensation overnight, rocketing Jem to stardom.

This is when the movie first shows signs of jumping off the track. The sudden stardom of a YouTube superstar is something director Chu knows a thing or two about having helmed Justin Bieber’s film Never Say Never. There are definite parallels between Bieber’s swift rise and Jem’s quick ascent to pop culture icon, though I think Bieber released more than one song before audiences went totally wild. The film tries so unsuccessfully to have us believe that Jem causes a commotion based on one melancholy song that I half expected the entire movie to be a dream at the end.

Before they know it, the executive of Starlight, Erica Raymond (Juliette Lewis, Cape Fear, who is either brilliantly badass or crazed campy…I still can’t decide which) is guiding them through make-overs, pop-up concerts, and red carpet walks that leave the girls in a daze.   Erica’s son, Rio (Ryan Guzman, The Boy Next Door) is charged with watching over the band and, shocker, he develops a thing for Jerrica that threatens his relationship with his scheming mother.

Synergy is now a tiny robot, the kind you’d by at a Brookstone for Christmas and sell at your garage sale the next summer, and it presents the opportunity for the film to have one interesting nugget to keep audiences awake for the next 118 minutes (it’s so long…so very long). You see, before Jerrica and Kimber’s dad died, he left Synergy unfinished and the little bot wakes up when they enter Los Angeles offering clues to a treasure hunt of sorts. So while Jem is struggling with her newfound fame (the film takes place over the course of 30 activity filled days), Jerrica is on a personal quest to finish the work her father started.

Musically the film isn’t that memorable. While Peeples has a pleasantly sweet voice she lacks the overall presence and star power needed for Jem. Her big solo number comes across as Lady Gaga light, performing in front of limber back-up dancers (when did they rehearse?) that kept my attention more than she did. As a group, Jem and the Holograms aren’t that distinguishable from any number of girl groups populating the music landscape now. I kept waiting for The Misfits to make an appearance, challenging the girls to up their game in the music department. Sadly (and maybe spoiler alert?) there are no Misfits to be had and the group works their way through two generic sounding ditties. The overall message in Jem and the Holograms is learning to love yourself no matter what life throws at you or how scared you may be to show who you really are and it’s a worthy one…but it comes in such a neon colored empty bucket of a film that I wound up just wishing it was printed on a T-shirt. Chu fills the film with all kinds of social media interjections, randomly cross-cutting cinematic scenes with YouTube videos of undiscovered music acts. There are also a healthy number of testimonials from those personally affected by Jem discussing what her music means to them. I couldn’t tell if these were all scripted or if they were people actually honesty linking their personal experiences to Jem. It’s so heavy with current social media that in five or ten years’ time it will be looked at as a time capsule of the here and now.

I would have liked to see the movie either become a full-fledged musical (an impromptu a capella moment on a beach had potential) or be a period set piece with all the excess of the 80s. Instead, it’s a film in serious need of autotune.

Hasta La Vista…Summer (June)

arnold-terminator-almostdidnotstarHastaWe did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

June

If May was the month that studios dipped their toe in the summer waters, June was a time when they waded in up to their waists. The first weekend in June saw three high-profile releases, each catering to different audiences to mixed results.

After last summer’s disaster Tammy (my worst film of 2014) I was mighty suspicious of Spy, Melissa McCarthy and director Paul Feig’s action comedy. After having such success with Bridesmaids the duo reteamed for the underwhelming The Heat so it was a 50/50 shot at how well Spy would do. Lucky for us, it was McCarthy’s best performance to date and by far her most enjoyable film as a solo star. A great, game supporting cast helped make this highly entertaining.

I never watched HBO’s Entourage but felt like I knew what I was getting myself into when catching the big screen outing for the California guys navigating their way through Hollywood and a bevy of beautiful women. It was pretty on par with my expectations but I wasn’t lost in the wilderness with its plot. It was nicely made and an adequate diversion for the time I spent in the theater.

Scary films are usually left for early in the year or around Halloween but several studios were willing to gamble that audiences were ready to be spooked in the summer. First up this season was the third entry in a diminishing franchise:

                                                   Movie Review ~ Insidious: Chapter 3
insidious_chapter_three_ver6The Facts
:
Synopsis: A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Stars: Lin Shaye, Stefanie Scott, Dermot Mulroney, Leigh Whannell, Angus Sampson, Hayley Kiyoko
Director: Leigh Whannell
Rated: PG-13
Running Length:  97 minutes
Trailer Review: Here
TMMM Score: (6/10)
Review: I’ll say this for the third chapter of the Insidious franchise…it’s a lot better than the meandering second outing which strayed a tad too far away from its original mythology. A prequel to the two films, Chapter 3 focuses on a motherless girl that becomes the target of a pretty nasty specter of evil. It’s all fairly standard stuff but not quite as chilling as it thinks it is. The performances sat well with me and I loved that Lin Shaye, an actress that’s been in the biz for quite some time, was brought front and center because she ably carries the picture. I think it’s time to close the book on these films, and it didn’t go out as a total embarrassment…but it could have been handled better.

For some time now, the film I’d been most looking forward to was Jurassic World and on June 12 the film was released to thunderous acclaim from audiences and critics. It quickly broke box office records around the world and squashed any fears that the franchise had run its course. I loved it and happily saw it a second time in 3D IMAX, enjoying it even more on a repeat viewing. Now the wait begins for the next one…and I’m intrigued to see where it’s going next!

Halfway into June two dramas were released to good reviews but audiences didn’t quite seem to find them and I can only hope that they’ll find more success when they become more available via streaming services or rentals.

                                        Movie Review ~ Me and Earl and the Dying Girl
me_and_earl_and_the_dying_girlThe Facts
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Synopsis: High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
Stars: Thomas Mann, Olivia Cooke, RJ Cyler, Connie Britton, Molly Shannon, Nick Offerman, Jon Bernthal, Bobb’E J. Thompson
Director: Alfonso Gomez-Rejon
Rated: PG-13
Running Length: 105 minutes
TMMM Score: (8/10)
Review: I hardly expected to well up with tears at a movie from the director of the remake of The Town That Dreaded Sundown and several episodes of American Horror Story. But I did. Eschewing the gauzy mawkishness of the disease of the week melodrama, Me and Earl and the Dying Girl is a creative tear jerker that will make your mascara run…but maybe for not the reasons you expect. It’s almost worth the price of admission to see the titles of the parodies of classic films that are produced by our lead characters…but there’s much more to love about this sweet, knowing film that had a tender heart around its rough edges. Very much worth your time.

                                                         Movie Review ~ Love & Mercy
love_and_mercyThe Facts
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Synopsis: In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
Stars: John Cusack, Paul Dano, Paul Giamatti, Elizabeth Banks
Director: Bill Pohlad
Rated: PG-13
Running Length: 121 minutes
TMMM Score: (8/10)
Review: I almost let this one slip of out theaters before catching it and I’m so glad I did. It’s one of the best biopics (music or otherwise) that I’ve seen and features uniformly excellent performances…and this is an especially big accomplishment considering I’m not a fan of the three of the four lead actors. I normally find Paul Dano to be a bit like a marshmallow, puffy and flavorless but he presents a deeply nuanced portrait of Brian Wilson, the Beach Boy that suffered from mental illness and madness for most of his life. His brilliance is expertly captured by Dano, less so by John Cusack as the elder Wilson that enters into a relationship with a car saleswoman (Elizabeth Banks) while being treated by a therapist (Paul Giamatti) with questionable morals. Banks is great as always and whatever annoyances Cusack, Giamatti, and Dano have provided in the past are forgiven in director Carl Pohlad’s riveting look into the mind of a troubled man.

Now that I think about it, June was a month with movies that gave my tear ducts a run for their money…never more so than the one two punch of Pixar’s latest and greatest.

Before Inside Out even started, I was wiping my cheeks thanks to their moving short Lava. Entirely set to the music of the Hawaiian islands, it’s a heartfelt tribute to love, dreams, and destiny. I bought the song from iTunes and yes, was moved to tears just listening to the beautiful melody again.

                                                         Movie Review ~ Inside Out

inside_out_ver13The Facts:
Synopsis: After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions – Joy, Fear, Anger, Disgust and Sadness – conflict on how best to navigate a new city, house and school.
Stars: Amy Poehler, Bill Hader, Lewis Black, Mindy Kaling, Phyllis Smith, Diane Lane, Kyle MacLachlan
Director: Pete Docter, Ronaldo Del Carmen
Rated: PG
Running Length: 94 minutes
Trailer Review: Here
TMMM Score: (9/10)

Review: Stumbling a bit in recent years by focusing more on sequels instead of original material, the genius minds at Pixar came back in full force with Inside Out, their little lesson to audiences young and old that having emotions and showing them is natural…and a good thing. It’s difficult to present a message like that in a way that will speak to young children as well as the adults in the room but by George they did it. Growing up isn’t easy and feeling the loss of childhood is painful, but the gentle hand guiding the film helps us come to terms with those emotions in the best and brightest way. The waterworks started early and kept on going through the credits. A lovely film.

STAY TUNED FOR JULY & AUGUST!

CHECK OUT MAY!

 

The Silver Bullet ~ Jem and the Holograms

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Synopsis: Music executive, Jerrica Benton, lives a secret, adventurous life as a glamorous rock star named Jem.

Release Date: October 23, 2015

Thoughts: When I heard Universal Studios was getting behind a big screen treatment of the ‘80s cult cartoon Jem I was looking forward to a neon-colored camp odyssey that maintained the more fantastical elements while bringing the rock heroine forward into a new millennium.  After viewing the first trailer for Jem’s silver screen debut I’m…pretty bummed.  While I’m sure it will strike a chord with the Pitch Perfect crowd, this looks like a piffle of a mash-up of Josie and the Pussycats and Dreamgirls more than it does the Saturday morning flash-fest that inspired it.  Nice touch having ‘80s icon Molly Ringwald (Sixteen Candles) onboard and I’m never going to say no to a Juliette Lewis (Cape Fear) appearance…but yeesh…this looks terrible.