Movie Review ~ Mortal Engines

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The Facts
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Synopsis: In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.

Stars: Hugo Weaving, Hera Hilmar, Robert Sheehan, Frankie Adams, Colin Salmon, Stephen Lang

Director: Christian Rivers

Rated: PG-13

Running Length: 128 minutes

TMMM Score: (5.5/10)

Review:  In my review of the recently released Spider-Man: Into the Spider-Verse I bemoaned the turgid same-ness that is starting to torpedo genre films.  With most superhero movies following the same mold, it takes an outside of the box approach to make the film truly memorable and one that will keep it in your memory long after you leave theater.  The same rule applies to adaptations of YA novels.  While the Harry Potter films kicked off the current generation of lucrative franchise pictures based on popular novels for young adults, the genre really took off with the success (and superiority) of movies that were made out of The Hunger Games series.  With many imitators along the way (Divergent, The Maze Runner, Mortal Instruments: City of Bones), nothing has met the success or longevity of the Harry Potter or Hunger Games films and sadly the latest entry Mortal Engines joins that list of non-starters.

After a devastating event that caused much of the world to become unstable and uninhabitable, mankind has taken to living in cities on wheels that routinely swallow up smaller communities and use their resources for fuel.  The opening of Mortal Engines plunges us right into such a hunt, when the mobile city of London goes after a tiny salt mining town that’s no match for the former UK’s massive (and massively impressive) super metropolis.  It’s a jarring start to the movie and, without much context, leaves audiences to find their own bearing in a sea of character names and made-up terms.  It actually feels like the opening of a second or third film in an already established series, which has the effect of keeping the viewer at an outsider’s arm’s length from the outset.

On the confiscated town is Hester Shaw (Hera Hilmar, Anna Karenina, an Icelandic actress playing American not totally succeeding in losing her Nordic accent), a scarred young woman that has hoped for exactly this outcome.  She wants to gain access to London because that’s where Thaddeus Valentine is.  Valentine (Hugo Weaving, The Dressmaker) and Hester’s mother had a complicated history and Hester has come to settle a longstanding score.  When ambitious Londoner and historian Tom (Robert Sheehan) intercepts her attempt to assassinate Valentine only to then find himself on the run with Hester, the two are soon at the center of a plot that threatens any city in Valentine’s path.  At the same time, a resurrected creature (voiced by Stephen Lang, Don’t Breathe) relentlessly pursues Hester with his own agenda that Valentine uses to his larger advantage.

Based on the first of four novels in author Phillip Reeve’s bleak version of the future, Mortal Engines has been adapted for the screen and produced by Peter Jackson (The Hobbit: The Battle of the Five Armies).  It’s interesting to note that while Jackson wrote the script, produced the film, and had his Oscar-winning special effects WETA workshop design the impressive visuals, he left the directing duties to first-timer Christian Rivers, his long-time story boarder and protégé.  Rivers is no Jackson, though, and while his work assembling a visually appealing movie is impressive there is little in the way of emotional heft to make the film more than just an excuse for special effects and rousing soundtrack cues.

The movie also has a strong sense of post-production tinkering.  Why else would characters that seem to be of greater importance vanish for long stretches of time only to return when necessary or not at all?  Valentine has a spunky daughter (Leila George) that feels like she’s getting her own B-storyline but aside from a few quick intercuts of her in London while Hester and Tom are dodging steampunk kidnappers (in a nicely bizarre nod to a New Zealand-y Mad Max: Fury Road) she’s largely absent from the proceedings.  Then there’s a band of outlaws led by Anna Fang (Jihae, delivering her lines with dramatically committed sincerity) set to protect Hester who are barely-there sketches of your standard rouge gallery of grunts.

Though it boasts an impressive team behind the scenes, Mortal Engines doesn’t have enough gas to make much of a fire.

Movie Review ~ The Dressmaker

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The Facts:

Synopsis: A glamorous woman returns to her small town in rural Australia. With her sewing machine and haute couture style, she transforms the women and exacts sweet revenge on those who did her wrong.

Stars: Kate Winslet, Liam Hemsworth, Hugo Weaving, Sarah Snook, Judy Davis, Caroline Goodall

Director: Jocelyn Moorhouse

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: Watching The Dressmaker made me think back to a different time…not just the time when the haute couture fashions on display were commonplace but just a hop and a skip back to the mid 90s. That’s when there was a big influx of films imported from down under, mostly wacky comedies like Muriel’s Wedding and The Adventures of Priscilla, Queen of the Desert and dramas such as Shine. There’s just some particular Australian sensibility that plays like a genre unto itself, a fearlessness to sketch outsider characters that don’t have to be sympathetic or hyper-broad to engage us.

I’d almost forgotten about The Dressmaker, having posted my thoughts on its preview over a year ago. When its October 2015 release date passed, I all but put it out of my mind…save for a nagging worry in wondering why it didn’t open stateside as planned. Either I had the dates wrong or the pushback was deliberate because there’s certainly nothing wrong with this dark dramedy that scored a record 13 nominations at the Australian Oscars (that’s 1 more than Mad Max: Fury Road received, by the by).

The rural Australian outback is likened to our Old West and that ties in nicely with The Dressmaker’s operatic overtones. While it’s not an outright Western and there’s no horses, spittoons, or cowboy hats on display the film is very much in that vein, delighting in its revenge tale and maximizing the mystery surrounding a woman returning to town with a score to settle.

Arriving without notice in her one horse town in the dead of night, Tilly’s (Kate Winslet, Labor Day) first line, “I’m back you bastards.”, is delivered through an exhale of crisp cigarette smoke. It’s clear something bad happened here and through a series of flashbacks Tilly’s history with the town and its secrets comes to light. But first…there’s work to be done.

Her first stop is to the ramshackle house on the hill where her aged mother lives. Not recognizing her glamorous daughter at first (and continuing to deny knowing her long after she connects the dots), Molly (Judy Davis) gets scrubbed up and her clap trap home receives a good cleaning. The town is full of gossips, busybodies, crooked councilmen, and an array of other tightly wired curiosities…none of which are the least bit happy to see Tilly’s return. The only folk showing some interest is Teddy (Liam Hemsworth, The Expendables 2, dreamy to look at but at least a decade too young to play Winslet’s peer) and the cross-dressing town sergeant (Hugo Weaving, Cloud Atlas) who gets the first big laugh of the film with an unexpected exclamation.

Though they still prefer to keep her at a distance, Tilly’s transformative way with a needle and thread revitalizes the fickle women of the town who are willing to let bygones be bygones as long as they look good doing it. The past comes back to haunt them all, though, when old scars are opened and fresh wounds revealed, culminating in an unusually satisfying finale that successfully ties off a whole host of loose ends.

With her impressive Australian accent, Winslet fits right in as a woman who sticks out. Her fair white skin is a perfect contrast to the weather beaten sun scorched faces of a past clan she’s left behind but can’t quite escape. Weaving and Caroline Goodall are lively while Sarah Snook (Jessabelle) transforms from an ugly duckling to a glamorous swan with a dark side. The movie truly belongs to Davis, though, in a performance that deserves major award recognition. Nailing each laugh and then some, she’s the one you’ll be watching whenever she’s onscreen.

If there’s fault here, it’s that director Jocelyn Moorhouse (adapting the screenplay from the novel by Rosalie Ham) lets the film go on longer than it has to. Reaching its first climax about 75 minutes in, there’s still 45 more minutes for the wheels to grind and sputter before finding some fire as it leads up to the finale. All in all, it’s a minor problem to have when the rest of the elements are so solid. The Dressmaker hasn’t arrived in the US with much fanfare but here’s hoping that, like it’s heroine, it sneaks up on audiences in most surprising ways.

The Silver Bullet ~ The Dressmaker

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Synopsis: A glamorous woman returns to her small town in rural Australia. With her sewing machine and haute couture style, she transforms the women and exacts sweet revenge on those who did her wrong.

Release Date: October 29, 2015

Thoughts: Be warned, while I’ve yet to read Rosalie Ham’s novel on which this is based, this first look at The Dressmaker seems heavy on spoilers…a troubling pattern in previews lately.  If you’d rather wait for the finished product arriving on US shores in late 2015, you’ll be treated to a period drama set in the Australian outback starring Kate Winslet (Labor Day) as a woman returning home with a vengeance.  This seems more dark comedy than dark drama, a perfect fit for Winslet’s considerable talent.  Though I’m a bit leery that Jocelyn Moorhouse is at the helm having recently made it only halfway through her treacly 1995 misfire How to Make an American Quilt, I’m encouraged that the script comes courtesy of her husband, director P.J. Hogan who was responsible for the delightfully droll Muriel’s Wedding (and the less droll My Best Friend’s Wedding).  Still, any occasion for Winslet to appear onscreen is reason to celebrate, and she’s joined by Liam Hemsworth (The Expendables 2), Hugo Weaving (Cloud Atlas), an unrecognizable Judy Davis, and an actress everyone should be taking notice of…Sarah Snook (Jessabelle).

Movie Review ~ The Hobbit: The Battle of the Five Armies

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The Facts:

Synopsis: Bilbo and Company are forced to engage in a war against an array of combatants and keep the terrifying Smaug from acquiring a kingdom of treasure and obliterating all of Middle-earth.

Stars: Ian McKellen, Cate Blanchett, Martin Freeman,Stephen Fry, Jed Brophy, Christopher Lee, Orlando Bloom,Billy Connolly, James Nesbitt, Ian Holm, Hugo Weaving, Ken Stott, Benedict Cumberbatch, Graham McTavish, Lee Pace,Luke Evans, Evangeline Lilly, Richard Armitage, John Bell,Adam Brown, John Callen, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Sylvester McCoy, Dean O’Gorman, Mikael Persbrandt, Aidan Turner, Manu Bennett, Lawrence Makoare

Director: Peter Jackson

Rated: PG-13

Running Length: 144 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review:  So here it is…the final chapter of Peter Jackson’s return to Middle-earth and the end of his second trilogy featuring all sorts of hobbits, dwarves, elves, wizards, dragons, rings, etc.  Jackson’s Lord of the Rings trilogy is arguably an example of the truly best storytelling on film since the medium began and it helped that the movies comprising that original trilogy were based on three individual books.  With The Hobbit films, it’s been clear that Jackson struggled with the limitations of working with just one J.R.R. Tolkien book as the subject for three rather lengthy films.

Originally intended as a two-part series, somewhere along the line the concept of another trilogy was just too appealing and Jackson went back and shot more footage to fill out the narrative, drawing on the Appendices from Tolkien and creating an entirely new character in the form of a female woodland elf (Evangeline Lilly) that forms a connection with a dwarf.

I (along with many others) wasn’t quite enamored with 2012’s The Hobbit: An Unexpected Journey finding it too ponderous and uneventful even with its impressive technical merits. A year later, The Hobbit: The Desolation of Smaug suffered from another workmanlike introduction before hitting paydirt in its final hour when the dragon (voiced by Benedict Cumberbatch, Star Trek: Into Darkness) made his appearance.  Ending with a great cliffhanger, I think many fans were equal parts excited to see the finale in The Hobbit: The Battle of the Five Armies and relieved that this troubled chapter was closing.

Before seeing this last film I did something I didn’t do last year, I spent a day with my favorite Lord of the Rings fan and watched the first two Hobbit films in their extended versions back to back.  I suddenly found the narrative less onerous and appreciated the way that Jackson let the story unfold as brave hobbit Bilbo Baggins (Martin Freeman, The World’s End) traversed across the countryside with a group of dwarves toward the Lonely Mountain searching for a stone that would restore a kingdom to its rightful owners.

Unlike the original Lord of the Rings films, these three Hobbit entries are essentially one long (looooooong) movie and should be seen together.  Now, I’m sure your rump just let out a little squeal of disagreement but I know I enjoyed The Hobbit: The Battle of the Five Armies as much as I did because I had seen its two predecessors shortly before.  Now, Jackson’s stretching of the material wasn’t quite so objectionable and began to make a lot of sense.

That’s not to say The Hobbit: The Battle of the Five Armies doesn’t fall into the same traps that befell the earlier entries.  There’s still a questionable amount of scenes that go on longer than they should; Jackson backs off on his gained momentum when he should be blazing forward.  The battle sequences occupy the majority of this chapter and at times it can be an overwhelming experience, but on the other hand they’re staged with the kind of epic grandeur that recalls old Hollywood epics featuring casts of thousands.

The digital rendering of an endless supply of hideous evils are a sight to behold and the technicians involved should not only pick out their attire for the Oscar ceremony now, they should ready their acceptance speeches.  It’s the highest level of proficiency I’ve seen out of Jackson’s effects house and the results are excellent.

As for the flesh and blood actors, all deliver solid performances that tie in nicely to the events that follow in the Lord of the Rings series.  Though there are a few references to future characters that seem overly shoehorned in, I gotta say that I appreciated how well Jackson and co. make sure that all the ends are connected before the credits roll.

Along with Freeman’s jittery Bilbo (I’ve decided he’s the Hugh Grant of hobbits) there’s Ian McKellen’s (X-Men: Days of Future Past) wise wizard Gandalf, Richard Armitage’s (Into the Storm) haunted dwarf who would be king, and the luminous Cate Blanchett’s (Blue Jasmine) as Galadriel who winds up with one of the film’s most thrilling moments that’s nearly worth the price of admission in and of itself.

One couldn’t be blamed if the feeling to move right into a Lord of the Rings marathon is present as this film reaches its conclusion.  Jackson has seen to it that the transition between his two trilogies is fluid and while he won’t win an Oscar for his efforts this time around, he deserves another round of applause for the world he brought to life in six films.  A high-water achievement as a filmmaker…even if The Hobbit films still can’t hold a candle to the Lord of the Rings trilogy.

The Silver Bullet ~ The Hobbit: The Battle of the Five Armies

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Synopsis: The Company of Thorin has reached Smaug’s lair; but can Bilbo and the Dwarves reclaim Erebor and the treasure? And, if so, can they hold on to it?

Release Date: December 17, 2014

Thoughts: All those eyebrows that have been raised since Peter Jackson returned to Middle Earth and the land of elves, hobbits, dragons, and wizards will finally get a chance to rest once the final chapter of The Hobbit trilogy is released in December. Though the trilogy hasn’t been met with the same rapturous acclaim that The Lord of the Rings films accumulated, there’s no denying Jackson has leveraged his talents to see it all through to the very end. I was slow to warm to The Hobbit: An Unexpected Journey and thought The Hobbit: The Desolation of Smaug was an improvement so I hope that trajectory continues. Even with the endless debate about Jackson’s use of advanced filming technology and employment of 3D can’t diminish my overall respect for his hefty accomplishment. Looking forward to this, no question.

Down From the Shelf ~ Captain America: The First Avenger

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The Facts:

Synopsis: After being deemed unfit for military service, Steve Rogers volunteers for a top secret research project that turns him into Captain America, a superhero dedicated to defending USA ideals.

Stars: Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Sebastian Stan, Dominic Cooper, Toby Jones, Neal McDonough, Derek Luke, Stanley Tucci

Director: Joe Johnston

Rated: PG-13

Running Length: 123 minutes

TMMM Score: (8/10)

Review: When Captain America: The First Avenger came out, I was feeling all together ho-hum about the Marvel franchise so far. Full disclosure, I was more of a DC Comics fan growing up and the Avengers universe was a bit of a foreign entity to me. That being said, I always had an appreciation for Captain America…even allowing myself to like (just a little!) the disastrous 1990 failed attempt to bring the character back to the big screen.

In July of 2011, audiences had already met Iron Man (twice!) and Thor and while I liked the initial Tony Stark adventure way more than I liked the muddled snoozer centered on the Norse warrior, I wasn’t totally sold that Captain America would live up to my expectations. So it was a nice surprise to find that not only was Captain America: The First Avenger a hugely entertaining film but that it achieved this by relying on an old-fashioned style of filmmaking that put the characters first and the special effects second.

Beginning in the present with the discovery of a familiar calling card, the film jumps back in time to the early 40’s when America was in the early stages of World War II. Looking for a few good soldiers, the US recruited an entire generation of men and women to serve their country overseas. Longing to be of service to Uncle Sam, scrawny Steve Rogers (a digitally wimp-ized Chris Evans) can’t make it past the medical exam after half a dozen attempts. His passion catches the eye of a German scientist (Stanley Tucci, The Hunger Games: Catching Fire) and Rogers is soon in basic training as a candidate to create a new soldier.

Under the watchful eye of a grumpy Colonel (Tommy Lee Jones, Lincoln) and pretty but tough Peggy Carter (dynamite Hayley Atwell), it isn’t long before Rogers is beefed up and buffed out thanks to a procedure concocted by Howard Stark (Dominic Cooper, Need for Speed, as Iron Man’s pappy) that makes him a freedom fighting machine. As much a piece of pro-America propaganda as was produced in the same time period, Captain America: The First Avenger occupies the rest of its run length with Rogers weathering the good and bad of his newfound power and a deadly battle with the Red Skull (Hugo Weaving, Cloud Atlas) a nasty Nazi with a typically nasty Nazi plot for world domination.

With his all-American looks, Evans (The Iceman) is the perfect figure to play such an all-American hero…even though the effect to make him look small at the beginning of the film is kinda goofy. Though he had to be convinced more than once to take the role, he’s the right man for the job. Weaving is appropriately frightening as the red-faced terror and Jones hrumphs with the best of them. I still feel that Atwell’s plucky heroine is the best female character to date in the Marvel franchise…here’ s hoping the rumored television series based on her Agent Carter comes to life.

A worthy origin story, the film reminded me a lot of The Rocketeer, Disney’s notorious 1991 flop that coincidentally was also directed by Joe Johnston. I liked The Rocketeer, flaws and all, and Johnston seems to be trying to redeem himself in the eyes of comic book aficionados everywhere. Unlike Iron Man and Thor, I never felt like Captain America: The First Avenger existed only to bridge the gap to the film that would become The Avengers a year later in 2012. It does supply the last bit of info before that movie arrived but is still enjoyed on its own merit.

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Movie Review ~ The Hobbit: The Desolation of Smaug

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The Facts:

Synopsis: The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug.

Stars: Ian McKellen, Martin Freeman, Richard Armitage, Orlando Bloom, Evangeline Lilly, Benedict Cumberbatch, Luke Evans, Stephen Fry, Lee Pace

Director: Peter Jackson

Rated: PG-13

Running Length: 161 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review:  A little over a year ago the groans heard ‘round the world were from the audiences coming out of the first installment of Peter Jackson’s Hobbit trilogy.  After waiting so long for the director’s vision of J.R.R. Tolkien predecessor to The Lord of the Rings trilogy, the disappointing first film was a tough one to sit through, hardly justifying its nearly three hour running length.  Adding to some headaches was the High Frame Ratio (HFR) filming style the movie was released in, which displays the film at 48 frames per second instead of the usual 24.  This creates an overly realistic image that some audiences (including myself) had a hard time adjusting to.  I closed my review of The Hobbit: An Unexpected Journey by saying “I only hope that in the time he {Peter Jackson} has until the next film is released Jackson listens to the feedback on the pace and edits the next entries accordingly.”

Well it’s a year later and I’m happy to say that Jackson must have listened to me ( 🙂 ) because The Hobbit: The Desolation of Smaug represents a significant improvement in almost every area that wasn’t quite up to snuff the first time around.  Though the film is still overinflated to fill out the requirements of a trilogy, there’s more action to hold your attention and some incredible effects sequences that had me on the edge of my seat.  Seeing it again in 3D HFR I found the projected image a lot easier to adjust to, with only a few select sequences coming off as funky due to the way the HFR affects movement. 

Picking up where the first film left off (after a brief prologue that comes before the events of the first film), we are once again partners on a journey with Bilbo and the dwarves in their quest to make it to The Lonely Mountain to reclaim their rightful homeland.  Along the way they encounter a bevy of roadblocks like large spiders, shape shifting men, fiendishly rendered orcs, and combative elves…all trying to knock them off their path toward the mountain.

Of course, it’s all a means to an end because anyone that has read the books or seen the previews or read the title knows that a meeting with the destructive dragon Smaug is pending.  Whatever you may think about the first 2/3 of the film, it’s the final act where Bilbo comes face to face with the fire-breathing monster where the film earns some major brownie points.  Smaug, (voiced by Benedict Cumberbatch, Star Trek: Into Darkness, 12 Years a Slave) is a stunning creation of visual effects, seamlessly blending in with the live action sets and stars – the digital titans at the special effects company WETA have truly outdone themselves here. 

Though the time flies once the dragon appears on screen, I did find the first chunk of the movie easy to sit through even if my mind wandered more than I’d like and my eyes drifted to my watch on more than one occasion.  Though Evangeline Lilly’s sylvan elf character Tauriel was created solely for these final two films, I found her presence to be very strong.  The bad part is that her supposed romance with dwarf Kili unfortunately adds lengthy time to the already long movie and isn’t really necessary or truly integral to the plot.  Who knows how this romance will factor into the final film but it did feel like extraneous filler to stretch out the running length. 

Overall, this film really delivers the goods.  Though it’s clear now that The Hobbit films won’t be able to topple the original trilogy, fans of Tolkien’s work or Jackson’s previous Lord of the Rings films should find more reasons to like this second installment while being reminded once again how special that original trilogy was.  Ending with a dynamite cliffhanger, a year seems too far away to be able to finish the journey in middle earth.  If you had asked me a year ago, I’d have said that a year wasn’t long enough.  A grand improvement of a film.

The Silver Bullet ~ The Hobbit: The Desolation of Smaug

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Synopsis: The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug.

Release Date:  December 13, 2013

Thoughts: I’d like to say I was one of the relative few that accepted Peter Jackson’s The Hobbit: An Unexpected Journey with a forgiving embrace but alas I couldn’t give myself over to a film that was long in the tooth and overstuffed with material that wasn’t needed.  Though a technical marvel that made some huge steps for filmmaking, there was a strange void that was never filled by anything that flew across the screen.  The second installment is being prepped for release in December and here’s hoping that Jackson and co. went back to the original Lord of the Rings trilogy of films and re-examined what made them so special.  The heart and soul from those films was missing from Part 1 of The Hobbit – let’s keep our ringed fingers crossed Part 2 rights some wrongs.

Movie Review ~ The Hobbit: An Unexpected Journey

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The Facts:

Synopsis: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug

Stars: Ian McKellen, Martin Freeman, Cate Blanchett, Orlando Bloom, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood, Evangeline Lilly, Andy Serkis

Director: Peter Jackson

Rated: PG-13

Running Length: 169 minutes

Trailer Review: Here and Here

TMMM Score: (6/10)

Review:  Several months ago, I posted the teaser poster for The Hobbit: An Unexpected Journey and said “I’m not ready to admit how much I’m looking forward to this.”  As a huge fan of the original trilogy of The Lord of the Rings I, like many, have been counting down the days, hours, minutes to the release of this first entry in another trilogy of films based on J.R.R. Tolkien’s The Hobbit.  It had been years since I read the book so I picked it up again in the last few weeks to reorient myself with Tolkien’s world and the various characters that he introduced us to.   As I read, I couldn’t help but notice how light the book was, how episodic it felt, and how sparse it seemed.  How would they make three whole movies out of this?

Now, I know (and you probably know) that there’s more to this Hobbit than just what happens in the novel.  A troupe of screenwriters (including director Jackson and would-be director Guillermo del Toro) went back to Tolkien’s appendices, notes, and maybe laundry lists to stretch the shortest of his Middle Earth novels into three films.  With The Lord of the Rings, this method would have made sense…but with this first part of The Hobbit it pulls a bit too tightly and instead of the truly satisfying experience the original trilogy was we have a fairly decent but by no means exceptional fantasy adventure.

Being totally objective and taking my love of the novels/films out of it, I would be remiss if I didn’t mention that the movie is only really good for the final 1/3 and even then you may be so exhausted from the dizzying visuals and lengthy slow sections that it may be too little too late.  I’m a fairly forgiving audience member with films that start off slowly and end with a bang and this almost makes its case with a rousing finale…but in the days following my screening of the film I can’t get over a tad bit of melancholy that The Hobbit: An Unexpected Journey wasn’t the experience I wanted.

Maybe the problems really started with the arduous journey the movie had in getting to the big screen.  Behind the scenes squabbling by its parent studios kept director Guillermo del Toro out of the director seat (don’t cry for him, Bilbo Baggins, he has Pacific Rim coming out next year and it looks like a doozy!) and as years stretched between the last Lord of the Rings film (which won Best Picture and Best Director for Jackson) it seemed like all hope was lost.  Originally not interested in directing, Jackson finally came onboard and the rest was history…well all except for the fact that what was originally conceived as a two-part adventure was hurriedly split into three.  I still have big problems with this decision because based on this first part, there’s not enough meat to go around the feast.

Ok, ok…it’s not a bad film…let’s be clear.  It’s possible, though, that expectations were so high that anything even remotely wrong with the film would be put under an intense magnification making it seem like it was a much bigger deal than it really is.  So the film takes a while to get going, pondering around in the shire of Bilbo Baggins as he is swept into an adventure involving wizards, dwarves, elves, goblins, and one dragon quite protective of his own turf…what of it?  Every story needs a good introduction, right?  Well…kinda.  The opening of the film winds up feeling like the Extended Edition which will inevitably follow when it’s released for home viewing. 

Though the first part of the film taking place in Bilbo’s shire is capped off nicely with an all hands on deck story-song that Jackson films impeccably, it’s largely uninteresting because nothing much is happening.  It’s only when Bilbo (Freeman) hits the road with Gandalf (McKellan…beyond reproach) that the film gets moving too and despite a few creaky bits along the way the film gets better with each new digital creature acting on a virtual landscape of Jackson’s creation.

Let’s talk about the much hyped new filming technique that Jackson has employed here.  In addition to being released in 3D, audiences have the choice to see the film in HFR (High Frame Ratio).  In an attempt to reduce blur and flickering in a film, Jackson has piloted an industry first of shooting the film at 48 frames per second instead of the usual 24.  What this creates is a quite lifelike display of action…almost uncomfortably so.  The fourth wall is seemingly broken and I’d liken it to a state of the art HD television.  Some of this works and some of this doesn’t…any scene taking place in the daylight looks almost too realistic while sequences at night seem to capture the technique the best.   HFR provides some astonishing clarity but when it’s coupled with heavy digital effects and 3D, I found myself having to close my eyes so I didn’t get dizzy.  That’s never happened to me with any film until know so it has to be the overall impact of the HFR that caused it.  As with any progression of filmmaking, HFR is going to take some time to get used to.  It’s hard to describe it if you haven’t seen it – but it’s up to you if you want to shell out the extra money for it (I saw the film in the evening, in a VIP section at the Icon, and in HFR3D and paid $19).

In all honestly, I think I need to see the film again to really make up my mind how I feel about it.  This review represents my initial reaction to the film and HFR and perhaps over time I’ll change my opinion when I can compare it to the films that are coming in the next two years (The Hobbit: The Desolation of Smaug is due one year from now and The Hobbit: There and Back Again follows in summer 2014).  I only hope that in the time he has until the next film is released Jackson listens to the feedback on the pace and edits the next entries accordingly.