Movie Review ~ Insidious: The Last Key

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The Facts
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Synopsis: Parapsychologist Dr. Elise Rainier faces her most fearsome and personal haunting yet – in her own family home.

Stars: Lin Shaye, Angus Sampson, Leigh Whannell, Josh Stewart, Caitlin Gerard, Kirk Acevedo, Javier Botet, Bruce Davison, Spencer Locke, Tessa Ferrer, Ava Kolker, Marcus Henderson

Director: Adam Robitel

Rated: PG-13

Running Length: 103 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: By the time a franchise gets around to its third sequel, there’s a definite formula that’s been developed, a ‘if it ain’t broke, don’t fix it’ vibe, if you will.  As derivative as it may seem artistically, unfortunately all movie studios care about is the bottom line and as long as audiences continue to come out in droves with their cash handy, they’ll keep making the same movie over and over again.  That’s what’s been so interesting about the Insidious films; they’ve all followed the same pattern and have similar beats to hit but they wind up being more entertaining than they have any right to be.  After two successfully entries the series ventured into prequel territory for it’s third outing and this new film is a sequel to that prequel.

While it doesn’t tread any new ground, Insidious: The Last Key proves worthy as connective tissue from Insidious: Chapter 3 to the original Insidious (let’s just leave Insidious: Chapter 2 far out of the conversation, shall we?) and it’s largely due to supporting player turned star Lin Shaye (A Nightmare on Elm Street) appearing once more as medium Elise Rainer.  The other three films have benefited from her presence but she’s truly the central figure of screenwriter and co-star Leigh Whannell’s latest episode.

Opening with a prologue set in the ‘50s, we meet Elise as a child living with her parents and brother in their creepy house next to a maximum-security prison.  Every time the lights flicker it’s a signal another death row inmate has met his maker via electric chair but that’s the least of the worries this family has.  Elise can see ghosts and while she’s encouraged to embrace it by her supportive mother, her alcoholic father (Josh Stewart, Interstellar) fears his child that can seemingly communicate with the dead and punishes her when her gifts emerge.  Charmed by an evil entity into freeing it from its basement confines, Elise unwittingly brings a malevolent force into her family which sets into motion events that will haunt her for the rest of her life.

Picking up in 2010, Elise is contacted by a man now living in her old house.  Strange events have started up again and she takes his invitation as an opportunity to exorcise (literally) her childhood traumas and reconnect with her brother (Bruce Davison, The Lords of Salem) who has a family of his own, including two daughters played by Magic Mike’s Caitlin Gerard and Spencer Locke.  As she explores her house (always, I should add in the dead of night armed with a small flashlight and never during the day) she comes face to face not only with secrets from her past but a freaky figure we come to know as KeyFace (Javier Botet, IT).

After the first two films were directed by James Wan (The Conjuring) and the previous entry directed by Whannell, I was encouraged to see a new face in the director chair this go around.  Director Adam Robitel wrote and directed the real horror gem The Taking of Deborah Logan a few years ago so I was interested to see what he brought to the franchise.  Turns out Robitel brings a more grounded approach to the film and while that doesn’t always work for a vehicle that’s supposed to be an all-out scare machine, his approach feels right at this late stage.  These are characters we’re all familiar with, so let’s take some time to get to know them between the scares.

That’s good news for Shaye who shines even when she’s navigating clunky dialogue and playing the straight man to her goofy sidekicks played by Whannell (Cooties) and Angus Sampson (Mad Max: Fury Road).  Both of these oddballs provided some interesting comic relief in the first film but have steadily gotten broader with each passing entry, much to the overall detriment of any kind of mood everyone is trying to create.  Davison looks like he’s thinking of what he’s going to buy with his paycheck while Gerard and Locke are passable as characters that might pick up the psychic torch from their aunt.

This feels like a good way to round off the rough edges of this series that started strong, dipped, and then leveled off.  It misses a few opportunities to go deeper and actually is missing creepy scenes shown in the trailer.  I found it interesting that while Elise’s haunted house is next to an imposing abandoned prison, we never get a look inside the derelict penitentiary. It’s worth seeing it with a large audience that’s there to have fun.  The screams at my screening were as entertaining as the film itself, especially the woman that yelled out ‘Gosh DARN it’ after a particularly nasty scare. There are a few interesting curveballs thrown in and it’s packed with enough jump scares to satisfy your post-holiday cravings.  Just remember: it’s not art, it’s the fourth entry in the Insidious series.

Hasta La Vista…Summer (June)

arnold-terminator-almostdidnotstarHastaWe did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

June

If May was the month that studios dipped their toe in the summer waters, June was a time when they waded in up to their waists. The first weekend in June saw three high-profile releases, each catering to different audiences to mixed results.

After last summer’s disaster Tammy (my worst film of 2014) I was mighty suspicious of Spy, Melissa McCarthy and director Paul Feig’s action comedy. After having such success with Bridesmaids the duo reteamed for the underwhelming The Heat so it was a 50/50 shot at how well Spy would do. Lucky for us, it was McCarthy’s best performance to date and by far her most enjoyable film as a solo star. A great, game supporting cast helped make this highly entertaining.

I never watched HBO’s Entourage but felt like I knew what I was getting myself into when catching the big screen outing for the California guys navigating their way through Hollywood and a bevy of beautiful women. It was pretty on par with my expectations but I wasn’t lost in the wilderness with its plot. It was nicely made and an adequate diversion for the time I spent in the theater.

Scary films are usually left for early in the year or around Halloween but several studios were willing to gamble that audiences were ready to be spooked in the summer. First up this season was the third entry in a diminishing franchise:

                                                   Movie Review ~ Insidious: Chapter 3
insidious_chapter_three_ver6The Facts
:
Synopsis: A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Stars: Lin Shaye, Stefanie Scott, Dermot Mulroney, Leigh Whannell, Angus Sampson, Hayley Kiyoko
Director: Leigh Whannell
Rated: PG-13
Running Length:  97 minutes
Trailer Review: Here
TMMM Score: (6/10)
Review: I’ll say this for the third chapter of the Insidious franchise…it’s a lot better than the meandering second outing which strayed a tad too far away from its original mythology. A prequel to the two films, Chapter 3 focuses on a motherless girl that becomes the target of a pretty nasty specter of evil. It’s all fairly standard stuff but not quite as chilling as it thinks it is. The performances sat well with me and I loved that Lin Shaye, an actress that’s been in the biz for quite some time, was brought front and center because she ably carries the picture. I think it’s time to close the book on these films, and it didn’t go out as a total embarrassment…but it could have been handled better.

For some time now, the film I’d been most looking forward to was Jurassic World and on June 12 the film was released to thunderous acclaim from audiences and critics. It quickly broke box office records around the world and squashed any fears that the franchise had run its course. I loved it and happily saw it a second time in 3D IMAX, enjoying it even more on a repeat viewing. Now the wait begins for the next one…and I’m intrigued to see where it’s going next!

Halfway into June two dramas were released to good reviews but audiences didn’t quite seem to find them and I can only hope that they’ll find more success when they become more available via streaming services or rentals.

                                        Movie Review ~ Me and Earl and the Dying Girl
me_and_earl_and_the_dying_girlThe Facts
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Synopsis: High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
Stars: Thomas Mann, Olivia Cooke, RJ Cyler, Connie Britton, Molly Shannon, Nick Offerman, Jon Bernthal, Bobb’E J. Thompson
Director: Alfonso Gomez-Rejon
Rated: PG-13
Running Length: 105 minutes
TMMM Score: (8/10)
Review: I hardly expected to well up with tears at a movie from the director of the remake of The Town That Dreaded Sundown and several episodes of American Horror Story. But I did. Eschewing the gauzy mawkishness of the disease of the week melodrama, Me and Earl and the Dying Girl is a creative tear jerker that will make your mascara run…but maybe for not the reasons you expect. It’s almost worth the price of admission to see the titles of the parodies of classic films that are produced by our lead characters…but there’s much more to love about this sweet, knowing film that had a tender heart around its rough edges. Very much worth your time.

                                                         Movie Review ~ Love & Mercy
love_and_mercyThe Facts
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Synopsis: In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
Stars: John Cusack, Paul Dano, Paul Giamatti, Elizabeth Banks
Director: Bill Pohlad
Rated: PG-13
Running Length: 121 minutes
TMMM Score: (8/10)
Review: I almost let this one slip of out theaters before catching it and I’m so glad I did. It’s one of the best biopics (music or otherwise) that I’ve seen and features uniformly excellent performances…and this is an especially big accomplishment considering I’m not a fan of the three of the four lead actors. I normally find Paul Dano to be a bit like a marshmallow, puffy and flavorless but he presents a deeply nuanced portrait of Brian Wilson, the Beach Boy that suffered from mental illness and madness for most of his life. His brilliance is expertly captured by Dano, less so by John Cusack as the elder Wilson that enters into a relationship with a car saleswoman (Elizabeth Banks) while being treated by a therapist (Paul Giamatti) with questionable morals. Banks is great as always and whatever annoyances Cusack, Giamatti, and Dano have provided in the past are forgiven in director Carl Pohlad’s riveting look into the mind of a troubled man.

Now that I think about it, June was a month with movies that gave my tear ducts a run for their money…never more so than the one two punch of Pixar’s latest and greatest.

Before Inside Out even started, I was wiping my cheeks thanks to their moving short Lava. Entirely set to the music of the Hawaiian islands, it’s a heartfelt tribute to love, dreams, and destiny. I bought the song from iTunes and yes, was moved to tears just listening to the beautiful melody again.

                                                         Movie Review ~ Inside Out

inside_out_ver13The Facts:
Synopsis: After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions – Joy, Fear, Anger, Disgust and Sadness – conflict on how best to navigate a new city, house and school.
Stars: Amy Poehler, Bill Hader, Lewis Black, Mindy Kaling, Phyllis Smith, Diane Lane, Kyle MacLachlan
Director: Pete Docter, Ronaldo Del Carmen
Rated: PG
Running Length: 94 minutes
Trailer Review: Here
TMMM Score: (9/10)

Review: Stumbling a bit in recent years by focusing more on sequels instead of original material, the genius minds at Pixar came back in full force with Inside Out, their little lesson to audiences young and old that having emotions and showing them is natural…and a good thing. It’s difficult to present a message like that in a way that will speak to young children as well as the adults in the room but by George they did it. Growing up isn’t easy and feeling the loss of childhood is painful, but the gentle hand guiding the film helps us come to terms with those emotions in the best and brightest way. The waterworks started early and kept on going through the credits. A lovely film.

STAY TUNED FOR JULY & AUGUST!

CHECK OUT MAY!

 

The Silver Bullet ~ Insidious: Chapter 3

insidious_chapter_three

Synopsis: This chilling prequel, set before the haunting of the Lambert family, reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.

Release Date:  May 29, 2015

Thoughts:  Though 2010’s Insidious had a healthy share of moments that scared the ever-lovin’ beejeezus out of me I was less impressed with the 2013 sequel that relied heavily on cheap scares and had so many plot holes it should have come with a promotional slice of Swiss cheese. With original director James Wan (The Conjuring) off working on another film, writer Leigh Whannell moves into the director chair for this third installment designed as a prequel. This may turn out to be a good thing because it gives us a chance to spend more time with the most interesting character of the first films…psychic Elise Rainier (Lin Shaye, A Nightmare on Elm Street) as she helps another family rid themselves of some nasty demons. Hopefully Whannell learned from the missteps of the last film…though you’d never know it from the conventional looking teaser. Still, I’m willing to read another chapter in Whannell’s terror tale.

Down from the Shelf ~ Insidious

insidious

The Facts:

Synopsis: A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.

Stars: Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Barbara Hershey, Joseph Bishara, Leigh Whannell, Angus Sampson

Director: James Wan

Rated: PG-13

Running Length: 103 minutes

TMMM Score: (7/10)

Review: One of my all time favorite horror films is 1982’s Poltergeist.  Following a family experiencing strange goings on in their house, the film came from the mind of Steven Spielberg and was directed by Tobe Hooper who shocked audiences with The Texas Chainsaw Massacre.  It remains a shining example in the horror genre as a perfect balance of supernatural horror and family drama.

So it’s no big shocker that I have a fondness for 2010’s Insidious which, if you really think about it, is practically a modern day retelling of Poltergeist.  It follows the Poltergeist formula quite faithfully, i.e. suburban family of five is terrorized by ghostly happenings, eventually calling on a medium to figure out what (or who) the heck is reaching out from the other side.  Frights and freak-outs abound until the final showdown when the living and the dead collide.

I’m still aghast that 2014 will see the release of a Poltergeist remake so why am I letting Insidious off the hook so easily?  Well, it’s because Insidious is still very much its own movie with its own twist on the well-worn ghost story.  Director James Wan (The Conjuring) and screenwriter/supporting star Leigh Whannell (Saw) cleverly work in more than a few spine-tingling turns and several honest-to-goodness terrifying moments.  There are certain sequences in the film that to this day I find hard to watch without feeling my heart start to race.

It helps that Wan has gathered a unique cast together that you may not normally associate with horror films.  Patrick Wilson (Prometheus) has come a long way from the guy I saw in the The Full Monty on Broadway and he is an interesting enough actor to not let himself get pigeon-holed in one character.  While Bridesmaids was still a year away for Rose Byrne (The Internship), she’d already made a minor splash on television with her twisty, layered role on Damages.  The first time I saw the movie I remember not caring much for Byrne’s performance but revisiting it recently I found her to be the true solid center of the troupe.

Colorful supporting performances abound including Barbara Hershey’s minor role as Wilson’s mother who has some key information about the origin of the strange events besieging her son and his family.  Though Hershey memorably starred in the otherwise unmemorable The Entity from 1982 (in which her nude body was famously molested by a ghost) she wasn’t known for her work in this genre.  Lin Shaye, Whannell, and burly Angus Sampson are part of a trio of paranormal researchers that help the family get to the root of the evil that gives way to a spooky as all get out finale.

Wan’s freaky final act of Insidious has the same effect as going through a haunted house – working with cinematographers David M. Brewer and John R. Leonetti he puts the audience right there with the actors never letting the viewer see something that the others don’t.  It’s a nerve-wracking sequence heighted by Joseph Bishara’s nightmare-inducing score, not to mention Bishara’s performance as “Lipstick-Face Demon”.

Though a low-budget film, the movie has a nice shine to it and holds up on repeat viewings…which is saying something for a horror film dependent on the element of surprise.  It’s a tad too long and some viewers may find a few passages a little silly but it’s all part of the fun and (scary) games Wan and company have waiting for you.

The Silver Bullet ~ Insidious: Chapter 2

insidious_chapter_two

Synopsis: The haunted Lambert family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.

Release Date:  September 13, 2013

Thoughts:  All eyes are going to be on this September horror flick for a variety of reasons.  First and foremost: it’s a follow-up to 2010’s surprise hit that was heavy on atmosphere over gore and quite effectively made haunted house flicks scary again.  Speaking of haunted houses, this will be James Wan’s second film in 2013 that centers on a family terrorized by more than just the things that go bump in the night.  Wan was also responsible for July’s The Conjuring, one of the scariest films I’ve seen in years (you’ve seen it, right…I mean, right?) so we all know he has the goods to tap into what freaks us out the most.  Had this movie been released in 2011 as a quick cash-grab I may be more hesitant about it but knowing that Wan and company took their time with it gives me good vibes…and some ominous chills.

Thoughts: