Movie Review ~ Bombshell

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The Facts
:

Synopsis: Female employees at Fox News take on a toxic male culture, leading to the downfall of media mogul Roger Ailes.

Stars: Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow, Kate McKinnon, Connie Britton, Allison Janney, Malcolm McDowell, Mark Duplass, Alice Eve, Alanna Ubach

Director: Jay Roach

Rated: R

Running Length: 108 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review:  I’m sure it’s because I’m a lifelong MN but I still recall that night in 1989 when Gretchen Carlson from Anoka won the Miss America pageant after impressing the judges with her talent (violin), poise, and that aquamarine gown.  I always felt that MNs should stick together and since I rooted for her so vehemently to win I obviously thought we were best friends so I was dismayed when Carlson turned up on the Fox news network in a morning show that routinely spoke out against issues that I felt strongly about.  Now I didn’t follow Carlson’s career closely, mind you, but the station was always in the media for something and she seemed to be at the center of attention – so when she was fired it wasn’t just big national news, it was buzzed about in the local press as well.

Carlson is one of a handful of familiar Fox faces that are featured in Bombshell, a true-ish account of the lawsuit Carlson initiated against her former boss and how it turned into a media frenzy that topped a once-solid empire.  Yet from the outset it’s hard to view Bombshell and not address the elephant in the room: Fox News was and is a hugely problematic news outlet with anchors known for stirring the pot, making uninformed statements, introducing unsubstantiated facts, and orchestrating countless take downs of anyone that doesn’t share the agenda they’re pushing.  An already uneasy world has been made more dangerous by the untruths they perpetrate – and now we’re supposed to sit in a theater for two hours and watch beautiful female employees at Fox sob about internal misconduct without also examining the fuel they added to their company bonfire?  It’s a hard place to get to for some, but I found my way into this world thanks to stellar performances, a sharp script, and assured direction.

As the primary elections are ramping up in 2015, anchor Megyn Kelly (Charlize Theron, Atomic Blonde) prepares for the Republican Party presidential debate and doesn’t shy away from asking then-candidate Donald Trump about his poor history with women, welcoming a firestorm of criticism but drawing huge ratings for her network.   This pleases her boss Roger Ailes (a sublimely slimy John Lithgow, Pet Sematary) but makes life with her children and husband (Mark Duplass, Tammy) fraught with anxiety.  In the same period, on-air reporter Gretchen Carlson (Nicole Kidman, The Goldfinch) struggles with her own show, thought of to her as a demotion from her prime spot as the third member of Fox and Friends.  Seeing the writing on the wall, she engages with lawyers to discuss her options on suing Ailes for harassment should he fire her, willing to bring up his sordid history of propositioning female employees for sexual favors.

It seems Ailes has a long reputation of harassment that is popular knowledge among the staff, save for fresh face Kayla (Margot Robie, I, Tonya) who falls into his trap fairly quickly, with her co-worker Jess (Kate McKinnon, Yesterday) unable to warn her in time.  When Carlson is ousted and brings her lawsuit into the public, will the other women at the network stand with her or stay loyal to the powerful man that holds their jobs in his hands?  Played out over a span of a year and a few months, the case develops into something bigger when respected people like Kelly stay silent instead of picking a side – leading some to ask if Kelly wasn’t another victim of Ailes, benefited from their relationship…or both.

Working from a script by Oscar-winner Charles Randolph (The Big Short), director Jay Roach (Trumbo) uses some clever ways to introduce us to the behind the scenes happenings at the network.  A guided tour of the building by Megyn is a good way to give us a lay of the land, separating the executives from the anchors and the anchors from the assistants, etc. etc.  Roach and Randolph aren’t above having actors stop and address the camera directly, though they wisely use that oft-employed tactic sparingly so when it happens it has a greater impact.  Key people are identified by name throughout and the movie takes considered steps to let us know these are actors playing real people…there is a message before the studio logo, before the cast list in the closing credits, and again at the end of the movie — so they mean business.

It’s the casting where Roach really hit gold.  As Kelly, Theron has again gone through a transformation right before our eyes into a completely different person.  It’s admittedly harder to see at the beginning when Kelly’s hair was longer but when the short style arrives, watch out, because Theron is on the money with Kelly’s voice, mannerisms, and, with the assistance of Kazu Hiro’s (and Oscar winner for Darkest Hour in 2018) expert prosthetics, an uncanny ringer for the real person.  Though she never met Kelly before making the movie, Theron seems to understand her and what motivated her forward, giving her complexities that maybe are a bit generous at times.  Kelly was always a slight enigma, that’s partly why she struggled when she moved to NBC news, and failed to connect with a broader audience…Theron perhaps warms us up to her too much.  Kidman doesn’t look much like Carlson but with her big hair and pursed lips she has the determined look of a woman smart enough to get her ducks lined up in a row and so resourceful no one even knew the ducks were there to begin with.

Robie’s character is a composite of several different producers at Fox News so she has a bit more leeway to create the role from the top down.  After scoring high marks with a fantastic dialogue-free scene earlier this summer in Once Upon a Time in Hollywood, she tops that one with a hard to watch passage with Lithgow as Ailes.  Watching her face go through a range of emotions is gut-wrenching but Robie doesn’t overplay it, it’s devastating enough as it is.  Her best scenes, though, are with McKinnon who finally shows up in a movie ready to take things seriously.  By far her best work to date, McKinnon leaves her goofy shtick at the Saturday Night Live studios and works hard to be a part of the success of the film rather than being the source of the problem.

Roach has filled the rest of the cast with a truckload of amazing character actors playing a number of familiar faces from the network and the world of entertainment.  I won’t spoil them all but special mention just has to be made for Allana Ubach’s (Gloria Bell) incredible work as Judge Jeanine Pirro – it’s so close to the real thing your skin starts to crawl until you realize it’s just Ubach under all that makeup.

I still struggled with the whole Fox News of it all, though, and it took me until my second viewing and a lengthy discussion with my partner afterward to lock into what the film was missing that would have helped it along a bit more.  There’s no character present that stands in opposition to Fox News or its anchors before all of this happens, only people that turn against the women after they come forward.  So we never know if they are shunning the women themselves or the women because they work at Fox News.  Having some semblance of accountability for actions before all of the harassment business came to light would, I think, ease some of the discomfort people are feeling after seeing the movie.

Hard to deny, though, that Bombshell isn’t a slick piece of entertainment with an important, but not uncommon story to tell.  Closing with a dynamite new song from Regina Spektor, “One Little Soldier”, that sadly didn’t make the Oscar shortlist, my hope is that audiences (even the MN ones!) can put aside their differences of opinion and take the movie for what it’s trying to say.  It’s not about politics, it’s not men vs. women, it’s about saying something.  Or, as Carlson says, ‘Someone has to speak up.  Someone has to get mad.’

The Silver Bullet ~ Bombshell



Synopsis
: A few women decide to take on Fox News boss Roger Ailes and the toxic male culture he presided over at the network.

Release Date:  December 20, 2019

Thoughts: In case anyone was worried the 2019 competing projects surrounding the scandal at Fox News would create a Volcano vs. Dante’s Peak situation, it’s safe to say the muted reception of Showtime’s The Loudest Voice is a good indicator Bombshell may strike gold this December.  Though boasting Noami Watts as anchor Gretchen Carlson and disgraced CEO Russell Crowe as Roger Ailes, the Showtime limited series was a non-event and has barely made headlines.  Counter that with the, let’s just say it, riveting teaser trailer for Bombshell in which Oscar winners Charlize Theron (Atomic Blonde) as Megyn Kelly and Nicole Kidman (Boy Erased) as Carlson share elevator space with Oscar nominee Margot Robbie (I, Tonya) as Kayla Pospisil and you can see why pundits are wondering if the Best Actress statue might have to be divided into thirds this year.  Theron, in particular, looks eerily like her real-life counterpart…I’m dying to see how this movie turns out.

Movie Review ~ Trumbo

trumbo

The Facts:

Synopsis: In 1947, Dalton Trumbo was Hollywood’s top screenwriter until he and other artists were jailed and blacklisted for their political beliefs.

Stars: Bryan Cranston, Adewale Akinnuoye-Agbaje, Louis C.K., Elle Fanning, John Goodman, Diane Lane, Alan Tudyk, Michael Stuhlbarg, Helen Mirren

Director: Jay Roach

Rated: R

Running Length: 124 minutes

TMMM Score: (5/10)

Review: Though it’s not a great movie, Trumbo has been enthusiastically received by the lords and ladies of Tinseletown and I think I know why.  There’s nothing Hollywood loves so much as a good redemption story…especially one that it’s involved with.  Any chance they have to pat themselves on the back is taken with glee, even if it’s involving a dark stain on its history that never should have happened in the first place.

Playing like a made for TV movie that could have aired on HBO (where director Jay Roach has seen several of his political projects find great acclaim over the last decade), Trumbo is a hammy take on the years when numerous Hollywood players were put on the blacklist thanks to the McCarthy hearings.  Thought to be Communists in a time of great fear of the unknown, friends turned on friends and the mere mention of affiliation with the Communist parties saw careers, not to mention lives, destroyed.

Already explored in countless films/documentaries over the years (including a fictionalized take like 1991’s also mediocre Guilty by Suspicion), the way that Trumbo could have set itself apart was not playing like a standard biopic of one man’s downfall.  Yet it falls prey to every convention, every plot trap, every pothole that you can think of.  It may be a mildly diverting piece of entertainment, but it doesn’t go beyond the surface.

What elevates the film is the presence of several star players.  Helen Mirren and John Goodman have some solid screen time and make the most of it.  Mirren (Hitchcock) is Hedda Hopper, the notorious Hollywood gossip columnist with a poison pen for anyone that crosses her.  Mirren’s demeanor changes on a dime when challenged and the actress balances that sweet/sour persona with ease.  Goodman (Flight) is also notable as the hot-headed small-time studio exec that isn’t one to be pushed around.  And before Diane Lane (Man of Steel) fades into the background as her role becomes mere wallpaper, she’s a strong matriarch in a family that’s struggling.

These three performances can’t save the picture, though, mostly because they aren’t the leading player.  I’ve long struggled with Bryan Cranston (Godzilla, Rock of Ages) onscreen, feeling that he’s never as good as people think he is and certainly lacking the charisma that made his Breaking Bad character such a legend.  He’s off the mark here for most of the picture, cartoonishly impersonating Dalton Trumbo’s voice and mannerisms that suggest he’s older than he really is.  It’s only when the character actually ages that the performance matches up.

Worst of the bunch is Louis C.K., completely out of his league as a disgraced writer dealt even more devastating blows as he falls from favor.  The comedian seems uncomfortable in front of the camera and with his dialogue, never convincing us that he’s to be taken seriously as a dramatic actor.  It’s a woefully poor performance, and put up against the roster of other strong cast members it just can’t be considered on the same level.

As a biopic, I guess Trumbo earns marks for its draft of events.  It’s workmanlike in its execution and the production design is pleasing.  Still, I kept waiting for the film to be better, to say something extraordinary…instead of just playing by the rules.  Aside from Mirren, Goodman, and Lane…it’s a fairly insignificant telling of a painful part of history.