31 Days to Scare ~ Goosebumps 2: Haunted Halloween

The Facts:

Synopsis: Halloween comes to life in a comedy adventure based on R.L. Stine’s 400-million-selling series of books.

Stars: Jack Black, Madison Iseman, Wendi McLendon-Covey, Chris Parnell, Ken Jeong, Jeremy Ray Taylor

Director: Ari Sandel

Rated: PG

Running Length: 90 minutes

TMMM Score: (6.5/10)

Review: Fall is in the air and it’s definitely beginning to feel a lot like Halloween. This is the time each year I can watch whatever I want if it’s related to Halloween and not feel the least bit of guilt for neglecting non-genre films. That’s why I opted out of a screening for a movie with considerable more buzz than Goosebumps 2: Haunted Halloween and found myself in an early evening preview of this follow-up to the modest hit from 2015.  Side note…why aren’t all screenings at 6:30pm?  Makes it possible to have some part of your night free if you’re seeing a shorter film.

I found the first Goosebumps to be a perfectly fine family film that tweens could watch with their parents as an alternative to the adult fare. I’m already dreading seeing how many children there will be at the new Halloween movie next week. The original had a good-set up, decent effects, solid acting, and while it turned into too much mayhem near the end with iffy CGI it was still more than modestly enjoyable. To be honest, I wasn’t even aware a sequel was greenlit, much less in the can and ready to go until I caught the first preview several months back.

With the principals from the first film unavailable and star Jack Black (The D Train) tied up making the also Halloween family friendly The House with a Clock in Its Walls, screenwriter Rob Lieber (Alexander and the Terrible, Horrible, No Good, Very Bad Day, Peter Rabbit) and original writer Darren Lemke (Jack the Giant Slayer) fashioned a new story set in a different fictional town in upstate New York that takes their Halloween very seriously. Houses are decorated to the max (must be nice to have expendable cash) and costumes are several notches above your standard vampire fangs.  Sonny (Jeremy Taylor Ray, IT) and his upperclassman sister Sarah (Madison Iseman, Jumanji: Welcome to the Jungle) live with their single mom Kathy (Wendi McLendon-Covey, Blended) in Wardenclyffe, NY and it’s almost Halloween. Sarah is occupied with boyfriend troubles and trying to get into college, Kathy is overworked, and Sonny is just trying to perfect his school science experiment. Though it often takes a backseat to the shenanigans that will follow, there’s a nice family dynamic created here and one that stresses responsibility to ones self and loved ones – not a bad message hiding amidst all the scares.

Together with his friend Sam (Caleel Harris), Sonny finds himself in an abandoned house cleaning out junk and that’s where the two boys come across a hidden chest that holds only a locked book and a key. Opening the book releases Slappy the ventriloquist dummy and that’s when all Halloween hell breaks loose. Though Slappy originally starts out as being somewhat helpful by showing Sonny and Sam’s bullies a thing or two and doing their chores, his benign nature gives away to something more evil when he causes an accident that sends Sarah’s cheating boyfriend to the hospital. Eventually, Slappy’s true nature is revealed…he wants to make Halloween come to life 365 days a year and rouses every manner of beast and ghoulie to achieve his task.

Director Ari Sandel won an Oscar for a short film in 2007. I haven’t seen that movie but it’s clear he has some style seeing that the movie bops along so pleasantly for its 90 minutes. It’s fast moving without making too many narrative leaps and surprisingly cohesive even with a sometimes overstuffed plot. Introducing R.L. Stine (Black, who also provides the menacing voice for Slappy) late into the mix feels unnecessary because he doesn’t have much to do. I get the impression Black became available after the script was completed and went through a small revision to include him. It’s all low-stakes but that’s what makes it a less intense experience than the first one, making it easier to recommend for smaller children…but parents should still heed the PG rating if your kid is of the nervous variety or else plan to invest in a nightlight.

I’m liking these low-impact scary films targeted at families more and more as studios start to get the idea of how to make them not quite so scary. While it isn’t something I would normally seek out in theaters, both Goosebumps films (and a second sequel hinted at in the finale) have been pleasant diversions to the more intense creepy fare that rises from the dead this time of the year.

Movie Review ~ IT (2017)

The Facts:

Synopsis: A group of bullied kids band together when a monster, taking the appearance of a clown, begins hunting children.

Stars: Jaeden Lieberher, Wyatt Oleff, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Chosen Jacobs, Nicholas Hamilton, Bill Skarsgård

Director: Andy Muschietti

Rated: R

Running Length: 135 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: IT, Stephen King’s 1986 novel was a popular book in my junior high library. At 1,138 pages and with only one copy though, the waitlist was long and I believe it took nearly the entire school year to obtain. I remember when I finally got my hands on it and marveling at its creepy cover, fretting over the length, and reading it by flashlight late into the night. Trouble was, by the time it was due back I was only halfway through and though as an adult I’ve carried (lugged would be a better word) a paperback version with me for the past six months, absorption by osmosis did not occur and to this day I’ve regretted never finishing it properly.

Most people, though, will have experienced IT for the first time via the 1990 made-for-TV movie that scared several generations of people over the two nights it aired. At the time I remember thinking the film quite entertaining but watching it again a year or so ago I found myself wincing more than cowering. The trappings of an era with more rigid television standards robbed it of being too scary or slick. While some of what goes on in King’s novel could (and should) never be depicted on film, today it feels toothless though it does find prime moments to gnaw your nerves. Then there’s the clown.

Mention IT to a crowd and you’re going to get a response. They either hate it or they love it and the reason why is almost always the same…that damn clown. It’s impossible to think of IT and not conjure up the vision of Tim Curry as Pennywise the Dancing Clown. While the movie itself may have lost some bite over the years, Curry’s menacing monster in clown’s clothing has perhaps become more terrifying. So while many were welcoming of a new adaptation of IT on the big screen, one of the biggest question marks was how well Bill Skarsgård (Atomic Blonde) would fill Curry’s admired shoes. Patience, dear reader, patience.

IT arrives at the end of a disappointing summer at the box office and before the wave of award seeking films are released. The timing couldn’t be better. Kids are back in school and the weather here in the Midwest has taken a cold turn. Walking into the packed theater and taking my seat for the screening there was a palpable excitement for the lights to go down, a buzz of anticipation I hadn’t felt for a while. 135 minutes later the lights came up on an audience that had screamed, laughed, and applauded. In short, IT’s a winner.

In the late ‘80s, something bad is happening in Derry, Maine. Kids are disappearing without a trace and no one knows why. Is it related the town’s history of bad luck or is something more sinister taking place? One thing’s for sure, a frightening clown has been haunting and hunting and his appetite is insatiable. A team of young outcasts band together to uncover the secrets of their town while battling their own phobias brought to life by the monster on the loose.

Though it had a bumpy road to the silver screen thanks to budget cuts and the departure of its original director, the wait was worth it. Director Andy Muschietti (Mama) has delivered a quality film that not only provides delirious scares but has an ambitious emotional resonance extending far beyond its genre.  I admit I got a little misty eyed as the film was wrapping up…when was the last time you went into a film expecting terror but found a tear or two eeking out?  Equal parts Stand By Me, Stranger Things, and The Goonies, it’s retro-feel is unobtrusive and navigating prolonged sequences of horror while maintaining energy is no easy task but Muschietti makes it look simple.  Scaredy-cats will have their limits mightily tested while fright fans are going to be nicely satisfied with the pulse-raising shocks doled out by Muschietti and company.

None of the good directorial decisions or the solid script would amount to a hill of beans if the actors didn’t measure up but Muschietti has cast the film splendidly.  Though Jaeden Lieberher (Midnight Special) has top billing, this is an ensemble piece and the kids are definitely all right.  I especially liked Jeremy Ray Taylor’s roly poly new kid on the block and Sophia Lillis as the only girl holding her own in the boys club.  Not all the acting is consistently convincing but it’s a small-ish nitpick in the grand scheme of things.

In a cast made up primarily of unknowns, it’s an interesting decision for Muschietti to further conceal some of the adult actors under prosthetics and fat suits.  A few times the adults gave me the same type of goosebumps brought on by Pennywise, further isolating the children as they realize they are the only townsfolk they can truly trust.  Some of the more extreme side plots of King’s original novel have been softened or excised and more’s the better for it.  There’s enough peril for the youngsters to deal with whenever that clown makes an appearance.

Ah yes…the clown. While Curry may be seen as the definitive Pennywise, Skarsgård makes the role entirely his own, bringing a sharp physicality to his clown that amps up the danger of his visits. Though he has precious few lines this is a performance based almost entirely on presence and Skarsgård is pretty electric in the film. Balancing childlike clown mannerisms with a serial killer’s alacrity, when he opens his bloodthirsty maw to consume or frighten it will shake you to your core.

While the studio had originally intended to film the novel as one long movie, budget fears were such that IT covers roughly half of the book. The movie is so good and the early buzz so strong I can’t imagine we won’t get a sequel in short order…but it makes you wonder why they didn’t just stick to the original game plan to begin with. In any event, IT is awesome which should please fans of the novel (even those that only finished half of it) as well as devotees of the TV movie. Scare you it does and scare you it shall.

The Silver Bullet ~ It (2017)

https://www.youtube.com/watch?v=FnCdOQsX5kc

Synopsis: In a small town of Derry, Maine, seven children come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.

Release Date:  September 8, 2017

Thoughts: Back in the day when adaptations of novels were all the rage on network television (RIP: The Mini-Series), I remember looking forward to the 1990 multi-night experience of watching Stephen King’s It.  Quickly becoming a popular nightmare calling card for clowns everywhere, the series was a smash but hasn’t exactly held up on repeated viewings.  Watching it just a few years ago, I was struck by just how far fond nostalgia can take you.  It was just…not great.

Flash forward 27 years and after numerous false starts and various directors, a big screen version of King’s classic is floating into your local cinema.  King’s novel bounces between the past and the present and rumor is that this film is only going to be focused on the story taking place in the past.  I’d always found that the most interesting part of the tale anyway and appreciate the filmmakers not biting off more than they can chew.

We all know that any crap movie can be edited to look like a winner but I’m hoping that It is truly as scary good as it looks.  Directed by Andy Muschietti (who helmed the nifty Mama), King has already given his blessing to the final product – an early stamp of approval from an important source.