Movie Review ~ Kick-Ass 2

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The Facts:

Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Stars: Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Morris Chestnut, John Leguizamo, Donald Faison, Jim Carrey

Director: Jeff Wadlow

Rated: R

Running Length: 103 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: Like I said in my review of the red-band trailer for Kick-Ass 2, I wasn’t a huge fan of the 2010 original which had a premise (everyday kid turns crime fighter with less than spectacular results) that was exploited ad nauseam and was much longer than it needed to be.  While I enjoyed that when the good guys got a beat down they actually bled and that some had vocabularies that would make a sailor blush, the original film just felt played out before the first reel was done.

So a sequel was not high on my wish list in the grand scheme of things.  Ah, but when you have a film that does surprisingly well at the box-office that didn’t cost a lot to make, movie studio execs quickly get those crazy dollar signs instead of pupils and before you know it three years later I found myself taking in a decent if totally unnecessary second chapter in the story of Kick-Ass and his rough and tumble compatriots.

In the years since the first film, two of the three leading actors have turned in some interesting work.  While Dark Shadows wasn’t the hit Chloë Grace Moretz thought she signed up for, her character had a wacky arc that the actress went to the mat with.  Even more surprising, Aaron Taylor-Johnson got the Oliver Stone treatment in Savages before buttoning-up nicely for Anna Karenina last fall.  It was refreshing to see that both actors easily slid back into their roles and try though they might to get something cooking with the development laid out by writer/director Jeff Wadlow, there’s only so much you can do with very few ingredients.

The worst thing about the movie is not the crazy violence (violence so outlandish that star Jim Carrey, The Incredible Burt Wonderstone, refused to promote it…after cashing his sizable paycheck, natch) or the funny-in-a-sad-way performance of Christopher Mintz-Plasse (The To Do List…and what’s with the three name names of our leads?) but that it’s not very well made.  This had to have had a larger budget than the original…so why does everything from the sets to the costumes to the special effects look so flimsy and cheap?  There’s a chase scene on top of a van that, while impressively choreographed, appears to be filmed via time travel to 1985.

Another sticking point was that the movie keeps our two leading players apart for so much of the movie.  While Moretz is off working a Mean Girls meets Carrie subplot (bad-timing, because Moretz is starring in October’s Carrie remake), Taylor-Johnson is making new friends in Carrey, Donald Faison, and Lindy Booth as upstart civilian superheroes.  When Moretz and Taylor-Johnson are together the movie finds a pleasantly comic groove but these moments come too little, too late.

All said, Kick-Ass 2 is no gem and not a film worthy of your dog days of summer time or effort.  If you’re a fan of the original, this can wait until you can rent it…all others are advised to pick something else.  (Check my archive if you want a few suggestions!).

The Silver Bullet ~ Kick-Ass 2 (Red Band Trailer)

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Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Release Date:  August 16, 2013

Thoughts:   OK…I’m going to come clean about something…are you ready?  I didn’t really like the first Kick-Ass when it was released in 2010.  There, I said it and I hope we can still be friends. 

While I appreciated the anti-superhero movie for what it was trying to accomplish I felt it wound up just being an excuse for tiny tyke Chloë Grace Moretz (Dark Shadows, Carrie) to spew profanity while our titular hero got the bloody crap kicked out of him.  It was overlong and overstuffed, resulting in a film I just couldn’t warm to.  With the nice take at the box office, a sequel was a foregone conclusion so this summer Kick-Ass and Hit-Girl are back and this time they’re up against old comrade Red Mist.  With a new director and screenwriter on board we’ll have to see if the sequel can make a better impression on me than the original.

Movie Review ~ The Incredible Burt Wonderstone

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The Facts:

Synopsis: When a street magician’s stunt begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act – and their friendship – by staging their own daring stunt

Stars: Steve Carell, Steve Buscemi, Olivia Wilde, Alan Arkin, James Gandolfini, Jim Carrey, Jay Mohr, Michael Bully Herbig

Director: Don Scardino

Rated: PG-13

Running Length: 110 minutes

Trailer Review: Here

TMMM Score: (4/10)

Review:  It’s debatable but I’d argue that the best sleight of hand that The Incredible Burt Wonderstone performs is making laughs vanish for 110 minutes.  In my review of the trailer for the comedy, I predicted that the film was “either going to soar to great heights or crash and burn in terrible fashion” and while the movie isn’t a total write-off thanks to a few decent performances, it’s a largely forgettable film that vanishes from memory before you reach your car.

Though star Carell has done fairly well so far in his film career, he’s not known for taking on any roles that offer any real stretch opportunities.  I enjoyed his work in Dan in Real Life and Crazy, Stupid, Love but his work here falls into the Evan Almighty and Get Smart area…that is to say buffoonery.  In Wonderstone he’s one half of a Las Vegas magic act that seems to be sending up Siegfried and Roy grandiosity and David Copperfield (who also cameos) illusion. 

When we meet the younger Wonderstone in an enjoyable prologue, he’s a bullied child with an absentee mother who has him bake his own birthday cake.  After he receives a Rance Howard Magic Kit, he finds his passion and a partner in Anton – soon they are headlining their own show in Vegas and over the next decade they rake in the audiences along with the dough.  Trouble is, their act is stale and with a new generation wanting more bang for their buck their show becomes old hat.  It doesn’t help that Burt has become a misogynistic d-bag and Anton (a woefully untapped Buscemi) his punching bag.

For a boy that was bullied so much as a child, it’s an odd transition to have Burt become so unloving and harsh to his friends that support him.  It’s also not very fun to watch as Carell spends the first half of the movie with a put-upon snooty-toot accent and an array of sequined costumes.  When Burt and Anton find themselves without a show and not on speaking terms, Burt takes a job at a senior center for retired Las Vegas performers and that’s where he meets his idol since childhood…Rance Howard. 

As Rance, Arkin pretty much walks away with the movie as he is prone to do (and get Oscar nominated like he did in Argo) when given a character he can do something with.  Though thinly written, Arkin puts a nice shine on the grizzled magician to provide the film with its most dependable laughs.  The same can’t be said for Carrey as a Criss Angel/David Blaine style street magician whose tricks/stunts become more grotesque and dangerous as the movie progresses.  On complete auto-pilot, Carrey resurrects his Ace Ventura mannerisms to decidedly ho-hum results. 

Wilde is so shoe-horned into this film I’m wondering if her entire character wasn’t added after the film was completed to give Carell a ludicrous love interest.  Only called upon to say some of the more straight-forward dialogue that other characters couldn’t say, Wilde is totally lost at sea and knows it.  Gandolfini’s meatball head has nearly been swallowed by his shoulders and Mohr turns in one of the least funny performances in a comedy ever.

I have a quick note about the magic in the film.  I still hold to the belief that magic in movies is incredibly hard to pull off because most of us deal with a suspension of disbelief that prevents us from really buying into the magic we’re seeing on screen.  Though the film really isn’t about magic tricks, the few that are there are staged in such a way that indicates the filmmakers want us to think they’ve pulled off a great trick…when they really just positioned the camera in such a way that we can’t see what’s really happening. 

Director Scardino is known for directing television series and hasn’t made a feature film in over a decade, made painfully obvious by a dramatic lack of any sort of pacing beyond half hour increments.  The film is probably twenty minutes too long and strains to reach an ending so unbelievable I kept waiting for it to be some elaborate dream sequence.  The script by John Francis Daley/Jonathan Goldstein feels a tad selfish…giving too much to Carell and ignoring some nice comedic opportunities (a senior center for retired Las Vegas performers has so much potential that is totally wasted…where are the old ladies in showgirl costumes??)

If you’re a Carell or Carrey fan chances are you’re looking forward to this one and I say more power to you.  You’ll probably get what you came for but nothing more…sometimes that’s enough.  For this reviewer, I wish the filmmakers could hvae Zim Zala-Bim-ed their way into a better movie.

The Silver Bullet ~ The Incredible Burt Wonderstone

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Synopsis: Magician Burt Wonderstone splits from his longtime stage partner after a guerrilla street magician steals their thunder. By spending some time with his boyhood idol, Burt looks to remember what made him love magic in the first place.

Release Date:  March 15, 2013

Thoughts: Here’s an example of a movie that’s either going to soar to great heights or crash and burn in terrible fashion.  Judging from the preview, the jury’s still out on which direction it will go.  It certainly has a game cast that has the combined talents to make this iffy material work.  Speaking of the material, is it just me or does this seem like a rejected idea from a sketch on Saturday Night Live?  A director who hasn’t helmed a major motion picture guiding A-list stars always makes me pause – so here’s hoping that the screenplay by John Francis Daley/Jonathan Goldstein (Horrible Bosses) has the laughs in it that the trailer promises.