Synopsis: A sculptor hires young college girls to take care of his elderly mother and his supposedly insane sister, both of whom live in the old family mansion with him.
Stars: Ted Bessell, Sian Barbara Allen, Bette Davis, Charles Drake, Allan Arbus,Tovah Feldshuh
Director: Gordon Hessler
Running Length: 74 minutes
TMMM Score: (5/10)
Review: All I keep reading about in the many movie rabbit holes I often find myself in was how different TV movies were before the advent of cable television. Back in the ‘70s and ‘80s these were stop-what-you’re-doing and watch events that commanded the attention of a public that saw famous faces from screens big and small. While not the most current A-listers, these stars of yesteryear or rising hopefuls would appear weekly in dramas, comedies, and a rather large selection of mysteries/thrillers or horror films with commercials to break up the mounting tension. These are the ones that are the most interesting to me (obviously for this series) because to hear people tell it, they still remember the scares these tales of terror gave them.
One of the most famous stars to grace these pulpy movies was none other than Oscar winner Bette Davis (The Watcher in the Woods). While her time on the silver screen had mostly run its seasoned course by the time the TV Movie of the Week picked up steam, she found regular work as a “special guest star’ in numerous television projects that made good use of her poise and presence. It could be said the first TV horror for this era was 1973’s Scream Pretty Peggy and while it doesn’t rank high on the list of the most memorable roles Davis created, it is notable for providing the actress some meaty moments to chew on while the rest of the cast is left with paltry scraps to pick over.
It’s almost unfair to promote Davis as being such a star of the movie because she’s really not in that much of the 74-minute film. The cast is small enough as it is but the bulk of it plays out between young Sian Barbara Allen as college student Peggy Johns who seeks out a job as a housekeeper at the massive estate of famed sculptor Jeffrey Elliot (Ted Bessell). Hired more to look out for his aging mother (Davis), Peggy’s eager to please Jeffrey because she has an ulterior motive for wanting the job in the first place. An aspiring artist herself, she seeks his approval for her own piece and maybe something more than their employer/employee relationship but both Jeffrey and his mother keep themselves at a distance for reasons that slowly become clearer.
I’d say more but there’s not a lot of plot left to talk about above and beyond that. I was surprised the script, co-written by longtime Hammer Studios screenwriter Jimmy Sangster (Horror of Dracula, The Brides of Dracula, among others) and Arthur Hoffe is so staid and without much action. I’ve a feeling it was Hoffe’s premise that Sangster was brought it to flesh out and amp up. Yet there’s only so much one can do to raise the stakes, especially in the early ‘70s on network TV, for this particular story with its similarities to another famous suspense director’s most known movie. I won’t say which, but the lead actress has a daughter that followed her into the movie business, same genre too.
More energy in direction from Gordon Hessler would help, or at least from the cast. However, aside from Davis who is a massive trooper in getting her scenes imbued with some sense of urgency, the two main leads treat the proceedings like they’re acting out a family drama rather than a house of horrors mystery. In fact, while I liked Allen’s free-spirited Peggy at first, once it becomes obvious how much of a follower she was and to such a wet blanket like Bessel’s cardboard bland Jeffrey I was almost rooting for the sinister figure we assume to be Jeffrey’s insane sister to catch and eliminate her like she had a young Tovah Feldshuh (Love Type D) in the pre-credit sequence.
How glad was I to see that boutique home media distributor Kino Studio Classics was releasing a number of these TV movies in a 2K remaster just in time for Halloween? I’d started to watch Scream Pretty Peggy on YouTube before (tip, you can watch SO many of these old movies of the week via YouTube) and the quality was good but not great. The folks over at Kino Studio Classics have obtained a sparkling remaster that looks just gorgeous. It’s crisp and colorful, down to the gaudy eye make-up and lipstick Davis wears, a small callback to her look in Whatever Happened to Baby Jane?, maybe? For that alone, the movie is worth a look, but it will likely be more of a view out of curiosity than anything else. It’s not bad enough to be laughable, not scary enough to be scream-able, but Davis makes it interesting enough to be watchable.