Movie Review ~ Tom Clancy’s Without Remorse

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The Facts:  

Synopsis: An elite Navy SEAL uncovers an international conspiracy while seeking justice for the murder of his pregnant wife. 

Stars: Michael B. Jordan, Jamie Bell, Jodie Turner-Smith, Lauren London, Brett Gelman, Jacob Scipio, Jack Kesy, Colman Domingo, Guy Pearce 

Director: Stefano Sollima 

Rated: R 

Running Length: 111 minutes 

TMMM Score: (6.5/10) 

Review:  I must confess to being a huge fan of the Tom Clancy films of the Sean Connery/Alec Baldwin and Harrison Ford days and not so much from the later chapters when Ben Affleck took over for Ford, Chris Pine took over for Affleck (in Jack Ryan: Shadow Recruit) and John Krasinski took over for Pine in the popular TV series for Amazon Prime.  Each actor had their own spin on the role of Jack Ryan so you were bound to have someone along the way you could call your favorite.  Movies just aren’t made at the breakneck speed necessary to keep up with the pace that books are written so much of Clancy’s material has been left un-adapted and even the properties that were already brought to life have had to jettison key characters with stories too complex to include into larger narratives.

Take John Clark, Jack Ryan’s close friend and onetime bodyguard.  Featured in a number of Jack Ryan novels and eventually becoming nearly as popular as Ryan himself, Clark fits into many of the operations Ryan undertakes throughout Clancy’s blockbuster espionage thrillers.  However, it was in 1993’s Without Remorse that Clancy gave readers Clark’s origin story, including how and why he changed his name from John Kelly and why the CIA helped him change his identity.  Though the film has been bouncing around Hollywood for years trying to get made with several big names attached, it wasn’t until red-hot star Michael B. Jordan (Fruitvale Station) showed interest that the title became a must-have commodity again.  Now, as Jordan gets ready to direct and star in Creed III, he’s set himself up with another franchise starter but how would Tom Clancy’s Without Remorse measure up to the level of thrillers it has followed?

It’s a little bit of the whole good news and bad news situation right now.  Ripping the band aid off, I’ll say that the bad news is the overall ambiance of the movie doesn’t feel like the big budget production it should, considering the studio funds behind it and the producers involved.  A number of films originally intended for theatrical release acquired by a streaming service look like they were made for the big screen when you see them at home.  With Tom Clancy’s Without Remorse, everything feels scaled down like the original goal was only to be for in-home distribution.  More on that later but for now let’s talk about the positives.  The good news is that Jordan is a natural for the role, well suited to be playing a skilled Navy SEAL back from a dangerous mission in Syria involving the CIA and the Russian military.  When members of his team are assassinated and his pregnant wife is killed, he’s left for dead by an attacker’s gunfire but survives.  This turns out to be, ironically, a good news/bad news situation all over again.  Good news for John Kelly and bad news for anyone that gets in his way of finding those responsible for the death of his wife and unborn child.  Taking the title of the movie literally, Kelly is a one-man machine of vengeance as he mows his way through high ranks of government both foreign and domestic to get the answers he wants. 

The final script was re-written by Taylor Sheridan (Sicario, Wind River and the upcoming Those Who Wish Me Dead) and it shows with his vernacular and tendency to use shorthand in his technical terms.  He has the actors speak like these professionals would talk and it assists in the authenticity of it all.  Working with his Sicario: Day of the Soldado director Stefano Sollima, Sheridan took over script duties form Will Staples so I can’t say who made the majority of alternations from Clancy’s original novel but the changes seem to be for the better in allowing this story to grow in future installments…because it should and will.  Apart from it filling a gap for representation in people of color as action heroes, Kelly’s a complex character like we haven’t seen much of lately.

Much of that complexity is owed to Jordan’s performance as well as his platonic relationship with Lt. Commander Karen Greer (Jodie Turner-Smith, Queen & Slim) a friend and SEAL team member he can trust that has been watching out for him while he’s healed.  Working with the Secretary of Defense (Guy Pearce, Lawless) and a not entirely trustworthy CIA Officer (Jamie Bell, Rocketman), Kelly and Greer use their government resources to further their serach for the truth. Of course, this being an action film built around large(ish) scale set piece, Kelly stages some daring acts of aggression in order to extricate information from sources that can help them locate who put a target on all of their backs.

You’d likely be able to write down who the bad people are at the beginning the film, seal it, and open it again at the end of the film and find your correct answer within.  Along with a strange look that gives it almost a B-movie vibe, there’s little in the way of surprise as the plot moves from Point A to Point B.  Extended fight sequences are periodically thrilling but endless gunfire scenes start to get old rather quickly, especially when it becomes a challenge following the action.  Several times, Oscar-winning cinematographer Philippe Rousselot (Beautiful Creatures) leaves us lost amongst the action with no direction on where to look.  It’s all disorienting.

It might not rise to the ranks of The Hunt for Red October or Patriot Games but for a first outing with John Kelly, Tom Clancy’s Without Remorse is a sufficient introduction to the character.  This was a Saturday evening choice in my house and it proved to be a popular and rather perfect selection for a movie night.  Jordan is said to be coming back for a second film and if that proves successful I’m wondering if we’ll ever see him team with Krasinski or another new Ryan feature film in the future – now that would be the event film I’d like to see.

Movie Review ~ Queen & Slim


The Facts
:

Synopsis: A couple’s first date takes an unexpected turn when a police officer pulls them over.

Stars: Daniel Kaluuya, Jodie Turner-Smith, Chloë Sevigny, Indya Moore, Bokeem Woodbine, Sturgill Simpson, Flea, Benito Martinez

Director: Melina Matsoukas

Rated: R

Running Length: 132 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review: What most audiences don’t know is that by the time they see a film on opening weekend in a large multiplex with reclining seats and a big bucket of popcorn, the movie has been through a number of committees, approvals, screenings, edits, and adjustments.  From studio heads to a soccer mom recruited in the parking lot at a 7-11, someone has watched this movie already and had some sort of say in the final cut.  This is done to maximize the appeal in order to make the most money, hopefully in the first few weeks before something newer comes out to steal its thunder.  It’s filmmaking by committee and it’s a disappointing way to get things done – that’s why you may get the feeling of a certain staleness lately when you head to the theater.

Then there are the rare directors/producers that get “final cut” written into their contracts, making them the last word when it comes to how the movie will turn out.  If the film is a bomb, the buck stops with the director and the same goes if it’s an out-of-left-field success.  I was surprised and totally delighted to learn the filmmakers behind Queen & Slim had negotiated this clause with Universal Studios and it makes sense why they pushed for it.  The story being told is one that needed no outside tinkering or interference, no focus groups or market strategies…because sadly you can imagine opening up a paper tomorrow and reading about it happening in real life.

Slim (Daniel Kaluuya, Widows) has finally convinced Queen (Jodie Turner-Smith, The Neon Demon) to go out with him.  He works retail and she’s a lawyer that defends murders. He’s easy-going and passive, she likes restaurants to get her order right the first time.  Slim’s driving her home from their pleasant but fireworks-free first date when they are pulled over by a Cleveland police officer.  All Slim wants to do is take the ticket and go but the officer is clearly looking to make something more stick based on vague suspicion.  Within seconds the situation has escalated, the officer is shot with his own gun, and the young couple flees into the night.

So begins a cross-country crime drama that’s equal parts Bonnie & Clyde, Thelma & Louise, and Badlands but is delivered clearly in its own voice.  That voice comes from Emmy-winner Lena Waithe who came up with the story with author James Frey and has written a script that doesn’t pander to audiences.  Waithe has created two distinct main characters that represent differing points of view, not just simple devil’s advocate opposites.  Flipping gender roles on its head, Queen is the more aggressive and dominant partner throughout, often acting on impulse instead of taking time to consider the emotional consequences of actions.  Slim is the more sensitive of the two, holding off the shock of what he’s done by focusing on the growing feelings he has for Queen.

As they make their way from the Midwest down South, they encounter folks who have seen the dashcam video of their crime that has gone viral and want to offer solace as well as people who feel they are only contributing to the police violence against people of color.  Waithe isn’t afraid to introduce players that challenge her titular characters strongly because it shows all sides to the discussion…and allows the discussion to be had in the first place.  There’s nothing one-sided in Queen & Slim, which gives it greater distinction from similar “issue” movies that come with a clear angle and objective.  Waithe is obviously troubled by what is happening in the world and has used the film medium to express her frustration but it’s communicated in such a sophisticated way that you are compelled to lean forward in your seat and engage.

Directed by Melina Matsoukas, she brings her excellent eye from the music world (she’s behind Beyonce’s Formation video) but thankfully doesn’t fashion her feature debut as rapid fire head-spinner.  This is a finely crafted movie, conscious of how it develops and what path it turns down.  A trip to see Queen’s war vet uncle (Bokeem Woodbine, Overlord) living in New Orleans with a houseful of barely clothed ladies could have been a real low point but Matsoukas has paced it so well and Waithe provided such defined personalities for the women we meet that it doesn’t feel as exploitative as it could have been.  Only the drab taupe-ness of a visit with a husband and wife played by Flea (Boy Erased) and Chloë Sevigny (The Dead Don’t Die) is a bit of a yawn.  Likely the point, but the mundane parallel of this visit compared to their New Orleans layover is etched with fairly broad strokes.

It makes little difference who else we meet, though, because Kaluuya and Turner-Smith are in almost every scene and they are fantastic.  Kaluuya continues to show his strength at disappearing into any role he takes on, easily stepping into the soft-spoken Slim and your heart breaks watching him see his plans for the future fall apart with each setback they encounter along the way.  He’s got great chemistry with Turner-Smith and it’s her you’ll want to keep your eyes on because it’s a star-making performance if ever there was one.  Though she’s been in several movies already, this is her highest profile role to date and she knocks it out of the park.  As Queen, she’s often asked to be front and center, exposing herself (literally) in the most vulnerable of ways.  The icy front she has at the beginning isn’t totally an act and the reasons behind her emotions are made clear not just by Waithe’s late-breaking exposition but in Turner-Smith’s carefully constructed work.

It was an interesting experience to watch Queen & Slim with a packed house filled with responsive audience members.  I was surprised at how many of them weren’t on the side of our lead characters and it was an eye (and ear) opening experience to have running commentaries during the movie. Normally I would get frustrated at the talking while a film was going on but here it was helpful because it gave me greater insight into how another person was interpreting the film from a perspective I could never truly understand.  What’s happening with police violence is frightening and the growing number of deaths in the black community at the hands of police needs to be resolved.  Queen & Slim won’t stop it but it introduces necessary conversations for audiences as take-aways – my hope is that people see the movie and do something, anything, afterward in response.

The Silver Bullet ~ Queen & Slim

Synopsis: A couple’s first date takes an unexpected turn when a police officer pulls them over.

Release Date: November 27, 2019

Thoughts: There are so many interesting cooks in the Queen & Slim kitchen, I didn’t even need to see a preview to know it was something to take notice of.  This extremely timely tale was written by Emmy award winner Lena Waithe (Ready Player One) from an idea by infamous author James Frey (you know, the one that embarrassed Oprah) and directed by Melina Matsoukas who was a creative force behind many of Beyoncé’s most prolific music video experiences.   Matsoukas has put together a dynamite cast led by Daniel Kaluuya (Widows) and relative newcomer Jodie Turner-Smith (The Neon Demon) as a star-crossed Bonnie & Clyde for the modern age.  I’m quite looking forward to this one…and to the inevitable important discussions it will provoke.