Movie Review ~ Onward


The Facts
:

Synopsis: Two teenage elf brothers embark on an extraordinary quest in order to spend one last day with their father, who died when they were too young to remember him.

Stars: Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer, Ali Wong, John Ratzenberger, Lena Waithe, Mel Rodgriguez

Director: Dan Scanlon

Rated: PG

Running Length: 103 minutes

TMMM Score: (9/10)

Review: By this point, I’ve gotten pretty good about preparing to see a Pixar film. I always make sure I bring Kleenex from home because when I inevitably cry, wiping my eyes/nose with the rough napkins from the movie theater always leaves them a bit red and raw. Also, it’s best to make sure you know where the exit is so you can make a quick dash out of the place if the theater is cruel and turns the lights on immediately when the movie is over, exposing all the tear-stained faces to the rest of the crowd. The best place to sit is near the entrance, on an aisle and definitely not near a family with small children because you don’t want to step on any kids as you try to avoid people seeing the after effects of your ugly cry.

I say this now looking back at my experience of watching Onward and recognizing that my mind was in a completely different place that day and I totally forgot all my pre-planning rules. Here I was, a guy that just celebrated a milestone birthday and about to mark the 12 year anniversary of the loss of my father and I had no tissues, was seated in the middle of a row with families all around me seeing a movie about sons using magic to spend one last day with their deceased father. Was I completely crazy?

The town of New Mushroomton isn’t quite the magical mecca it used to be as we see when the prologue for Onward begins. All sorts of magical creatures coexisted and used their gifts to get by, whether it was creating fire for light/heat or flying over vast oceans. Then, with the evolution of science the world began to find ways to accomplish magical tasks without magic (lightbulbs, airplanes) and the need for wizards, magic staffs, and important quests dissipated.  On the eve of his 16th birthday, Ian Lightfoot (Tom Holland, Spider-Man: Homecoming) is just wanting to feel a little more at home in his own skin. His mom (Julia Louis-Dreyfus, Enough Said) encourages him to be more outgoing at school and his older brother Barley (Chris Pratt, Jurassic World) thinks that life should be lived like its one big role-playing game. More than anything, though, Ian wishes he had met his dad who died before he was born. Barley barely remembers him but at least he has something…Ian doesn’t have anything. So when their mom presents a gift their dad had asked her to reveal when both were over 16, it sets them off on a journey to complete a spell that will bring him back for 24 hours.

The first attempt at the spell only brings back the bottom half of their dad so communication comes through the feet, and it will take finding another rare stone to complete the magic that will restore him fully. Forcing the vastly different brothers to work together, the search for the gem puts them into contact with a mythical Manticore (Octavia Spencer, Ma) who was once fearsome but is now toothless and through challenges straight out of an Indiana Jones adventure. As is typical with any Pixar film, there’s a host of wild supporting characters throughout with some appearing briefly (two words: feral unicorns) and others getting a bit more screen time (Queen & Slim screenwriter Lena Waithe is Pixar’s first confirmed lesbian character) but the main focus is on the brothers and how they come to appreciate one another through their time together.

The long and short of it is this: yes, I did cry in Pixar’s latest tear-factory fantasy movie but it was not the severe ugly cry I was afraid it would be. Instead, I was taken with how the studio has once again managed to take a sensitive subject and made it palatable for children and a good jumping off discussion point for adults to have with their kids if any questions come up after the movie. Death is always a hard topic to discuss but in several of their movies, Pixar has found a way into that conversation that isn’t as scary as it might have been years ago when there weren’t animated characters that are saying some of the same things children are also feeling. Writer/director Dan Scanlon also has a nice way of bringing a lot of plot points together into one theme as the film moves toward its conclusion – I wasn’t sure how he was going to do it but it gets there in a lovely way.

It’s always risky now in this Must Be Proven Franchise Material cinema world we live in to create original story but Onward is a striking bit of computer generated fun with pathos on top of it all. The animation is beautiful…so is the message.

 

Movie Review ~ Enough Said

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enough_said

The Facts:

Synopsis: A divorced woman who decides to pursue the man she’s interested in learns he’s her new friend’s ex-husband.

Stars: Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette, Ben Falcone, Eve Hewson, Tavi Gevinson, Tracey Fairaway

Director: Nicole Holofcener

Rated: PG-13

Running Length: 99 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: Are you as weary as I am with the slate of romantic comedies that have been released in the last several years?  If so then Enough Said may be the movie that could cure your blues.  A wise film for mature adults made by mature adults, this is a sweetly winning romantic comedy that goes against some of your typical Hollywood norms.  The leads aren’t your traditional bankable hot/buff stars likely to be featured on the cover of US Weekly the same week their film opens in the #1 spot at the box office, nor are they especially bankable…certain death when it comes to major movie studios.

Director Nicole Holofcener knows her way around awkwardly real situations and displays again here what she does best: showing real life people in real life situations reacting believably.  So the result is a film that feels very naturalistic and true to the predicaments we find ourselves in…especially where romance is involved.

I always find it odd that Julia Louis-Drefyus hasn’t become a bigger movie star…then again perhaps her sly talent for wry comedy is perhaps better suited for the small screen where actors can get away with her brand of sharply observed comedic beats.  Movies don’t often give comedic actresses the chance to display the kind of range that Louis-Dreyfus gets to take on here, especially those that are primarily known for their television work.

Even more of a surprise is the late James Gandolfini (Zero Dark Thirty) in his first lead in a romantic film.  Showing teddy bear-ish warmth and sensitivity that’s a far cry from the gruff mob men that made him such an in demand character actor, he fits right into the sweatpants of the character Holofcener has written.  It’s a shame that it took so long for Gandolifni to get a role like this because he’s really quite good, effectively navigating some emotions that until now had gone undocumented on the big or small screens.  The chemistry displayed between Gandolfini and Louis-Dreyfus is strong, and even better its believable unlike so many movies (like the recent Thanks For Sharing) that can’t muster up the same in their interactions between characters.

The supporting cast is also uniformly strong, if a bit tangential to the overall arc of the film.  Catherine Keener (Peace, Love, and Misunderstanding) is her usual acerbic self as a new friend to Louis-Dreyfus and the ex-wife of Gandolfini.  It’s nice to see her playing a woman that comes across as a self-centered bitch but who we gradually come to see is just hopelessly lonely and desperate for attention.  Toni Collette (The Way Way Back, Muriel’s Wedding) and Ben Falcone (What to Expect When You’re Expecting) pop up as friends of Louis-Dreyfus with marital issues of their own.

All the characters are really just swimming around in the same universe as Louis-Dreyfus because it’s really her movie.  What I liked so much about the film and what others may find frustrating is that there’s not a lot of follow through or wrap up when it comes to these secondary characters.  Even the central plot involving Louis-Dreyfus and Gandolfini isn’t fully completed by the final reel…but that’s the beauty of what Holofcener achieves in her films.  She allows us to peek in on the lives of people to see what makes them tick…we don’t’ necessarily need to know where they came from or where they’re going but instead she wants us to focus on the here and now.  As in life, some things come to their own natural conclusions while other events need a little time to sink in before they can find resolution.

With two strong lead performances and a general bucking of the status-quo for these types of films, Enough Said is a nice breath of fresh air…and another winning film from the observant eye/mind of Nicole Holofcener.

The Silver Bullet ~ Enough Said

enough_said

Synopsis: A divorced woman who decides to pursue the man she’s interested in learns he’s her new friend’s ex-husband.

Release Date:  September 20, 2013

Thoughts:  The sudden death of James Gandolfini (Zero Dark Thirty) in June is something that many fans can’t quite wrap their heads around quite yet.  Gandolfini’s tough guy persona kept him from getting roles with a softer edge…which is why Enough Said has caught my eye.  It’s not just because it stars the invaluable (and undervalued) Julia Louis-Dreyfus and features Toni Collette (Muriel’s Wedding, The Way, Way Back) in a supporting role but because it’s Gandolfini’s last film…and it’s a mature romantic comedy. Writer/director Nicole Holofcener has been delivering solidly for nearly two decades yet while she’s popular in the indie film niche she’s yet to truly break into mainstream fare.  Enough Said is probably too small of a film to help make that leap but the public’s love for Gandolfini will get more than the usual amount of people to check this one out…myself included.