Synopsis: After the events of Avengers: Endgame, Peter Parker and his friends go on summer vacation to Europe and there Peter finds himself trying to save his friends against a villain known as Mysterio.
Stars: Tom Holland, Jake Gyllenhaal, Zendaya, Marisa Tomei, Samuel L. Jackson, Cobie Smulders, Jacob Batalon, J.B. Smoove,
Director: Jon Watts
Running Length: 129 minutes
TMMM Score: (7/10)
Review: In some ways, Spider-Man: Far From Home was always bound to be disappointing. Being the follow-up to the biggest movie on the planet and arriving barely two months after it’s release is an unenviable position. Here’s the kicker, though. If you believe the trade papers then it seems Sony, which still owns the rights to Spider-Man and has loaned him out to Marvel Studios for his work in Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame, actually pushed to have this particular release date so close to the final Avengers film. It’s a strange strategy because everyone is bound to compare this to the juggernaut last chapter of Iron Man and his team which is still playing in many theaters and is even being re-released with new footage around the same time Spider-Man is swinging into cinemas.
Yet here we are, with another comic book superhero movie and, if you count the Oscar-winning Spider-Man: Into the Spider-Verse, our fourth big-screen appearance of Spider-Man in a year. Sony is playing chicken with audiences and betting they aren’t suffering from Spidey fatigue yet and based on the genial but oddly underwhelming Spider-Man: Far From Home I’m guessing they made the right call at express shipping this next chapter into theaters right in time for the July 4th holiday. Though flawed in the action department and failing to provide a showcase for an A-list actor trying his hand at playing an evil genius villain, the film succeeds best when it focuses on the people and not the effects.
As this site is spoiler-free as much as possible, a caveat that while the plot secrets of Spider-Man: Far From Home will remain hidden there are elements from Avengers: Endgame I’ll have to discuss.
So, if you don’t want the end of Avengers: Endgame spoiled for you then it’s best to turn back now.
Seriously. This is your last chance.
I’m going to spoil something, don’t be mad.
OK…here we go.
Picking up where Avengers: Endgame left off, Peter Parker (Tom Holland, The Impossible) is still mourning the deaths of Captain America, Black Widow, Vision, and his mentor Tony Stark/Iron Man. With the rest of the Avengers dispersed on their own missions around the world and in other galaxies, Peter is getting back to a routine in school and making the occasional appearance as Spider-Man to help raise funds with his Aunt May (Marisa Tomei, The Paper) to support the population vaporized in The Snap that were returned in what came to be known as The Blip. As the school year winds to a close, Peter and his best friend Ned (Jacob Batalon) prepare for their science trip abroad which will take them across Europe. Ned is looking forward to spending time with his friend as bachelors overseas while Peter is more interested in getting closer to MJ (Zendaya, The Greatest Showman).
The group has barely arrived in Venice when the floating city is attacked by one of four elementals, a creature made of water that goes about destroying everything in its path. Before Peter can jump into action and save the day, Quentin Beck (Jake Gyllenhaal, Prisoners) appears and helps vanquish the threat with some marginal assistance from your friendly traveling neighborhood Spider-Man. Recruited by Nick Fury (Samuel L. Jackson, Shaft), Beck teams up with Peter to take on the final elemental who is due to show up in Prague, where Fury reroutes Peter’s class trip (though what his school is doing in Europe is a mystery, it’s never clear why they’ve traveled overseas) so he can believably stay part of the action. Dubbed Mysterio by the press, Beck quickly (too quickly) becomes a new Stark-ish figure to Peter, establishing a trust that hides a darker agenda. When Beck’s true nature is revealed it’s up to Peter and his friends (including Jon Favreau, The Wolf of Wall Street, as Tony Stark’s former bodyguard) to eventually save London and its key landmarks from danger.
What may surprise viewers is how long director Jon Watts takes to get to the first round of action in the film. Aside from a very brief prologue there’s not another major action scene for nearly a half hour and, truthfully, I didn’t mind at all. The characters established so well in Spider-Man: Homecoming have been brought back fully realized and we’re dropped right back into their mix without much adjustment needed. When the action does start, in that first battle in Venice, the film gets less interesting almost immediately and it’s because we’re focused less on the people and more on the sturm und drang of it all. It doesn’t help the action sequences are curiously flat and rarely edge-of-your-seat exciting like previous Marvel (and Sony Spider-Man) films have been. Even the effects seem off and uneven, like the film wasn’t quite ready by time it had to go to theaters.
Another stumbling block is, surprisingly, Gyllenhaal as Beck/Mysterio. I had high hopes for the actor entering this universe and lending some of his trademark intensity to a character. Usually, Gyllenhaal has an interesting way into inhabiting whatever role he’s taking on but he was either stymied by the studio heads or just opted for the wrong approach because he’s dramatically inert here. Watch the movie and see if you can spot how many times Gyllenhaal moves throughout – you rarely seem him walking or making any kind of actionable movement, the majority of his performance he’s sitting or standing still. It’s like he was performing injured or filming his scenes in one soundstage over the course of two days. What should have been a nice match of actor and fan favorite villain was a whiff and a miss for me, extra disappointing because I am a big fan of the actor.
The movie is saved in no small part due to the performances given by Holland and Zendaya, both of whom were appealing in their first film paired together but now have honest to goodness chemistry that is entirely palpable. In Holland, we finally have a Spider-Man/Peter Parker that feels like he’s the right age and the actor plays him as more than an angsty teen longing to be more than the sum of his Spidey parts. He knows the great responsibility he has and understands why Tony chose him, but doesn’t want to continue to miss out on the life that doesn’t include inter-galactic wars and infinity stones. Zendaya isn’t your cookie-cutter MJ and mores the better. I like her awkwardness and affinity for the darker side of history. Like she did with Zac Efron in The Greatest Showman, she plays well off her costar and helps them to shine.
Based on the reactions of the audience at my screening, maybe I’m the one that’s fatigued at the present moment with these films. Perhaps my attraction to the pieces of Spider-Man: Far From Home that had nothing to do with action or effects say something about were my attention is at this point and time. I still don’t think Gyllenhaal is doing anywhere near his best work and the previous Spider-Man film was, in my opinion, more focused, unexpected, and heads and tails more entertaining from start to finish. We’re all trained by this point to stay through the credits but the mid-credit stinger and post-credit scene are absolutely essential. The final scene actually changes something about the movie entirely – don’t miss it or you’ve missed a huge piece of the story.