The Silver Bullet ~ mother!

Synopsis: A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Release Date: September 15, 2017

Thoughts: Oh let’s just face facts, they had me at Michelle Pfeiffer. It’s always a special joy to see Pfeiffer (Grease 2) onscreen at any time and we’re fortunate that she’s popping up in so many places in 2017.  Before she boards Murder on the Orient Express in November, she’s going to be seen in Darren Aronofsky’s strange little thriller mother! (no capital letters for this guy!) this September.  This looks like it’s either going to be a nasty little nightmare that Aronofsky is so good at or a total mess which would be pretty unfortunate considering the stellar cast assembled.  I wince a bit at 27 year old Jennifer Lawrence (American Hustle) married to 48 year old Javier Bardem (Skyfall) but let’s hope Aronofsky offers an explanation within the first reel.  Ed Harris (The Abyss) also stars but it’s Pfeiffer looking snazzy and sinister that seals this deal for me.

The Silver Bullet ~ Murder on the Orient Express (2017)

Synopsis: A lavish train ride through Europe quickly unfolds into the thrilling mystery of thirteen strangers stranded on a train, where everyone’s a suspect. One man must race against time to solve the puzzle before the murderer strikes again.

Release Date: November 10, 2017

Thoughts: Oh boy does this one look fun.  Based on Agatha Christie’s twist-filled 1934 novel, audiences have traveled on the Orient Express already in a BBC adaptation and the 1974 star-studded spectacle which remains one of my all time favorite films.  I admit I grimaced a bit when I heard a new version was in the works but as the cast came together for director/star Kenneth Branagh’s remake I began to soften a little.  This first trailer hints at the high level of class the filmmakers are employing for this murder mystery and though I’m guessing movie-goers may chuckle a bit at Branagh’s grandiose Poirot mustache I’d be willing to bet they’ll be intrigued enough to hop on board when it’s released in November. Starring Michelle Pfeiffer (Grease 2), Judi Dench (Skyfall), Johnny Depp (Dark Shadows), Penelope Cruz (Zoolander 2), Daisy Ridley (Star Wars: The Force Awakens), Willem Dafoe (The Grand Budapest Hotel), and, regrettably, Josh Gad (Frozen)

Movie Review ~ The Family

family

The Facts:

Synopsis: The Manzoni family, a notorious mafia clan, is relocated to Normandy, France under the witness protection program, where fitting in soon becomes challenging as their old habits die hard.

Stars: Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones, Dianna Agron, John D’Leo, Domenick Lombardozzi

Director: Luc Besson

Rated: R

Running Length: 108 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review:  I wasn’t quite sure what to expect going in to see The Family.  As a fan of Michelle Pfeiffer, I knew that my seeing this was an inevitable event but based on the trailer and seriously boring title I just didn’t know how the whole thing was going to turn out.  Would it be another in a long line of Robert De Niro films that seemed to get made only because he signed on the dotted line?  Or would it be the kind of daring European action film that director Luc Besson first rose to fame for?

Well, it turns out that the movie can’t ever really decide what genre it wants to fit into so it instead just lays down and rolls around several different themes all at the same time.  That may not work for most movie audiences and it’s not surprising that people are coming away from the film feeling a little empty, but I found the film to be an interesting potpourri of tones that worked more often than not – even if it’s more than a little odd.

Moving into a new European town after an incident necessitated their hasty retreat; a family in the witness protection program find themselves in the quaint/quiet town of Normandy in France.  Taking up residence in a money pit-esque dwelling, the Manzoni’s clearly are getting old hat at the process of moving from one town to another.  Dad (a more low-key than usual De Niro, Being Flynn, Silver Linings Playbook) just wants to settle in and write his memoirs, to the horror of the long-suffering FBI agent (Tommy Lee Jones, Lincoln, Hope Springs) assigned to their case.  Michelle Pfeiffer (Dark Shadows, People Like Us) is De Niro’s wife with anger issues of her own, eventually turning to the church for help, spilling her secrets in confession that leads to a moderately nice payoff.  The kids (Diana Agron and John D’Leo) are fashioned as doppelgangers of their parents and both give off a playful vibe, even as they find themselves in hot water at school.

As the family is getting acclimated to their new town, we also follow a creepy crime henchman (Jon Freda) that continues his hunt for De Niro and his brood after De Niro became a turncoat to his Mafia family.  It’s in these scenes that wind up leading to an out of left field tension filled finale that the film may confuse some people.  The passages with the family are given a light touch that belies the darker tone brought on by Freda’s intense chase.

For me, it worked.  I enjoyed that the film feels different than what it would have been were it produced in your typical Hollywood fashion.  That it was made in Europe by a European crew and director has given the film a golden hue and the chance to take risks with its twists and turns.  By the time the film reached its finale I wasn’t sure how it was all going to work out for everyone involved.

Sure, the film has several extraneous storylines that could have been trimmed to keep the running length to 90 or so minutes but the actors play these moments so well that it’s forgivable.  It may be harder to forgive one of the most laughably contrived cases of coincidence since, well, ever, but by that point the movie had won me over enough to just brush it off.  There’s also a wonderfully weird bit where De Niro is feted by a local film society who has asked him to come and speak to the finer points of the classic film…no…no…I won’t spoil that moment for you.

Returning after several years of being absent from the director’s chair, Luc Besson (Leon: The Professional and The Fifth Element) brings his trademark cinematic flair to The Family and navigates it’s up and down and crisscrossed tones with ease.  I’ve always enjoyed Besson’s creative way of cutting from one scene to the next and he keeps the pace going, even when his screenplay based on the novel Malavita doesn’t fully support itself.

The Family isn’t a movie that you’ll need to see in the theaters but would make for an interesting watch when it finds its way into the home viewing market.

The Silver Bullet ~ The Family

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family

Synopsis: The Manzoni family, a notorious mafia clan, is relocated to Normandy, France under the witness protection program, where fitting in soon becomes challenging as their old habits die hard.

Release Date:  September 20, 2013

Thoughts: Despite having one of the most lackluster titles in film history (why not just call it, That One Film with Robert DeNiro and Michelle Pfeiffer?) it’s hard for me to feel like I want to pass up a movie with Pfeiffer (Grease 2, Dark Shadows) because she works so rarely now and seems to choose projects that are of real interest to her.  True, they may not always be on the money (see Dark Shadows) but they are rarely boring.  DeNiro (Silver Linings Playbook, Being Flynn) is another story with the veteran actor making some ghastly films in the past decade.  Another bit of interest is that the film is directed by French auteur Luc Besson (The Fifth Element, La Femme Nikita, The Professional) who has stuck to producing action flicks (Taken 2, Lockout) so his return is welcome in my book.  Looking like a dark mix of mafia comedy, The Family (originally titled Malavita) probably won’t rank as career highs for anyone involved but it might turn out to be a decent romp.  We shall see.