31 Days to Scare ~ Anna and the Apocalypse (2018) – Trailer

Synopsis: A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones.

Release Date: November 30, 2018

Thoughts: In all honesty, zombie movies are just so not my thing. You can keep your walking dead and brain loving slow walkers for all I care unless you’re going to do something different with the material.  Zombie movies like Warm Bodies gave us a unique slant to a familiar story which is another reason why the zombie musical Anna and the Apocalypse looks like it might be one to keep an eye (and ear) out for.  Anytime a movie is compared to Shaun of the Dead and La La Land well, you have to take notice.  With a nice buzz coming out of the early fall festivals, this might be a bloody brilliant movie or another non-starter that played better with festival audiences geared toward this kind of material.  I’m thinking it looks like a riot…but I’ve been fooled before.  For now, count on my attendance to this apocalypse.

31 Days to Scare ~ Amityville II: The Possession

The Facts:

Synopsis: A family moves into their new home, which proves to be evil, resulting in the demonic possession of the teenage son. Only the local priest can save him.

Stars: Burt Young, Rutanya Alda, Jack Magner, Andrew Prine, Diane Franklin, Moses Gunn, James Olson

Director: Damiano Damiani

Rated: R

Running Length: 104 minutes

TMMM Score: (7.5/10)

Review: Few would argue that 1979’s The Amityville Horror is any kind of movie to write home about.  While it’s poster, preview, and press shots suggested a snazzy new twist on The Exorcist the final product was ham-fisted, poorly acted, and more funny than scary.  Still, the public that had made the book that inspired the movie a bestseller turned the feature film adaptation into the second highest grossing film of the year ahead of Alien, Apocalypse Now, The Deer Hunter, and The Muppet Movie.  I mean…think on that…it made 86 million dollars, 20m short of the #1 title, Kramer vs. Kramer.

Three years later new producer Dino De Laurentis took over the property and made this prequel to the events that transpired in the original.  Now the movie would focus on the murders that took place in the house and supposedly were the source of the haunting that plagued future tenants.  While it’s considered one of the stronger entries in the franchise of countless sequels spawned over the next several decades, it’s easy to see where director Damiano Damiani and screenwriter Tommy Lee Wallace (Fright Night Part 2 and Halloween III: Season of the Witch) ripped off other films when piecing together their contribution to the Amityville legacy.

The Montelli family has moved into that soon to be infamous house with the windows that look like eyes.  Nestled into the sleepy hamlet of Amityville in Long Island, NY the family has relocated to start a new, quieter life.  Still, they bring some major baggage with them.  The father (Burt Young) is an abusive drunk, the mother (Rutanya Alda) is religious woman frightened of her husband’s anger, and while their two youngest children seem to adjust well to the new living arrangements it’s tougher on eldest son Sonny (Jack Magner) and daughter Patricia (Diane Franklin).

Sonny’s a loner, a perfect vessel for the evil that lurks within the house to prey upon.  It isn’t long before Sonny’s demeanor changes and he becomes more physically hostile to his father and sexually predatory with his sister, both unfortunately icky subplots that just don’t feel good.  The more the family fights to save Sonny’s soul, the deeper the possession becomes.  If you’ve seen the opening of The Conjuring 2, you’ll know what happens next…if you haven’t, well, it doesn’t end well.

Though operating on a small budget, Damiani makes his film effectively creepy and often downright frightening as Sonny begins to show outwardly the possession going on within.  There’s good use of lighting to keep figures in the dark so that they can be discovered at precisely the right moment and the tension builds slowly but aggressively.  Performances are uniformly good and, gross incest plotline aside, Wallace’s script goes for realism instead of hyperactive hysteria.  The film has several climaxes, and each arrive with an assured flair for intensity.

Far less successful than its predecessor, Amityville II: The Possession still gives me the chills all these years and multiple viewings later.  It’s a dark movie though, filled with some hard to watch sequences of physical abuse and inappropriate conduct that’s in no way glorified or excused.  The focus of the horror is on the house but it’s tenants might not have been all that good to begin with.

The Silver Bullet ~ The Town That Dreaded Sundown (2014)

town_that_dreaded_sundown

Synopsis: 65 years after a masked serial killer terrorized the small town of Texarkana, the so-called ‘Moonlight Murders’ begin again. Is it a copycat or something even more sinister? A lonely high school girl with dark secrets of her own may be the key to catching him.

Release Date: October 16, 2014

Thoughts: I know, I know…another modern remake of a minor classic that will surely be gorier than the original, sacrificing mood for cheap thrills…ugh.  Right?  Still, there’s something about this one that has me wondering if a re-tooling wasn’t in order.  I only remember bits and pieces of the 1976 original but I do recall thinking it wasn’t anything to write to your horror pen pals about.  It does have that “We’re Going Retro” feeling to it and I’m a fan of a return to horror that’s less ‘torture porn’ and more ‘slow burn’ in the way it presents itself.  No doubt the film will feature copious amounts of flesh and blood but if it’s balanced with a strong narrative and decent acting it will all be worth it.  Bonus points for MGM resurrecting the Orion Pictures logo, something we haven’t seen for 15 years.