Movie Review ~ Spiral: From the Book of Saw

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The Facts:

Synopsis: Working in the shadow of an esteemed police veteran, brash Detective Ezekiel “Zeke” Banks and his rookie partner take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past.

Stars: Chris Rock, Samuel L. Jackson, Max Minghella, Marisol Nichols, Morgan David Jones, Frank Licari, Zoie Palmer

Director: Darren Lynn Bousman

Rated: R

Running Length: 93 minutes

TMMM Score: (3/10)

Review: Sure, I’ve seen all of the films in the Saw series but with that particular franchise, it truly is a case where the old saying is true: when you’ve seen one, you’ve seen them all.  Though I enjoyed the original film from 2004 for its brazen methods of going all-out in its gory violence and clever narrative construction, the subsequent sequels were each like a new dub of the previous copy taken from an existing VHS master.  Each new entry got more and more distorted, the plots more convoluted, the acting less convincing, and the overall threads that tied the series together started to grow threadbare and snap.  By the time Saw: The Final Chapter sliced through theaters in 2010 (in 3D, natch), the viscous well had long since dried up.  When Jigsaw, a feeble attempt to shock the series back to life in 2017 during the swell of reboots failed to wake the dead, it seemed as if the plug had officially been pulled on the Saw franchise.

What happened next was a surprise to many.  Shortly after Jigsaw’s disappointing debut, Lionsgate found out they had a Saw fan in comedian Chris Rock and it just so happened the star was looking to get into the horror business.  Accepting Rock’s offer to provide a treatment to take the franchise on a new path, the studio lined up Saw II, III, and IV’s Darren Lynn Bousman (Mother’s Day) to direct and hired Piranha 3DD writers Josh Stolberg & Pete Goldfinger to flesh out Rock’s original storyline into the full feature length version that became known as Sprial.  Tacking From the Book of Saw onto the title to fully tie the new film to the existing world confirmed Spiral would be related to the original eight films and not a reboot, and suddenly the internet was abuzz wondering how Rock and newly announced co-star Samuel L. Jackson would work their way into the Saw universe.

Delayed from it’s October 2020 release due to the pandemic, Lionsgate opted to hold off on letting their twisted game out of the bag until now and it’s good they did because the Saw films are always something of an event to see on the big screen. (Note: I say that with full acknowledgement of the hypocrisy of my watching it via a screening link at home.)  Now, audiences would be forced to witness some of the series most gruesome death devices going full bore and wouldn’t be able to simply leave the room like they could if they viewed it from the safety of their living room.  Spiral was promised to be a film that was more of a mystery than the ghastly Grand Guignol torture nastiness the previous eight films had begun to wallow in.  What a bummer to report that it’s more than a little disappointing to see before the title card is even shown a man forced to choose between ripping out his own tongue or death by subway train.

Labeled a rat by his colleagues after testifying against his crooked partner, Detective Zeke Banks (Rock, The Witches) is going through a divorce and has a strained relationship with his father (Jackson, Shaft), a former police captain of his division.  Assigned by his ball-busting captain (Marisol Nichols, Scream 2) to mentor rookie William Schenk (Max Minghella, The Internship) their first case is a doozy: identifying a homeless man run over by a train using only the bloody pieces that were salvageable.  Having seen the prologue, we know these fleshy bits used to be someone quite different and the two detectives will soon receive their first clue from a creepy killer in a pig mask that will point them in the right direction. 

Once Banks and Schenk discover the man was a cop that Banks knew well, the dominos start to fall rapidly as other members from their precinct start to die in all sorts of terrible manners.  Could this be the workings of another disciple of the long-dead killer Jigsaw or is there a copycat using the murderers methods as a cover to enact their deadly game of revenge?  With clues pointing to suspects that wind up mincemeat, Banks is left to read between the lines and remember the past if he’s to save himself and his loved ones from a killer’s deadly plans for the future. 

Had Stolberg and Goldfinger’s script stuck to the mystery angle, Spiral could have been an interesting film that benefitted from its ham-fisted bit of social commentary it clumsily thumbtacks on at the end. (Oh, it’s so stagnant you’ll groan.)  I get the feeling Rock’s original idea was far less grandiose than what Spiral turned out to be and it took the extra attention of the writers (and maybe Bousman) to make this new film fit more into the lore of the Saw films.  How else could you explain some of the random shifts in tone from detective story to the grisly reveling in brutalization?  With the previous movies, this was expected because past the second sequel they truly had no central story that made them a mystery worth solving.  Bringing in Bousman also accounts for the movie having the look of a Saw film as well, with the jittery camera angles and overall grimy feel that permeated the vibe of earlier entries…there’s little to set this one apart from the others.  Bringing someone new in, like Universal did with the 2018 Halloween, would have been an inspired choice, though Bousman is no slough as a filmmaker.

It also just has to be said that for as brilliant a comedian as Rock is and as gifted a performer he is onstage, an actor he is most definitely not.  Rock’s performance is possibly the biggest problem with the film, aside from its profound reliance on useless profanity (and this is coming from someone with a sailor’s vocabulary), and in scene after scene he drags every other actor down just as they are trying to bring him up.  Not even Jackson can rescue Rock from himself, mostly because for all the attention his casting received, Jackson is barely in the movie.   The character is just unpleasant.  In the process of creating a new direction for the series, did no one remember to think up a leading man that audiences would enjoy as well? 

Even the solution to Spiral is met with sort of a indifference and the typical zip-zap-here-are-the-closing-credits wrap-up.  As much as the star, filmmakers, and studio touted Spiral as being different than what has come before, it is shockingly stuck in the past and falls into the same trap as the later sequels when the franchise was already on tenuous ground.  I expected a great deal more from all involved and if it’s true like one character says everything is in a spiral and comes back around, I’m hoping the next film really does return to what captured our attention back in 2004 when the game being played required more brains than…well, literal brains.

Movie Review ~ Jigsaw

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The Facts
:

Synopsis: Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for ten years.

Stars: Matt Passmore, Callum Keith Rennie, Clé Bennett, Hannah Emily Anderson, Laura Vandervoort, Mandela Van Peebles, Paul Braunstein, Brittany Allen, Josiah Black

Director: Peter Spierig & Michael Spierig

Rated: R

Running Length: 91 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: The biggest question left by this turgid attempt to reboot the Saw series is “Why”?  Why wait all this time?  The last entry, the now-incorrectly titled Saw 3D: The Final Chapter came out in 2010 and put a rather decent pin in the whole shebang.  Why go back to the well that has long since dried up,  providing no nutritional substance in plot, character, or creativity?  Isn’t it obvious? This is a product from a studio (Lionsgate) desperate to find another dependable franchise to ciphon out money from the pockets of easily enticed moviegoers.  Keeping their tradition of not screening these films for crictics, I was one of those audience members curious enough to venture out the week before Halloween to see how this series would get revived.

I should have stayed home.

The film offers nothing new to add to the mythology of John Kramer (Tobin Bell), the madman that offered a sick kind of redemption to troubled souls.  Placing them in increasingly serpentine traps that were designed to have them inflict pain on themselves or others, Kramer sought to help these people that strayed back to the path of good.  Too bad so many of them wound up literally in pieces along the way.

As Jigsaw opens, Kramer has been gone for ten years but a new game has started that bear his calling card.  The clues left behind all point to Kramer but how can a man dead and buried for a decade be running this new horror show?  The red herrings abound with little logic, most of the time the cops on the case (led by Callum Keith Rennie, Fifty Shades of Grey) point to a suspect that may have looked at them sideways or on some undisclosed second-sight instinct.

Medical examiner Logan Nelson (Matt Passmore) is brought in to help the police figure out the clues but it’s really his plucky assistant Eleanor Bonneville (Hannah Emily Anderson, whose character name is more memorable than her performance) that lasers in on who is responsible for the killing but not necessarily why.  At the same time the experts are tracking the killer and examining mutilated bodies, we bounce back and forth to a deadly game playing out in real-time that is supposed to be feeding us clues but might just be another fake-out that this franchise has been so dastardly in introducing.

The acting by all is terrible (which is pretty par for the course) but the bad performances might be easier to take if anyone (at all) was the least bit invested in what they were doing.  Directed by The Spierig Brothers with little fanfare, I can only hope their next film, Winchester: The House that Ghosts Built, is a more promising endeavor.  This is a puzzle that you don’t need any kind of brainpower to solve, just the willingness to turn it off as you enter the theater.

The Silver Bullet ~ Jigsaw

Synopsis: Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one man: John Kramer. But how can this be? The man known as Jigsaw has been dead for over a decade.

Release Date: October 27, 2017

Thoughts: We’ve been lied to!  After seven films, the Saw series was said to be over and done with back in 2010.  Well, it’s not the first time we’ve been told that a franchise was ending only to have greedy studio execs drum up another sequel…but why do I get the nagging feeling that Jigsaw might represent a neat little surprise for all the naysayers?  It’s probably my willingness to give any horror sequel a shot in the hopes it won’t be another cheaply made retread of previous entries.  I’m hopeful already seeing that Jigsaw is being directed by The Spierig Brothers who haven’t helmed any blockbusters but have made some vastly underrated pics.  If you don’t believe me, do yourself a solid and seek out Predestination.