Movie Review ~ Coco


The Facts
:

Synopsis: Aspiring musician Miguel, confronted with his family’s ancestral ban on music, enters the Land of the Dead to work out the mystery.

Stars: Anthony Gonzalez, Benjamin Bratt, Gael García Bernal, Ana Ofelia Murguía, Renee Victor, Jaime Camil

Director: Lee Unkrich

Rated: PG

Running Length: 109 minutes

TMMM Score: (9/10)

Review: There was time when Disney/Pixar had the market cornered on movies that hit you with enough emotional force that tears were inevitable.  Often they were happy tears but every now and then they’d find a way to trigger the kind of ugly cry that made audiences glad the lights didn’t come on right when the credits rolled. With the advent of 3D technology being used in their films, we then had another way to hide our red eyes as we shuffled toward the exit and our cars.

Over the past decade Pixar has lost a little bit of that luster producing not fully satisfying sequels to proven franchises.  They looked great and were amusing, sure, but something was missing…there wasn’t the magnitude of honest heart and soul the studio was known for.  Add to that live-action movies and rival animation studios locking into that coveted emotional sweet spot and Pixar started to become one of the gang instead of their leader.

Now along comes Coco.

I didn’t know what to expect from Pixar’s latest release, an original tale of a boy in Mexico struggling with accepting his family and having them understand him too.  Early previews didn’t give much in the way of plot but they sure got tongues wagging with its spectacular animation and the promise of something inventive. not just another rehashed sequel (Monsters University).  Could this be the spark that re-ignited the Pixar fire?  And would audiences make time for something that might be out of their cultural comfort zone?

Young Miguel (Anthony Gonzalez, who also has a sweet singing voice) narrates our tale and through a creative prologue catches us up on his family history.  His great great grandmother was abandoned by her musician husband, leaving her to raise their daughter alone.  Banishing all forms of music from her descendants, she starts a successful shoe business that is passed down from generation to generation.  In present day, though he knows its forbidden, Miguel dreams of becoming a famous musician like his idol, matinee star Ernesto de la Cruz (Benjamin Bratt, Doctor Strange).  Though de la Cruz perished onstage in an unfortunate scenery malfunction, his memory lives on in movie appearances Miguel replays in a secret hiding place where he can play his guitar along with his hero.

When a talent contest is announced to take place in conjunction with Dia de los Muertos (the three-day celebration in October that’s a staple of Mexican culture), Miguel chooses to emulate de la Cruz and ‘seize the moment’, but when his family gets wind of his plot his dreams are crushed.  It’s when he breaks into the mausoleum of de la Cruz and strums his famed guitar that Miguel becomes enmeshed in a family curse he’ll need de la Cruz’s help to break.  Meeting up with his relatives that have long since passed and teaming up with a fast-talking hobo (Gael García Bernal, Rosewater) to find de la Cruz, Miguel embarks on a journey of discovery to get back to the Land of the Living before the sun rises.

The story, co-written by director Lee Unkrich (Inside Out) is full of colorful characters and creative endeavors.  There’s a bit of a mystery to solve and it gets more interesting as the film goes along and Miguel learns more about his family.  Parents should heed the PG rating because there are some images/ideas that may frighten younger children but kids that can sit through its rather long running time should be quite enthralled.  I was pretty mesmerized from the word go and marveled at how intricate the plot becomes, especially when it threw in Frida Kahlo and other references to Mexican history.

Speaking of detail, the animation here is just outstanding.  The background designs are super and the fine details on each of the skeletal faces of the inhabitants of the Land of the Dead are unique and serve to soften what could be a scary sight.  There’s wonderful music pulsating through the film (some from the team behind Frozen) and a recurring musical theme is put to good use, especially in the final 1/3 when Unkrich amps up the emotion and carefully (if shamelessly) goes for the jugular.

For a film that takes place mostly in the Land of the Dead, there’s an abundance of life and joy on display.  It signals that Pixar is listening to audiences and critics that wanted the studio to get back to what made them so special in the first place: telling original stories that touched us on more than a simply entertaining level.  Coco represents a high-water mark for the studio, arguably one of their best films so far.  In addition to its dazzling animation that uses every color known to the human eye it has a strong story about family and finding one’s place in your lineage.  It pulls very few punches and will likely inspire some discussion afterward for parents to have with their children. Make sure to stay until the end, the final image that serves as a thank you from the filmmakers is the cherry on top of an already personal-feeling experience.  Also…major props for directing audiences to their local libraries to study up on the cultural events depicted in the film.

Movie Review ~ The Good Dinosaur

good_dinosaur_ver3

The Facts:

Synopsis: An epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend.

Stars: Raymond Ochoa, Jeffery Wright, Steve Zahn, AJ Buckley, Anna Paquin, Sam Elliott, Frances McDormand, Marcus Scribner, Jack Bright

Director: Peter Sohn

Rated: PG

Running Length: 100 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: It’s usually never a good sign when a release date for a movie is changed once.  It’s an even worse sign when it changes twice.  Then when you hear that nearly all of the cast was replaced, the director removed from the project, and reshoots were required you can rest assured that when (if?) the movie is actually released you’ll have the critical vultures swarming around looking to feast on the carcass of the wounded cinematic animal.

In this case, the movie in question is Disney/Pixar’s The Good Dinosaur, finally seeing a release date a full two years after its intended November 2013 opening.  Those expecting a misfire from the studio limping into the holiday movie season will be in for a surprise because for the second time in 2015 Disney/Pixar have a hit on their hands.  For all of its fabled troubles on its way to theaters (including replacing the voices of John Lithgow, Judy Greer, Neil Patrick Harris, and Bill Hader) it’s clear from the final product that whatever tinkering and tailoring was done was necessary and worth the wait.

Featuring what I feel is Pixar’s best animation to date, The Good Dinosaur may lack the overall complex creativity of June’s Inside Out (which ingeniously taught children and adults how to own and celebrate their emotions) but it’s not short on memorable characters and moments.  I went in expecting something along the lines of The Land Before Time but got a lovely family feature that’s generous with humor and heart.

Positing an alternate timeline where the asteroid that ended the reign of the dinosaurs missed the planet completely, The Good Dinosaur takes place in the present…albeit in a present where dinosaurs never went extinct and humans never became the dominant species.  This isn’t a dark vision of what might have been but a thoughtful pondering a future were these great beasts continued to thrive for millions of years, living off the rich bounty of a land uncorrupted by progress.

Poppa Henry (Jeffrey Wright, The Hunger Games: Mockingjay – Part 2) and Momma Ida (Frances McDormand, Promised Land) are a brontosaurus couple spending their lives farming and plowing the fields.  Opening with the hatching of their three baby dinos, from their first moments we can see what each of their personalities will be like: Buck is the tough one, Libby is the playful one, and Arlo is…well…he still doesn’t quite know where he fits in.  The runt of the litter (arriving in the biggest egg), he’s a bundle of dino nerves that’s scared of everything from a tiny bug that lands on his nose to the raggedy chickens he’s tasked with feeding.

Borrowing a page from the old-fashioned Disney canon, a tragedy occurs for Arlo followed by a separation from his home that sends him on a journey of discovery to find his way back to his family.  Following the river through the gorgeous untouched landscapes of nature, he’s joined by Spot, a human child that acts like a feral dog that Arlo has a score to settle with.  Eventually the two come to need each other as they face the harsh realities of nature and meet a number of wildlife along the way like a cross-eyed Styracosaurus (hilariously voiced by director Peter Sohn), a pack of threatening Pterodactyls, and a family of cowboy T-Rexes (headed by splendid Sam Elliott, I’ll See You In My Dreams) on a cattle drive.

The material is more adult-oriented than previous Pixar films and I appreciated that the film doesn’t make any excuses for the dramatic (and often scary) turns it takes.  Parents should know that it’s PG for a reason, some kids at my screening had a rough go with the beasts and some of the subject matter.  Arlo is constantly threatened with danger whether it be falling off rocks, plunging into water, or fending off a host of creatures that see him and Spot as their next meal.  The supporting players are perhaps the most bizarre creations from Pixar yet, with the Pterodactyls being most troublesome for this critic thanks to their crazed rants and appetite for food of any kind.

Pixar is no stranger to tapping into emotions and there are several passages of The Good Dinosaur where you may find tears welling up behind your 3D glasses.  While the 3D isn’t revelatory, it goes well with the impressive vistas and animals that pass you by.  Though I tried my hardest to hold it in, I cried a few times over the course of the film thanks to some developments that I could relate to on a personal level.  It won’t give you the Sally Field Ugly Cry Face that Inside Out and Up did, but don’t be surprised if the tears come when you aren’t expecting it.  I also laughed a lot, especially at some unexpected frivolity in the form of a trippy tangent brought on by Arlo and Spot eating spoiled fruit.

The feature goes nicely with Sanjay’s Super Team, the father-son centered short that precedes it and while most will give the Best Pixar of 2015 edge to Inside Out, there’s a case to be made for The Good Dinosaur too.  It’s perhaps less original in conception but in execution it showcases the absolute best animation that Pixar has created so far.

Movie Review ~ Sanjay’s Super Team

Sanjay's_Super_Team_poster

The Facts:

Synopsis: Bored with his father’s meditation, a young Indian boy daydreams of Hindu gods as superheroes.

Director: Sanjay Patel

Rated: PG

Running Length: 7 minutes

TMMM Score: (6.5/10)

Review:  Each passing Pixar film becomes more and more of an event…and so does the animated short that precedes them.  Already this year we had Lava, screened before Inside Out, that warmed up your tear ducts for the feature film and now we have Sanjay’s Super Team arriving before showings of The Good Dinosaur.  Disney’s first animated short that features a Hindu American lead and inspired by the childhood of its director, Sanjay’s Super Team is a pleasant mixture of Pixar imagination and color.  Still, I found myself not engaging in the story of a boy that falls into a daydream mixing his Hindu culture with his love of American superheroes as much as I was supposed to.  For me, it’s one of the more down the middle shorts but there’s no denying it ends on an emotionally honest note.

The Silver Bullet ~ Finding Dory

finding_dory

Synopsis: The friendly-but-forgetful blue tang fish reunites with her loved ones, and everyone learns a few things about the true meaning of family along the way.

Release Date: June 17. 2016

Thoughts: It’s hard to believe that Disney/PIXAR’s Finding Nemo is 12 years old.  And it’s equally hard to believe that for as successful as that film was, its sequel took so very long to get swimming. Perhaps the wait will be well worth it when Finding Dory is released next summer.  This first look showcases the same rich colors and vibrant animation that made the original such a sight to see…even more so when it was re-released in 3D a few years back.  Plot details are scarce but you can bet that considering the studio and players,  it will be an emotionally resonant underwater adventure.  With the voices of Ellen DeGeneres, Diane Keaton (And So It Goes), Ed O’Neill (Entourage), Albert Brooks (A Most Violent Year), Idris Elba (Prometheus), Ty Burrell (The Skeleton Twins), & Dominic West (John Carter).

The Silver Bullet ~ The Good Dinosaur

good_dinosaur

Synopsis: After a traumatic event unsettles a lively Apatosaurus named Arlo, he sets out on a remarkable journey, gaining an unlikely companion along the way – a human boy.

Release Date: November 25, 2015

Thoughts: With all eyes on PIXAR’s June offering Inside Out (already garnering rave reviews) it’s easy to forget that the studio has a second film due out in 2015. This nice little teaser for The Good Dinosaur doesn’t give much away in terms of plot and that’s perfectly OK with me because it won’t be long until a longer, more descriptive trailer arrives that shows more dino action. 2015 looks like it could be a good year for dinosaurs between this and June’s Jurassic World and with PIXAR’s history of tugging at that good ‘ole heartstrings I’m looking forward to seeing what they do with the big “What If” question that’s posed in the preview. Here’s hoping this is another strong effort from PIXAR, a still aces studio that has seen some strong competition in recent years.

 

The Silver Bullet ~ Inside Out & Lava

Inside_Out_poster

Synopsis: Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters.

Release Date: June 19, 2015

Thoughts:  Disney and Pixar have been razzed a bit at their fondness for sequels as of late, straying from the type of new material-driven ideas that Pixar first came to fame with. That’s all stuff and bother in my book because even though each Pixar film hasn’t been a winner (I’m looking at you Cars…and Cars 2) each has been on the cutting edge of the advances in computer technology. Though I’ll always be a fan of hand-drawn animation, there’s little argument that Pixar has created some bona fide animated classics. With the Oscar winning director and composer of Up (Pete Docter & Michael Giacchino) back and a strong stable of voices on hand I’m eager to see what new emotions are stirred up when the film is released next summer.

 

lava-pixar-580x759

BONUS!

Here’s a first look at the new short, Lava, that will appear before Inside Out.

Movie Review ~ Monsters University

6

monsters_university_ver8

The Facts:

Synopsis: A look at the relationship between Mike and Sulley during their days at Monsters University — when they weren’t necessarily the best of friends.

Stars: Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Alfred Molina, Dave Foley, Sean P. Hayes, Joel Murray, Peter Sohn, Charlie Day, Nathan Fillion, Bobby Moynihan, Julia Sweeney, Aubrey Plaza, Tyler Labine, John Krasinski, Bonnie Hunt, Beth Behrs, John Ratzenberger

Director: Dan Scanlon

Rated: G

Running Length: 100 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review:  Back in 2001 when Monsters Inc. was released Disney/Pixar was riding high off of the boffo success of Toy Story 2 and looking for another megahit.  While Monsters Inc. lined the pockets of all involved, for me it was one of the lesser Pixar films (though I’d still rank it above Cars, Cars 2, A Bugs Life, and Ratatouille) and its not one I’ve revisited much in the following twelve years.

In the last decade Disney/Pixar has matured as a production company, creating and developing moving movies with a purpose and a richly beating heart that it proudly wears on its sleeve.  With films like Up, Wall*E, and Toy Story 3 the animators took just as much pride in tugging at our heartstrings as they did in tickling our funny bone.  2012 saw the release of Brave and though it went on to win the Oscar (somewhat surprisingly) for Best Animated Feature some naysayers felt that film was not so much a step back in progress but a standing of ground with forward motion.

It’s a year later and the next Disney/Pixar film is upon us and it wasn’t a film I was particularly chomping at the bit to see.  In the realm of sequels to their films I would have preferred a sequel to The Incredibles or Finding Nemo (I’ll get my wish in 2015 when Finding Dory arrives) over another visit with the scare makers who work at Monsters Inc.  I just didn’t think it was a film that was needed now.

Well it turns out I was wrong because instead of an outright sequel the filmmakers have made a prequel, following Mike (voiced by Billy Crystal) and Sulley (John Goodman) in their college years as they experience a monster of a college life at Monsters University.  The uptight, studious Mike clashes with the laid-back slacker Sulley and it’s only when their future in school is threatened that the two bond together to show what they’re really made of.  Working with a fraternity of misfit outcasts, can Mike and Sulley get back into the Scare Program at school by winning the annual Scare Games?

Monsters University finds the creative minds at Disney/Pixar firing on all cylinders as they bring to life the college experience with an explosion of colors, ideas, and comedic bits that nearly all land exactly where they’re supposed to.  Taking the awkward freshman process to new heights, director Dan Scanlan works with co-screenwriters Robert L. Baird and Daniel Gerson to create a fully developed array of characters that interact with our two lovable leads in a series of honestly hysterical situation.  Everything on screen looks unique and thought-out…carefully planned for maximum effect.

For fans of the original film there’s a lot of nicely placed foreshadowing in place and certain major players from the first movie pop up here and there as secondary characters.  I wished I had watched the first film again before seeing this because I feel I’d have found several more of these moments that hint at what’s to come.

Returning voice talents Crystal (Parental Guidance) and Goodman (Argo, Flight, Arachnophobia) are top notch here, conveying a youthful exuberance without sacrificing the wise charm that made them such a good team in Monsters Inc.  Oscar winner Helen Mirren (Hitchcock, The Door) is pitch perfect as the imposing dean of Monsters University that takes a dislike to Mike and Sulley and others such as Aubrey Plaza (Safety Not Guaranteed, The To-Do List), John Krasinski (Promised Land) and Steve Buscemi (The Incredible Burt Wonderstone) have solid contributions.

What I’ve always appreciated about Disney/Pixar films are how economical they are…there’s rarely something on screen that isn’t engaging or interesting and when the film needs to make a point or highlight a lesson all of that extra business is pulled back to let the story shine through.  This is a film filled with larger than life characters and big laughs…a high water mark for all involved.  I found it better than the original because it makes more of an emotional connection to the audience with its themes of acceptance and finding value in others.

In the rash of summer movies that are about to be unleashed, Monsters University was nowhere near the top of my list of anticipated flicks.  Like a recurring theme in the film though, it’s important that I acknowledge that I was wrong and to say that I was surprised that the film surprised me as much as it did.  It’s a winning combination of creativity and talent that’s certain to entertain.  Enroll in Monsters University pronto and experience college life at its funniest finest.

The Silver Bullet ~ Planes

planes-movie

Synopsis: Dusty is a cropdusting plane who dreams of competing in a famous aerial race. The problem? He is hopelessly afraid of heights. With the support of his mentor Skipper and a host of new friends, Dusty sets off to make his dreams come true.

Release Date:  August 9, 2013

Thoughts: Pixar’s Cars and its sequel were probably my least favorite of their impressive family of films.  So the trailer for their latest endeavor, the off-shot Planes doesn’t send me sky high with excitement.  Originally intended as being a direct to video release, Disney saw a spot in their schedule (though Monsters University is also coming out in 2013) they needed to fill so have bumped this one up to a theatrical run in hopes of increasing their box office take for Summer 2013.  Looking at the box office returns for the Cars series, you can hardly blame them…but at the same time you totally can.  Jon Cryer had recorded all of the tracks for the lead role but was recently replaced by the exhausting Dane Cook…just another reason to have a stay-cation from the movie theaters the weekend this is released.