Synopsis: Six years after the events of “Wreck-It Ralph”, Ralph and Vanellope, now friends, discover a wi-fi router in their arcade, leading them into a new adventure.
Stars: John C. Reilly, Sarah Silverman, Jane Lynch, Jack McBrayer, Taraji P. Henson, Gal Gadot
Director: Phil Johnston, Rich Moore
Running Length: 112 minutes
TMMM Score: (6/10)
Review: I have to be honest and say that I wasn’t a ride or die fan of Wreck-It-Ralphwhen it first was released. It took me a while to find my way to the movie in theaters and though as a child of the ‘80s I appreciated the nostalgia its 8-bit arcade game lead character stirred within me it doesn’t sit high on my list of favorite Disney films. Though the sequel was hotly anticipated I didn’t even take the time to re-watch the original before taking in this colorful follow-up that I wound up having fun at. This one seemed to push the envelope more than its predecessor and was stuffed with enough rapid fire jokes to keep your head spinning. There are a plethora of Easter eggs to be found, especially for those that remember the early days of the World Wide Web and recall the way you would hold your breath when AOL would attempt to connect.
John C. Reilly (Holmes & Watson) and Sarah Silverman (A Millon Ways to Die in the West) are back to voice our two lead characters with Gal Gadot (Wonder Woman) joining the cast as an ally to Silverman’s character. I also got a huge kick out of two scenes featuring every Disney princess that has appeared on film, most voiced by the same women that originally brought them to life. Slyly commenting on their storybook lives in this #TimesUp brave new world we’re living in, they were the highlight of the film. While the animation is wonderfully eye-popping I don’t feel the movie sticks in your brain like the best of the Disney animated films do.
Synopsis: In a city of anthropomorphic animals, a fugitive con artist fox and a rookie bunny cop must work together to uncover a conspiracy.
Stars: Ginnifer Goodwin, Jason Bateman, J.K. Simmons, Idris Elba, Alan Tudyk, Tommy Chong, Octavia Spencer, Bonnie Hunt, Jenny Slate, Tommy ‘Tiny’ Lister, Don Lake, Raymond Persi
Director: Byron Howard, Rich Moore, Jared Bush
Running Length: 108 minutes
TMMM Score: (9/10)
Review: Here we are in the first week of March and I think I’ve found the first truly delightful film of the year. We’ve just emerged from a season of heavy dramas and a start of the year that featured a seemingly endless supply of disappointments and cheap cash grabs. So to find a film as breezy and bright as Zootopia is most welcome, it’s a place you’ll want to visit more than once.
Young Judy Hopps (Ginnifer Goodwin) is an idealistic young bunny rabbit that stands up to bullies and dreams of moving from her country life to Zootopia, an animal metropolis where predator and prey live in perfect harmony. With her sights set on becoming the first rabbit police officer, she overcomes the adversity of being 10 times smaller than her fellow police academy trainees and lands a job in the heart of the city. Relegated to the safety of being a meter maid, Hopps longs for more than just issuing parking tickets, though, and in short order gets involved with a plot to disrupt the peace between species.
It’s a surprisingly complex plot that’s dreamed up here, giving Disney Animation the opportunity to explore a world of anthropomorphic animals with no human presence. It’s also the longest fully animated film produced by Disney since Fantasia in 1940 and carries an earned PG rating for some scary moments. The length and rating may give parents cause for pause but I’d encourage families to get out and see this one because not only does it have a typically Disneyfied message of being true to oneself and kind to others it’s wonderfully animated and, at times, hysterically funny.
I like to laugh but don’t find myself often truly breaking down in movies so I have to admit that Zootopia hit my funny bone on several occasions. From a delightfully droll spoof of The Godfather to hilarious trip to the sloth-run DMV there are also references to Breaking Bad and a visit to an animal spa that really left me rolling. That the humor feels so genuine is a tribute to the script from eight screenwriters (the film went through some tweaking/reworking several times during production) .
It’s such a sunny romp that when there are dark turns, they land with the right amount of nuance instead of stinking of a laboriously false tonal shift. Zootopia is divided into several different sections meant to recreate the inhabitant’s native habitat. The city center is your typical city setting while there are occasional detours to a rainforest, desert, and frozen tundra. Each world is designed to look and feel different and Disney animators have gone all out with fine details that keep each section separate yet still related to the others.
The voice talent used here is also one of the most enjoyable casts that Disney has put together in quite some time. Goodwin is a bundle of joyous energy as Judy, as is Jason Bateman (Bad Words) as a sly fox who teams up with Judy in her investigation. Idris Elba (Prometheus) is commanding as Judy’s superior officer and J.K. Simmons (Terminator Genisys) pairs nicely with Jenny Slate (The Lorax) as Zootopia’s lion leader and his lamb second in command. And any chance to hear Bonnie Hunt (Monsters University) onscreen is welcome in my book.
Zootopia is being released in IMAX and 3D and while I normally go for the biggest and best presentation I can find, this is one that won’t suffer from a traditional viewing and in fact may be preferred as the 3D doesn’t have the same impact as other films of its kind.
Review: Nostalgia filmmaking is not for everyone. As much as something can seem like a slam dunk on paper, movie studios tend to tread carefully with films that might appeal to audiences that don’t go to the movies quite as often as they used to. If they get it wrong, they’ve alienated your base demographic and the repeat business is a bust. If they get it right, they guarantee their product has a longer shelf life. Thankfully, the makers of Wreck-It Ralph fall into the latter category and have delivered a high gloss animated comedy that is a mostly winning treat.
I’ve always appreciated that the Walt Disney Studios haven’t been afraid to look for anti-heroes when creating new work. The central character in Wreck-It Ralph is the ‘bad guy’ in an 80’s style video game that longs to be a winner. Now, he’s not asking to be good necessarily…he just wants to win the coveted medal that his nemesis Fix-It Felix achieves every time he defeats Ralph. We are given an inside look at the world inside Ralph’s game and see what happens when the arcade closes and the work day ends for the inhabitants of the game.
Yeah, there is more than a passing connection to Toy Story in that aspect but the similarities end there. When Ralph goes “Turbo” (explained in greater detail with a neat-o double twist) and leaves his game for greater glory, he sets off a series of events that threatens to pull the plug on several games. Along the way he enters a first person military game and then winds up in a Candy Land-eqsue racing game (Sugar Rush) where he meets a mischievous glitch that may hold the key to salvation.
The film is a candy color-ed adventure that works on several levels. It’s quite creative in its employment of familiar characters to anyone that ever had an Atari or Nintendo growing up. There are enough in jokes and references that don’t go too far over the heads of youngsters that adults will get a kick out of things as well. It’s also (per usual Disney fare) a strong morality tale of being happy with yourself for who you are, not what people may label you as being.
Reilly is a nice choice to voice Ralph…his genial lunk headed-ness comes across well in an easy-going delivery that allows audiences to feel empathy for our nice-bad guy. Silverman goes wild as glitch Vanellope and Lynch does her normal shtick as a hardened soldier that falls for Felix (McBrayer). Tudyk channels Ed Wynn as the crazed King Candy who is intent on keeping Vanellope out of a big race that the film speeds toward.
With the added benefit of some swell 3D and a perfected Disney sheen, Wreck-It Ralph is an enjoyable film that probably goes on ten minutes too long. It’s in these extra ten minutes, gathered from various scenes along the way that you start to feel a bit bogged down by some unnecessary restatements of thoughts/ideas the film has already made clear.
With a curious lack of strong family fare this holiday season, it’s no wonder that Wreck-It Ralph has cleaned up at the box office the past few weeks. It’s getting some competition in the next few weeks but expect this one to stay on top of them all a while longer. It’s typically strong Disney fare that has its heart and brain in the right place.
Synopsis: A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.
Release Date: November 2, 2012
Thoughts: Even though Wreck-It Ralph may be coming out of Walt Disney Studios without the PIXAR logo stamped on it, I’m quite excited for this colorful looking 3D animated film. As a proud child of the 80’s, I find a lot to like in this second trailer that shows more of the storyline than the first trailer and a nice chunk of jokes that hit me right at my youthful funny bone. From the spot-on graphics to some familiar arcade villains I get sent right to my happy spot whenever I’ve caught this preview. I’m hoping Ralph can live up to its promise of being a nicely solid throwback for the Pac-Man lover at heart.