Movie Review ~ Wonder Woman (2017)

The Facts:

Synopsis: Before she was Wonder Woman she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

Stars: Gal Gadot, Chris Pine, Robin Wright, David Thewlis, Danny Huston, Connie Nielsen, Lucy Davis, Elena Anaya, Saïd Taghmaoui, Ewen Bremner, Eugene Brave Rock

Director: Patty Jenkins

Rated: PG-13

Running Length: 141 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: As a child, every few weeks my parents and I would travel 115 miles south to visit my mom’s family.  Getting up early and missing Saturday morning cartoons wasn’t that big of a deal to me…it was the Sunday return trip that caused great anxiety in our car.  You see, Sunday afternoon at 4pm is when reruns of Wonder Woman were on.  Capping off a block of programming that included The Six Million Dollar Man followed by The Bionic Woman, Wonder Woman was Must See TV for this fella and my parents came to the understanding that come hell or high water, we had to be home by four.  Now, several times this didn’t happen and let’s say…things got messy.

That context is helpful to you, dear reader, in understanding why this long planned big screen adaptation of Wonder Woman was more than just another anticipated summer blockbuster for me.  This was the arrival of a character I truly grew up with, maybe more so than Batman or my ultimate favorite, Superman.  I came to Wonder Woman via the Lynda Carter television show and not like many did by way of DC Comics.  Created by William Moulton Marston, the Amazonian Princess first appeared in 1941 and quickly became a popular symbol not only of strength but of a woman with the ideals to be a natural leader of all.

A reboot of the TV show was attempted but failed at the pilot stage several years back and while Wonder Woman was hinted at being a part of the planned Warner Brothers DC Universe at some point, it wasn’t until the character was a surprise addition to 2016’s Batman vs Superman: Dawn of Justice that fans finally saw the light at the end of a long dark tunnel.  While many (including me) had their own issues with BvS, most agreed that Gal Gadot’s Wonder Woman was a memorable highlight of that film and looked forward to the stand-alone movie that would be released before Justice League later in 2017.  Then the deplorable Suicide Squad was released late summer 2016 and people began to worry that Wonder Woman’s bright beacon of hope would be unfashionably oppressed by DC Universe’s strangely dark style.

Fear not, though, because not only does Wonder Woman make a most excellent showing in her first solo big-screen adventure, but it’s by far the best comic book adaptation in almost a decade.  Besting the best of the boys club that came before her, this heroine has brains and brawn in addition to her beauty.  It’s more entertaining than you can possibly imagine and would make even the hardest non-fan of comic book movies buckle in their resolve.

While longtime fans may be bug-eyed that the screenplay by Allen Heinberg from a story by Zac Snyder, Heinberg, and Jason Fuchs moves the action from WWII to WWI, it plays into the overall success of the picture by showing Wonder Woman’s superhero emerge at the same moment that war-time weapons took a strikingly modern leap forward.  Why wouldn’t a solider be just as amazed at a woman deflecting bullets as they would be by the automatic machine gun that’s firing them at her?

Wonder Woman is a classic origin story that manages to breeze quickly through the lore while satisfyingly hitting all the right notes at the same time.  Living among the Amazon women on Themyscira (Paradise Island), young Princess Diana is a force of nature ready to learn to fight but kept at bay by her overprotective mother (Connie Nielsen, Gladiator).  Secretly trained by her aunt (Robin Wright, Everest, buff as hell) over the ensuing years, her skills are put to good use when a plane carrying U.S. spy Steve Trevor (Chris Pine, Into the Woods) crash lands in the sky blue waters off the coast.  Soon, Diana is accompanying Steve back to jolly old England (“This place is hideous”, exclaims Diana upon seeing the gloomy London harbor) and embarking on a quest to stop a crazed General (Danny Huston, Big Eyes) and his evil scientist comrade (Elena Anaya, The Skin I Live In, frightening in a Phantom of the Opera-esque ceramic mask) from releasing a chemical weapon onto their enemies.

Proving that maybe more females should be in charge of high caliber action films, director Patty Jenkins should be lauded for crafting one of the best entries in recent memory.  Not only does she stage her battle scenes with grand flare but she manages to never over sexualize her star as I fear her male colleagues would have.  There’s no gratuitous shots looking up at Wonder Woman (and up her skirt in the process), no scenes framed with her cleavage taking center stage, no temptation to give fanboys an opportunity to linger too long on the exposed skin.  Instead, she presents Wonder Woman and all of the characters (male and female) as equals in the eyes of the camera.  In fact, the most skin on display here is from Pine as he emerges from a healing spring on Themyscira, providing for some fun dialogue between Diana and Steve.

Gadot (Keeping Up with the Joneses) was a star on the rise going into this film but she firmly cements her justified ascent with a fully layered flesh and blood performance.  Her delightful naiveté when entering the modern world reminded me of Daryl Hannah’s fish out of water exuberance as a mermaid on dry land in 1984’s Splash.  We’ve seen this stranger in a strange land done before but never with such charm.  As she grows to see that humans are deeply flawed, Gadot admirably portrays the disappointment of someone learning the truth after realizing they had believed too long in fiction.

Though he already has a strong foothold in the Star Trek franchise, Pine turns in one of his best performances as the American solider striving to do what’s best for his country.  Pine and Gadot have excellent chemistry and when the inevitable sparks begin to fly, it turns into a courtship during combat that feels well earned.  As for the bad guys and gals, Huston is his typical smarmy villain while Anaya memorably makes for a more interesting foe to our heroes.

The film has a lot packed into its 141 minute run-time but never feels long or taxing.  Yes, the last half hour delves into the kind of special effects heavy finale that tends to assist my eyes in glazing over at double speed but so much was excellent up until then that Wonder Woman’s battle royale (with an enemy revealed in a nice twist)  managed to hold me at the edge of my seat.  While there’s no post-credit scene, the film doesn’t need one because the correct edges have been rounded off and just the right amount of loose ends remain for future installments to easily pick up and run with.

Some say that summer blockbusters begin in May but for me the summer has truly begun in June with Wonder Woman’s much appreciated arrival.  There’s no regret to be had for seeing this one in the biggest theater possible with a packed audience.  Enjoy!

The Silver Bullet ~ Blade Runner 2049

blade-runner-2049

Synopsis: A new blade runner unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. The discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

Release Date:  October 6, 2017

Thoughts: When Ridley Scott’s Blade Runner was first released in 1982 it was a little too ahead of its time.  Though Alien, Scott’s previous effort, successfully transcended its era there was something too cool to the touch in this adaptation of a Philip K. Dick short story.  Over time Blade Runner has become a respected classic, endlessly released in new edits that attempt to make the somewhat obtuse movie a bit more focused.  Instead of tinkering again with the source movie, Scott (busy with his second Alien prequel) wisely handed over the reins to skilled auteur Denis Villeneuve (Prisoners, EnemySicario, Arrival) and boy am I glad he did.  As much as I love Scott’s work (I’m still ornery that he didn’t get an Oscar nomination for The Martian), Villeneuve is rising in the ranks of ‘can’t miss’ directors.  Set thirty years after the original film, it introduces a new blade runner (Ryan Gosling…ever heard of him?) who tracks down Harrison Ford’s character for…well, we don’t know quite what for yet.  All I know is that this is what a true teaser should be like and the hype growing around this one seems to be quite real and potent.  What a cast too, joining Gosling (The Big Short) and Ford (Star Wars:The Force Awakens) are Robin Wright (Wonder Woman), Mackenzie Davis (That Awkward Moment),  Lennie James (Lockout), Dave Bautista (Guardians of the Galaxy), and Jared Leto (Suicide Squad)

The Silver Bullet ~ Wonder Woman (2017)

wonderwoman

Synopsis: An Amazonian princess leaves her island home to explore the world and, in doing so, becomes one of the world’s greatest heroes.

Release Date: June 2, 2017

Thoughts: Wonder Woman’s journey to the big screen has taken a looooooooooooong time. The popular female superhero has had life on the small screen but hasn’t used her lasso of truth to snag a major motion picture until now. While many audiences and critics reviled Batman v. Superman: Dawn of Justice (not me, I thought it was great), the one consensus was that Gal Gadot’s Wonder Woman was the highlight of that film.  Gadot (Keeping Up with the Joneses) made good use of her brief screen time and boy does this new trailer for her origin pic look like a winner. Directed by Patty Jenkins and co-starring Chris Pine (People Like Us), June 2017 seems so far away…but it seems like the wait will be worth it.  Fingers crossed.

The Silver Bullet ~ Everest (2015)

everest

Synopsis: A climbing expedition on Mt. Everest is devastated by a severe snow storm.

Release Date:  September 18, 2015

Thoughts: Director Baltasar Kormákur (Contraband) has gone big with his IMAX 3D adventure Everest, from the impressive vistas right down to its imposing cast. Based on various novels/accounts detailing the 1996 Mount Everest disaster, just watching the trailer is enough to send summer audiences reaching for their winter jackets thanks to an immersive visual style. Boasting a roster of the most in-demand stars in Hollywood right now like Jake Gyllenhaal (Nightcrawler), Keira Knightley (The Imitation Game), Robin Wright (The Girl with the Dragon Tattoo), Josh Brolin (Inherent Vice), Jason Clarke (Lawless), Sam Worthington (Man on a Ledge), John Hawkes (The Sessions), and Emily Watson (The Theory of Everything) the anticipation surrounding this is a high as the titular mountain itself.

The Silver Bullet {Flashback} ~ Toys (1992)

toys

Synopsis: When a military general inherits a toy making company and begins making war toys, his employees band together to stop him before he ruins the name of Zevo Toys forever.

Release Date: December 18, 1992

Thoughts: With the tragic passing of Robin Williams this week, I’ve seen a lot of people bringing up some of his more underappreciated film roles and thought I’d toss one out there as well. For every Mrs. Doubtfire Williams had a Bicentennial Man, for every Jumanji there was a What Dreams May Come, with each Dead Poets Society there was a Lee Daniels’ The Butler…the list goes on. 1992’s Toys is an oddball film to be sure that still doesn’t quite work for me but there’s something about the Oscar nominated design and the balanced performance of Williams that helps the movie click on more than a few occasions. I can’t imagine anyone else playing Williams’ zany role with quite the same amount of sensitivity – give this one a whirl and see how a good Williams can overcome a bad script.

The Silver Bullet ~ The Congress

congress

Synopsis: An aging, out-of-work actress accepts one last job, though the consequences of her decision affect her in ways she didn’t consider.

Release Date:  TBA 2013

Thoughts: I’ve always found Robin Wright to be one of the more interesting actresses working in Hollywood.  Since her film debut in 1987 with The Princess Bride, Wright (The Girl with the Dragon Tattoo) has amassed a diverse roster of roles that thankfully never allowed her to fit into a certain niche market.  She seems to take on characters that speak to her heart rather than her pocketbook and her latest film looks to be a wonderfully bizarre meta experience.  Adapted from Stainslav Lem’s 1971 darkly humorous sci-fi yarn, Wright is playing a version of herself: an aging actress that has chosen family over fame tempted to make a comeback.  How she does it and what it entails provide the framework for a piece that I hope follows through on its promises to ask a lot of questions about celebrity, culture, and how much of oneself those that achieve fame actually have to give over to the public.