Movie Review ~ Jojo Rabbit

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The Facts
:

Synopsis: A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.

Stars: Roman Griffin Davis, Scarlett Johansson, Sam Rockwell, Rebel Wilson, Thomasin McKenzie, Alfie Allen, Taika Waititi, Stephen Merchant

Director: Taika Waititi

Rated: PG-13

Running Length: 108 minutes

TMMM Score: (8.5/10)

Review: As I was watching Jojo Rabbit a few weeks back one thought kept running through my mind and it was this: “Gosh, I hope people get this is satire when they see this.”  Now, I’m not saying our society has become overly sensitive and far be it from me to use a gross phrase like ‘cancel culture’ with any literal purpose in my review but let’s face it, in the past few years there’s been a strange urge to jump on seemingly innocuous thoughts, words, and deeds and make them into what they aren’t.  Plenty of ideas and texts are out there that were obviously meant to harm, so it takes a little restraint to step back and look at the big picture to separate the serious from the satire.

Jojo Rabbit is a clear satire of anti-hate rhetoric and it couldn’t be clearer of its intentions.  Yet I sat through the screening so worried that no one was going to get the joke and take the film literally.  There are some horrific jokes concerning Nazis, concentration camps, genocide, and misogyny (to name but a few) yet they are presented in such a way that if you aren’t in on the joke you might be squirming in your seat during the opening credits when young Jojo (Roman Griffin Davis) skips with carefree glee around his tiny German village “heil-ing” all his friends and neighbors.  I admit it took me a few introductory scenes to thoroughly settle into writer/director Taika Waititi’s sardonic structure before I gave over fully.  Once I did, I found a lot of heart in addition to the laughs.

A 10-year old member of the Hitler Youth, Jojo is off to his first training camp with his best friend Yorki (an adorably scene-stealing Archie Yates) and his imaginary best friend, Adolf Hitler (Waititi, Thor: Ragnarok).  With Hitler as his imaginary friend, you can imagine the kind of pep talks Jojo gets as he begins his service and in Waititi’s hands Hitler is presented as an easily excitable, petulant, man-child that provides Jojo some moral support but not always the best guidance.  Teased at camp for his sensitive nature in an arena of hate, he gets the nickname Jojo Rabbit from his fellow Nazi buds and makes a bold gesture as a way to show them he’s stronger than he looks.  When an injury sidelines Jojo, he’s put to work in the office of Captain Klenzendorf (Sam Rockwell, Vice) distributing propaganda while his single mother Rosie (Scarlett Johansson, Under the Skin) works to make ends meet.

Often left at home alone, Jojo is surprised to discover his mother has hidden a young girl (Thomasin McKenzie, The Hobbit: The Battle of the Five Armies) in the walls…and she’s Jewish.  Having lost her parents and everyone else she cares about to the war, Elsa has no one to depend on but Rosie’s kindness and has developed a steely exterior that matches well with Jojo’s extreme indifference to a girl he feels he’s supposed to hate on sight.  With imaginary Hitler encouraging Jojo to study this girl so he can file a detailed report later on (in a manifesto with a title that becomes a running joke), Jojo gets closer to her and both find out they have more in common than they think…or what they’ve been taught to think.

For all the comedic elements to Jojo Rabbit, there’s an even deeper emotional core running through the center of the movie and I was surprised as how moving the film becomes as it goes on.  With several unexpected twists (and one downright jaw-dropping one), Waititi keeps audiences involved with Jojo and Elsa’s story but never lets them get ahead of the action.  We all know how the war ended but I had no idea where their stories would wind up.  The outcome surprised me and was par for the course with the rest of the film which never followed the path I thought it would.

Walking the fine line of comedy are a strong roster of actors, some appearing only in brief cameos.  Stephan Merchant (Logan) and Rebel Wilson (Isn’t It Romantic) may pop in for a moment but they each get at least one hefty laugh; Wilson in particular gets one of the best jokes in the entire movie.  While I like Rockwell and feel he’s been on a nice roll the past few years, his role here skewed a bit too farcical compared to the other players.  On the other hand, I often struggle with Johansson but found her work as Jojo’s strong-willed but vulnerable mother to be incredibly moving.  The real stars are McKenzie and Griffin who carry the film with conviction – two young talents handling difficult subject matter but doing so with a mature sophistication.  Really stellar work.

Expected to be a major player at the Oscars, Jojo Rabbit won the People’s Choice Award at the 2019 Toronto Film Festival. In the last 11 years, 10 of the winners have received a Best Picture Oscar Nomination.  It will certainly divide people and that’s a good thing because even with the satire carefully identified it might not be the movie for you, but I’d hate to see the movie discounted solely for the fact that people didn’t get it’s sardonic tones.  Waititi adapted, produced, directed, and stars in this and deserves some credit for magically making something so audacious work so well.

Movie Review ~ Thor: Ragnarok


The Facts
:

Synopsis: Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.

Stars: Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, Anthony Hopkins, Cate Blanchett, Jeff Goldblum, Tessa Thompson, Karl Urban, Sam Neill, Benedict Cumberbatch

Director: Taika Waititi

Rated: PG-13

Running Length: 130 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: Let’s be real here…you didn’t like those first two Thor movies either, did you? I knew it. Seemingly out of place in the Marvel Cinematic Universe, likely because they were the only films that took place largely in literally their own universe, Thor and it’s sequel Thor: The Dark World were what comic book movies should never, ever be: boring. It was only when Thor joined up with his friends in The Avengers and Avengers: The Age of Ultron that the Norse god felt energized and alive. Well after Thor: Ragnarok there is enough electricity generated by director Taika Waititi to power several more sequels. It puts the other two films to shame and bests several other Marvel outings at the same time.

As the film opens, Thor (Chris Hemsworth, Rush) is in a bit of a bind as he finds himself in the clutches of the fire demon Surtur. Surthur lets Thor know that a great battle known as Ragnarok is about to unfold, a battle that will see Surtur lay waste to Thor’s Asgardian home and all its peoples. Since this is the prologue and we have a couple of hours left, I don’t think it’s a spoiler to say that Thor makes it out of his prison and finds his way back to Asgard. Arriving unannounced only to run into his mischief making adopted brother Loki (Tom Hiddleston, Kong: Skull Island) masquerading as their father Odin (Anthony Hopkins, The Silence of the Lambs). Unaware that Loki imprisoned his father on Earth, Thor meets up with Doctor Strange (Benedict Cumberbatch, August: Osage County) who points him in the right direction of where his father may be.

Thor does find his pops but the reunion is short-lived as his long-lost sister Hela (Cate Blanchett, Blue Jasmine, having the absolute best time ever) arrives with her eyes on Odin’s throne. Sending her siblings into another galaxy to get them out of her villainous way, she starts to wreak havoc in her homeland and Thor and Loki make their way through a new world ruled by the Grandmaster (Jeff Goldblum, Jurassic Park). With Loki avoiding a life of servitude on the junk planet, that leaves Thor fighting for his freedom, gladiator-style, against his old friend the Hulk (Mark Ruffalo, Foxcatcher). Assisted by fellow Asgardian in exile Valkyrie (Tessa Thompson, Creed) and loyal Heimdall (Idris Elba, Prometheus), all make their way back to Asgard to face off with Hela to save their world.

There’s a lot that happens in Thor: Ragnarok and it’s almost universally entertaining. Waititi (who also plays a dryly-hilarious alien made up of rocks) brings such interesting ideas to the table along with a sense of humor and fun that has been missing from not only Thor’s previous outings but from Marvel at large. With its fun cameos (not only from Marvel characters), it’s wacky and colorful and I enjoyed every minute of it. Mark Mothersbaugh’s (The LEGO Movie) score is a real tip and while they curiously use Immigrant Song twice, it makes sense and gives key battle sequences a rock concert vibe. I normally recoil at movies that are so CGI heavy but the visuals are gorgeously rendered here, making for truly exciting viewing.

While it does help to have a working knowledge of the other entries in the Marvel Cinematic Universe, this one may be a good entry point for newbies…but then someone will have to explain to them why the other two movies are so dull. Here’s hoping Marvel retains Waititi because he’s the reason why this works so very well.