Movie Review ~ Deadpool 2


The Facts
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Synopsis: Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable.

Stars: Ryan Reynolds, Josh Brolin, Zazie Beetz, Leslie Uggams, Jack Kesy, Shioli Kutsuna, Julian Dennison, Morena Baccarin, Brianna Hildebrand, Stefan Kapicic, Karon Soni, T. J. Miller, Bill Skarsgård, Rob Delaney, Terry Crews

Director: David Leitch

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review: When Deadpool arrived on the scene in 2016, it sent a much-needed electric charge through the comic book genre that was quickly beginning to grow stale. Proving there was an audience for an R-rated superhero, Deadpool established a new breed of franchise that saluted the foul-mouthed and violent. To date, the copycat factor is low and if anything it’s asked PG-13 audience friendly fare to step up their game and get back to providing entertainment instead of just laying ground for future installments. Now, two years later Deadpool 2 is upon us and it’s poised to create similar sparks.

Wade Wilson (Ryan Reynolds, Woman in Gold) has settled into life as Deadpool, a mercenary for hire intent on wiping out bad guys and gals in all walks of life as indicated in a prologue that brings us up to speed with his recent exploits in bloody fashion. Living with his love Vanessa (Morena Baccarin, Spy) and thinking about starting a family, Wade is just getting comfortable when everything goes wrong. Thus launches a surprisingly complex story involving time travel and Deadpool’s protection of a young mutant (Julian Dennison) from the Terminator-esque hulk Cable (Josh Brolin, Sicario).

There’s little more I could relay here without giving away major spoilers but if you were a fan of the first film you’ll find an equal amount of fun to be had here. I was worried the success of the wisecracking style in the first movie would result in smart-alecky shenanigans that were too self-aware and sure enough the movie struggles with sincerity out of the gate. In all honesty, the film takes a solid 20 minutes to find its feet and a frenzied bit of opening exposition weighs the film down needlessly. Thankfully, director David Leitch (Atomic Blonde) and screenwriters Rhett Reese (Life), Paul Wernick, and Reynolds himself get these tiresome trapping out of their system early on.

What I continue to appreciate about this series is its willingness to make itself the butt of the joke. There’s a hefty amount of self-referencing gallows humor that works almost every time and enough inside jokes to keep the most pop culturally adept among us satiated. As was the case in the previous film, no superhero is off limits and one of the first gags employed is a hysterical Logan reference that sets the tone perfectly. Keep your eyes and ears open for a cavalcade of digs and dings at everyone from The Avengers to Brad Pitt – the jokes come fast and furious so stay alert.

Another selling point to this film is that it’s unpredictable and not just because it moves so fast you don’t have time to catch up. No, the film actually takes some turns that feel unique and that creates a sense of engagement to keep you on the edge of your seat. As more and more characters join the mix (and, in one laugh out loud diversion, form the basis for X-Force) it can feel overwhelming but it’s clear Reynolds and company know where this clown car of craziness is headed.

The closing credits of Deadpool 2 are alone worth the price of admission – I wouldn’t dream of giving away any of the surprises but I almost felt like standing up and applauding once they were complete. It takes a lot of balls and brains to pull off the feat of living up to a heralded original film and everyone involved in Deadpool 2 meets the challenge head-on. If you can forgive a rocky start (and I’m positive you will) this is one sequel that feels equal.

Movie Review ~ The Expendables 3

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The Facts:

Synopsis: Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.

Stars: Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Arnold Schwarzenegger, Wesley Snipes, Antonio Banderas, Mel Gibson, Harrison Ford, Kellan Lutz, Ronda Rousey, Victor Ortiz, Glen Powell, Kelsey Grammer

Director: Patrick Hughes

Rated: PG-13

Running Length: 126 minutes

Trailer Review: Here

TMMM Score: (4/10)

Review: I believe that part of being a balanced critic is to a) see most every film that comes your way and not just the latest blockbuster and b) being able to view a film for what it is and try to put yourself in the place of its intended audience. As a child of the 80s that grew up with action films featuring the headliners of these films, I was amped to hear they’d be brought together for The Expendables. When I finally saw the much-hyped film in 2010 I was awed by how ugly a film it was and how its one-joke premise stalled out before the first reel was done. Though 2012’s The Expendables 2 showed signs of improvement, it too faltered when it came to being more than the sum of its muscly, scar-tissued parts. It would be great to report back that the third film of the franchise finally knocked it out of the park but it’s actually a step backward, proving that logic, decent effects, and convincing performances are the true expendables on display.

Clocking it at an astounding 126 minutes and devoid of the CGI blood that pushed the first two entries into silly R-rated territory, The Expendables 3 feels neutered into a PG-13. Nothing much happens and nothing is truly at stake for our rag-tag bunch of mercenaries and certainly not for audiences. At least its predecessors had a little bit of loss to overcome…here the overstuffed script just puts everyone through the motions while making sure that every one of the hardly recognizable yet oddly familiar action star faces gets at least one zinger in.

Stallone (Escape Plan, and looking like he’s getting into character to play the title role for a live-action Droopey Dog) is as mush mouth as ever as the leader of The Expendables who are found as the film opens racing alongside a prison train to free Doc (Wesley Snipes). It’s one of the least exciting openers of any action film I’ve seen, though director Patrick Hughes tries to flash it up with a lot of flying fists, kicking legs, and a whopper of an explosion.

Hurtling into another mission that puts the crew face to face with a turncoat from their past (Mel Gibson, gleefully camping it up, whether you like it or not), Stallone and his men spend the rest of the film waxing nostalgic about the past, lamenting the fact that they’re getting older, and taking to task some new whippersnappers that are the next generation of Expendables…all the while being fired at by thousands of armed men that continually miss their shots.

Shot in Bulgaria (and numerous cockpit sets that appear lifted from a mall arcade), the film isn’t as dreadful to look at as the first film but achieves a new dullness thanks to lame green screen effects (I’m positive several of the big name stars weren’t in the same room when they filmed their scenes) and a non-existent visual style that renders the film almost black and white. Everything on screen feels cheap, from the cardboard sets to the CGI effects…leading me to believe that most of the budget went to the star salaries.

That’s not to say the film doesn’t have a few things that keep it from being total crud. Snipes is a refreshing addition to the cast and he gets a nice moment of self-mockery that you’ll see coming but still enjoy. While it may have been a coup for Stallone to land Gibson and Harrison Ford (Working Girl), their presence is more of a curiosity to see than anything really exceptional. Speaking of exceptional, Antonio Banderas (Haywire) should get substantial credit for nearly walking away with the film as a hilariously eager strong-arm for hire. The rest of the gang and especially the new recruits are better left unmentioned, lest they take it as encouragement to continue in their acting careers.

With a built-in audience I expect we haven’t seen the last of The Expendables…and as the film dragged on I started to think of names that could be tossed around to star in future installments. I’ll keep those to myself so I can check off my own personal list, but if the goal is to continue to feature faded names from the past…Stallone is just getting started.

Movie Review ~ Blended

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The Facts:

Synopsis: After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.

Stars: Adam Sandler, Drew Barrymore, Joel McHale, Wendi McLendon-Covey, Kevin Nealon, Jessica Lowe, Terry Crews, Dan Patrick, Bella Thorne, Emma Fuhrmann, Alyvia Alyn Lynd, Kyle Red Silverstein, Braxton Beckham

Director: Frank Coraci

Rated: PG-13

Running Length: 117 minutes

Trailer Review: Here

TMMM Score: (2/10)

Review: Let me take you back to 1998 when Drew Barrymore and Adam Sandler first teamed up for the retro fun of The Wedding Singer. Here was a movie that capitalized on the enormous appeal of Barrymore and the comedic shenanigans of Sandler that hit the right notes, poked fun at itself, and had the most excellent rapping granny that left the audience in stitches. Six years later, Barrymore and Sandler tried to recapture that chemistry in 50 First Dates, a pleasant but arguably lesser bauble for the duo that nonetheless brought Sandler ever so briefly back from the absurd films he was drifting into.

It’s 10 years later and while Barrymore (Cat’s EyeBig Miracle) has matured in her film selections and even displayed some genuine strength in her performances, Sandler (Hotel Transylvania) has regressed even further. After years of delivering knuckle-dragging doofus roles I’m wondering if Sandler’s manager suggested re-teaming with Barrymore again as a way to hit the reset button on a career that was flagging. Barrymore, bless her heart, took the bait and the end result is Blended.

I’ll say that Blended started out with a curious promise of something better…so much so that I remarked to my theater companion that, though the film was uniquely dumb, I was actually enjoying it. Clearly the movie was going to end up in the “Pleasant” category on my Enjoyable Time at the Movies scale.

Then I guess the inevitable happened. Once the audience was fooled into thinking the movie wasn’t going to be the lame write-off we’ve come to expect from a Sandler film, that nice rug of laid back fun was yanked from under us and Blended became another obnoxious bore of a flick that isn’t worth your time or your second-thoughts.

One thing the trailers fail to inform you is that precious little time of the film is spent in the African setting that’s in most of the promotional materials, even the poster. In fact, you have to wait at least 45 minutes before Africa is even mentioned and by that time you may be diagramming your escape plan from the theater. There’s some business of Barrymore and Sandler being set-up on a date, one that goes horribly wrong at the local Hooters. Ivan Menchell and Clare Sera’s wafer-brained script miraculously has the two meeting again, all in service to the single parents being in the right place at the right time to hear about an unused vacation package in Africa purchased by the head of Dick’s Sporting Goods.

OK…if anyone can legitimately watch this film and tell me how middle class Sandler and Barrymore manage to find the funding to go on this trip I will write a song about you and sing it in a slow straight tone ala Carey Mulligan in Shame. Even more…how Dick’s employee Sandler manages to have the private number of the owner of Dick’s in his cell phone. Or why Barrymore’s co-worker (a so-so Wendi McLendon-Covey) who was dating Dick would put her in touch with a man that she just dumped. At that point, the movie completely lost me and it never recovered.

The conveniences continue when Sandler and his three girls and Barrymore and her two boys arrive at an African resort that looks straight out of Epcot Center. The suite the two blended families have to share, the indignities they all suffer, and the attractions they embark on are over the top and provide zero laughs along the way. It doesn’t help that all five children are the kind of home schooled straight out of acting class teeth gnashers either…

It’s hard to develop any sympathy for both children and adults in the film because they’re either incompetent dipsticks (like Kevin Nealon and Jessica Lowe) spouting the kind of giggly double entendres that went out of style when people stopped saying “righteous”, incorrigible snobs (Joel McHale, the very definition of autopilot) with lackluster line deliveries, or a mixture of both.

Director Frank Coraci (a frequent Sandler collaborator and director of The Wedding Singer) isn’t talented enough to hide the many weaknesses of the script or coax some semblance of authenticity from the performances. Someone also dropped the ball in telling the extras that not only should you not look into the camera, you shouldn’t stare into it for long stretches of time when the action takes place elsewhere.

Running a truly punishing 117 minutes, I’d expect any sane audience member will not only be able to predict the ending but will know the exact dialogue and setting where it’ll take place. Even after the credits begin to roll, Sandler and company aren’t through with us because anyone who is desperately trying to rouse their friends rendered comatose from lack of laughs will be subjected to Sandler and his real life children bleating their way through the kind of home spun song that you’d record in a Hallmark card to give on Mother’s Day. Truly awful.

The third time’s for sure not the charm where Barrymore and Sandler are concerned. At this point, Sandler should start paying us to come see his films, though I’d require compensation in advance. Barrymore, to her credit, remains ageless and shows flashes of the breezy carefree nature that has always made her a bright light…even if she’ll never be an award worthy actress. A definite pass and an early contender for worst of 2014, Blended throws its audience on the rocks.

The Silver Bullet ~ Tyler Perry’s The Single Mom’s Club

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Synopsis: Brought together by a vandalism incident at their children’s school, a group of single mothers from different walks of life bond, and create a support group that helps them find comedy in the obstacles of life.

Release Date: March 14, 2014

Thoughts: Make no doubt about it, mogul Tyler Perry is one smart businessman.  Writing, producing, directing, and sometimes regrettably starring in his own films, Perry (Alex Cross, Star Trek) can make films for pennies that rake in millions.  Though his films aren’t as boffo profitable as they once were, each turn a profit so as long as tickets are sold his movies will continue to be churned out.  I just wish the films were as good as the casts he manages to assemble.  In his latest picture he’s gathered what could be called a “B” cast of familiar character actors from television in a story that looks like it could be called The First Wives Club are Waiting to Exhale.  These films aren’t my bag but I will admit to being interested in seeing what dramatic chops comedian Wendi McLendon-Covey has in her bag of tricks.

The Silver Bullet ~ Blended

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Synopsis: After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.

Release Date:  May 23, 2014

Thoughts: Wow…it’s hard to believe that it’s been sixteen years since Drew Barrymore (Big Miracle) and Adam Sandler (Hotel Transylvania) first worked together in the smash hit, The Wedding Singer!  That 80’s set film was a pleasant retro flashback and succeeded because Barrymore was operating a peak charm and Sandler’s laid-back vibe had yet to be obliterated by a seemingly never-ending string of juvenile garbage films.  After reuniting in 2004 for 50 First Dates, Barrymore and Sandler are joining forces again to see if lightning could strike for a third time.  While Sandler’s films have miraculously made a boatload of money and Barrymore works consistently, neither has made a memorable film for ages…so could this pleasant (but very silly) looking comedy really work to their advantage?  The Wedding Singer director Frank Coraci is back on board which could be a good thing…until you see he was also at the helm for dreadful efforts like Around the World in 80 Days, Zookeeper, and Sandler’s Click.

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The Silver Bullet ~ The Expendables 3

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Synopsis: The third installment of the action-adventure franchise that follows the exploits of Barney Ross, Lee Christmas, and their associates.

Release Date: August 14, 2014

Thoughts: I can’t tell you how nice it is to actually see a true teaser trailer pop up.  As I’ve lamented recently (check here for an example), the art of the teaser trailer appears to be totally lost with most previews clocking in at a spoiler heavy 2:30.  So it’s nice to see the latest entry in the profitable The Expendables franchise giving audiences a whet whistle before the final hours of 2013 tick away.  Though it’s not releasing until halfway through 2014, this is a nice way to announce the return of a series of films that have worked almost in spite of their BDL (big, dumb, loud) origins.  And you have to hand it to Sylvester Stallone (The Expendables 2); he sure knows how to rally the troops to get a cast that continues to makes 80’s/early 90’s action movie nerds salivate.  The Expendables 3 features a huge roster of stars: Stallone, Jason Statham (Homefront), Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Arnold Schwarzenegger (The Last Stand), Wesley Snipes, Antonio Banderas (Haywire), Mel Gibson, Harrison Ford (Working Girl), Kellan Lutz (The Legend of Hercules), Robert Davi (Licence to Kill) and Kelsey Grammer

 

The Silver Bullet ~ Scary Movie 5

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Synopsis: A couple begin to experience some unusual activity after bringing their newborn son home from the hospital. With the help of home-surveillance cameras and a team of experts, they learn they’re being stalked by a nefarious demon.

Release Date: April 12, 2013

Thoughts: Blech.  A series that should have been kaput after the second entry, we are now faced with a fifth installment of the spoof-happy horror comedy.  What started off as a moderately funny and strangely creative send up of the onslaught of teen horror films in the late 90’s has turned into a trash heap of bad actors muddling their way through dated/lame jokes.  By the time Charlie Sheen and Lindsay Lohan show up my brain was officially rolling in my head and I almost had to turn away from the screen.  If there is any justice, Scary Movie 5 will be laughed out of town without making the kind of box office take that would guarantee another sequel.  Watch at your own risk!