2017 – Best of the Best, Worst of the Worst, Grand Totals

Well hello there!  

So here we are about to start the SEVENTH year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2017.  As is typically the case, by the time it came to make this list things became a bit of a jumble and I decided to choose the movies that I had the strongest reaction to when I saw them.  I don’t revisit movies often but anything in the Top 5 are films that I’d add to my collection.  

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions leveled off a bit in early 2017 but picked up nicely in the second half of the yearand it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)


5. The Big Sick – while it didn’t exactly become ‘the little indie that could’ as expected, The Big Sick stuck around for a long time in theaters based on positive word of mouth alone and in Hollywood that kind of buzz is worth more than gold.  Writer/star Kumail Nanjiani’s true story on how he met his future wife and, through a stressful series of events, his future in-laws is a wonderfully comic look at love and family.  In our current political climate, it’s also a deft look at cultural stereotypes within the family structure of immigrants and how the second generations are cutting their own path toward the Great American Dream.

4. Blade Runner 2049 – A forward-thinking sequel to the futuristic 1982 cult classic, Blade Runner 2049 should have done much better at the box office and I’m still puzzled as to why this one fizzled so fast.  Big, bold, and beautiful, I saw this one twice in theaters and could have gone a few more times had the fall not gotten so cramped.  Director Denis Villeneuve (Prisoners, Enemy, Sicario), continues to be a force to be reckoned with and he gathered the best and brightest in front of and behind the camera to create a spectacular sci-fi epic.  Special mention to Dutch breakout Sylvia Hoeks who gets my vote for Best Villain of 2017.

3. Phantom Thread – this one isn’t out in many theaters yet so my full review is pending but this late-breaking film quickly jumped to my Best of the Year list.  I’ve been completely off the Paul Thomas Anderson bandwagon for the last few films (Inherent Vice was on my worst of list in 2015) but I’m applying for membership to his fan club after this strikingly gorgeous beautiful film he’s delivered.  It’s rich on multiple levels, not only in the ornate fashions on display but in the deeply emotional performances from star Daniel Day-Lewis (Lincoln) and two strong female supporting characters Vicky Krieps and Lesley Manville (Maleficent).  This one really knocked me over and blew my socks off…really sublime.

2. The Lost City of Z – Released in April 2017, you’d be forgiven if you’ve missed out on The Lost City of Z.  It’s so very, very good that it’s more than a minor heartbreak that it didn’t get the proper attention when it arrived in theaters.  I think the marketing from Amazon Studios really failed this film which should have been delayed to later in the fall for a more prestige release date.  Based on the bestselling novel, The Lost City of Z is a haunting tale of adventure and obsession that has stuck with me ever since I saw it.  The performances are stellar (who knew Pacific Rim’s Charlie Hunnam had it in him or that The Rover’s Robert Pattinson could be so compelling?) and director James Gray’s paces the film so well that the lengthy running time will surely fly by.  Seek this one out at all costs – you’re missing something special!

1. Get Out – Comedian Jordan Peele’s directorial debut captured lightning in a bottle and has kept that energy going ever since its release almost a year ago.  On its way to Oscar nominations for Best Picture and Best Screenplay (and perhaps one for Best Director?), Get Out is hands down the most original and entertaining film I saw throughout 2017.  I missed the critics screening for this one so found myself paying for a mid-week showing several weeks after it came out.  The reactions of the packed audience were but a ¼ of the fun to be had, I’ve watched it again at home and it works just as well.  Peele masterfully commands our attention in this Stepford Wives-esque tale of a white girl bringing her black boyfriend home to meet her parents.  Nothing is what it seems on their posh estate and the deeper we dive down Peele’s rabbit hole the more intriguing the picture becomes.  Scary, funny, on message, and supremely timely, Get Out is the kind of authentic filmmaking that’s becoming a rarity in Hollywood.  Just plain perfect.

Honorable Mentions: Atomic Blonde, Three Billboards Outside Ebbing, Missouri, Lady Bird, Breathe, Call My By Your Name, Logan, Novitiate, The LEGO Batman Movie, The Post, IT, Wonder Woman, Personal Shopper

5. Goodbye Christopher Robin – I love Winnie-the-Pooh.  I did not love Goodbye Christopher Robin, a syrupy biopic on the man who created the lovable bear that lived in the Hundred-Acre Wood.  According to the filmmakers, A.A. Milne and his wife (a woefully terrible Margot Robie, Suicide Squad) were largely absentee parents that wound up exploiting their only child’s imagination for his stuffed animals for financial gain.  A late breaking and purely cinematic change of heart in Milne is the stuff of trite redemption stories but by the time it arrives the damage has extended too far into our consciousness.

4. mother! – Oh, how I was looking forward to this one.  This is one movie that had all the cards stacked in its favor.  An air of mystery, a celebrated director, a bankable movie star lead, and a supporting cast of solid actors that each have headlined their own film.  How did this one go so wrong?  mother! winds up on this list for being intensely unlikable at its best and practically unwatchable at its worst (which is most of the time).  An intriguing first 45 minutes (featuring the wonderfully feline Michelle Pfeiffer, Grease 2) gives way to utter insanity and culminates with a series of stomach churning developments.  Movies should always have an element of challenge to them but this one pushes the wrong buttons.

3. Roman J. Israel, Esq – Last year Denzel Washington had two movies that debuted to different receptions (Fences and The Magnificent Seven).  In 2017, Washington appeared in but one film, this severely misguided legal drama from writer/director Dan Gilroy (who was at the helm for the superb Nightcrawler in 2014) and the problems it has are too numerous to count.  It’s hackneyed plea for social justice reform reeks of half-baked rewrites and last-minute fixes and the supporting characters are but mere stereotypes. Even the reliable Washington is bizarrely off his game here, the Oscar buzz around his performances is mystifying.

2. Wish Upon – even thinking about this one again makes me mad.  Best to just tell you it’s horrible and barely coherent and leave it there.

1. The Snowman – unquestionably the poorest film released in 2017 and maybe one of the worst films of the last decade, The Snowman is uniquely terrible.  It’s a film that’s awful from almost the first frame and never even makes the effort to better itself.  That it’s filled with A-list stars and based off an international bestseller is bad enough, but most of the reasons it’s the worst of the worst is old fashioned bad filmmaking.  An embarrassingly heinous film and one that I’m sure will quickly be jettisoned from the resumes of everyone involved.  Let this one melt and never be heard from again.

Dis(Honorable) Mentions: Last Flag Flying, A Bad Mom’s Christmas, Home Again, Justice League

Most Misunderstood: Valerian and the City of a Thousand Planets – Make no mistake about it, this movie is absolutely bonkers and will likely only appeal to the very (very) open-minded.  I’ve found myself in opposition with critics and spoon-fed audiences that have trouble with these outlandish sci-fi yarns (see my lone-wolf praise for John Carter) but I can also understand where their fears come from.  I wasn’t prepared to love this one but it was so gaga in the visuals department and so unpretentious in its goal to jolt your senses that I had to give it some well-deserved major kudos.
Honorable Mention: Downsizing, The Greatest Showman

Joe’s Humble Pie Award of 2017 (movies that turned out differently than I expected going in): Darkest Hour – True story, but I was really dreading seeing this slice of life biography on Winston Churchill.  Knowing that it covered the same period that was depicted so masterfully in Dunkirk, I just couldn’t muster any kind of excitement for it even after hearing that Gary Oldman’s performance as Churchill was an Oscar shoo-in.  While it isn’t a perfect film due to some pacing issues, director Joe Wright (Anna Karenina) and Oldman gave audiences a rarity: edge-of-your-seat entertainment with a story anyone that has ever taken a history class was already well-aware of.
Honorable Mention: Brad’s Status, Personal Shopper

Movies You Probably Haven’t Seen But Should

A Cure for Wellness

All I See Is You

Annabelle: Creation

Beatriz at Dinner

Certain Women

Gifted

God’s Own Country

Ingrid Goes West

Interiors

Life, Animated

Personal Shopper

Southside With You

Stronger

The Florida Project

The Handmaiden

The Lost City of Z

Tickled

Toni Erdmann

Click HERE for a full listing of films seen in 2017
Total Movies Seen in the Theater110
Total Movies Seen at Home176
Grand Total for 2017 (not counting films seen multiple times)278
Where I Saw the Most Movies – Showplace Icon (41!)

Movie Review ~ Three Billboards Outside Ebbing, Missouri


The Facts
:

Synopsis: In this darkly comic drama, a mother personally challenges the local authorities to solve her daughter’s murder when they fail to catch the culprit.

Stars: Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Peter Dinklage, John Hawkes

Director: Martin McDonagh

Rated: R

Running Length: 115 minutes

Trailer Review: Here

TMMM Score: (10/10)

Review:  I’m going to not-so-secretly admit something I’ve been holding inside for a few decades now, I never understood why Frances McDormand won Best Actress for Fargo in 1996.  Now, I don’t want to take anything away from McDormand because she’s been a consistent actress since she began but I’ve been scratching my head over the years about that win (maybe that’s why my bald spot grows bigger each year…).  Sure, her performance was rock solid and deserving of attention but I always felt it was more of supporting role that landed in the wrong category in an otherwise weak year.  I’m ok with it…I just don’t understand it.

Now that we have that out of the way, let me say that McDormand’s performance in the new film Three Billboards Outside Ebbing, Missouri is truly one for the record books and worthy of all the awards that can be thrown at her.  This will, I’m sure, enrage McDormand (Promised Land) to no end seeing as how in interviews she laments these types of accolades but if ever there was a role best suited for her, it’s this one.  Mildred Hayes is wily, profane, blunt, and honest and McDormand pulls absolutely no punches as she takes this woman through an emotional journey that might not heal her broken heart but slaps a strong band-aid on it so she can solider on.

At the start of the movie, Mildred is driving on a backcountry road near her house that isn’t used as much now that a new highway has gone in.  Noticing three billboards in disrepair displaying fragments of advertisements from years past, she gets an idea that sparks a furor in town, reopening old wounds for the town that have never healed for Hayes and her family.  Mildred’s daughter was raped and murdered and no one has as of yet been brought to justice.  The police don’t even have any suspects or leads to go off of.  Feeling like the justice system has failed her, she rents space on the billboards and puts up two statements and a question meant to shock the police force and it’s chief (Woody Harrelson, Now You See Me 2, in a damn fine performance) into action.

Action is taken all right, but the energy generated is more toward Mildred and creating various forms of pressure put on her to take the billboards down.  Most of the town loves its revered family man chief of police, especially his troubled deputy (Sam Rockwell, The Way Way Back) who takes the billboards as a personal attack.  Already in trouble with a police brutality charge likely racially motivated, the deputy becomes unhinged and is willing to do whatever it takes not to help Mildred’s cause but to impel her into silence.  Lucky for her (and us), Mildred isn’t one to back down as she shows when a dentist friend of the chief chastises her and then attempts some oral surgery without anesthetic.

Director and screenwriter Martin McDonagh scored a sizable indie hit with 2008’s In Bruges and followed that up with the clever Seven Psychopaths.  As he’s shown in film and even more with his skilled plays, McDonagh isn’t afraid of a little blood, violence, and profanity and he brings the big guns to Ebbing.  People get burned, shot, bloodied, thrown out second floor windows, and most of those are only periphery characters.  All that brutality might be something to recoil from but McDonagh balances the bloodshed with multiple emotional punches to the gut in the form of developments you’ll be hard pressed to see coming.

This is a twisty, twisted narrative and it works throughout the film.  When you get to go to a lot of movies each year you begin to see sameness to what you’re watching but with Three Billboards Outside of Ebbing, Missouri I felt like I was seeing a picture with a purpose.  The performances are note-perfect (especially anytime McDormand and Rockwell share the screen) with effective supporting turns from John Hawkes (Lincoln) and Mildred’s ex-husband, Lucas Hedges (Lady Bird) playing their son, Peter Dinklage (The Boss) as Mildred’s would-be suitor, and Clarke Peters (John Wick) as another police chief who comes into play late in the film.  I also enjoyed Caleb Landry Jones (The Florida Project) as the man who rents the billboards out to Mildred and pays a costly fee and Sandy Martin (Lovelace) as Rockwell’s ornery mother. For a movie so bleak it can be hard to stick an effective ending in but McDonagh manages to tie the picture up without a tidy bow that remains wholly satisfying.

With the emotional knob cranked up to 12, this isn’t an easy movie to watch but it’s one I can’t recommend highly enough.  It’s a story that feels like it could happen anywhere and, sadly, probably has and that makes it all the more resonant to this viewer.