The Silver Bullet ~ Venom

Synopsis: Plot is unknown but is said to be based on not one but two comic book storylines: ‘Venom: Lethal Protector’ and ‘Planet of the Symbiotes.’

Release Date: October 5, 2018

Thoughts: Ok…so maybe there’s room for another superhero movie in 2018.  While the upcoming year is packed with its share of Marvel entries (Black Panther, Ant-Man and The Wasp, Avengers: Infinity War), DC Comics yarns (Aquaman), and Fox properties (Deadpool 2, X-Men: Dark Phoenix), Oscar nominee Tom Hardy (The Dark Knight Rises) is set to suit up as Venom which looks to continue the trend of studios adapting comics with considerably darker tones.  I’m all for something that feels different and I’m getting good vibes from this teaser trailer.  Co-starring Michelle Williams (All the Money in the World), Riz Ahmed (The Reluctant Fundamentalist) and Woody Harrelson (Three Billboards Outside Ebbing, Missouri).

Movie Review ~ Dunkirk


The Facts
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Synopsis: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.

Stars: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance, Tom Hardy

Director: Christopher Nolan

Rated: PG-13

Running Length: 106 minutes

TMMM Score: (9/10)

Review: Coming off of the enormous success of The Dark Knight trilogy, director Christopher Nolan stumbled a bit with his next film, Interstellar.  Though far from a complete miss, the movie was a little too smart for its own good and is one of the rare Nolan films to get less interesting with subsequent viewings.  Three years later, Nolan is back in a big way with the release of Dunkirk, a superbly structured World War II adventure that almost assures a long overdue Best Director nomination is headed his way.

Instead of giving you the same old review, I’ve compiled a list of Dunkirk Do’s and Don’ts.

Do bring earplugs.  Nolan has continued his use of IMAX technology to film select scenes and with that comes a sound design that’s positively ear splitting.  Looking around the audience in several key moments I saw numerous movie-goers with their fingers in their ears yet still enraptured with the film.  Bullets whiz by with sharp zings and fighter planes streak across the sky with a sonic boom.  Your teeth will be rattling by the time the credits roll.

Don’t be late.  I’ve had some bad luck with technical problems plaguing screenings lately and the showing of Dunkirk I attended was delayed by almost a half hour due to sound issues.  When we were told that it would be another five or ten minutes before the screening would resume, many audience members (including my guests) headed for the bathroom only to have the movie start up the moment they were out the door.  That left their movie mates to quickly explain to them in loud whispers what was happening when they returned because Nolan’s script doesn’t repeat itself or explain the setting other than short title cards as the movie opens.

Do pay attention. Dunkirk is typically Nolan-esque with multiple overlapping storylines that take place at different times.  There’s three ‘pieces’ to Nolan’s puzzle, each capturing a specific stretch of time during the evacuation of British and French soldiers from a beach in Northern France.  The Mole covers a week stretch, following several young soldiers as they desperately try to escape the sand in any way possible.  The action in The Sea unspools over a day while merely an hour is the length of time The Air covers.  All three start and end at different places/times and if you aren’t fully paying attention you’ll miss the point at which they all convene.

Don’t look for star turns.  While Nolan has cast dependable actors like Kenneth Branagh (Murder on the Orient Express), Mark Rylance (The BFG), Cillian Murphy (Batman Begins), and Tom Hardy (Mad Max: Fury Road), the real stars are the young unknowns that make up the soldiers and civilians that played a part in the withdrawal of the armies from Dunkirk.  Even singer Harry Styles turns up as a tightly wound army man and acquits himself nicely as no mere bit of stunt casting.  Only Hardy could be considered a leading player as his ace airman eventually takes center stage in his storyline.  It’s unfortunate that Nolan didn’t learn from his critics in The Dark Knight Rises that bemoaned not being able to understand Hardy behind Bane’s mask.  Once again, much of Hardy’s performance in covered by an air mask, obstructing his words from coming through clearly.  The good news is that Nolan’s script is fat-free, never too speechy or preachy. So even though you can’t always understand Hardy, you aren’t missing  ton of exposition.

Do bring some kind of stress ball and clip your nails judiciously before the movie starts.  This was one of the tensest movies I’ve seen in some time…and it begins almost as soon as the first images appear onscreen.  With Hans Zimmer’s score switching back and forth between graceful and pulse-racing, the music is almost another character.  Even when nothing of note is happening, the score is always present to remind you that no one is truly safe.

Don’t miss this one on the biggest screen possible.  Cinematographer Hoyte Van Hoytema (Her) has lensed a staggeringly beautiful film with its overwhelming wide aerial shots of fighter pilots in action and smaller moments between soldiers hoping for a miracle trapped in the hull of a grounded boat.  Another name to mention is editor Lee Smith (The Dark Knight) who has cut Nolan’s film into a lean example of cinematic efficiency.  At 106 minutes, it’s Nolan’s shortest film to date and were it any longer it would lose valuable steam.

Do read up on the real-life story that inspired Nolan’s fictionalized screenplay.  While not a huge WWII buff, even I know that the events that happened on Dunkirk aren’t always mentioned in the same breath as other acts of heroism.  Nolan affords time to take on the perils of war but tops it all off with a message of sincerity and hope that feels justly earned by the characters and audience, considering all we’ve been through together.

In summary…Do go, Don’t delay.

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
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Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

The Silver Bullet ~ The Revenant

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Synopsis: The frontiersman, Hugh Glass, who in the 1820s set out on a path of vengeance against those who left him for dead after a bear mauling.

Release Date: December 25, 2015

Thoughts: You can tell the summer season is nearing its end when the movie previews shift from action spectacular blockbusters to films aiming for awards season glory. Already this week we’ve seen Joy, David O. Russell’s bid for a best director Oscar nomination and now comes the newest film from the most recent winner, Alejandro González Iñárritu (Birdman: Or (The Unexpected Virtue of Ignorance). It also marks Leonardo DiCaprio’s first film in two years after The Wolf of Wall Street, surely an effort he hopes will nab him his fifth nomination. I’ve always found DiCaprio to be a good actor that takes himself perhaps just a tad too seriously, a reason why Oscar gold has eluded him all these years. Teaming with Iñárritu is a wise choice as he’s known to push actors out of their comfort zone…just the thing that DiCaprio has needed for some time. Co-starring Tom Hardy (Mad Max: Fury Road), Domhnall Gleeson (About Time), Will Poulter (We’re The Millers), and Paul Anderson (Passion) there are some stunning images in this first look at The Revenant…this one looks like a tough watch but Iñárritu and his cast have their work cut out for them.

The Silver Bullet ~ London Road

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Synopsis: London Road documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women.

Release Date: US Release TBD 2015

Thoughts: Hmm…a musical about a series of murders that plagued a London town a decade ago? Rodgers and Hammerstein, this ain’t…but I’ve had my eye on this UK show ever since I saw a clip on a documentary about the National Theatre where it was originally staged. Adapted into a feature film starring Olivia Colman (Hyde Park on Hudson, The Iron Lady) and, surprisingly, Tom Hardy (Mad Max: Fury Road, Lawless) in addition to several real life residents of the London suburb this appears to be a challenging piece that delights in its unconventionality. Highly doubtful this will get much exposure in the U.S. so consider keeping your eye out for this one if/when it pops up on streaming video.

 

Movie Review ~ Mad Max: Fury Road

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The Facts:

Synopsis: In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.

Stars: Tom Hardy, Charlize Theron, Megan Gale, Nicholas Hoult, John Howard, Nathan Jones, Zoe Kravitz, Richard Carter, Rosie Huntington-Whiteley, Hugh Keays-Byrne, Riley Keough, Abbey Lee Kershaw, Courtney Eaton, Josh Helman, Jennifer Hagan, iOTA , Angus Sampson, Joy Smithers, Gillian Jones, Melissa Jaffer, Melita Jurisic

Director: George Miller

Rated: R

Running Length: 120 minutes

Trailer Review: Here & Here

TMMM Score: (10/10)

Review:  Forgive me, but it’s been three days since I caught Mad Max: Fury Road and I’m still a bit speechless but this giant juggernaut of a film.  It’s been 30 years since the last time Max Rockatansky raced across movie screens in Mad Max Beyond Thunderdome and a full 36 years since the character was introduced in George Miller’s cult favorite Mad Max (the sequel Mad Max 2: The Road Warrior arrived in 1981).  Though Miller had tried to get a fourth entry off the ground with Mel Gibson in early 2003, an agreement over budget and filming couldn’t be reached and the idea was scrapped.  Interest was again stirred around 2012 and that brings us to the awesome power of Mad Max: Fury Road.

The 70 year old Miller has spent the time between Max movies directing an impressive variety of films from The Witches of Eastwick to Babe to Happy Feet…but more than a little Mad Max-ness was still kicking around for the director and it’s a joy to see what he’s produced here with a new star and a sky high budget that thankfully isn’t all tossed away on CGI effects.  What Miller does is nothing short of a modern miracle of cinema and one that positively shouldn’t have worked as well as it has.

What you have here is really a two hour long car chase film with only the occasional rest stop to relieve the tension.  Giving the middle finger to the traditional film structure, it’s clever and full throttle entertainment, not for the faint of heart or hearing.  Miller assumes you’re well versed in the Mad Max universe (and if you aren’t, what’s wrong with you?) and doesn’t waste a millisecond getting you acclimated to the current state of affairs.  From frame one you’re thrust back into the apocalyptic wasteland (the Namib Desert in Africa, standing in for the Outback which was too wet for filming) where Max (Tom Hardy, The Dark Knight Rises) calls home.  Captured by a gang of marauders and imprisoned as a human blood bag for sickly warriors, the future doesn’t look very good for our hero of few words.

Enter Imperator Furiosa (Charlize Theron, Snow White and the Huntsman, sporting a shaved head and bionic arm) a trusted disciple of Immortan Joe (Hugh Keays-Byrne, who also played the villain Toecutter from Mad Max) the ruler of the appropriately named Wasteland.  Immortan Joe is an evil dictator who enslaves women either to produce milk for his War Boys or breed new children to add to his royal family.  When Furiosa makes off with Immortan Joe’s prized Five Wives, a race ensues that puts several bands of very bad men on the hunt for Furiosa and her booty of women, water, and gasoline.

If we’re being honest, this is really Furiosa’s movie with Max along for the ride.  How he gets involved with Furiosa and her cargo is best left for you to find out but Miller has correctly given Max an equal that seeks the same justice he does.  I find it interesting that Mad Max: Fury Road has come under fire from men (of all people) that are upset a woman leads the way…claiming they were duped into thinking this was a “man’s movie”.  If you’ve seen any Mad Max film to date, you’d know that Max has always been a character that aids the disenfranchised and, somewhat begrudgingly, comes to their aid.

What sets Mad Max: Fury Road apart is that Furiosa largely doesn’t need Max’s help to get the job done.  Yes, he’s there to help her on multiple occasions but she’s got things under control, no doubt.  The fun of the film is watching Hardy and Theron lock horns, band together, and wreak havoc on all that get in their way.

Good support is offered from a bevy of interesting actors that pop up throughout the film.  Nicholas Hoult (X-Men: Days of Future Past) is whacked out as an amped up War Boy hot on the heels of Max and Furiosa that could become their greatest ally.   Zoe Kravitz (Divergent), Rosie Huntington-Whiteley, and Riley Keough (Magic Mike), are three of the Five Wives that prove their value as Furiosa’s tanker clanks and clashes around canyons and sandstorms, trying to avoid the grasp of Immortan Joe and his crew that are accompanied, hysterically, by a convoy including six timpani banging War Boys and a mutant guitarist with an electric guitar that shoots fire.

It could be said that Miller doesn’t know when to quit and that’s a very, very good thing.  From the opening titles to the totally insane action sequences, there’s not a moment that doesn’t feel in motion and the effect is often so overwhelming you feel the need to close your eyes to get your bearings.  Then you remember that if you close your eyes you may miss something…and you solider through it.

For fans of the Mad Max films, there are nice touches here and there that reference the previous three films.  Nothing too apparent or instantly obvious, but trinkets there to reward those that have stuck with Miller and his gang over the years.  Each Mad Max film has been a standalone story and with Tom Hardy signing on for at least three more Max films you can bet that once Miller has had a chance to catch his breath, he’ll hit the ground running with another escapade for his legendary hero.  The bar has been set so very very high with Mad Max: Fury Road…but Miller knows how to surprise us.

Mad Max: Fury Road puts all other summer blockbusters to shame.  It’s gorgeously shot, ferociously edited (culled from a staggering 480 hours of footage), and thrillingly produced with an insane level of detail in the costume and make-up design.  A second viewing is almost required to catch all of the inventive design Miller and his crew have worked up.  Not to be missed…and if I were you I’d plan on seeing it twice.

The Silver Bullet ~ Child 44

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Synopsis: A disgraced member of the military police investigates a series of nasty child murders during the Stalin-era Soviet Union.

Release Date:  April 17, 2015

Thoughts: Originally published in 2008, the novel this Cold War thriller is based off of is the first in a trilogy involving Soviet agent Leo Demidov, played here by Tom Hardy (Mad Max: Fury Road).  With Hollywood’s love of a good franchise starter, how well Child 44 performs may be the key to future adaptations…but I’m getting ahead of myself.  Let’s stay in the here and now because I love a good murder mystery.  Bolstered by Hardy’s rising star presence in addition to Noomi Rapace (Dead Man Down and Hardy’s co-star in The Drop), Gary Oldman (Lawless), Charles Dance (The Imitation Game), Jason Clarke (Dawn of the Planet of the Apes), and Joel Kinnaman (2014’s RoboCop), Child 44 may represent a nice throwback to the classier end of the serial killer chiller that’s all but dissolved from the filmmaking landscape.

The Silver Bullet ~ Mad Max: Fury Road (Trailer #2)

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Synopsis: An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life

Release Date: May 15, 2015

Thoughts: So many trailers commit the cardinal sin of not being interesting enough to ensnare audiences into returning to see the final product…and then there are trailers like Mad Max: Fury Road. Like the first preview released in July, it’s clear that this will be one highly original futuristic film that takes no prisoners with its over the top theatricality. Providing more excitement and jaw-dropping moments in 2:30 than most films can muster at their feature length best, it’s a glorious reminder that movies can transport you to another world and thrill you with innovation. In short, Mad Max: Fury Road looks to be one bad ass sock-knocker-offer.   Directed by George Miller (who also helmed the original three Mad Max films) and starring Tom Hardy (The Dark Knight Rises), Charlize Theron (Prometheus), and Nicolas Hoult (Jack the Giant Slayer), I can’t wait to hit the road with this one.

The Silver Bullet ~ Mad Max: Fury Road

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Synopsis: An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life.

Release Date: May 15, 2015

Thoughts: It’s been 30 years since Mad Max: Beyond Thunderdome and it feels like this follow-up/reboot has been filming for nearly the same amount of time.  It always amazes me the gestation period for certain blockbuster movies and Mad Max: Fury Road has been in utero long past its intended release way back in 2009.  With returning director George Miller and a new Max (Tom Hardy, This Means War), this first look at the action adventure set for release in May 2015 looks heavy on sand, style, violence, and atmosphere…all keeping in line with the series Miller started in 1979.  Add the always intriguing Charlize Theron (A Million Ways to Die in the West) to the mix and Warner Brothers already has a furious head start on laying claim to the summer of 2015.