Synopsis: As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
Stars: Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried, Giovanni Ribisi, Sarah Silverman, Neil Patrick Harris
Director: Seth MacFarlane
Running Length: 116 minutes
Trailer Review: Here
TMMM Score: (2/10)
Review: The posters for A Million Ways to Die in the West tout “From the guy who brought you Ted”…that should have been enough of a warning for me to head for the hills. For the “guy” in question is Seth MacFarlane and Ted wasn’t exactly my favorite film of 2012. Though I’ve come to a point of forgiveness with MacFarlane after his arguably unforgivable job hosting the Oscars in 2013, I got saddle sores while sitting through his attempt to make a Blazing Saddles for his Family Guy audience.
I realized while watching (more like grimacing through) MacFarlane’s latest directorial effort that Westerns don’t often get a new spin but when they do, more often than not they work. Blazing Saddles from 1974 and Django Unchained from 2012 are the first examples that come to mind. While Saddles was a Mel Brooks exercise in comedic buffoonery, Quentin Tarantino’s spaghetti western revenge epic was bloody good fun. A Million Ways to Die in the West is an example of the wide, wide chasm that exists between films like Saddles and Django and MacFarlane’s raunchy and ribald supposed comedy.
There’s a good laugh right off the bat but sadly, like the roles played by Sarah Silverman and Giovanni Ribisi, the funny stuff all but disappears for more than half the film. In place of actual laughs is MacFarlane’s ill-advised attempt to Woody Allen-ize every paranoid, fatalist diatribe he’s written for his character. His clueless sheep farmer in 1822 speaks like an overindulged frat boy from Yale and looks like he got lost on a back lot tour of the set of Gunsmoke. MacFarlane is so pasty white and healthy looking that when he’s in crowd scenes with his fellow dust bowlers he stands out like a sore thumb…either he didn’t want to get dirty or he’s going after an endorsement deal with Noxzema.
In Ted, MacFarlane only provided the voice for the naughty bear and that was somewhat tolerable. This film makes it clear that he’s better suited doing his various voices behind the camera than being front and center. Previously mentioned team players Silverman (Wreck-It Ralph) and Ribisi (Contraband) don’t have much to do but make voraciously explicit sex jokes that had the college age guys sitting next to me literally falling out of their seat with laughter. Amanda Seyfried (Les Miserables) spends the entirety of the film rolling her eyes (possibly mimicking the audience?) and Liam Neeson (Non-Stop, The Nut Job) provides another cinematic example of why needs to learn to say no to every role he’s offered.
Rounding out the cast is an unusually game Charlize Theron as bandit Neeson’s wife that takes a head-scratching interest in MacFarlane’s character. Theron (Snow White and the Huntsman) hasn’t done much in comedy and if she isn’t entirely successful here, I hope she gives it another go with a better script, director, and leading man because she has good instincts. Neil Patrick Harris (Gone Girl) is overexposed. There, I said it. Even more in love with himself than MacFarlane, Harris’ broadly drafted mustached louse is a painful sight to behold — especially when he’s seen defecating in not one but two hats.
The defecating (and its fully visualized aftermath) is just one example from a film filled with an endless supply of gross out gags, aroused animal genitals, rogue bodily fluids, and rancid jokes that are lingered on and even explained for good measure. I don’t doubt that the population in the early 1800’s knew how to swear a blue streak, but I have mixed feelings that the phrase “Let’s get f***ed up!” was popular at the time.
I’d like to say I’m not the target audience for the film…but that just isn’t true. I’m all for dumb humor and the kind of time wasting that movies allow and provide excuses for enjoying…but this just takes things too far. Thanks to MacFarlane’s major miscalculation that he knows from funny, A Million Ways to Die in the West should D.O.A. by high noon the day it opens.
Note: If you simply MUST see this film, there are several cameos that may make it worth your while. One cameo in particular is brilliant…you’ll know it when you see it.