2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Movie Review ~ American Ultra

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The Facts:

Synopsis: A stoner – who is in fact a government agent – is marked as a liability and targeted for extermination. But he’s too well-trained and too high for them to handle.

Stars: Kristen Stewart, Jesse Eisenberg, Connie Britton, Topher Grace, Bill Pullman, John Leguizamo, Walton Goggins, Tony Hale

Director: Nima Nourizadeh

Rated: R

Running Length: 96 minutes

TMMM Score: (4.20/10)

Review: It’s hard to know where to start with a movie like American Ultra because the film itself is all over the map and hard to follow.  Woe be to the individual that opts to wait in the concession line for that vat of overpriced popcorn and misses the first few minutes of the movie…but then again it doesn’t really matter because there’s precious little to encourage you to carve time out of your late summer movie-going schedule for this half-baked stoner action comedy spy flick.

Screenwriter Max Landis’ last big screen effort was the surprisingly slick Chronicle but he trips here with a mulligan stew of ideas and jokes that never gel into a satisfying meal.  I actually can imagine that Landis turned in a worthy, readable, screenplay that just didn’t translate well as it made its way on camera.  The central plot of a government agent/experiment suffering from memory loss living life as a stoner mini-mart worker in a dead end West Virginia town called into action when a rogue CIA sector marks him for death doesn’t have the stench of an also-ran and maybe could have worked (whew…I’m winded after that description…let me take a breath).  But in the hands of director Nima Nourizadeh it suffers from cinematic inertia and a curious lack of any committed tone…not to mention a whole host of casting problems.

I continue to fail to see the appeal of Jesse Eisenberg (Now You See Me).  He seems only able to play one type of role, a mumbly meek milquetoast and while the film attempts to counteract that with the character’s deadly force training it can’t escape the fact that Eisenberg is terribly miscast in a role he seems uncomfortable in and too old for.  Put him in a dime-store wig with a part that keeps changing sides at random and a lumpy flannel and the ho-hum make-under is complete.

Lucky for Eisenberg he has a game co-star in Kristen Stewart (Still Alice), rejoining her Adventureland co-star and saving his butt in every scene (again).  Stewart feels much more at ease with her role, Eisenberg’s sweet girlfriend that supports his slacker ways and actually loves him in spite of it all.  As the film progresses, we see there’s more to Stewart’s character than we originally were led to believe, allowing the actress some good moments to continue to prove she’s able to play more than a moony vampire lover.

As much as I love Connie Britton (This is Where I Leave You) I find that once again she’s used incorrectly as a top CIA operative with ties to the experimental program Eisenberg was once a part of.  Not surprising, she’s the third actress signed to the role after Uma Thurman and Sharon Stone dropped out.  Britton can play a steel voiced authority figure no problem but in chunky boots and wool ensemble she always feels like she’s pretending to be a CIA agent rather than really embodying the role.

At least Britton fares better than Topher Grace (Interstellar) who has managed to remain ageless over the years, even though his eyes are seeming to bug out more than ever.  The worst example of miscasting, Grace parades around as a snobby CIA agent that opposes Britton wearing twice as much rouge as her and not looking remotely aware of it.  Every line reading rings false and he acts without conviction or motivation in a series of scenes that look like deleted skits from the MTV Movie Awards.

In fact, from the astoundingly cheap looking sets, the overall appearance of the movie feels like a late night talk show sketch that runs too long.  The lighting is either brilliantly bold (as in a black-light set action sequence where Stewart and Eisenberg’s teeth glow as bright as the whites of their eyes) or murky and flat.  Several action scenes look like they were culled from the 11th or 12th take based on the exhausted look of the actors and worst of all the film has nothing really solid to say when it reaches its conclusion.  An animated sequence over the end credits is perhaps the most creative thing about the film…but that too is spoiled by an obnoxious score that sonically seems meant to induce dry heaves.

Amidst bloody violence there are some all too brief flashes of what the film could have been, a subversively smart action thriller with a dark comedy slant…but that would have required more effort from the director not to mention a major cast overhaul.