Synopsis: An epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend.
Stars: Raymond Ochoa, Jeffery Wright, Steve Zahn, AJ Buckley, Anna Paquin, Sam Elliott, Frances McDormand, Marcus Scribner, Jack Bright
Director: Peter Sohn
Running Length: 100 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review: It’s usually never a good sign when a release date for a movie is changed once. It’s an even worse sign when it changes twice. Then when you hear that nearly all of the cast was replaced, the director removed from the project, and reshoots were required you can rest assured that when (if?) the movie is actually released you’ll have the critical vultures swarming around looking to feast on the carcass of the wounded cinematic animal.
In this case, the movie in question is Disney/Pixar’s The Good Dinosaur, finally seeing a release date a full two years after its intended November 2013 opening. Those expecting a misfire from the studio limping into the holiday movie season will be in for a surprise because for the second time in 2015 Disney/Pixar have a hit on their hands. For all of its fabled troubles on its way to theaters (including replacing the voices of John Lithgow, Judy Greer, Neil Patrick Harris, and Bill Hader) it’s clear from the final product that whatever tinkering and tailoring was done was necessary and worth the wait.
Featuring what I feel is Pixar’s best animation to date, The Good Dinosaur may lack the overall complex creativity of June’s Inside Out (which ingeniously taught children and adults how to own and celebrate their emotions) but it’s not short on memorable characters and moments. I went in expecting something along the lines of The Land Before Time but got a lovely family feature that’s generous with humor and heart.
Positing an alternate timeline where the asteroid that ended the reign of the dinosaurs missed the planet completely, The Good Dinosaur takes place in the present…albeit in a present where dinosaurs never went extinct and humans never became the dominant species. This isn’t a dark vision of what might have been but a thoughtful pondering a future were these great beasts continued to thrive for millions of years, living off the rich bounty of a land uncorrupted by progress.
Poppa Henry (Jeffrey Wright, The Hunger Games: Mockingjay – Part 2) and Momma Ida (Frances McDormand, Promised Land) are a brontosaurus couple spending their lives farming and plowing the fields. Opening with the hatching of their three baby dinos, from their first moments we can see what each of their personalities will be like: Buck is the tough one, Libby is the playful one, and Arlo is…well…he still doesn’t quite know where he fits in. The runt of the litter (arriving in the biggest egg), he’s a bundle of dino nerves that’s scared of everything from a tiny bug that lands on his nose to the raggedy chickens he’s tasked with feeding.
Borrowing a page from the old-fashioned Disney canon, a tragedy occurs for Arlo followed by a separation from his home that sends him on a journey of discovery to find his way back to his family. Following the river through the gorgeous untouched landscapes of nature, he’s joined by Spot, a human child that acts like a feral dog that Arlo has a score to settle with. Eventually the two come to need each other as they face the harsh realities of nature and meet a number of wildlife along the way like a cross-eyed Styracosaurus (hilariously voiced by director Peter Sohn), a pack of threatening Pterodactyls, and a family of cowboy T-Rexes (headed by splendid Sam Elliott, I’ll See You In My Dreams) on a cattle drive.
The material is more adult-oriented than previous Pixar films and I appreciated that the film doesn’t make any excuses for the dramatic (and often scary) turns it takes. Parents should know that it’s PG for a reason, some kids at my screening had a rough go with the beasts and some of the subject matter. Arlo is constantly threatened with danger whether it be falling off rocks, plunging into water, or fending off a host of creatures that see him and Spot as their next meal. The supporting players are perhaps the most bizarre creations from Pixar yet, with the Pterodactyls being most troublesome for this critic thanks to their crazed rants and appetite for food of any kind.
Pixar is no stranger to tapping into emotions and there are several passages of The Good Dinosaur where you may find tears welling up behind your 3D glasses. While the 3D isn’t revelatory, it goes well with the impressive vistas and animals that pass you by. Though I tried my hardest to hold it in, I cried a few times over the course of the film thanks to some developments that I could relate to on a personal level. It won’t give you the Sally Field Ugly Cry Face that Inside Out and Up did, but don’t be surprised if the tears come when you aren’t expecting it. I also laughed a lot, especially at some unexpected frivolity in the form of a trippy tangent brought on by Arlo and Spot eating spoiled fruit.
The feature goes nicely with Sanjay’s Super Team, the father-son centered short that precedes it and while most will give the Best Pixar of 2015 edge to Inside Out, there’s a case to be made for The Good Dinosaur too. It’s perhaps less original in conception but in execution it showcases the absolute best animation that Pixar has created so far.