Movie Review ~ Spoiler Alert

The Facts:

Synopsis: Based on Michael Ausiello’s best-selling memoir, the film is a heartwarming, funny, and life-affirming story of how Michael and Kit’s relationship is transformed and deepened when one of them falls ill.
Stars: Jim Parsons, Ben Aldridge, Sally Field, Bill Irwin
Director: Michael Showalter
Rated: PG-13
Running Length: 112 minutes
TMMM Score: (9/10)
Review: Aside from ‘Where the Red Fern Grows’ back in grade school, I can’t remember when I sobbed while reading a book before ‘Spoiler Alert: The Hero Dies.’  Michael Ausiello’s 2017 memoir about his life with husband Kit Cowan, from their initial meeting until his death from neuroendocrine cancer in 2015, was a harrowing, unvarnished look at one couple and their relationship’s ups and downs.  It documented not only how being with someone can be wildly romantic and wonderful but that the bad times can be a struggle and make you feel like the effort can be for naught.  Ultimately, the love shared between them was what made the loss so devastating, and that was beautifully conveyed to the reader.

I didn’t know how that would be captured on film.

The movie adaptation, shortened to Spoiler Alert, has been brought to life by screenwriters Dan Savage (yes, that Dan Savage) and actor David Marshall Grant (who has a small role), and they’ve taken Ausiello’s book and presented it to viewers as a real gift.  That same emotional beauty is still there, and how they’ve structured the piece pays tribute to Michael and Kit’s bond but also tips its hat in numerous ways to the kind of romantic comedies and tear-jerkers many of us grew up with.

Admittedly, I can’t say that I’m a fan of Jim Parsons (The Boys in the Band), so his casting as Michael gave me doubts.  I still find him a bit too gangly for the role and slightly too old, but he carries the film with the appropriate weight and sincerity it needs.  Ben Aldridge (Knock at the Cabin) is the winner between the two, deftly showing the range of feelings from Kit and likely having less real-world access to draw from in doing so.  Then there’s Sally Field (Lincoln), who knows her way around a five-hanky weepie or two, correctly netting more laughs than tears as Kit’s triathlete mom.  The great Bill Irwin (Interstellar) is also on hand for the grounded performance only an actor with his gravitas could offer.

Director Michael Showalter is undoubtedly on a roll with finding projects that draw out beautiful performances from his stars.  On the big screen, he’s been at the helm of The Eyes of Tammy Faye and The Big Sick, and on the small screen, his work has been represented in The Dropout, and I Love That For You. You’ll notice how many of these have been rightfully rewarded/awarded by voting bodies – that has to say something about his contributions from his perch in the director’s seat. 

Note: Due to timing, I missed Spoiler Alert in theaters, and that’s a good and a bad thing. It’s good because, like reading the book, I cried so hard I needed an entire roll of paper towel to squeegee off my face.  Bad because the film had an unfairly short theatrical run and disappointingly small box office take.  These are the kind of impactful, human stories that audiences crave, and I’m more than a little surprised it didn’t take off more. Here’s hoping a far greater audience discovers this at home.

Movie Review ~ Interstellar

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The Facts:

Synopsis: A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Stars: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Ellen Burstyn, John Lithgow, Michael Caine, Casey Affleck, Wes Bentley, Bill Irwin, Mackenzie Foy, Topher Grace, David Gyasi

Director: Christopher Nolan

Rated: PG-13

Running Length: 169 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: Most of the reviews for Interstellar are going to focus on the fact that it’s a let-down to what we’ve come to expect from director Christopher Nolan.  Destined to be held to the impossibly high bar he set for himself with his trilogy of Batman films (Batman Begins, The Dark Knight, and The Dark Knight Rises), you could say that he really only has himself to blame for critics and audiences alike coming to expect a certain need to be filled with each Nolan epic.

While I agree that Interstellar may not be the 2001: A Space Odyssey of the new millennium as many thought it would be, I still marveled at the sheer magnitude of innovation surrounding the film.  I applaud its commitment to science, cinema, and humanity – it’s why I left the screening with a spark of ebullient respect that literally kept me up tossing and turning in bed as my dreams were filled with wormholes, theories of relative time, and all those failed physics tests of my youth.  Yet, as I continued to think on Nolan’s film as a whole, I found enough fault in the melodramatic moments Nolan and his brother Jonathan have unfortunately wedged in that overall my jovial enthusiasm for the movie faded…and faded fast.

In a distant future, our crops are dying and our prospects look grim.  Single father and retired pilot Cooper (Matthew McConaughey, Dallas Buyers Club) lives on his farm trying to do best for his children.  Guided to a secret government facility by a series of events I won’t divulge here, it isn’t long before Cooper is blasting off into space with a two pronged mission to find a new world to inhabit and save the human race.

That’s a heavily oversimplified rundown of the first hour of Nolan’s three hour trek into universes beyond our reach and it’s this earthbound time at the front of the picture and the final hours that kept restraining the journey from really rocketing into the oribit I wanted it to.  There’s a manipulative feeling to what the brothers Nolan have constructed, with attempt after attempt to tug at the heartstrings of viewers.  What they failed to include, however, is a set-up that allows us to be attached emotionally to anyone enough to be moved by their fight for survival.

The film is best when it’s floating in space because that’s when the artistry begins to take form and all cylinders start to fire.  Projected on an IMAX screen and making full use of an immersive sound design (my teeth are still rattling), Interstellar could come across feeling like an entertaining school lecture with its long monologues describing time travel and explanations of the effects of relativity.  Thankfully, Nolan finds a balance in keeping audiences up to speed without boring them (or dumbing it all down) with textbook-ish dialogue that only a multi-PhD professor would grasp.

An impressive, Oscar recognized cast (2 nominees and 4 winners…5 if you count a surprising cameo) make the most of Nolan’s multi-layered script.  McConaughey’s a bit of an odd duck as our hero lead.  Adept at wearing his emotions on his sleeve, I found myself craving for a shot of the actor that didn’t show him with his eyes welled up with tears.  Cool headed when trouble arises, he still cuts the appropriate swath of an All-American dad just trying to get home to his kids.  Anne Hathaway (Les Miserables) has never been a favorite of mine but the break she took after her Oscar win has given the actress time to reacquaint herself with a grounded acting style and she largely succeeds in her role as a brainy, all-business counterpart to McConaughey’s cowboy cavalier.

Rounding out the cast is Michael Caine (Now You See Me) as Hathaway’s father and McConaughey’s mentor and Jessica Chastain (Zero Dark Thirty) playing a scientist with a link to McConaughey, alongside Wes Bentley (Lovelace) and David Gyasi (Cloud Atlas) as fellow explorers onboard the shuttle.  Caine has a long history with Nolan but here the role he’s been given is so clearly designed as a plot device that it’s hard to form an honest opinion of the performance.  Chastain fares better, considering she’s saddled with a hefty amount of the problematic moments in the final third of the film.

Less complex than Nolan’s trippy Inception and lacking the emotional attachment of 2013’s better (and shorter) Gravity, Interstellar is a film I can imagine getting less interesting with repeat viewings.  Don’t get me wrong, I’ll see the movie again in 70MM on the largest screen I can find because the movie looks absolutely incredible…but I’m not sure all the additional viewings in the world can excuse some major cracks in Nolan’s ambitious rocket-ship.

The Silver Bullet ~ Interstellar (Trailer #3)

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Synopsis: A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Release Date: November 7, 2014

Thoughts: I’m so ready to see Interstellar. Not that I needed any more convincing after the teaser and first trailer for Christopher Nolan’s sci-fi drama, but this recently released preview shown at Comic-Con definitely ramps up my anticipation.  I cringed a bit when I saw how long the trailer was but thankfully Nolan (Batman Begins) remains a cagey filmmaker and doesn’t let go of many plotlines and important pieces of info that could spoil the overall experience.  Bolstered by a truly A-list cast featuring Matthew McConaughey (Dallas Buyers Club), Anne Hathaway (Les Miserables), Jessica Chastain (Mama), Ellen Burstyn (Draft Day), and Michael Caine (The Dark Knight Rises), the rocket boosters are starting to truly heat up to send this one into orbit come November.  Can’t wait.

The Silver Bullet ~ Interstellar (Trailer #2)

interstellar

Synopsis: A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Release Date: November 7, 2014

Thoughts: Now at the point where the mere mention of his name guarantees you’ll buy a ticket to his films, director Christopher Nolan steps out of the shadow of The Dark Knight Trilogy (Batman Begins, The Dark Knight, The Dark Knight Rises) and looks upward into space. The first teaser for Interstellar had tongues a-waggin’ though it had next to no original footage and while this second look reveals a tad bit more about what the film is all about, it’s still more intriguing than verifiably interesting in my book. Then again, Nolan’s trailers have historically been as spoiler-free as possible so that’s par for the course. Make no doubt about it, this is one of the most highly anticipated films of the year and it doesn’t hurt Nolan has the star power of Oscar darlings Matthew McConaughey (Dallas Buyers Club, Mud), Anne Hathaway (Les Miserables), Jessica Chastain (Zero Dark Thirty), Michael Caine (Jaws: The Revenge) and Ellen Burstyn (Draft Day) to escalate this to warp speed. I expect big things from this one…and I’ll bet we get ‘em.

The Silver Bullet ~ Interstellar

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Synopsis: A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Release Date:  November 7, 2014

Thoughts: With a director that has yet to make a bad film and a, well, stellar cast of A-Listers it’s not hard to see why Interstellar is already one of the most highly anticipated films of 2014.  Director Christopher Nolan (Batman Begins, The Dark Knight, The Dark Knight Rises) has tapped Matthew McConaughey (Dallas Buyers Club), Anne Hathaway (Les Miserables), Jessica Chastian (Zero Dark Thirty), Ellen Burstyn, Michael Caine (Jaws: The Revenge), and Casey Affleck for his new film, details of which are still being kept tightly under wraps.  Sources say it has to do with time travel and the race to save the food supply of our planet but if I know Nolan it’s about so much more.  The first look doesn’t have a lot of footage to it (and you know I love my teasers) but it nicely places its stake in the ground as the movie we’ll be talking about in about a year.