2017 – Best of the Best, Worst of the Worst, Grand Totals

Well hello there!  

So here we are about to start the SEVENTH year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2017.  As is typically the case, by the time it came to make this list things became a bit of a jumble and I decided to choose the movies that I had the strongest reaction to when I saw them.  I don’t revisit movies often but anything in the Top 5 are films that I’d add to my collection.  

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions leveled off a bit in early 2017 but picked up nicely in the second half of the yearand it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)


5. The Big Sick – while it didn’t exactly become ‘the little indie that could’ as expected, The Big Sick stuck around for a long time in theaters based on positive word of mouth alone and in Hollywood that kind of buzz is worth more than gold.  Writer/star Kumail Nanjiani’s true story on how he met his future wife and, through a stressful series of events, his future in-laws is a wonderfully comic look at love and family.  In our current political climate, it’s also a deft look at cultural stereotypes within the family structure of immigrants and how the second generations are cutting their own path toward the Great American Dream.

4. Blade Runner 2049 – A forward-thinking sequel to the futuristic 1982 cult classic, Blade Runner 2049 should have done much better at the box office and I’m still puzzled as to why this one fizzled so fast.  Big, bold, and beautiful, I saw this one twice in theaters and could have gone a few more times had the fall not gotten so cramped.  Director Denis Villeneuve (Prisoners, Enemy, Sicario), continues to be a force to be reckoned with and he gathered the best and brightest in front of and behind the camera to create a spectacular sci-fi epic.  Special mention to Dutch breakout Sylvia Hoeks who gets my vote for Best Villain of 2017.

3. Phantom Thread – this one isn’t out in many theaters yet so my full review is pending but this late-breaking film quickly jumped to my Best of the Year list.  I’ve been completely off the Paul Thomas Anderson bandwagon for the last few films (Inherent Vice was on my worst of list in 2015) but I’m applying for membership to his fan club after this strikingly gorgeous beautiful film he’s delivered.  It’s rich on multiple levels, not only in the ornate fashions on display but in the deeply emotional performances from star Daniel Day-Lewis (Lincoln) and two strong female supporting characters Vicky Krieps and Lesley Manville (Maleficent).  This one really knocked me over and blew my socks off…really sublime.

2. The Lost City of Z – Released in April 2017, you’d be forgiven if you’ve missed out on The Lost City of Z.  It’s so very, very good that it’s more than a minor heartbreak that it didn’t get the proper attention when it arrived in theaters.  I think the marketing from Amazon Studios really failed this film which should have been delayed to later in the fall for a more prestige release date.  Based on the bestselling novel, The Lost City of Z is a haunting tale of adventure and obsession that has stuck with me ever since I saw it.  The performances are stellar (who knew Pacific Rim’s Charlie Hunnam had it in him or that The Rover’s Robert Pattinson could be so compelling?) and director James Gray’s paces the film so well that the lengthy running time will surely fly by.  Seek this one out at all costs – you’re missing something special!

1. Get Out – Comedian Jordan Peele’s directorial debut captured lightning in a bottle and has kept that energy going ever since its release almost a year ago.  On its way to Oscar nominations for Best Picture and Best Screenplay (and perhaps one for Best Director?), Get Out is hands down the most original and entertaining film I saw throughout 2017.  I missed the critics screening for this one so found myself paying for a mid-week showing several weeks after it came out.  The reactions of the packed audience were but a ¼ of the fun to be had, I’ve watched it again at home and it works just as well.  Peele masterfully commands our attention in this Stepford Wives-esque tale of a white girl bringing her black boyfriend home to meet her parents.  Nothing is what it seems on their posh estate and the deeper we dive down Peele’s rabbit hole the more intriguing the picture becomes.  Scary, funny, on message, and supremely timely, Get Out is the kind of authentic filmmaking that’s becoming a rarity in Hollywood.  Just plain perfect.

Honorable Mentions: Atomic Blonde, Three Billboards Outside Ebbing, Missouri, Lady Bird, Breathe, Call My By Your Name, Logan, Novitiate, The LEGO Batman Movie, The Post, IT, Wonder Woman, Personal Shopper

5. Goodbye Christopher Robin – I love Winnie-the-Pooh.  I did not love Goodbye Christopher Robin, a syrupy biopic on the man who created the lovable bear that lived in the Hundred-Acre Wood.  According to the filmmakers, A.A. Milne and his wife (a woefully terrible Margot Robie, Suicide Squad) were largely absentee parents that wound up exploiting their only child’s imagination for his stuffed animals for financial gain.  A late breaking and purely cinematic change of heart in Milne is the stuff of trite redemption stories but by the time it arrives the damage has extended too far into our consciousness.

4. mother! – Oh, how I was looking forward to this one.  This is one movie that had all the cards stacked in its favor.  An air of mystery, a celebrated director, a bankable movie star lead, and a supporting cast of solid actors that each have headlined their own film.  How did this one go so wrong?  mother! winds up on this list for being intensely unlikable at its best and practically unwatchable at its worst (which is most of the time).  An intriguing first 45 minutes (featuring the wonderfully feline Michelle Pfeiffer, Grease 2) gives way to utter insanity and culminates with a series of stomach churning developments.  Movies should always have an element of challenge to them but this one pushes the wrong buttons.

3. Roman J. Israel, Esq – Last year Denzel Washington had two movies that debuted to different receptions (Fences and The Magnificent Seven).  In 2017, Washington appeared in but one film, this severely misguided legal drama from writer/director Dan Gilroy (who was at the helm for the superb Nightcrawler in 2014) and the problems it has are too numerous to count.  It’s hackneyed plea for social justice reform reeks of half-baked rewrites and last-minute fixes and the supporting characters are but mere stereotypes. Even the reliable Washington is bizarrely off his game here, the Oscar buzz around his performances is mystifying.

2. Wish Upon – even thinking about this one again makes me mad.  Best to just tell you it’s horrible and barely coherent and leave it there.

1. The Snowman – unquestionably the poorest film released in 2017 and maybe one of the worst films of the last decade, The Snowman is uniquely terrible.  It’s a film that’s awful from almost the first frame and never even makes the effort to better itself.  That it’s filled with A-list stars and based off an international bestseller is bad enough, but most of the reasons it’s the worst of the worst is old fashioned bad filmmaking.  An embarrassingly heinous film and one that I’m sure will quickly be jettisoned from the resumes of everyone involved.  Let this one melt and never be heard from again.

Dis(Honorable) Mentions: Last Flag Flying, A Bad Mom’s Christmas, Home Again, Justice League

Most Misunderstood: Valerian and the City of a Thousand Planets – Make no mistake about it, this movie is absolutely bonkers and will likely only appeal to the very (very) open-minded.  I’ve found myself in opposition with critics and spoon-fed audiences that have trouble with these outlandish sci-fi yarns (see my lone-wolf praise for John Carter) but I can also understand where their fears come from.  I wasn’t prepared to love this one but it was so gaga in the visuals department and so unpretentious in its goal to jolt your senses that I had to give it some well-deserved major kudos.
Honorable Mention: Downsizing, The Greatest Showman

Joe’s Humble Pie Award of 2017 (movies that turned out differently than I expected going in): Darkest Hour – True story, but I was really dreading seeing this slice of life biography on Winston Churchill.  Knowing that it covered the same period that was depicted so masterfully in Dunkirk, I just couldn’t muster any kind of excitement for it even after hearing that Gary Oldman’s performance as Churchill was an Oscar shoo-in.  While it isn’t a perfect film due to some pacing issues, director Joe Wright (Anna Karenina) and Oldman gave audiences a rarity: edge-of-your-seat entertainment with a story anyone that has ever taken a history class was already well-aware of.
Honorable Mention: Brad’s Status, Personal Shopper

Movies You Probably Haven’t Seen But Should

A Cure for Wellness

All I See Is You

Annabelle: Creation

Beatriz at Dinner

Certain Women

Gifted

God’s Own Country

Ingrid Goes West

Interiors

Life, Animated

Personal Shopper

Southside With You

Stronger

The Florida Project

The Handmaiden

The Lost City of Z

Tickled

Toni Erdmann

Click HERE for a full listing of films seen in 2017
Total Movies Seen in the Theater110
Total Movies Seen at Home176
Grand Total for 2017 (not counting films seen multiple times)278
Where I Saw the Most Movies – Showplace Icon (41!)

Movie Review ~ Blade Runner 2049

Blade Runner 2049 Movie Poster

The Facts:

Synopsis: Thirty years after the events of the first film, a new blade runner unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. The discovery leads him on a quest to find a former blade runner who has been missing for 30 years.

Stars: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto

Director: Denis Villeneuve

Rated: R

Running Length: 163 minutes

Trailer Review: Here

TMMM Score: (10/10)

Review: Though it’s enmeshed in pop culture now, it’s worth noting that when Blade Runner was originally released in 1982 it wasn’t anywhere near the hit it probably should have been. Way ahead of its time (as most Ridley Scott directed movies were in those days) and arguably overtooled for less than discerning audiences, the movie was a wonder of visuals but lacked a certain depth. Scott would later make some cuts and remove a tiresome voiceover narration from star Harrison Ford (Working Girl) and that started guiding Blade Runner to a new audience while reenergizing its original fan base. Honestly, the movie has had so many different versions released that I have trouble remembering which is which…but the Blade Runner you can view in 2017 is much different (and better) than the one first seen over thirty years ago.

In this age of nostalgic and reworked reboots, when I first heard that Scott was coming back to the Blade Runner universe I was curious to see what the outcome would be. Having already dipped back into his canon with a prequel to Alien (Prometheus and, later, Alien: Covenant) would he be able to find that same new way in without totally destroying the memories of his original creation? Turns out, Scott did the wisest thing possible and stepped out of the director’s chair but kept his producer cap on for oversight. Handing over the reins to red-hot director Denis Villeneuve (Prisoners, Enemy, Arrival) was a stroke of genius because Villeneuve has delivered not only an exceedingly worthy sequel to Blade Runner but one of the most exciting visual spectacles of the year.

At the end of the screening I attended for Blade Runner 2049, we were read a laundry list of items the studio and director would rather we not mention in our review. I’ve no problem keeping those secrets as to go into the film with any hint of spoilers would be doing a disservice to yourself. What I can tell you is that the film picks up 30 years after the events from Blade Runner when the original replicants from the first film have been all but obliterated, replaced with newer models that are programmed to obey at all costs. There are a few early replicants still roaming the overcrowded wasteland cities of the future, though, and a new blade runner (Ryan Gosling, The Big Short) is tasked with rounding them up and retiring them for good.

During one mission, Gosling’s character makes a discovery that sets into motion a series of events that is equal parts mystery and sci-fi action suspense. His superior (Robin Wright, Wonder Woman) wants him to get to the bottom of things and eliminate any threat before anyone else does. That puts him in opposition with the new manufacturer (Jared Leto, Dallas Buyers Club) of state of the art replicants who dispatches his cold as ice henchwoman (Sylvia Hoeks) to get to Gosling’s target before he does. His journey eventually bridges the gap between the past and the future when he meets up with a familiar face harboring secrets of his own.

That’s all! I can’t say more or the studio will send a blade runner to retire me!

Villenueve has shown time and time again that he’s a master of both style and substance and Blade Runner 2049 is likely the pinnacle example of that. With jaw-dropping visuals incorporating seamless effects with Roger Deakins (Skyfall) gorgeous cinematography, the film is overwhelming in all the best possible ways. At 163 minutes, it could have had some major dips in momentum but miraculously the film keeps rocketing ahead, gathering speed and tension as it goes. There so many memorable sequences that it’s hard to pick just one that rises above the others, but be on the look-out for Gosling’s fight sequence set in a showroom amongst holograms of throwback Vegas entertainment. The finale showdown is also a white knuckle mini-masterpiece.

While the A-list stars are pitch perfect, it’s the lesser-known supporting players that stuck with me long after the movie was over. Hoeks, in particular is a most exciting find. The Dutch beauty actually has more screen time than Leto and she’s scary good because you never know quite what her angle is. Carla Juri and Mackenzie Davis (The Martian) also contribute strong work as important contacts Gosling makes along the way.

Answering some of the questions that Blade Runner left open may or may not happen here and this sequel may or may not close up shop with even more questions left for you to ponder…I won’t spoil some of the biggest surprises screenwriter Hampton Fancher and Michael Green (Logan) have waiting for you.

See this movie on the biggest screen you possibly can find, preferably with the best sound system too. Villeneuve has provided a full-bodied entertainment package for you and it deserves to be seen and appreciated for the knockout it is.

The Silver Bullet ~ Blade Runner 2049

blade-runner-2049

Synopsis: A new blade runner unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. The discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

Release Date:  October 6, 2017

Thoughts: When Ridley Scott’s Blade Runner was first released in 1982 it was a little too ahead of its time.  Though Alien, Scott’s previous effort, successfully transcended its era there was something too cool to the touch in this adaptation of a Philip K. Dick short story.  Over time Blade Runner has become a respected classic, endlessly released in new edits that attempt to make the somewhat obtuse movie a bit more focused.  Instead of tinkering again with the source movie, Scott (busy with his second Alien prequel) wisely handed over the reins to skilled auteur Denis Villeneuve (Prisoners, EnemySicario, Arrival) and boy am I glad he did.  As much as I love Scott’s work (I’m still ornery that he didn’t get an Oscar nomination for The Martian), Villeneuve is rising in the ranks of ‘can’t miss’ directors.  Set thirty years after the original film, it introduces a new blade runner (Ryan Gosling…ever heard of him?) who tracks down Harrison Ford’s character for…well, we don’t know quite what for yet.  All I know is that this is what a true teaser should be like and the hype growing around this one seems to be quite real and potent.  What a cast too, joining Gosling (The Big Short) and Ford (Star Wars:The Force Awakens) are Robin Wright (Wonder Woman), Mackenzie Davis (That Awkward Moment),  Lennie James (Lockout), Dave Bautista (Guardians of the Galaxy), and Jared Leto (Suicide Squad)