Movie Review ~ Jurassic World Dominion

The Facts:

Synopsis: Dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history’s most fearsome creatures.
Stars: Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Isabella Sermon,  Mamoudou Athie, Campbell Scott, BD Wong, Omar Sy, Justice Smith, Daniella Pineda, Scott Haze, Dichen Lachman
Director: Colin Trevorrow
Rated: PG-13
Running Length: 146 minutes
Trailer Review: Here
TMMM Score: (6/10)
Review:  Recently, I was asked to list a handful of my most memorable summer movie experiences. Seeing Steven Spielberg’s adaptation of Michael Crichton’s novel Jurassic Park in June of 1993 easily came in at #1. There was something so special about that time, a pre-internet era where all you had to go on before a movie was released were clips shown on entertainment news programs or movie magazines tailored to your interests. For this movie in particular, so much was kept under wraps beforehand that audiences truly had no little idea about what was in store for them. I miss having those unspoiled viewing pleasures, and in the decades since Jurassic Park opened its doors, the odds of walking blindly into a film have decreased every time society introduced a new social media platform.

When Universal Studios revitalized the Jurassic franchise in 2015 with the super-blockbuster Jurassic World, many of those same early feelings of excitement came back to me. New director Colin Trevorrow (Safety Not Guaranteed), personally selected by Spielberg, took the reins with that same sense of fun and adventure. Even if nothing would match the spirit of the original visit to the park (including The Lost World: Jurassic Park in 1997 and Jurassic Park III in 2001), I was thrilled with what the creative team had worked up. Trevorrow wasn’t on hand for 2018’s Jurassic World Fallen Kingdom, which suffered as previous sequels did with being set in a climate that didn’t feel contained enough to create appropriate tension. I liked it better than my colleagues, but it didn’t move the dial like it should (or could) have. 

For the supposed final film (at least in this trilogy), Trevorrow has returned and brought back the trio of original co-stars from Spielberg’s first outing. That alone is worth booking passage to Jurassic World Dominion, but audiences will have to wade through a fair share of thorny underbrush in this 146-minute finale ultimo. Boasting surprisingly less than cutting edge special effects, some downright silly contrivances, and performances from dinosaurs that often best the humans they are acting alongside, you’ll want to see it with a packed audience to get your maximum enjoyment. They’ll help smooth out the rocky ride between the star attractions if they’re anything like my enthusiastic crowd.

In the four years following the events of Fallen Kingdom, when the dinosaurs escaped their island and integrated into the ecosystem around the world, most of the population has grown accustomed to seeing these bio-engineered creatures roaming the globe. Exploited to varying degrees for their exotic appeal, they’ve gone beyond park attractions to curiosities you can own as a status symbol or wield as a tool against an enemy. That’s what a growing horde of pre-historic locusts is doing, decimating crops not planted with a synthetic seed from seemingly benign company Biosyn Genetics led by a character that will be familiar to trivia buffs of the first film. While Campbell Scott (The Amazing Spider-Man) didn’t play this part back then, it’s a wise choice to have an actor of his stature (and oddity) take over.

Researching the raging locusts is Dr. Ellie Sattler (Laura Dern, Little Women), who has been tipped off by old friend Dr. Ian Malcolm (Jeff Goldblum, The Grand Budapest Hotel) that Biosyn is behind the revived insects and gets her access to their private labs in the Dolomite Mountains. She needs an experienced witness to vouch for her findings and turns to former flame Dr. Alan Grant (Sam Neill, Dead Calm) to fly with her and provide a second set of trained eyes. Little do they know it, but Biosyn is also a sanctuary for many of the dinosaurs that have been rounded up from around the world, and they’re about to welcome another set of visitors to the facility under very different circumstances.

After escaping with the first human clone, Maisie (Isabella Sermon), Clare (Bryce Dallas Howard, Rocketman), and Owen (Chris Pratt, The Tomorrow War) are trying to keep her hidden in the Sierra Nevada Mountains. Not only did she release the dinos into the wild to begin with, but her very existence is valuable to scientists seeking to do good and evil. Staying close by is Velociraptor Blue, still ornery but keeping an eye on a new baby raptor Maisie nicknamed Beta. When both Maisie and Blue are captured by Biosyn cronies, Clare and Owen team up with a non-nonsense former Air Force Pilot (DeWanda Wise, The Harder They Fall) to break into Biosyn and retrieve both precious assets.

Much of Jurassic World Dominion is spent with the two stories working separately from one another, and only one holds much interest. That would be the thread that follows Dern and Neill (and sometimes Goldblum) as they travel to Biosyn and get a lay of the mysterious lab/land. Meeting up with Scott and his team (including franchise stalwart B.D. Wong, The Space Between Us, still causing nefarious trouble and then feeling guilty after), one can’t help but be reminded of their trip to Jurassic Park…and Treverrow doesn’t let you forget it thanks to several Easter Egg callbacks to the original. These are fun, audience-pleasing moments that land with welcome warmth. 

On the other side, Howard and Pratt are heading up the more action-heavy side of things, globe-trotting from the Sierra Nevadas to Malta before heading to Biosyn.  All of this added movement does little to stir up much in the way of tension, despite some decent attempts from Howard to get into the action and shockingly little effort from Pratt to do anything more than the minimum required to move from one scene to the next. It’s like Pratt forgot what he liked about being in movies in the first place. He’s never been close to a movie star, but now he’s not even working to prove it anymore. His process is starting to show, never changing up his look or approach, and it’s never more evident here. Wise can get a few good moments out of him, but even her material is so weak that you can sometimes feel her wanting to roll her eyes and the tired dialogue she has to say. 

Frustratingly non-committal in certain areas (count how many people get snacked on in comparison to how many dinosaurs get finished off) and tossing whatever light science was present early on right out the door (T-Rex suddenly loses all sense of smell here), Jurassic World Dominion has a handful of thrill-park esque sequences that are effective but double the number of slogs that could have been so much more. It feels like two partial movies that never got finished smashed into one…I wish more time were spent fleshing out the revisit with our old friends rather than trying to make time for the newbies. Then you’d have a movie worth waiting in line all day for.

The Silver Bullet ~ Jurassic World: Dominion


Synopsis: The epic conclusion of the Jurassic era.
Release Date:  June 10, 2022
Thoughts:  I have friendly neighbors who never would have called the police on me today when I screamed watching this new trailer for Jurassic World: Dominion.  If the police had arrived, I would have invited them in and brought them to the part of the first full look at the sixth film in the long-running franchise when original stars Laura Dern, Sam Neill, and Jeff Goldblum appeared.  Actually, more like when Dern shows up and reunites with Neill in a setting that feels familiar to those that remember how the first movie began. 

This lightning bolt of nostalgia is just one of many thrills to be had in this maxed-out ride through the adventure awaiting audiences in the final chapter of a trilogy that began with 2015’s Jurassic World.  Though 2018’s sequel Fallen Kingdom didn’t meet the expectations of many, I appreciated its gentle attempt at pivoting.  Under the guidance of the first chapter’s director Colin Trevorrow and backed by a humungous production, the series has clearly course-corrected in a significant way.  Did I tear up a bit during this trailer?  Unashamedly I nod my head yes.  Already high on my list of anticipated films of 2022, Jurassic World: Dominion is now in the #1 slot.

Movie Review ~ The Amazing Spider-Man 2

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The Facts:

Synopsis: Peter Parker runs the gauntlet as the mysterious company Oscorp sends up a slew of supervillains against him, impacting on his life.

Stars: Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Campbell Scott, Embeth Davidtz, Colm Feore, Paul Giamatti, Sally Field, B.J. Novak

Director: Marc Webb

Rated: PG-13

Running Length: 142 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: With the arrival of this sequel to a 2012 reboot of the Spider-Man franchise, I’m still not at all sold that the world needed a re-imagining of the series so soon after the Sam Raimi trilogy of films released between 2002 and 2007. That being said, with a more forward moving plot and a collection of interesting characters, The Amazing Spider-Man 2 shows a marked improvement over the moody and overly emo blockbuster that arrived two years ago.

I find that the first entries in most superhero series are always tricky because it’s necessary to tell an origin story detailing how the central character (or characters) became the caped crusaders or men of steel we know them to be. Very few films have been successful in that regard, with 1978’s Superman being the gold standard of origin story films in my book.

The Amazing Spider-Man faced an uphill battle because in my mind it had to provide some rationale for why we needed to go back to square one with Peter Parker and his arachnid powers. It couldn’t make the case and though it made a truckload of cash for Sony/Marvel and had some impressive special effects, it was slow and housed an uninteresting villain that provided more yawns of boredom than gasps of excitement.

The sequel sets to out to right some of those wrongs but winds up overcompensating for its lackluster predecessor by stuffing so much into its first hour that audiences should buckle up for tonal whiplash. Returning director Marc Webb and screenwriters Alex Kurtzman (Star Trek, People Like Us), Roberto Orci (Star Trek: Into Darkness), Jeff Pinkner have great difficulty finding their bearings in the further adventures of Peter Parker and it’s not until well into the second act of their film that they get into the groove.

Opening with a whiz-bang flashback prologue that shows what really happened to Peter Parker’s parents (Campbell Scott & Embeth Davidtz) after they mysteriously left him with Aunt May (Sally Field, Lincoln) and Uncle Ben (Martin Sheen) we jump right into a present that finds Peter (Andrew Garfield, less troubled here but still a tad whiny) and Gwen (Emma Stone, bringing valuable sparkle to her role) trying to navigate their relationship. Haunted by a promise he made to her dying father, Peter struggles with honoring his word and the love he feels for Gwen.

At the same time and in true sequel fashion, more time is spent on introducing several new villains to the mix than with our hero. The first foe Spidey has to deal with is Electro (Jamie Foxx, Annie) who starts the film as a dopey nerd desperate for attention that finds himself at the business end of a tub of electric eels. Foxx plays these early scenes as such a simpleton it borders on insulting stereotype though he does manage to find good but hardly electrifying moments when he gains his evil powers.

Also appearing is Harry Osborn (Dane DeHaan, Lawless, Chronicle) who, after the death of his father (Chris Cooper, August: Osage County) returns to manage Oscorp, the mega company that employs Gwen and seems to be the breeding ground for villains out to take over the world. Dying due to a genetic disease, Harry needs Spider-Man’s blood to save himself…a problem made more difficult when he discovers that Spidey is really his childhood friend Peter Parker. DeHaan and Garfield are both talented young actors, so it’s guffaw inducing to watch scenes that have them spouting douche-y dialogue with numerous “bro” and “dude” interjections.

There’s something to be said when the most interesting character has no superpowers at all. Showing once again why she’s such a value add to any film, Field makes the most of her limited screen time by creating a character designed to be the voice of reason but delivering her material with an honesty that seems out of place in a film otherwise populated with some fairly generic dialogue and plot developments.

Composer Hans Zimmer replaced James Horner and the resulting score creates an excitement the original was lacking. Aided by super producer Pharrell, Zimmer’s score is just as impressive as the special effects which are deployed in a spectacular fashion whether it’s in Spidey’s high flying opening pursuit of a gang of thugs or a final showdown with Electro at a power plant. T

he final third of the film is pure action, leading to a series of endings (there are at least three) that signal change is ahead for Parker and company. With a third entry on its way in 2016, there’s little doubt Spidey will spin his web for years to come and if this sequel is any indication, the series will continue to improve.

The Silver Bullet ~ The Amazing Spider-Man 2

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Synopsis: Peter Parker runs the gauntlet as the mysterious company Oscorp sends a slew of supervillains up against him.

Release Date:  May 2, 2014

Thoughts: While I wasn’t married to the idea of Tobey Maguire being the one and only Spider-Man forever and ever, I wasn’t convinced in 2012 that Sony needed to reboot our webbed hero with The Amazing Spider-Man.  The film, while impressive visually, was missing that special spark that all lasting superhero films need to stand the test of time.  History has shown that some franchise films need to work out some bugs at first so I’m going to put faith in director Marc Webb and the creative time that this second go ‘round with Spidey hits the bullseye.  Adding rising star Dane DeHaan (Lawless, Chronicle, The Place Beyond the Pines), Paul Giamatti (Saving Mr. Banks), and Jamie Foxx (White House Down, Django Unchained) to the mix, this special New Year’s Eve preview is shorter and more compact than the longer trailer released a month ago, truly teasing the audience with images of the nasty baddies that await them when the film is released in May.