Movie Review ~ Troop Beverly Hills


The Facts
:

Synopsis: A soon to be divorced Beverly Hills socialite is determined to prove to her husband and herself that she can finish what she starts out to do, by becoming a den mother to a troop of Beverly Hills Girl Scouts.

Stars: Shelley Long, Craig T. Nelson, Audra Lindley, Betty Thomas, Mary Gross, Jenny Lewis, Ami Foster, Carla Gugino, Heather Hopper, Kellie Martin, Emily Schulman, Tasha Scott, Aquilina Soriano, Stephanie Beacham, Karen Kopins, Dinah Lacey, Shelley Morrison, Tori Spelling

Director: Jeff Kanew

Rated: PG

Running Length: 105 minutes

TMMM Score: (8/10)

Review (The Movie): I know this is going to come as a great shock to you but when I was a youngster I hung around our local movie rental store quite a lot.  This was before the big chains started to dominate so Good Neighbor Video had the, uh, good fortune of getting a nearly daily visit from me which included a lengthy browse of any given section and long discussions with the bored college age clerks about the latest releases.  My enthusiasm for not just the movies but for the rental business in general resulted in the eventual winning over of the middle-aged owners (a true mom and pop set-up) and they were kind enough to toss my way a few publicity extras they weren’t able to use.

Back then these stores were flooded with promo materials to hype even the tiniest of releases.  Anything from small desk displays of movie scenes to playful mobiles with actors heads dancing around a lit up movie title to full size standees, there was always something new coming out.  The most traditional of these and my favorite was the movie poster because they were so easy to display and they covered the aging wallpaper in my bedroom.  At this video store, they had room to display about eight posters and the owners always opted for, obviously, the latest and most exciting releases, far less than the 20 or 30 posters they’d get every month to coincide with the new batch of titles coming out.  I remember vividly stopping by the video store and getting a new roll of unused posters, bringing them home, and unrolling this one, which was right on top.

Even at a mere nine years old, I knew who Shelley Long was, having been taken by my parents to see her previous film, 1987’s Hello Again.  While Long had already starred in a handful of successful movies, I’d learn later how 1989’s Troop Beverly Hills was her first film after famously leaving her hit show Cheers at the close of its fifth season.  What I didn’t know at the time was Troop Beverly Hills had tanked at the box office, making a mere $8 million off of an $18 million budget and it’s pending VHS release was its final step before fading into obscurity…but I knew I had to see it.

Well, I eventually did see Troop Beverly Hills and it was everything I wanted it to be and more.  Fun, funny, with jokes that I understood and even more jokes that I didn’t, and it was all wrapped up in a bouncy bow by its star.  I was too young to scoff at the fact it was ignored at the box office and maligned by snooty toot critics but over the years any time I returned to it I never could figure out just what about this didn’t strike the right chord at the time.  Watching it again as an adult at a fun screening at our local Alamo Drafthouse (more on that below) I was kind of amazed by how well the movie holds up…and not just as a safe PG sleepover staple.  Providing a sturdy message for young girls on the road to figuring themselves out and not worrying about what icky boys want to see, Troop Beverly Hills earns its patches and then some for comedic longevity.

Spoiled California housewife Phyllis Neffler (Long, Outrageous Fortune) has signed up to donate her time before.  She’s tried giving her hands across America saving the whales but can’t quite follow through with anything due to her busy shopping schedule.  However, with her marriage to Fred (Craig T. Nelson, Poltergeist) in shambles she needs a new focus and decides to take on the role of Wilderness Girl troop leader for her pre-teen daughter Hannah (Jenny Lewis) and her seven gal pals from elite families in Beverly Hills.  Resistant to their new den mother at first after seeing a revolving door of previous candidates, the troop warms up once they realize she’s just as inexperienced and lost as they are and won’t retreat at the first sign of conflict.

That’s good for them but bad for Velda Plender (Betty Thomas, who eventually became a semi-successful film/television director, working with Long again in The Brady Bunch Movie) an ex-Army nurse now the de facto rule keeper for the Wilderness Girl troop leaders.  A bully and a cheat, she recoils at the way Phyllis tries to treat the organization as the fun experience it as and less like the survivalist preparation Velda would prefer it to be.  Dispatching her cronie Annie (Mary Gross, Big Business) to infiltrate Phyllis and her troop, Velda tries to stop Troop Beverly Hills from making it to the annual Jamboree and being named troop of the year.

Adding a dose of real life fun to the mix is knowing the movie is loosely based on the life of producer Ava Ostern Fries who turned her stories of being a Brownie Leader into the basis for the movie and it’s a concept that has a lot of legs to it.  Sure, it’s easy to plumb the mines of the vapid lives of the rich and famous for ways to get Phyllis out of her comfort zone but the screenplay never sets out to make her (or the girls) look stupid, inept, or less capable than anyone else if they just set their mind to it.  If anything, the movie levels its harshest criticism at those that demand rule and order above all else in refusing to let people dance to the beat of their own drum.  While a great many jokes are made about Phyllis and her monetary ways, that spend spend spend attitude is countered with a backstory about the lean early years of her marriage where her thriftiness helped keep her family together.

It’s a pity this first post-Cheers film wasn’t a success because Long (dressed in a never-ending display of hysterically artistic outfits by famed costume designer Theadora Van Runkle, Stella) is joyously winning as the effervescent Phyllis.  Too self-involved to know when Velda is making fun of her and, frankly, too above it all to care what she thinks anyway, Long works hard to give Phyllis more than just the cookie cutter image of the Beverly Hills stay at home and shop housewife.  Playing the villain, Thomas is a hoot and works well solo or pinging off of Long or the meek Gross playing the mousey Marcie to Thomas’s pernicious Peppermint Patty.  As the lone male with any significant presence, Nelson has to be beefcake sometimes and agitator at others and he manages to make both interesting without getting in the way of Phyllis or her girls.

Making up the rest of the cast, aside from a now-preserved in amber amount of 80s celebrities that many youngsters nowadays won’t even understand the references to, are an array of young starlets pulled from television shows, commercials, and minor roles in afterschool specials.  Aside from Kellie Martin who had a steady career on several hit TV shows watch for a fresh-faced Carla Gugino (San Andreas) as a snobby brat who realizes Phyllis and the troop are the closest thing she has to a dependable family environment.  All are energetic but there seems to be at least one too many as they fail to be quite as defined as they could be.  Of the ones that do shine, most memorable is Tasha Scott’s Jasmine who receives the best introduction and gets to sing the unofficial (and officially catchy) theme song of the movie, “Cookie Time” on Rodeo Drive while wearing a Tina Turner wig.

For a movie so locked in its time and place, it’s remarkable how little the movie has shown its wrinkles.  It still plays like gangbusters and I think the more trivial asides have actually gotten more meaningful when you consider how marginalized little girls/young women have become in the years since the film was released.  It may have packed up its theatrical campground early but Troop Beverly Hills found a new life in overnight rentals in the years since.  Give it a watch…you’ll be surprised by how much you enjoy it.

 

Review (The Quote-Along): So why review Troop Beverly Hills now, you may ask?  Well, first off, here was a chance to see the movie on the big screen, something I’d never had the chance to do until now.  The Alamo Drafthouse in Woodbury, MN has a way with their programming and finding the right mix between bringing back underseen gems and stirring fond nostalgia and when I saw this one was coming up I just couldn’t resist.  A bonus was that this was to be no ordinary screening of Troop Beverly Hills where the audience would sit idly by while noshing on their loaded fries, pizza, or cleverly crafted cocktail skillfully served by stealthy servers.  No, this was to be a two pronged bit of fun.

First…it was part of their Champagne Cinema signature series of screenings.  I’ll let Alamo’s website describe what that is in detail:

Just like a glass of bubbles, there’s a special type of film that can lift your spirits and add a bit of sparkle to your day. From movies you watched endlessly at slumber parties to new favorites that feel like old friends, Champagne Cinema provides a generous pour of heart, humor and happy endings. Each film is paired with a themed cocktail to match the effervescence on screen, and the audience is encouraged to toast, cheer and swoon along. So bring along a friend (or five) and prepare for a theatrical experience that pops. Bottoms up!

So while the theme drinks of the night were The Freddie and The Thin Mint Cocktail there were still more surprises yet to come because audiences would also be treated to a Quote-Along experience featuring animated subtitles and our own themed gifts.  The gifts were a green beret so we could all be Wilderness Girls (and Guys) and a set of stickers/patches modeled after the ones seen in the film.  All in all, a fun bit of swag to walk into and away with and while I didn’t partake in the cocktails both sounded better than other themed drinks at similar events.

As to the actual quote-along experience?  Well, I think living in the Midwest it all depends on the audience and the movie.  I’ve been to a number of movie parties where this kind of audience participation is encouraged and though the theater employs a nice hype-man that comes out at the beginning to get the crowd warmed up, the energy level just never rises above a low simmer.  Still, this was the first time the quotes were on the screen and that seemed to stimulate more shout-outs…and definitely more signing when “Cookie Time” came around.

Strangely, the front half of the movie seemed loaded with quotes at every turn with not every one being something I’d consider a valued line from the film but it definitely tapered off as the comedy went on.  I’m wondering if that was somehow intentional because it was in that final 40 minutes or so when the subtitles that appeared seemed to really select the most well known quotes.  What’s great about this set-up is that even if you are a little shy you feel a bit more emboldened sitting in the dark to yell out your favorite quote without feeling embarrassed.

If you have an Alamo Drafthouse near your residence you should check the theater out regardless but definitely keep your eye out for these types of special events.  The price may seem a little high (anywhere from $12 to $16) but that’s also what you’d pay for a normal ticket on a weekend and you don’t get the props or one of a kind experience this offers.  The best bet is to find a movie you really like and try your first Movie Party out and see what you think.  It really is a fun new way to spend a night at the movies.

Movie Review ~ Incredibles 2


The Facts
:

Synopsis: Everyone’s favorite family of superheroes is back but this time Helen is in the spotlight, leaving Bob at home with Violet and Dash to navigate the day-to-day heroics of “normal” life.

Stars: Craig T. Nelson, Holly Hunter, Sarah Vowell, Samuel L. Jackson, Huckleberry “Huck” Milner, Brad Bird, Bob Odenkirk, Catherine Keener, Jonathan Banks, Sophia Bush, Isabella Rossellini

Director: Brad Bird

Rated: PG

Running Length: 118 minutes

TMMM Score: (9/10)

Review: In this age of fast turnaround, never-ending binge options, and instant gratification, audiences don’t usually have to wait very long to get more of what they love. When Pixar’s The Incredibles opened in 2004, it was right in the studio’s heyday where they couldn’t lose and the spy adventure was a bona fide winner. Boasting innovative computer animation and pitched at a breakneck pace, it signaled a shift in tone that felt like a steppingstone to another level of prestige. Though Pixar famously claimed an aversion to sequels in favor of original concepts, after winning the Best Animated Feature film Oscar, it seemed like a sure bet another Incredibles adventure would be in the cards.

Well here we are 14 long years later and the Parr family has finally returned to the big screen in Incredibles 2 and the wait was most definitely worth it. Though computer animation technology has advanced leaps and bounds in the decade since the original was released, Pixar has fashioned a sequel that sits side by side with its predecessor on a high shelf. Re-watching The Incredibles in preparation for the sequel, I was struck by how, uh, quaint the film looks after all these years. It was still an entertaining ride, don’t get me wrong, but what once looked shiny and new then seems positively retro now.

Right from the start, the film hits the ground running by literally picking up where the first movie left off.  It’s a very Back to the Future II way to go by having the two films overlap in this way, effectively joining two separate movies into potentially one uninterrupted spree.  Mom Helen/Elastigirl (Holly Hunter, Copycat), Dad Bob/Mr. Incredible (Craig T. Nelson, Poltergeist), daughter Violet (Sarah Vowell) and son Dash (Huck Milner) spring into action against the mole-like Underminer, who first appeared at the tail end of the original. Through a city wide chase that racks up some costly amounts of destruction, it isn’t long before the family runs afoul of the government so intent on keeping superheroes illegal. When a brother and sister team intending to champion the legalization of superheroes approaches Helen, Bob, and their friend Lucious/Frozone (Samuel L. Jackson, The Hateful Eight), the heroes in hiding see it as an opportunity to show the world there’s still a need for crime fighters and help heroes from around the globe can come out of the shadows. Needing someone to be the face of the campaign, Helen becomes the star of this show, only to be pursued by a mysterious villain known as The Screenslaver who has big plans for a gathering of international heroes at sea.

Meanwhile, back at home, Bob is in charge of the kids. Between helping Dash with his math homework, (he learns the perils of New Math) and giving the lovesick Violet some advice on boys, he fails to notice his younger son Jack-Jack starting to develop a whole host of strange powers of his own. Jack-Jack is unquestionably the main attraction in Incredibles 2 and with good reason, his scenes are silly yet hysterical that result in some astounding physical comedy sequences that are pretty dazzling. Like much of the film, Jack-Jack’s adventures with his super powers blaze across the screen with color and sound so quickly that I’m sure I didn’t catch all of the sight gags created by the Pixar gang.

I’d put this sequel on an equal plane with the first film, maybe slightly higher just due to its clever construct and entertainment factor. The voice work is consistently good and it’s nice to hear interesting casting choices like Bob Odenkirk (Nebraska) and Catherine Keener (Peace, Love & Misunderstanding) as the brother and sister duo, not to mention the grand return of fashion designer Edna Mode (voiced by writer/director Brad Bird, Tomorrowland).  It’s also extremely funny, producing several laugh out loud moments that often caught me off-guard.  It’s sometimes easy to get a kick out animated films but it’s rare for one to elicit a well earned guffaw…and Incredibles 2 has more than a few of these instances.

At 118 minutes, Incredibles 2 is the longest Pixar film to date but it moves so fast and furious that you’re likely to either skip looking at your watch completely or sneak a peek as the film nears its conclusion. Sure, there are some overstuffed bits but if you’re going to the movies and paying through the nose for tickets and concessions for the whole family, don’t you want to get your money’s worth? Bird (Mission: Impossible – Ghost Protocol) knows how to give fans what they want, nicely continuing the tone of a kid-friendly Bond film that’s still a bit dark and definitely not for super young tykes. Parents, heed the PG rating because this one gets a bit intense and, coupled with Oscar-winner Michael Giacchino’s (Star Trek) robust score, can be quite loud.

Special Note: Don’t be late!  The Pixar short shown before the movie, Bao, is another winner!

Movie Review ~ Book Club


The Facts
:

Synopsis: Four lifelong friends have their lives forever changed after reading Fifty Shades of Grey in their monthly book club.

Stars: Diane Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Craig T. Nelson, Andy Garcia, Don Johnson, Alicia Silverstone, Katie Aselton, Wallace Shawn, Richard Dreyfuss, Ed Begley Jr.

Director: Bill Holderman

Rated: PG-13

Running Length: 104 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: There are some that would say a comedy featuring four multi-award winning actresses of a certain age humorously discovering that “the next chapter is always the best” would be a no-brainer. Turns out they were spot on…Book Club has no brains to speak of. Here’s an aggressively dull, pandering movie that manages to do a disservice to its distinguished actors and an intended audience already woefully underserved. With its tin ear for realistic dialogue and a baffling cluelessness to how humans behave, no clichéd stone is left unturned.

Friends since college, Vivian (Jane Fonda, Peace, Love, & Misunderstanding), Sharon (Candice Bergen, Home Again), Carol (Mary Steenburgen, Parenthood), and Diane (Diane Keaton, And So It Goes) meet for their monthly book club in one of their pristine dwellings. Starting with Erica Jong’s Fear of Flying and recently coming off of Cheryl Strayed’s Wild, vampy Vivian introduces the ladies to E.L. James’ famous smut tome Fifty Shades of Grey. That’s the first red flag that pops up in the script from Erin Simms (Pete’s Dragon) and director Bill Holderman (A Walk in the Woods). As poorly written as it was, James’ book was a phenomenon and you’d have to be living under a rock to not have heard of it or seen the movies adapted from her trilogy of novels. Aside from Vivian, none of the ladies seems to know much about it and are shocked to discover its titillating scenes of bondage and explicit couplings.

All four ladies are, naturally, having trouble in the romance department and find that the book not so much ignites a newfound lust for life as it influences their choices. Hotelier and notoriously single Vivian runs into a long-lost paramour (Don Johnson, Django Unchained) who might have been the one that got away while federal judge Sharon, still bruised from her divorce, signs up for a dating service and winds up attracting the attention of Richard Dreyfuss (Jaws) and Wallace Shawn (Admission). Carol is finding it difficult to connect with her husband (Craig T. Nelson, Poltergeist) in and out of the bedroom and widowed Diane ventures into a new relationship with a swarthy pilot (Andy Garcia, Jennifer 8) while her children pressure her to move closer to them.

What laughs there are to be had (and trust me, there aren’t many) come, surprisingly, from Bergen who I’ve always found to be a little aloof in films. Here she seems to be having a ball as a high-strung intellectual embarrassed she has to resort to finding a date online. Sadly, the film doesn’t give her a full arc so by the time we’ve gotten into her rhythm with Dreyfuss he’s disappeared, never to be heard from again. There’s even less time spent with Shawn who pops up in for a well-timed cameo but doesn’t get much chance to make an impression.

For my money, far too much time is spent with Fonda’s storyline, which is the most ham-fisted of the bunch. Wearing an awful wig and decked out in one gaudy outfit after another, it’s not hard to see where things are headed for the woman who likes to sleep with men but doesn’t like to “sleep” with them after. Always an underrated commodity in film and television, Steenburgen has nice moments here and there and while her thread is likely the most relatable, by the time the film has her tap dancing to a Meat Loaf song at a talent show you can literally see her working hard to keep up with things.

Then there’s Keaton who, to me, seems like the most natural fit for this type of froth. Sadly, Holderman and Simms make her character such a doormat and allow her children (Alicia Silverstone and Katie Aselton) to take her for granted far too long. (It’s also a mystery to me why there are two daughters when the film only needed one) Keaton coasts through much of the movie on fumes and only comes alive when there’s some physical comedy to execute, if only Holderman and Simms had given her character dimension of any kind.

What kind of message is the movie ultimately sending? A detriment to the film’s credibility is its stupefying lack of diversity. Taking place in present-day Los Angeles (and made on the cheap with a ton of questionable green screen and downright lousy Photoshop), there’s nary a person of color to be seen aside from a few random service workers. Purporting the myth of the white woman fantasy so grossly admired in Nancy Meyers movies with its affluent rich white ladies, Book Club feels completely out of touch and out of step with our society. Even worse, when you get right down to it, every woman in the film needs to be defined by the men they are with.  There’s something uncomfortable about watching that unfold before you.

Book Club is for easy readers only.

Down From the Shelf ~ Poltergeist II: The Other Side

poltergeist_ii

The Facts:

Synopsis: The Freeling family has a new house, but their troubles with supernatural forces don’t seem to be over.

Stars: JoBeth Williams, Craig T. Nelson, Heather O’Rourke, Oliver Robins, Zelda Rubinstein, Julian Beck, Will Sampson, Geraldine Fitzgerald

Director: Brian Gibson

Rated: PG-13

Running Length: 91 minutes

TMMM Score: (2/10)

Review: It’s no secret that the mid ‘80s produced a bad case of sequelits in most major studios and after 1982’s Poltergeist scared the pants of audiences throughout the summer it didn’t take a genius to see that a sequel would be on its way.  Released in May of 1986, Poltergeist II: The Other Side is one of the worst sequels ever and while it doesn’t tarnish the memory of its predecessor it sure gives it the good college try.

It’s been one year since the Freeling family encountered some nasty goings-on in their storybook like tract-house in suburban California.  Steve (Craig T. Nelson, Silkwood), Diane (JoBeth Williams, The Big Chill), Robbie (Oliver Robins), and Carol Anne (Heather O’Rourke) are living with Diane’s mother (Geraldine Fitzgerald) while they find a place to live.  In the original film there was a third child and she’s never mentioned…at all.  Tragically, the young girl that played the role was murdered shortly after the film was released, the first to die in what was later called the Poltergeist curse.  I get that they didn’t want to recast the role but to not mention her at all was very strange.

Anyway, our feisty medium Tangina (Zelda Rubinstein) has enlisted the help of an Indian shaman (Will Sampson) to help dig through the remains of the original Freeling home to discover secrets of the bodies that were buried under the development.  She uncovers the skeletons of a religious cult that died with their leader, Reverend Kane (Julian Beck, the second actor to die, this time before the movie was even released).  Somehow the spirit of Kane is released and again targets Carol Anne…hilarity, sorry, hysteria ensues.

It’s been rumored that Poltergeist II: The Other Side went through some major cuts in the editing room and it shows.  At a scant 91 minutes, the film doesn’t have the luxury of the slow burn that made the first film so enormously enjoyable. It’s a very get in and get out affair with a special effects heavy third act that inspires more snoozing than shrieking.

Especially disappointing is how bad the performances are here.  Nelson and Williams seem like they’re serving community service, but I’d be mad too if I had to pretend to vomit up a gigantic animatronic tequila worm like Nelson does in one particularly nasty scene.  Robins was never an especially, um, gifted child star and when he’s attacked by his braces you may be rooting for the metal to win.  The angelic O’Rourke was a tiny six year old in Poltergeist and her performance felt spontaneous and without guile…but in the four years between films she must have enrolled in too many child acting classes because she stinks.  While I loved Rubinstein’s unexpected charisma in the first film, her Razzie Award nomination for the sequel was absolutely deserved.

The worst thing about Poltergeist II: The Other Side is not that it’s a cheap money grab for fans of the original…it’s that it’s so very boring.  Though loaded with decent effects and benefiting from Jerry Goldsmith’s haunting score, it barely holds your interest for even seconds at a time.  It’s a silly mess that doesn’t even deserve to be mentioned in the same breath as the landmark film it followed.

Down From the Shelf ~ Poltergeist (1982)

poltergeist_ver3

The Facts:

Synopsis: As a family moves into their new home, they notice strange events that mostly affect their young daughter.

Stars: JoBeth Williams, Craig T. Nelson, Heather O’Rourke, Oliver Robins, Dominique Dunne, Beatrice Straight, Zelda Rubinstein, Richard Lawson, James Karen

Director: Tobe Hooper

Rated: PG

Running Length: 114 minutes

TMMM Score: (10/10)

Review:  How sweet it is to feel the tingle that goes up your spine when you’re sitting down watching a truly satisfying horror film…there’s just no other feeling like it.  Horror films have come and gone over the years, each one a more cannibalistic example of mindless copies of something original.  But try as they might, no haunted house ghost tale can hold a candle to classics like 1963’s The Haunting and 1982’s Poltergeist.  Both films are handsome, classy productions that aren’t cheap scarefests and each delight in playing (or rather, preying) on the things that scare you.

Poltergeist is one of my favorite films of all time because it fits into several categories at once (like the best horror films do…see JAWS as an example).  It’s a drama, a mystery, a midnight movie freak out, a paranormal thriller, and a period piece all centered on one suburban Regan-era family out to live the good life in a new home development that holds its share of buried secrets.

Life for the Freeling family is pretty typical of the time period.  Dad Steve (Craig T. Nelson, Silkwood) is a sales agent for the residential development where he lives with his wife Diane (JoBeth Williams, The Big Chill), and three children (Dominique Dunne, Oliver Robins, Heather O’Rourke).  The kids go to school, the mom cleans the house, sports are watched on the television over the weekend, and the biggest problem they face is worrying about the new pool they’re putting in the backyard.

Strange things begin to happen, though, seemingly out of the blue.  Little Carol Anne (O’Rourke) starts to talk to the television and the “TV people” that want to play with her.  A scary tree and ominously stormy nights keeps young Robbie (Robins) from getting a peaceful slumber.  Not to mention the kitchen chairs that stack themselves and some strange gravitational pull that moves things across the room at an alarming pace.  It all culminates in the film’s first big scare and before you know it, Carol Anne has vanished yet her presence and voice remain in the house.

What happens next involves a team of paranormal investigators (lead by Oscar-winner Beatrice Straight) and one tiny medium (Zelda Rubinstein) as they attempt to help the Freelings find their daughter and rid their house of the titular entity that for some reason has targeted them for trouble.

Directed by Tobe Hooper (The Texas Chainsaw Massacre) and written/produced by Stephen Spielberg (Lincoln), the film is a welcome blend of the eye-popping scares that Hooper was famous for capturing under the watchful hand of Spielberg’s sensitive script.  I’ll admit that there’s a part in the film which always causes me to tear up a bit…how often do you find that in a film that literally tosses skeletons and rotting flesh at the screen?

What’s so wonderful about Poltergeist is that even though it spawned two disappointing sequels, inspired three decades worth of copycats, and is clearly a film from the early ‘80s it manages to remain timeless and timely.  The scares continue to work like gangbusters and no matter how many times I’ve seen it I never manage to lose interest in the story being told.