Movie Review ~ Shazam!

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The Facts
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Synopsis: We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM! – this streetwise 14-year-old foster kid can turn into the adult superhero Shazam.

Stars: Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Grace Fulton, Faithe Herman, Ian Chen, Jovan Armand, Cooper Andrews, Marta Milans, Adam Brody, Djimon Hounsou

Director: David F. Sandberg

Rated: PG-13

Running Length: 132 minutes

TMMM Score: (8/10)

Review: Those poor souls over at Warner Brothers/DC Comics were likely looking at 2019 and feeling crestfallen at their prospects. With three highly anticipated Marvel films set for release and their Wonder Woman sequel pushed back to 2020, it must have felt like any hopes of getting another foothold in their franchise ladder weren’t going to happen. I’m not sure how much faith they had in Shazam! at the outset but they should have pumped this one up a bit more than they did. Sure, I saw the preview more times than I needed to before other films but going into the movie I wasn’t expecting anything vastly different than the soulless offerings they’ve been churning out in the past decade.

Thankfully, it seems like they may have stumbled onto something good.

Foster kid Billy Baston (Asher Angel) has found himself on the wrong side of the law for the last time when he is apprehended after obtaining information from a police database. He’d been attempting to find his mother after they were separated when he was a toddler and hasn’t given up hope that she’s out there and is looking for him as well. Taken in by another foster family that already boasts a diverse line-up of kids in similar family situations, Billy bides his time until he can run away again to continue his search.

When he’s mysteriously brought to the temple of an aging Wizard (Djimon Hounsou, Serenity) tasked with guarding the seven deadly sins, he absorbs the fading Wizard’s magic and turns into a buff superhero (Zachary Levi, Thor: The Dark World) anytime he says the Wizard’s name: Shazam. Unware of the extent of his newfound powers, Billy has the mind of a teenager in the body of a mature adult and at first doesn’t exactly use his upgrades for good. Though he runs through some trials of his abilities with his foster brother (Jack Dylan Grazer, IT), he starts to be the kind of hero that’s only looking out for himself instead of assisting others.

He’s put to the ultimate test when Sivana (Mark Strong, The Imitation Game) enters the picture. Obsessed with finding the temple of the Seven Wizards that he too visited as a young child, the grown man eventually makes his way back to the hidden dwelling and frees the sins from their prison. Now being used as their vessel for evil, Sivana sets his sights on taking the Wizard’s power from Shazam (who has become something of a local Philadelphia celebrity) and eliminating everyone he loves.

If there’s one thing that’s been sorely missing from the DC slate of superhero movies it’s a sense of humor and finally the stiff suits at the studio backed up and let wiser talents guide this process – and it’s largely successful. Though the previous credits for screenwriters Henry Gayden (Earth to Echo) and Darren Lemke (Goosebumps) might not have suggested they’d be the right choices to bring Bill Parker and C.C. Beck’s superhero to the big screen, Shazam! is a welcome change of pace from the darker-hued adventure films the studio has been greenlighting. Adding director David F. Sandberg (Lights Out, Annabelle: Creation) was another inspired choice as he’s nicely able to balance the lighter/more comedic elements of the plot with the darker edges supplied by Sivana.

Sandberg has cast the film well starting with Levi as our hero that becomes more than the sum of his bulging muscles and caped suit. Seeing that he’s actually a teen given awesome powers, Levi might overplay the sarcasm and wise-cracks a bit early on but it provides him a place to jump off from as he grows into a more responsible hero and a more understanding teenager. He has a nice rapport with Grazer and his other foster siblings, adding some layers to a character that could easily have been pretty one-dimensional. The villain role doesn’t seem to be much of a stretch for Strong at this point and while he’s perfectly fine in the part it would have been nice to see it played by someone a little less expected. It’s just too easy for Strong to slide into these wicked characters by now.

While it’s a good 10-15 minutes too long, spending unearned time with Sivana and following Levi through perhaps a few too many blunders, Sandberg and the screenwriters manage to introduce a late breaking twist that I found pretty delightful and nicely inclusive. Buoyed by strong performances by the child actors (a rarity these days) and a nice dose of humor and creativity, Shazam! is a fun right turn from the careening curve DC studios couldn’t pull out of.

Movie Review ~ Annabelle: Creation

The Facts:

Synopsis: Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.

Stars: Stephanie Sigman, Talitha Bateman, Lulu Wilson, Philippa Anne Coulthard, Samara Lee, Tayler Buck, Anthony LaPaglia, Miranda Otto

Director: David F. Sandberg

Rated: R

Running Length: 109 minutes

TMMM Score: (8/10)

Review: In 2013, James Wan’s The Conjuring gleefully scared the bejeebus out of me and a bunch of other movie-goers that had been disappointed with horror movies for years. Smartly made, terrifically acted, and with significant replay value, it signaled a turning of the tides from the torture porn popularity of the Saw films into something with a bit more meat on its bones. Basically, it classed up the joint. Building off that film’s popularity and while waiting for Wan to deliver The Conjuring 2 in 2016, Annabelle was a quickie spin-off developed and released in 2014. Focusing on the freaky doll that was featured in the prologue to The Conjuring, it was clearly a cash-grab . Though it was competently made, it lacked the will to scare and wound up being a disappointment in my book.

With The Conjuring expanding into its own cinematic universe ala DC Comics and Marvel, a prequel to the spin-off sequel is here and it’s doozy. Annabelle: Creation is, as implied, an origin story and rights every wrong committed by its predecessor. The scares are there in droves, the acting is better than it has any real right to be, and director David F. Sanberg (Lights Out) brings some serious style to the proceedings with inventive cinematography and taut pacing. Best of all, it manages to connect to all the films that came before it and hints at what terrors await us in the future.

The prologue of Annabelle: Creation introduces us to the Mullins, a happy family living on the outskirts of a country town. Producing handcrafted dolls in his workshop, Mr. Mullins is putting the finishing touches on his newest wooden wonder when tragedy strikes and his daughter is killed in a car accident. Twelve years later, after they are forced out of their orphanage, a nun (Stephanie Sigman, Spectre) and six orphans in her charge come to live with the Mullins. This act of charity has deadly consequences for all when the girls start to experience strange occurrences all centered on a doll discovered locked away in a room lined with pages from the Bible.

An isolated house. A dumbwaiter with a mind of its own. A creaky stair-lift. A character that wears a porcelain mask to hide disfigurement. A battered scarecrow. There are so many warning bells going off in Annabelle: Creation that the audience and the characters are keen to and honestly that’s part of the fun. While there’s a mystery central to the story, it’s not complex enough to poke a bunch of holes in nor slight enough to write off as baloney.   Sandberg and screenwriter Gary Dauberman (IT) have taken extra time to flesh out most of the characters without sacrificing pace or the attention of the audience.

Unexpectedly, where the film shines the most are the performances with the children often surpassing the adults. Talitha Bateman (The 5th Wave) and Lulu Wilson are convincingly strong leads with Bateman offering the right amount of pluck as a child crippled by polio while wide-eyed Wilson colors her growing fear with a nice dose of moxie. I struggled with the flat line readings of Sigman’s nun at times but she grew on me before the movie was over. Anthony LaPaglia (The Client) and Miranda Otto (What Lies Beneath) as the grieving parents harboring a dark secret do a lot with what little expository dialogue they have and their presence here gives some good grounding to what could have been a cheap-o scare-fest.

Fans of this series will get a few surprises from previous films and make sure to stick around until the end of the credits for a little teaser of the next chapter in this burgeoning library of horror.

The Silver Bullet ~ Lights Out (2016)

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Synopsis: A woman is haunted by a creature that only appears when the lights go out.

Release Date:  July 22, 2016

Thoughts: Boy, horror maestro James Wan (The Conjuring, Insidious, Insidious: Chapter 2) sure wants to keep your summer scary.  A month after the release of Wan’s The Conjuring 2 comes Lights Out, a Wan-produced feature length adaptation of a scary as all get out short film. I know that any trailer editor worth their salt can make even the lamest of fright flicks seem like a Grand Guignol spectacle of shrieks, but this first look at Lights Out sent a nice layer of shivers up and down my spine.  Starring Teresa Palmer (The Choice), Maria Bello (Prisoners), and Billy Burke (The Twilight Saga: Breaking Dawn – Part 2), this one could be a nice bit of mid-summer frightening fun.