Movie Review ~ Pet Sematary (2019)


The Facts
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Synopsis: Dr. Louis Creed and his wife, Rachel, relocate from Boston to rural Maine with their two young children. The couple soon discover a mysterious burial ground hidden deep in the woods near their new home.

Stars: Jason Clarke, John Lithgow, Amy Seimetz, Jeté Laurence, Obssa Ahmed

Directors: Kevin Kölsch & Dennis Widmyer

Rated: R

Running Length: 101 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review: Normally, I’m not a fan of remakes of originals that were just fine to begin with. Stephen King’s 1989 adaption of his own novel Pet Sematary was a solid horror film that has held up quite well over the past thirty years. Sure, it’s low tech and some of the performances delve into out-of-place hysterics at times but it was largely a successful effort and often spoken of highly as one of the better King adaptations that have made it to the big screen.

Yet I wasn’t that mad at the fact that the source material was going to get another treatment…and I actually thought it was long overdue. After a lackluster sequel that failed to move the series forward in any compelling way, the property just sort of sat there on the shelf for the ensuing years. I’ve always considered the book and its concept to be one that would lend itself well to multiple sequels and creative approaches yet no one had bothered to take another crack at it. As the original film approached it’s 30th anniversary, Paramount decided to dig up their former horror hit and handed it over to three guys that have been making a name for themselves in the scare business.

The new film has a screenplay written by Jeff Buhler who already had The Prodigy in 2019 and will pen upcoming remakes of Jacob’s Ladder and The Grudge, and was directed by Kevin Kölsch & Dennis Widmyer who gave us the underrated horror gem Starry Eyes. Having these three give King’s tale of a city family that moves to the country and experiences the dangerous power of a nearby burial ground seemed like an on the money choice and with stars like Jason Clarke (The Aftermath) and John Lithgow (Pitch Perfect 3) on board this remake was elevated up a few notches from being just a shameless cash-in.

The Creed family has uprooted their life and moved to a small town in Maine so Louis (Clarke) can be a big fish in a small pond as the doctor at a local university. Like the first film, his wife Rachel (Amy Seimetz, You’re Next) doesn’t seem to have much of a life of her own outside of taking care of their two young children so while Louis goes to work Rachel begins the process of setting her family up in their new house. Friendly neighbor Jud (Lithgow) catches young Ellie (Jeté Laurence) exploring in the woods and shows her the pet sematary on their property where children come to bury their pets. When tragedy strikes the Creed family, Louis is driven to make an unholy choice involving the pet sematary that has deadly repercussions for everyone.

While the film largely falls into the remake category, with names and situations that echo what we’ve read/seen before, certain elements of the plot have been reimagined and not all of them work as well as they should. If you’ve seen the previews you’re likely aware of the one big change from the book/original film and that choice is, in hindsight, a smart one considering what it allows the filmmakers to do with the final 1/3 of the movie. What I didn’t care for, actually, was that last act when it became less of a slow-burn horror movie and more of a cheap scare machine which undercut some of the strong structure that was built up early on.

Another strange thing about this film is that Buhler’s script is overly talky. In most cases, having some extra character development in a movie designed to provide maximum scare time would be welcome but there seemed to be an endless series of scenes with Louis and Rachel talking in their bedroom. Feeling like low-grade Cassavetes, their marital squabbles and differences of opinion in how much they share with their children about death starts to feel intrusive to the frights. After a while, you begin to wish the bad thing that is coming will just happen so they’ll have something else to talk about.

Clarke, as usual, makes for a reliable leading man and the conflict Louis experiences sits well with him. No one plays tragically at odds with oneself quite like Clarke can. Like the movie, he starts to veer off course near the end but he holds on longer than the film does. I’ve not seen Seimetz in a lot of things but she brought a nice layer to Rachel that wasn’t present in the previous film. The subplot concerning her guilt over an incident from her childhood involving her dying sister isn’t as scary as the 1989 version because its less subtle but she navigates some jarring pseudo-scares quite well. The Jud character was always the most memorable in these films and while Lithgow is no Fred Gwynne, his wind-beaten face and growly voice convinced me right off the bat he was the right guy for the role. The trickiest part in the film is taken on by Laurence as the Creed’s daughter who has to play a whole range of emotions – for a young performer tasked with the film’s most important material she is a strong presence.

As they demonstrated in Starry Eyes, Kölsch & Widmyer know how to slowly turn up the heat on their movie pot and allow it to boil over at just the right time. Here, though, the pot stays on the fire just a hair too long, that is the difference between a remake that sticks its landing, and one that bites off more than it can chew. (I’m trying to jam pack this with metaphors today, clearly). The ending of the film doesn’t measure up and just gets too bizarre to the point where the audience laughs in all the right places but more than a few unintentional passages as well.

I feel like we’re going to be seeing more of these remakes of popular films over the next few years and if they turn out like Pet Sematary I won’t be totally disappointed. There’s some thought that went into this one and more than few examples of creativity on display that are worth noting from directors that are continuing to hone their craft. Showing a bit more appreciation for narrative follow-through and arriving at an ending that satisfies is what was missing.

31 Days to Scare ~ Pet Sematary (2019) – Trailer

Synopsis: Behind a young family’s home in Maine is a terrible secret that holds the power of life after death. When tragedy strikes, the threat of that power soon becomes undeniable.

Release Date:  April 19, 2019

Thoughts: Remakes are a tricky thing and often I feel like to remake an already established film isn’t really worth the time or money.  Why go back and revisit something that still holds up?  Sure, movies like Oceans 11 and even last year’s re-do of Stephen King’s IT improved upon their originals but what about the Carrie remake or any of the sanitized updates to horror films like Prom Night or When a Stranger Calls?  Tough stuff.

So here we are now looking down the barrel of a Pet Sematary remake and I’m conflicted.  The original 1989 film retains much of the same scares and thrills as it did when first released but this look at the 2019 version has arrived and I’m not inclined to claw at the walls in frustration.  I really enjoyed directors Kevin Kölsch and Dennis Widmyer previous film Starry Eyes and star Jason Clarke (All I See Is You) seems a good choice for the lead.  I just hope they can exercise some restraint and give us a spooky tale and not go into excess.  Don’t want audiences leaving the theater thinking that sometimes un-remade is better.

Make sure to check out my review of Unearthed & Untold: The Path to Pet Sematary, the documentary on the making of the first film.

The Silver Bullet ~ Suspiria (2018)

Synopsis: A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe’s artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

Release Date: November 2, 2018

Thoughts: Whoa, this remake of Dario Argento’s 1977 horror classic looks far better and way more terrifying than I was expecting. Coming off of 2017’s lauded coming of age drama Call Me by Your Name, director Luca Guadagnino makes a major shift in tone for this creepy tale of a European dance company ruthlessly run by a coven of witches.  From this brief look, the feel of the film seems in line with Argento’s stylish masterpiece but also doesn’t come off like a carbon copy.  With stars Dakota Johnson (Fifty Shades Freed), Tilda Swinton (Only Lovers Left Alive), Chloë Grace Moretz (The 5th Wave), and original star Jessica Harper top lining and buzz steadily building based on early screenings of key intense scenes, Suspiria is one fall film to keep your eye out for…and then cover them in fear.

The Silver Bullet ~ A Bigger Splash

bigger_splash

Synopsis: The vacation of a famous rock star and a filmmaker is disrupted by the unexpected visit of an old friend and his daughter.

Release Date:  May 13, 2016

Thoughts: There’s something intoxicating about any movie Oscar winner Tilda Swinton hitches her cart to.  From a hipster vampire in Only Lovers Left Alive to the amped glam of her Trainwreck character, Swinton falls madly into her work as we gleefully fall with her.  Reteaming with her I Am Love director Luca Guadagino for some romantic intrigue in the tropical sun, Swinton’s a rock goddess on holiday with her boyfriend (Matthias Schoenaerts, The Danish Girl) visited by an old chum (Ralph Fiennes, Skyfall) and his daughter (Dakota Johnson, Fifty Shades of Grey).  Looks like a film where a lot of “Secrets Will Be Revealed” but seeing that Swinton hasn’t yet made a movie not eminently watchable, I’ll take a dive for A Bigger Splash.