Movie Review ~ Atomic Blonde


The Facts
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Synopsis: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

Stars: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella, Toby Jones, Attila Árpa, Jóhannes Haukur Jóhannesson

Director: David Leitch

Rated: R

Running Length: 115 minutes

TMMM Score: (8.5/10)

Review:  Pity the fool that crosses MI6 agent Lorraine Broughton and pity any audience member that second guesses the Oscar winner that plays her.  Producer and star Charlize Theron (Prometheus) has fashioned a whopper of a role for herself and assembled a crack team of players to go along for the arse-kicking adrenaline-fueled ride.  Even if Atomic Blonde doesn’t necessarily turn the Cold War spy thriller on its head, it sure gives it a helluva decent set of stylish somersaults.

Based on The Coldest City, a 2012 graphic novel written by Anthony Johnston and illustrated by Sam Hart, Atomic Blonde is set in November 1989 during the days leading up to the fall of the Berlin Wall.  This is no history lesson, though, as is pointed out at the beginning of the pretzel-like plot in the center of the action film.  A MI6 agent stationed in Germany has been tasked with retrieving a watch with a list of double agents that could out several spies.  When he’s killed in action, his old flame/colleague (Theron) is been sent behind enemy lines to finish the job and find a double agent plaguing the agency.

Lorraine is barely out of the airport before she’s battling KGB agents aiming to take her out, sparring with a MI6 superior (James McAvoy, Split) who may be harboring rogue notions, and rendezvous-ing with a French beauty (Sofia Boutella, The Mummy) with secrets of her own.  All is not what is seems, however, as the twists start to come fast and furious during the final half of the picture.  Told in flashback by a battered and bruised Lorraine to two high-ranking officials (Toby Jones, Muppets Most Wanted and John Goodman, Patriots Day), Kurt Johnstad’s screenplay sometimes zigs when it should zag but overall it packs the requisite punch.

Speaking of punches…whoa.  Theron’s action sequences are of the intensely old-school rock ‘em and sock ‘em variety and they are downright thrilling.  Early toussels in a car winding through a tunnel, an apartment complex, and a stylishly cinematic brawl staged in a, well, a cinema are mere appetizing morsels for the extended battle royale grand feast.  Following Lorraine as she attempts to keep a key witness alive, director David Leitch (John Wick) makes the rumble in the East Berlin jungle  look like it was shot in one long take by cleverly disguising his cuts.  It’s not a showcase only for the filmmaker, though, as Theron smashingly bashes her way through a bunch of hapless goons down staircases and through abandoned rooms to a pulsing soundtrack of mid to late ‘80s classics.  Taking her licking, she keeps on ticking and gets believably shell-shocked, bloodied, and winded along the way.  Theron trained intensely for this role and it shows with every punch landed and every powerful kick to the chest she delivers, so much so that it’s hard to see when her stunt double steps in.

Were Theron not a producer of Atomic Blonde, I may have questioned some of the more risqué elements to the film as a product of some male ADHD fantasy featuring women in low cut blouses, high cut lingerie, or nothing at all.  However, it doesn’t feel wholly exploitative but likely in line with the source material and period setting…but on the other hand a little Theron on Boutella action has an sizable erotic charge in even its most chaste moments.

While we’re on the subject, poor Boutella is in her second summer film of 2017 that fails to capitalize on her engaging appeal.  After her mummy character played second banana to Tom Cruise in June she ends July without getting much to do but bed Theron and provide some necessary expository dialogue.  I kept waiting for her to pop in to help Theron out but, alas, the only one that seems to show up is McAvoy and his over-the-top shenanigans.

In films such as these where it’s essential for key plot points to be manipulated throughout so the twists, when revealed, have a greater “gotcha” vibe there never seems to be a satisfying resolution.  Thankfully, though Atomic Blonde has two endings too many the one it does close up shop on is a solid rounding off of any rough edges that remained.  A prequel graphic novel was released in 2016 so should this one detonate positively with audiences, it’s possible we’ll see Theron back in action in no time.  I’d welcome the return sooner rather than later.

Movie Review ~ John Wick

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The Facts:

Synopsis: An ex-hitman comes out of retirement to track down the gangsters that took everything from him.

Stars: Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Dean Winters, Bridget Moynahan, Ian McShane, John Leguizmo, Willem Dafoe

Director: Chad Stahelski & David Leitch

Rated: R

Running Length: 101 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: For a while, it seemed like the age of Keanu had passed…not that anyone really noticed.  Lampooned endlessly for his surfer dude line readings and tendency to make even Shakespearean dialogue sound like he was ordering at Burger King, if you look over his credits over at IMBD you’ll see an impressive list of work that spans various genres and A-List directors.  As of late, Reeves has been doing some more work behind the camera only coming out occasionally for films like the troubled 47 Ronin in 2013.

So it was with mild trepidation that I ventured into an early look at the latest Reeves opus to hit the big screen, a dark revenge action flick that pulls no punches and lands nearly everyone it throws.  While it’s not the revisionist career-defining moment for Reeves (that most surely came with The Matrix) it’s a wake-up call to those who thought his career was on life-support.

These revenge dramas are all the rage as of late, buoyed by the endless Taken films that even by the first sequel had already felt played out.  I was nervous that John Wick would fit into that category of trashy style over substance trifles but what we have here is a film with grit, muscle, blood, and bone…and a sophisticated one at that.

I’m usually not a fan of movies that open with the ending and then flashback but John Wick starts off with such an unexpected bang that it’s a forgivable sin.  Recently widowed Wick hasn’t even had time to clear out his wife’s side of the bathroom counter before two important things enter his life.  The first is an adorable pup intended as his companion and the other is a Russian mobster’s son that takes a liking to Wick’s classic car.  When Wick loses more than his prized car, he retaliates by using the skills he employed in his younger days as a killer for hire.

Part of the fun of John Wick is Derek Kolstad’s script which lets us peek behind the curtain at a society of professional killers (like Adrianne Palicki’s wicked Ms. Perkins) that may be deadly assassins but who also live by a code of honorable ethics.  If one of their own breaks this code, there’s hell to pay — just one of the many pleasures the film offers up to action hungry viewers.  As John goes after the son of former employer now city kingpin (Michael Nyqvist, Mission Impossible: Ghost Protocol) the bullets fly and limbs break in several gloriously staged sequences of ultra violence.

Co-directed by Reeves’s sometime stunt double Chad Stahelski (along with fellow first time director David Leitch) , the film has an appealing slate of bad guys/gals that all take their turn putting out John’s, um, wick.  Playing out against some well-designed set-pieces lit by a neon glow, the film feels more alive the as the bodies pile up.  Unafraid to spatter blood all over the walls and our lead actor, the filmmakers wisely resist the urge to let the film drift into camp territory.  There’s no extraneous dialogue or character development happening here — it’s an efficient film at every turn.

A clear audience-pleaser if the screening crowd I saw this with is any indication, John Wick is a nice fall surprise for those naysayers that wrote off Reeves a decade ago, serving as a nice reminder that the actor can still pick a winner.