Synopsis: Following a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted.
Stars: Dave Bautista, Ella Purnell, Ana de la Reguera, Omari Hardwick, Matthias Schweighöfer, Raúl Castillo, Samantha Win, Nora Arnezeder, Tig Notaro, Richard Centrone, Athena Perample, Theo Rossi, Huma S. Qureshi, Hiroyuki Sanada, Garret Dillahunt
Director: Zack Snyder
Running Length: 148 minutes
TMMM Score: (8/10)
Review: Movie trends go up and down with the tide and I’m a little surprised that the love for zombies in film and television has gone on for as long as it has. It’s far past its expiration date in my book, getting to the point where I have to resist entirely skipping over a title if I see the ‘z’ word or ‘undead’ anywhere in a plot description. There just has to be more life, or the afterlife, than munching on brains and finding new ways for those running in terror to be ripped apart or, if fighting back, stop their foe with a sharp object to the head. After some respectable “of the Dead” sequels churned out by original Night of the Living Dead creator George A. Romero before his passing in 2017, a new generation of films were created to further that legacy and it became difficult to discern what had Romero’s blessing and which were but cheap imitators in name only.
If we were still embracing the term “winning” (and I’m here to tell you, we are not), one could easily say that director Zack Snyder is the de facto champion filmmaker of 2021 so far. Not only did his long overdue and much anticipated director’s cut of the greatly maligned Justice League debut on HBOMax to spectacular reviews, but he’s following it up two months later with a gonzo zombie film that is the itch you never knew you needed to scratch. Now, while Snyder has a significant and loyal fanbase that always has his back (for better or for worse), who can say if Army of the Dead would have gotten as much of a buzzed about release if Justice League hadn’t been received so well. While not related to Romero’s work, I’d imagine that horror icon finding a lot to like about Snyder’s film, which takes it’s time (148 minutes to be exact) to lay out a detailed plot featuring characters that have depth…and it’s not just the living ones.
That’s not to say I was totally in the Snyder camp right away. An enticing prologue featuring soldiers transporting a mysterious government asset that crashes in the Nevada desert led into a credit sequence that is basically an entire prequel film in and of itself. What the government was protecting is a quick moving and strong alpha undead that makes quick work of the soldiers, turning them into his hungry minions. Descending upon Vegas, they soon proliferate a zombie infestation that we see brave men and women trying to control the spread. By the time we see Snyder’s ‘Directed by’ credit, a wall has been fashioned around Vegas keeping the plague contained…but for how long?
While Snyder has the right idea in his introduction and stages it with typically excellent skill, it’s the credits that feel like he handed duties over to an assistant that didn’t quite have his style down. Gaudy, gory, and meant to be funny but not getting halfway there, it’s enough to make you think twice about sticking with the movie for the next two and a half hours. Stick with it. It’s but a mere bump in the road because once Army of the Dead really gets moving, it becomes a thrill a minute blast following a ragtag group gathered by Bly Tanaka (Hiroyuki Sanada, Mortal Kombat) to take back millions of dollars in cash just sitting in his zombie inhabited casino.
Led by Scott Ward (Dave Bautista, My Spy), the group includes mercenary turned mechanic Maria Cruz (Ana de la Reguera, Nacho Libre), brawny Vanderohe (Omari Hardwick, Spell) who carries around a buzzsaw as his weapon of choice, expert safecracker Dieter (Matthias Schweighöfer), and helicopter pilot Marianne Peters (Tig Notaro, Together Together) who is responsible for getting a chopper on top of the hotel working in time to get the crew out of Vegas before a nuclear bomb decimates the undead once and for all. Guiding them will be Tanaka’s security agent Martin (Garret Dillahunt, Looper) and Lilly (Nora Arnezeder) who routinely smuggles people through the wall and into casinos so they can steal the remaining money in the slot machines. To up the personal stakes, Scott’s daughter Kate (Ella Purnell, Miss Peregrine’s Home for Peculiar Children) is a last-minute addition to the squad, hoping to find a friend that Lilly brought in and hasn’t returned.
If I told you that all of this happens within the first hour and you had 90 minutes to go, would you still be on board? Hope so because the next hour and a half takes you over the wall and into a decrepit Vegas that has been overrun by zombies. Adapting to their environment, the stronger have survived and formed a kind of community while others just wait around for the next scrap of unlucky flesh to pass by their vicinity…and then they pounce. Experienced in the ways of negotiating passage through without becoming lunch, Lilly helps the team into the city and for a while things are going fine…until suspicion amongst the group gets the better of them. As factions break off and they separate, Snyder easily juggles several action-packed storylines at once and doesn’t short shrift any of his actors getting their moment to shine. Thankfully, that also means we don’t stick around too long with some of the characters that could grate on us, like Dillahunt’s Martin who is little more than your stock shady inside man sent in to protect his boss’s investment.
What keeps the film so engaging is it’s unpredictability, you just never know who is going to make it to the end credits and who might be a tasty snack in the first scene. No one is safe and while Snyder and co-screenwriters Shay Hatten and Joby Harold give the characters an appropriate amount of time to mourn, at the same time they aren’t above taking out a team member you would have bet the house had a long life ahead of them. Going hand in hand with keeping you on your toes is that there are times when Army of the Dead is genuinely frightening. Let’s not forget while zombies are often shown as lumbering slow movers they can also be sprinting fiends out for flesh. The leader of the legion of undead and his wicked mate have exceptional make-up effects and costume designs – perfect nightmare fodder.
It might be easy to debate the film is overlong and while a trim here and there might have gotten Army of the Dead down to a slightly shorter sit, as presented it doesn’t feel like an excess of overindulgence. It’s simply a big movie with a big goal and when you go to Vegas, you gamble it all if you want to win. I think Snyder and company are successful in what they set out to achieve (confirming Bautista is a bona-fide action star, if anything) and you can count on Army of the Dead to play well on any size screen you choose to view it on.
Synopsis: Washed-up MMA fighter Cole Young, unaware of his heritage, and hunted by Emperor Shang Tsung’s best warrior, Sub-Zero, seeks out and trains with Earth’s greatest champions as he prepares to stand against the enemies of Outworld in a high stakes battle for the universe.
Stars: Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Ng Chin Han, Joe Taslim, Hiroyuki Sanada, Max Huang, Sisi Stringer, Matilda Kimber
Director: Simon McQuoid
Running Length: 110 minutes
TMMM Score: (6/10)
Review: In 2013, as part of my In Praise of Teasers series I featured the still-burned-in-my-brain teaser for the 1995 adaptation of the classic SEGA game Mortal Kombat. With its throbbing electronic score, flashy editing, hype-inducing character introductions, and hints that every teenage boy’s favorite video game was about to spring to three-dimensional life, Mortal Kombat was poised to clean-up at the box office when it was released that August. And it did…to a tune of over 70 million here in the States and nearly that overseas. For a modestly budgeted film, this was a win. Here’s the thing about that PG-13 movie though: it was missing a key element that made the video game such a adrenaline boost to play and wound up for many fans feeling defanged, bloodless, and watered-down.
A sequel recast a number of players and went nowhere and soon after video games shifted to different arenas and interests as the ‘90s gave way to a new millennium. I honestly hadn’t even thought about Mortal Kombat (the movie or the game) for years until I heard that Warner Brothers and New Line Cinema were partnering up for reboot of their franchise, this time allowing the film to embrace the ultra-violence present in the game and giving longtime fans their long awaited bloodsport. An early trailer released mid-pandemic landed at a perfect time to rack up the best kind of fan buzz, so once more the stakes were high for another Mortal Kombat movie as it powered up for a rematch with audiences.
Shortly before the release date, to generate even more fervor, Warner Brothers released the first seven minutes of the film on its partnered streaming service HBOMax and I can totally see why. The opening prologue contained in those seven minutes takes place in a remote 17th century Japanese village where Hanzo Hasashi (Hiroyuki Sanada, Life) is forced to defend his family from the onslaught of chilly killer Bi-Han (Joe Taslim, The Raid: Redemption) and his deadly assassins. It’s an energizing way to start the film and if I saw those seven minutes and were on the fence about heading to the theater to watch the rest of the movie in IMAX or finishing it at home on a much smaller screen, in less concerning times I might have been checking for seats at the first showing the day the film came out. And I think everyone at the studio is counting on those previewing the preamble to have that same thought.
The honest thing to do would have been to show the first seventeen minutes as those give you a little better idea of what director Simon McQuoid and writers Greg Russo and Dave Callaham have concocted to follow that promising beginning. For as fun as it is to finally see the violence of the game on full display in its gory glory, as jaw-dropping a vision it winds up being watching hearts ripped out and sharp objects plunged into every conceivable nook and cranny of the human body that hasn’t already been broken or broken off, you begin to realize that the whole fun of playing Mortal Kombat the game was, y’know, playing it. Not watching it.
Moving from the past to the present (or maybe slight future?) we’re given info about the ongoing battle between Outworld and Earthrealm. Outworld, led by sorcerer Shang Tsung (Chin Han, Skyscraper, preening so hard throughout the film it almost borders on a drag performance) dominates in Mortal Kombat, fights to the death that determine the rulers of both worlds. Outworld is one victory away from having Earthrealm under their control and Shang dispatches his top warrior, Sub-Zero (also played by Taslim) to hunt down Earthrealm’s greatest remaining warriors to eliminate any hope of them winning. Over in Earthrealm, a motley crew of underdogs have assembled at the temple of Lord Raiden (Tadanobu Asano, Battleship) for their training, hoping to find their unique power that will assist them in defeating Sub-Zero and his horde of vicious killers.
As far as plot goes, that’s all Russo and Callaham seem to lay down as their base and about an hour in you realize that it’s all been designed to get contenders in various locations to do battle with only the bare minimum of exposition between set-ups. For acting purposes, that’s fairly good news for the likes of Lewis Tan (Deadpool 2) as Cole Young, an MMA champion haunted by visions of Hanzo Hasashi now transformed over time into a vengeful spirit waiting to take his revenge. He can take a licking and keep on ticking (never damaging his movie-star good looks, natch) but Tan’s lack of true conviction in any of his line readings robs the film’s lead of some much-needed empathy when it’s desperately needed. At least Tan can get the lines out without looking like he’s laughing, not so for Jessica McNamee (Black Water: Abyss) as Sonya Blade. Either McNamee was trying for something that didn’t translate or she just gave up, but the lone female of the group is a serious let-down. He’s supposed to be the most annoying (and he is, trust me) but Josh Lawson (Bombshell) as Kano goes a special extra mile to make his character atrociously unlikable. It’s only Mehcad Brooks as “Jax” Briggs and Max Huang as Kung Lao that create the type of fully realized creations that don’t let the script limitations impact their own work.
The film mostly belongs to Taslim and Sanada, though, so much so that they wind up smartly bookending the movie with fight sequences that are a thrill to see no matter what size of screen you view it on. Well-staged and filled with moves the camera can follow and pick-out nicely, McQuoid and his crew obviously spent a great deal of time figuring out how they wanted to present these passages and made sure they looked the best for maximum impact. As with several of the fights during the film, there comes a moment when you sort of inadvertently let out a whoosh of air, aware that you’ve been holding your breath a little too long.
The film is worth seeing for how it differs from the 1995 version, both in the way it takes itself a little more seriously and the way in which it accepts its origin as a video game at the same time. Understanding it can have its cake and slice and dice it too, Mortal Kombat isn’t a flawless victory, but it finishes the job with style.
Synopsis: A team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth.
Stars: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya
Director: Daniel Espinosa
Running Length: 103 minutes
TMMM Score: (6/10)
Review: On the drive home after the screening of Life, I ran afoul of my partner after repeatedly referring to it as an ‘odd, little movie’. At first thinking I was just lazily falling back on a casual turn of phrase, I began to agree with myself that for all its A-List star power, occasional scares, and well-executed special effects the film was a strange, small endeavor for all involved. Not tiny enough to be a direct-to-video tax write-off and not big enough to be a major player in the summer months (though it was intended for a May 2017 release until Alien: Covenant moved its release date in close proximity), Life fits decently into the grey area between Oscar season and the mid-year blockbuster event films.
In an unusually long pre-title sequence, we meet the crew occupying the International Space Station as they intercept a satellite returning from Mars containing a specimen from the red planet. As the camera glides from person to person, it feels less like an introduction and more like a location tour to help orient the audience for the action to come. Macho Rory (Ryan Reynolds, Deadpool) is the wise-cracking dude of the team, Army vet David (Jake Gyllenhaal, Prisoners) is about to break the world record for most consecutive days in space which worries quarantine officer Miranda (Rebecca Ferguson, Mission: Impossible – Rogue Nation). They join commanding officer Kat (Olga Dihovichnaya), scientist Hugh (Ariyon Bakare, Jupiter Ascending), and pilot Sho (Hiroyuki Sanada, 47 Ronin) in marveling at the extraterrestrial life discovered when the Mars sample is thawed out.
Fascination turns to horror as the specimen, dubbed “Calvin”, begins to grow rapidly in mind and body, eventually escaping the confines of the lab and hunting down the crew one by one. It’s Alien-like premise aside, there are a few surprises to be had in Paul Wernick and Rhett Reese’s script for Life as it takes some turns you may not be expecting. Director Daniel Espinosa (Child 44) is no Ridley Scott, however, and the workmanlike way Life is compiled and its odd pacing gives it the feeling of a movie that desperately wants to be better than it is.
When Reynolds, Ferguson, and Gyllenhaal signed on, I’m betting they were counting on this being a summer release but truth be told the way the film is structured and performed it feels more like an art-house alternative to a sci-fi horror tent-pole picture. Reynolds is on cruise control as his usual cool as a cucumber self while Gyllenhaal surprisingly rests a bit on his laurels and goes only halfway in crafting the haunted character he’s perfected in films like Enemy and Nightcrawler. Only Ferguson seems to lock into her role, never over-doing the “company man” attitude or under-selling her rising terror that this creature may somehow find its way back to earth.
Had the movie only had three characters, it may have felt a bit less cramped…and been a bit easier to understand. Dihovichnaya & Sanada’s thick accents make it difficult to understand them at times, which becomes a problem anytime they’re tasked with delivering key bits of information. There’s an attempt to give Bakare an interesting back story in a briefly mentioned tangent as to how the wheelchair bound man is living out his dream of mobility in the anti-gravity playground above earth. Alas, any deeper development is jettisoned in favor of more scenes of peril inflicted by the bloodthirsty fast evolving being that’s taken over the ISS.
While there are some solid special effects sequences that take place outside of the station, anything that happens inside had me alternately rolling my eyes and raising my eyebrows. Calvin flirts between an animated starfish-like object and a questionably created CGI monster that looks like an evil cousin to the benign alien creatures from The Abyss. Espinosa films so much of the movie in tight close-up or without any establishing shots that it’s often hard to tell where anyone is in relation to each other and voiceovers are used as a cheap gimmick to tell what they can’t show. I definitely got a couple of guffaws from the way the astronauts kept bobbing up and down (some more violently than others) as a way to show the zero-gravity atmosphere.
So yeah…it’s an odd little (big-ish) movie and while it may carve out some decent box office numbers by being released in a movie climate that’s been largely earthbound, Life isn’t going to be on the calling card for anyone involved. It’s bound to be forgotten entirely by the time Alien: Covenant is released in two short months. Perhaps this will find greater value on Netflix which, come to think of it, would have been an ideal release platform instead.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
I just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do
The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).
A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.
I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.
Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.
The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.
Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.
Movie Review ~ Batkid Begins The Facts: Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon. Stars: Miles Scott Director: Dana Nachman Rated: PG Running Length: 87 minutes TMMM Score: (7/10) Review: Can I admit something to you and not have you hate me? When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor. Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day? Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer. Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization. While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.
Movie Review ~ The Overnight The Facts: Synopsis: A family “playdate” becomes increasingly interesting as the night goes on. Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche Director: Patrick Brice Rated: R Running Length: 79 minutes TMMM Score: (7/10) Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway. A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing. Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple. Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over. Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section. It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.
Movie Review ~ Ant-Man The Facts: Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson Director: Peyton Reed Rated: PG-13 Running Length: 117 minutes TMMM Score: (6/10) Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie. I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxybut it’s sadly missing the humor that made Guardians so much fun. It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber. I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe. Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities. A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.
Movie Review ~ Irrational Man The Facts: Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act. Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg Director: Woody Allen Rated: R Running Length: 96 minutes Trailer Review:Here TMMM Score: (6/10) Review: It happens every year and every year you never quite know what to expect. I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair. I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer. Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man. As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack. Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore. Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.
Movie Review ~ Trainwreck The Facts: Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy. Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man Director: Judd Apatow Rated: R Running Length: 125 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene. Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work. Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome. I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all. The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative. He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film. Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss. Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.
Movie Review ~ Mr. Holmes The Facts: Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman. Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker Director: Bill Condon Rated: PG Running Length: 104 minutes Trailer Review:Here TMMM Score: (8/10) Review: In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up. McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life. With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon. Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too. An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.
Movie Review ~ Paper Towns The Facts: Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door. Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith Director: Jake Schreir Rated: PG-13 Running Length: 109 minutes TMMM Score: (7/10) Review: After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks. Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars. While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children. Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons. The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown. Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.
Movie Review ~ Pixels The Facts: Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games. Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad Director: Chris Columbus Rated: PG-13 Running Length: 105 minutes TMMM Score: (3/10) Review: A movie where everyone involved should hang their head in shame. There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything. Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance. For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.
Movie Review ~ Southpaw The Facts: Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track. Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris Director: Antoine Fuqua Rated: R Running Length: 123 minutes TMMM Score: (6.5/10) Review: By now, we know that Jake Gyllenhaal is a smart actor. With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles. So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars. I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland. Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.
Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film. If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind. I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving. Worth it for the performances but gets knocked out by an also-ran plot.
Movie Review ~ Samba The Facts: Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo Director: Olivier Nakache, Eric Toledano Rated: R Running Length: 118 minutes TMMM Score: (5.5/10) Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of. And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit. From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien. Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film. I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved. Slightly recommended but only if the plot or stars appeal to you.
That almost did it for July…but there was still one weekend to go! Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn. I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.
I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation. I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t. It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up. Still, I’m hoping it made enough money to warrant a holiday themed sequel. In any event…it’s a damn sight better than European Vacation.
Wow – July didn’t skimp on variety, did it? Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?
Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman.
Release Date: July 17, 2015
Thoughts: Let’s get excited for this one, shall we? Though Robert Downey Jr. (The Judge) made a lovely Sherlock Holmes in two less than lovely big screen outings and Benedict Cumberbatch (The Imitation Game) has put his quirky stamp on the legendary detective via the BBC series, I’m quite interested to see Ian McKellan (The Hobbit: The Battle of the Five Armies) give his take on an elderly Holmes. McKellan re-teaming with his Gods and Monsters director Bill Condon (The Twilight Saga: Breaking Dawn – Part 2) is exciting enough but this early tease at July’s Mr. Holmes hints at a fine effort and I’m waiting with bated breath for the full trailer.
Review: There’s nothing film critics will get behind quite like a big-budget bomb and it appears that 47 Ronin just made the grade in the final days of 2013, effectively wiping out memories of The Lone Ranger, the other expensive movie that tanked earlier this summer. Here’s a little secret I’m going to let you in on though…it’s not anywhere near as bad as some fuddy duddy national critics would have you believe it is (neither, for that matter, was The Lone Ranger) but it’s also not the grand spectacle Universal Studios thought they were getting.
Arriving amid rumors of a troubled production phase, 47 Ronin could probably be called the Cutthroat Island of samurai films. That is to say that like the infamous 1995 pirate epic that bankrupted its studio, it’s possessing huge production values thanks to a whopping budget but probably was never destined to be a movie that made all that cash back. It does have one thing that Cutthroat Island didn’t have though; a plot drawn from Japanese folklore that provides more than enough excuse to go big or go home and 47 Ronin goes big.
Now it should be said that this is far from a perfect film. Because it’s set up like a folktale, the filmmakers push the limits of reasonability to bring to life the story of the masterless samurai (called ronin) that seek to reclaim their land by avenging the death of their master. Adding in lizard faced demons, ghosts of the undead, sinewy dragons, shape-shifting witches, and several beasts that can’t be classified, screenwriters Chris Morgan (Fast & Furious 6), Hossein Amini (Snow White & the Huntsman), and Walter Hamada (a producer on The Conjuring) can’t be faulted for stuffing their take on the tale to the brim.
Where the film goes astray is the very fact that it’s a Hollywood film to begin with. Though the legend has been put on screen seven times before, this is the first time that a major Hollywood studio has made a go of putting their stamp on the Japanese myth. That’s like if a Russian production company made a film version of Johnny Appleseed…there’s something lost in translation that the film can’t recover from.
It always felt strange to me that a largely all Japanese cast was speaking English, probably so star Keanu Reeves (Parenthood) wouldn’t stick out further in his role as a foundling of mysterious origin taken in and raised with the samurai but never truly being part of them. No disrespect meant to these Japanese actors but had the film been subtitled, it may have allowed these actors to dig deeper in their roles and not come off (as they often did) as simply reciting their lines phonetically.
Though I couldn’t stand her in July’s Pacific Rim, Rinko Kikuchi fares much better here as she slinks through the film as a villainous witch that changes appearance at will. As an advisor to a rival kingdom’s leader she has a Lady Macbeth quality that’s lip smacking good without ever resorting to camp. There’s also fine work from Hiroyuki Sanada (The Wolverine) as the head samurai teamed up with Reeves and the lovely Ko Shibasaki as the requisite lovely princess in distress.
Even with a veteran editor (Stuart Baird) on board, it was probably not the best idea for Universal to place this property in the hands of a first time director. With the emphasis on sumptuous costumes and large scale set-pieces, it’s actually hard to see where Carl Rinsch fit in as the director in the first place. I think the movie could be trimmed by a good ten minutes but there are enough distractions for the eyes to keep you from checking your watch too much. You can skip seeing the movie in 3D as it’s probably the least effective use of the medium in 2013.
This is one you’ll have to see and make-up your mind for yourself. Maybe it’s because I read such scathing reviews for 47 Ronin before I saw it that the bar was set so low that it was destined to exceed those expectations…or maybe it’s just because the movie isn’t that bad to begin with and we’re just dealing with critics at the end of their 2013 good will toward men. It’s not a film I’ll likely revisit but I wouldn’t chuck it in the trash heap if a copy found its way into my collection.
Synopsis: A band of samurai set out to avenge the death and dishonor of their master at the hands of a ruthless shogun.
Release Date: December 25, 2013
Thoughts: There’s something about the preview for 47 Ronin that makes me think of those salad days in the late 80’s/early 90’s when you couldn’t throw a samurai sword in a video store and not hit a martial arts film starring any number of thick necked action heroes. Keanu Reeves (Parenthood) has his share of detractors but as blank as he may appear to be, I can tell the guy has an appreciation for filmmaking and seems to enjoy selecting unexpected roles. This isn’t the first time the Japanese folktale that anchors the film has been put on screen but it is the first time that Hollywood has taken a stab at it. It looks kinda schlocky, pretty fun, and something that will require a big tub of popcorn to really enjoy.
Review: It’s hard to imagine it now but audiences very nearly had a different actor playing Logan/Wolverine when the original X-Men movie was released back in 2000. Though several A-List stars were sought for the role, their fees provided intimidating and newcomer Dougray Scott was cast as the mutant hero with the Adamantium claws. When Scott’s work on Mission: Impossible 2 ran long he was swapped out for total unknown Hugh Jackman and the rest, as they say, is cinematic history.
Thirteen years later Jackman (Les Misérables) has suited up again, marking his sixth appearance as the man with the questionable sideburns and some serious anger issues. Though he stumbled with 2009’s misguided X-Men Origins: Wolverine, Jackman isn’t one to throw in the towel easily so it was back to the drawing board. After several stops and starts his mea culpa is here, simply called The Wolverine and it’s a much more enjoyable outing, taking the character into some needed dark territory which gives Jackman a chance to infuse a fair amount of gravitas to a character born from a comic book.
Still…a little bit of brooding goes a long way and ever since Christopher Nolan re-invigorated the Batman franchise by giving The Dark Knight a dark arc it seems like every superhero action film since feels the need to follow suit. That resulted in a troubling Man of Steel but The Wolverine just makes it out from the heavy pathos unscathed…though often times the Man with the Iron Claws gets dangerously close to being dragged down alongside the Man of Steel.
What helps the movie immensely is the nice amount of distance from everything else in the world of X-Men. Though I love a good mash-up of characters as much as the next geeky fanboy, Jackman’s haunted character needed some room to stretch his claws. Taking place largely in Japan, the script from Mark Bomback and Scott Frank feels more like a moody crime drama than it does a large-scale action film – don’t be scared by that statement because trust me, the film works more often than not.
That’s mostly thanks to Jackman who also seems more invested in the film this time around. Jackman is an engaging presence both on and off screen but in this film he doesn’t shy away from letting his dark side show, especially as Logan continues to be haunted by memories of Jean Grey (Famke Janssen). When he’s located by a mysterious woman (plucky newcomer Rila Fukushima) and brought to Japan, he gets neck deep into trouble over unsettled scores and family secrets that turn out to involve him more than he thinks.
Aside from Jackman, the women in the movie are the most memorable. I was pretty fascinated with Fukushima as well as model-turned actress Tao Okamoto as the daughter of a man from Logan’s past. Though both actresses are very early in their careers, they acquit themselves nicely…even if Okamoto is somewhat clumsily thrown into a “I saw that one coming” romance with Jackman. As a viper-like villainess, Svetlana Khodchenkova (Tinker Tailor Soldier Spy) looks the part right down to her perfectly placed evil mole but her voice is unfortunately awkwardly dubbed. This makes most of her work fairly distracting and one wonders why director James Mangold couldn’t have figured out a better solution.
Perhaps a tad overlong and lacking the larger than life action sequences that the franchise would seem to dictate, The Wolverine begins to run out of steam around the 90 minute mark. With about 40 minutes left, that isn’t great news but thankfully several batteries are recharged near the end and through a not-to-be-missed-if-you-know-what’s-good-for-you credits sequence.
If I’m being honest, I didn’t really mind the last stand-alone Wolverine film. Yes, it wasn’t the right movie for anyone involved but it wasn’t a disaster like many that have come before and after it. I know that Jackman wanted to get it right this time and for the most part the film accomplishes what it wanted to. It corrects some past mistakes and sets up future installments for not only more Wolverine films but other X-Men adventures in the years to come (X-Men: Days of Future Past is set for release in May of 2014). Is it the best film that could have been made…no, it’s not. Still, it’s an entertaining entry that rates high on the popcorn scale.
Synopsis: Wolverine makes a voyage to modern-day Japan, where he encounters an enemy from his past that will impact on his future.
Release Date: July 26, 2013
Thoughts: While some wrote off 2009’s X-Men Origins: Wolverine completely as a missed opportunity, I did enjoy parts of the film but not enough to have made a return visit to the movie since I saw it in theaters. Going back to a story that’s been floating around star Hugh Jackman’s wheelhouse for a while, this new film featuring the adamantium clawed anti-hero is supposedly a darker affair than we’ve seen before. Consciously moving the action forward to a time when Wolverine is all alone the filmmakers have given Jackman (Les Miserables) and company the chance to right some past mistakes and make the first step in really moving this character and franchise forward. Let’s see if a refreshed story and directing from James Mangold will do the trick.
Synopsis: Wolverine makes a voyage to modern-day Japan, where he encounters an enemy from his past that will impact on his future.
Release Date: July 26, 2013
Thoughts: After 2009’s X-Men Origins: Wolverine failed to ignite the kind of box office that Marvel Studios and Twentieth Century Fox had hoped, plans were scrapped for future installments of similar X-Men Origin films. But you can’t keep an appealing superhero down and of all the X-Men that have graced the screen, Hugh Jackman’s haunted hero Logan/Wolverine has always been the most appealing to me. After the huge success of 2011’s X-Men prequel, Fox decided another go ‘round was worth it. With gritty director James Mangold (Cop Land, Knight and Day) on board and coming off of Jackman’s Oscar nominated turn in Les Miserables, expectations are once again high for the franchise. I didn’t mind the previous stand-alone Wolverine film but did find it a tad uninspired…so I’m curious to see where this film will take us. It certainly looks to hit all the right notes for a successful run but if it doesn’t another X-Men prequel is on its way in 2014.