Synopsis: A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Release Date: June 9, 2017
Thoughts: You know what this critic loves? Gothic horror and Rachel Weisz. So you’ll understand why this first look at My Cousin Rachel hit all the right notes for The MN Movie Man. Adapted from Daphne du Maurier’s novel written in 1951, it has been brought to the screen before in 1952 and again in a BBC miniseries from 1983. It’s plum June release hints that Fox Searchlight has a sleeper hit on their hands or at the very least an interesting alternative to the bombastic effects driven blockbusters it will be sharing cinemas with. With The Birds and Rebecca we’ve seen that du Maurier’s tales of horror are slow burn affairs and this looks like another tightly wound exercise in restraint. And then there’s Weisz (Youth) who stars alongside rising star Sam Claflin (Me Before You). It’s sometimes hard to remember she’s an Oscar winner, even though she’s often the best thing about the films she’s in. Here’s hoping the end result is as effective as this trailer is…now I’m off to catch up on my reading.
Review: Back in the ‘50s and ‘60s, Walt Disney Studios used to crank out their live-action pictures with regularity, keeping the home fires burning while readying their latest animated release. From shaggy dogs to absent-minded professors to a king of the wild frontier, from identical twins pulling a fast one on their divorced parents to a monkey’s uncle to babes in toyland, the studio cast a wide net of fantasy and more often than not put forth winning family entertainment that weren’t Oscar caliber but have managed to stand the test of time all the same.
In recent years, there’s been a revitalization of Disney focusing on live-action features. Favoring true stories of uphill battles instead of the more fantastical escapism that maybe was more necessary half a century ago, there’s a definite formula at work here and no one seems particularly interested in changing it up. A few of these films have won me over like McFarland U.S.A. and Alexander and the Terrible, Horrible, No Good, Very Bad Day but on the other side of the coin you have disappointments like The Odd Life of Timothy Green and Million Dollar Arm.
The director of the overstuffed Million Dollar Arm, Craig Gillespie, returns to cinemas with The Finest Hours, a drama in real life adventure documenting the brave rescue of a crew on a sinking oil liner by a small Coast Guard boat. The early trailers may have given most of the movie away, but to their credit they are far more exciting than the finished product.
Coast Guard Captain Bernie Webber (Chris Pine, Into the Woods) barely has time to ask his commanding officer (Eric Bana, Closed Circuit) permission to marry his girlfriend (Holliday Grainger, Cinderella, Disney’s excellent 2015 offering) before he’s sent out to rescue the crew of SS Pendleton, a T-2 oil tanker headed for Boston ripped in half during a large weather system felt up and down the New England coast. Aboard the failing ship, engineer Ray Sybert (Casey Affleck, Interstellar) overcomes crew resistance to lead the men on a risky maneuver in hopes of buying more time as their rescue vessel draws near.
All the makings of an exciting movie…if only we could see what was actually going on. Gillespie and cinematographer Javier Aguirresarobe (Goosebumps, Blue Jasmine, the remake of Poltergeist) set so much of the film in the whiteout conditions on land or the rain heavy visages on the open sea that audiences will wind up relying on voice recognition to figure out who’s talking and what’s happening. It doesn’t help that in dark lighting and soaking wet almost every male in the film starts to look alike, further complicating attempts to follow the action. And did I mention it’s in 3D? And it’s the 3D that doesn’t improve the feature in the slightest, with the only noticeable dimensional change coming during the credits.
Pine makes another bid for dramatic leading man but it’s clear he’s better suited to being the captain of the Starship Enterprise in Star Trek, Star Trek: Into Darknessand the upcoming Star Trek Beyond. With so many close-ups of his mournful (and, it must be said, slightly crossed) eyes, Pine emotes enough for the entire cast which is directly countered by Affleck’s barely awake effort. Reacting to his sinking vessel or a fallen shipmate with the gusto of Rip Van Winkle, Affleck may have been going for laid-back but winds up flat-backed, sleepwalking through most of the film.
If there’s a reason to see the movie, it’s for Grainger as Bernie’s spitfire fiancée. Determined not to lose the man she loves so soon after they get engaged, she’s got spirit to spare whether she’s standing up to Bernie’s boss or learning the hard realities of signing up to being the wife of a Coast Guard captain. Alas, Grainger can’t be in two places at once so every time the film shifts back to the sea we feel her absence. Poor Ben Foster (Lone Survivor) looks absolutely miserable as Bernie’s second in command…and not just because he spends the majority of the film sopping wet. Foster is known to go all-in with his characters but feels restrained here and it clearly makes him uncomfortable.
Based on the novel The Finest Hours: The True Story of the U.S. Coast Guard’s Most Daring Sea Rescue by Michael J. Tougias and Casey Sherman, the script from Scott Silver, Paul Tamasy, and Eric Johnson dallies around in the first half before rushing through the climactic rescue attempt that should be the dramatic peak of the film. In all fairness, little weight is given to anything in the film but it’s strange the scene highlighted in all of the marketing materials comes up and is over so quickly.
Those feeling nostalgic for the films made by Walt Disney back in the studio’s live-action golden days were likely looking forward to The Finest Hours. I know because I was one of them. So it’s a bummer to report there’s a curious lack of the adventure and magic I had hoped to find in this true life tale of a rescue against all odds on the high seas. While there were a few beacons of light to be found, should you choose to head out to sea with Pine and the gang the hours you’ll spend in the theater won’t be the finest…they’ll be merely fine.
Synopsis: The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
Release Date: January 29, 2016
Thoughts: I’m happy to see that the Walt Disney Studios continues to give a fair share of their time to produce live-action films to balance out their animation division. True, I think the time has passed for the classic entertainment of their hey-day of the ‘50s and ‘60s but they seem committed to releasing stories that resonate with audiences. It’s also true that the efforts can be hit or miss. I loved 2015’s McFarland U.S.A. but was fairly underwhelmed with 2014’s Million Dollar Arm…thanks to Jon Hamm’s lackluster leading man performance and story told from the wrong perspective. The director of that film, Craig Gillespie, is on board for Disney’s 2016 film The Finest Hours and it already looks like an improvement over his previous effort.
The true life tale of the “most daring rescue attempt in Coast Guard history”, this period piece boasts a nice assemblage of character actors and Chris Pine (Into the Woods) as the leading man. As usual, I think the trailer is too long and gives too much away for a film of this nature…but if the final product captures that old-school Disney storytelling magic all will certainly be forgiven.
Synopsis: When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella’s fortunes begin to change after meeting a dashing stranger in the woods.
Stars: Lily James, Helena Bonham Carter, Cate Blanchett, Stellan Skarsgård, Derek Jacobi, Nonso Anozie, Holliday Grainger, Richard Madden, Sophie McShera
Director: Kenneth Branagh
Running Length: 112 minutes
Trailer Review: Here
TMMM Score: (9/10)
Review: I remember being none too plussed when it was announced that Walt Disney Pictures would be giving their timeless classic Cinderella the live-action treatment. Could you really blame a fella for worrying that the studio that turned their lovely Alice in Wonderland into a madcap mind meld that wasn’t even interesting to look at (it’s one of the few films in recent memory that lulled me to sleep behind my 3D glasses) would muck it all up again by sending another valued animated classic into the live-action void just in time for its 65th anniversary?
Turns out that the studio saw the error of their ways (even though an Alice sequel is in the works…shudder shudder) and took a very traditional approach to bringing the tale of the orphaned girl that slept in the cinders who gets to go to a ball courtesy of a fairy godmother to the screen. Well, traditional isn’t really the right word because that suggests something perhaps more serviceable than memorable…and this Cinderella might just be a classic all its own.
With a script from Chris Weitz (A Better Life) that hits all the proper beats of Charles Perrault’s pristine fairy tale, this Cinderella is a gossamer gown of a film that beats with a heart that’s true. It’s so rare these days to be able to describe a film as celebrating goodness without passing out an airsick bag to anyone that’s listening but even at its most saccharine (and it does get ever so close to diabetic-shock inducing sweetness) there’s something so totally winning and, yes, enchanting to be found in every frame.
The look and feel that director Kenneth Branagh (Jack Ryan: Shadow Recruit) brings to the screen can be attributed to Branagh’s classy Shakespearean roots, as well as Haris Zambarloukos’s (Thor) unobtrusive cinematography, Dante Ferretti’s (Hugo) striking production design, and Sandy Powell’s (The Wolf of Wall Street) gorgeous costumes. All of these production elements work in harmony to create a world of fantasy that doesn’t seem so hard to believe in.
Branagh has assembled a cast that are across the board perfect for their roles. Though she’s playing a damsel in need of a Prince’s salvation (which could be enough to make any grrrl power supporter raise an eyebrow or two), Lily James never lets her Cinderella be pitied. Though suffering through the tragic loss of her beloved parents and forced into servitude to a wicked trio of women, she never loses the goodness inside her or the search for the goodness she believes is in everyone else. She’s matched well by Richard Madden’s restless Prince, handsome and quite dashing is the name of Madden’s game. James and Madden create some palpably chaste chemistry, so by the time the two meet when James makes the kind of entrance usually reserved for a Broadway stage, we long to see them kiss more than anything else.
Oscar winner Cate Blanchett (Blue Jasmine) has a devil of a fun time as the wicked stepmother and is wise enough to understand that she’s in a sophisticated re-thinking of Cinderella, resisting the urge to camp it up. Hers is a porcelain doll of a performance, never showing the cracks underneath until very near the end when some believable rationale for her treatment of her stepdaughter is revealed. Blanchett gets to wear Powell’s most gorgeous frocks and the actress revels in every moment onscreen.
Wicked stepsisters Holliday Grainger (Anna Karenina) and Sophie McShera may not be as comical as their animated counterparts, but they balance it nicely by being such refreshingly clueless dingbats. Derek Jacobi has several wise scenes as the King and Nonso Anozie (The Grey) is particularly impressive as the Prince’s trusted right-hand man. I could have done without a largely unnecessary political subplot involving Stellan Skarsgård, it’s the one weak spot in an otherwise rock-solid film.
Oh yes…let’s talk about Helena Bonham-Carter’s (The Lone Ranger) daffy Fairy Godmother. Sporting some interesting veneers, the actress is a looney treat as she bibbity bobbity boo’s her way through her short appearance onscreen. Her transformation of Cinderella, several four-legged friends, and one pumpkin into a troupe fit for a palace ball is, of course, a highlight.
This is one of those movie-going experiences I call a 1-101. It’s perfect for any age and moves briskly enough to hold your attention…not that you’d be bored with the sumptuous costumes and shimmering magic on display. I rarely see movies twice in the theater but this is one I’m looking forward to experiencing on the big screen again. Don’t forget to stay until the end for some familiar tunes!
Cinderella is great entertainment on its own…but the good feelings start even before the credits roll because Disney is also releasing a new Frozen short before the film and it’s nearly worth the price of admission itself.
Picking up shortly after the events of Frozen, Frozen Fever finds ice princess Elsa planning the perfect birthday party for her sister Anna. Things don’t go quite as planned as Elsa comes down with a…wait for it…cold. With sneezes that produce mini snowmen (Disney’s attempt to Minion-ize their cash cow of a franchise), Elsa sings her way through her party plans while Olaf and Kristoff help out in their own way. The song featured here is no Let It Go (parents, you’ll be glad!) but it displays the same playful fun that won the same songwriters an Oscar a year ago.
It’s a truly delightful 7 minutes, so don’t be late!
Synopsis: A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor
Release Date: TBD 2012/2013
Thoughts: Every now and then I become a big ‘ole softie for a sumptuous period piece and this just may be the film I’m looking for (not that the upcoming Anna Karenina wouldn’t fit the bill as well). The umpteenth version of Charles Dickens story doesn’t seem to mess around too much with its source material…at least it doesn’t update it like the tepid late 90’s version with Gwyneth Paltrow and Ethan Hawke. With experienced director Mike Newell at the helm I’m looking forward to taking up residence with Pip and the rest of the immortal characters. Oh…did I mention I’ve never seen any film/television adaptation of the novel? Guess I should get on that.