2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
:
Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

Movie Review ~ I’ll See You in My Dreams

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The Facts:

Synopsis: A widow and former songstress discovers that life can begin anew at any age

Stars: Blythe Danner, Mary Kay Place, Martin Starr, Sam Elliot, June Squibb, Reid Scott, Malik Akerman, Rhea Perlman

Director: Brett Haley

Rated: PG-13

Running Length: 92 minutes

TMMM Score: (6.5/10)

Review: Screening movies can be an interesting experiment in timing. Between seeing Avengers: Age of Ultron and Mad Max: Fury Road (two gigantic movies in scope and sound) I caught a preview of the quiet drama I’ll See You in My Dreams. The title alone lulled me into a slight slumber and I’ll admit to being this close to “resting my eyes” on several occasions…but I’ll admit that by the time the credits rolles I found the film to be a nice change of pace from the current cinematic offerings and features a lovely star turn from its leading lady.

I’ve always liked Blythe Danner and appreciated that in her later years she’s not merely known as “Gwyneth Paltrow’s Mom” but had continued to find roles that showcase her well. I met Danner in New York nearly a decade ago after her stellar performance in Stephen Sondheim’s Follies and was struck not only by her dynamic onstage presence but how radiantly beautiful she was up close and personal (something I can’t say for some actors I’ve met over the years).

The film is nearly a one-woman show as Danner (The Lucky One) anchors every scene of the movie she’s in (which is every one of ‘em) whether sharing it with one or more members of its pleasant supporting cast or going it solo playing a long-time widow retired to Florida. Though she doesn’t live in one of the numerous retirement communities the state has to offer, she still makes it out to the weekly bridge game held at a local senior palace with her spry friends played by Mary Kay Place (The Big Chill), June Squibb (Nebraska), and Rhea Perlman (The Sessions).

Focusing on two burgeoning relationships: a friendship with her pool boy (Martin Starr, This Is the End), and a romance with a newly arrived hunk (Sam Elliot, Draft Day) the movie develops at its own pace and takes its time to highlight the feelings both men stir in Danner’s independent character. A strength in the screenplay from Bret Haley (who also directs) and Marc Basch is that they’ve crafted Danner’s widow not as someone lacking something in her later years but excited at the prospect that a new adventure she never expected may be awaiting her.

Truly, it’s a piffle of a movie and feels perhaps too small for a big screen but it’s wonderfully acted and conveyed with a sensitivity toward those in their golden years that know it gets greater later. Even a phony-feeling section where Danner and her pals toke up on medical marijuana gets a pass from this citic because the four ladies play it with such verve. A truly special scene finds Danner and Starr in a barely populated karaoke bar where Danner delivers a tender rendition “Cry Me a River”.

So far this summer the movies have been appropriately gonzo but unexpectedly overwhelming which has led to a decided fatigue even before the previews have ended. If you’re looking for a respite from the flash, give I’ll See You in My Dreams your time instead.