Movie Review ~ The Mummy (2017)


The Facts
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Synopsis: An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.

Stars: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Russell Crowe

Director: Alex Kurtzman

Rated: PG-13

Running Length: 110 minutes

Trailer Review: Here

Review: You’re going to hear from a lot of people that The Mummy, Universal’s first entry in their new Dark Universe franchise, is a baffling bomb.  Those people aren’t totally wrong but they’re not completely off the mark either.  The worst thing a movie can be is neither good nor bad but just mediocre and too much of this new take on The Mummy straddles that fence, stubbornly refusing to slump into schlock or get its ass into a higher-quality gear.  It’s not a total wash but the potential was there to take a fun step forward and the studio is too, uh, wrapped up in their quest for a new charter film series that they’ve lost sight of the here and the now.

As most of these creature-features often do, The Mummy opens with a little history lesson concerning an ambitious Egyptian princess (Sofia Boutella, Kingsman: The Secret Service) seduced by evil forces that promise her eternal life.  Clearing her way to the throne in a bloody rampage, she’s eventually captured and buried alive in a deluxe sarcophagus within an ultra-complex underground prison.  Remaining hidden for thousands of years, she’s unearthed by two unscrupulous soldiers (Tom Cruise, Oblivion and Jake Johnson, Safety Not Guaranteed) looking for antiquities to sell on the black market in modern day Iraq.  Once released from her prison, she wastes little time in bringing down a plane transporting her to London and proceeding to suck the life out of anyone that gets in her way, turning them into the walking dead for good measure.  It’s up to Cruise and a pretty prehistorian (Annabelle Wallis, Annabelle) to end the madness, a task made more difficult when our Mummy Princess sets her sights on making Cruise her eternal mate.

The framework of plot supplied by a screenplay written by David Koepp (Jurassic Park), Christopher McQuarrie (Edge of Tomorrow), and Dylan Kussman (Flight) has potential to it but director Alex Kurtzman (People Like Us) never fully trusts the material, opting instead to let Cruise take up too much space and pushing others to the sidelines.  Let’s not forget that in addition to the above brief outline, Cruise is introduced to the Prodigium, a secret group dedicated to hunting supernatural baddies and beasties.  Led by Dr. Henry Jekyll (yep, the one and only), look closely during a visit to Prodigium’s lab for a few familiar creatures that may pop up in future Dark Universe entries.

I get the feeling that when the script for The Mummy was sent to Cruise, it was with the intent he consider taking on Dr. Jekyll (played here by a twinkle-eyed Russell Crowe, The Water Diviner) but Cruise missed the memo and just assumed he’d be the lead.  Clearly written for a younger actor, everyone in the film at one time or another looks at Cruise (who’s still in fine shape and loves a good stunt sequence) and clearly is thinking, “You’re too old for this role!”  His chemistry with both of his leading ladies is strained and it becomes the Cruise show the moment he arrives onscreen with the titular character taking a frustrating back-seat to the A-list star.

Crowe seems keen on having some fun and while his storyline could be excised from the film entirely, he at least has the right idea of what his contributions are.  Knowing that Universal plans to craft a new franchise from their Stable of Scary, I wonder if the whole Prodigium business was folded in late in the game to tee up the Dark Universe.  Poor Wallis has a role that is entirely exposition, I don’t think she’s given one line that isn’t specifically meant to explain or clarify so the performance feels like the appendix it was written to be.  The true star here is Boutella and whenever she’s onscreen the film starts to crackle and pop only to be muffled by Cruise’s overbearing presence.  I like Cruise quite a lot but even I must admit he’s been given too much room to play.

Amidst a bunch of hokum happenings and a screenplay that’s pretty pokey, there are a handful of slick moments of fun that hint at what the movie could have been had it found a better focus.  A mid-air disaster is staged with edge-of-your-seat excitement and an underwater chase managed to make me hold my breath as Cruise and Wallis try to outswim a horde of the undead.  Being released in 2D and 3D formats, I caught it in 3D and since so much of the film is set at night or in dark underground lairs I’d advise going for a 2D screening which might produce clearer visuals.

There’s nothing I look forward to more than a good old-fashioned monster movie.  I don’t need flashy special effects or 3D gimmickry to get on board, just give me a good creature, a decent plot, and invested performances and I’m happy.  While Universal’s reboot of The Mummy doesn’t consistently hit any of the above specifications, it grazes them long enough to produce a somewhat enjoyable but ultimately misguided first step into a new franchise involving their classic catalog of monsters.

The Silver Bullet ~ The Mummy (2017)

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Synopsis: An ancient princess is awakened from her crypt beneath the desert bringing with her malevolence grown over millennia and terrors that defy human comprehension.

Release Date: June 9, 2017

Thoughts: If you didn’t know any better, the first few moments of this first look at Universal’s 2017 reboot of The Mummy may feel like you’ve fallen into another Mission: Impossible entry.  There’s Tom Cruise looking quite Cruise-ish in a cargo plane carrying the remains of an ancient princess.  Before they can even get through customs (or land the aircraft) trouble brews with Cruise (Jack Reacher: Never Go Back) winding up in a body bag.  What’s so nice about this thrilling teaser is that is leaves you with more questions than answers.  Where the 1932 original was a classic horror, its 1999 reboot owed more to Indiana Jones than to its source material.  This new take on The Mummy, however, looks to blend the best of previous incarnations.  With Russell Crowe (The Water Diviner) and Annabelle Wallis (Annabelle) along for the adventure under the direction of Alex Kurtzman (People Like Us), look for this one to be unwrapped in a prime summer slot.

Movie Review ~ Jurassic World

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The Facts:

Synopsis: Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a new attraction is created to re-spark visitor’s interest, which backfires horribly.

Stars: Bryce Dallas Howard, Judy Greer, Chris Pratt, Ty Simpkins, Jake Johnson, Nick Robinson, Irrfan Khan, Vincent D’Onofrio, BD Wong, Omar Sy, Katie McGrath, Lauren Lapkus, Andy Buckley

Director: Colin Trevorrow

Rated: PG-13

Running Length: 124 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review: The original tagline for Jurassic Park was “An adventure 65 million years in the making” and I can summarize my thoughts on Jurassic World with something quite similar: An adventure 65 million and 22 years in the making. After wading through two lesser-than sequels that were equal parts boring and silly, audiences finally are getting the sequel we’ve deserved for the last two decades. It’s not as ground breaking or awe-inspiring as the first film but it comes pretty darn close by going back to where it all started and creating a rarity in filmmaking these days…excitement.

Largely ignoring the events that transpired in The Lost World: Jurassic Park and Jurassic Park III, Jurassic World feels like the direct sequel to Steven Spielberg’s 1993 film and mores the better because of it. Now the film is free from having to explain away “Site B” and the lame San Diego-set finale of the first sequel. From its opening title shot of hatching eggs leading into a clever nod to an iconic image from the original, the movie earns its stripes by introducing us to actual characters this time around, rather than walking meals on wheels destined to become dino chew toys.

Brothers Gray (Ty Simpkins, Insidious) and Zach (Nick Robinson) are leaving their wintery Wisconsin homestead for the warm weather and excitement of the Jurassic World theme park. Gray is a big dinosaur buff but it helps that their aunt Claire (Bryce Dallas Howard) is head of operations at the dino-themed world of wonder. There’s some thin subplot with the boys and their bickering parents but the film largely forgets about it and so should you.

Claire doesn’t have much time to spend with them because she’s in the midst of securing sponsors for the park’s newest attraction, a genetic hybrid dinosaur cooked up in the lab (governed by B.D. Wong, the only returning character that isn’t from the prehistoric era) as a way to renew interest in the park. You see, the public is bored with dinosaurs now that they are so easily accessible so the park has to reinvent itself every few years to stay financially stable. There’s a heavy amount of product placement in the film but unlike other summer blockbusters the products featured here are there for a purpose, showcasing the rampant consumerism and sponsorship in marketing today.

Fears about the safety of the containment facility of the new species means that Claire has to call on rugged Owen for assistance. Played by Chris Pratt, Owen is a retired army man that has a bond with the four raptors he’s been training and doesn’t have time or interest in the financial stakes of the park. When the clever dinosaur manages to escape (in the first of several gruesome and gruesomely thrilling sequences), Owen and Claire work together to take down the beast on the loose before she makes it to the main section of the park where 20,000 tourists are enjoying fun in the sun.

Admittedly, the media hype surrounding the film has spoiled more than a few of the surprises the theme park has cooked up in the past two decades. From a gigantic water-based dinosaur to the pterodactyls housed in a mountain aviary, there isn’t much the film hasn’t outright shown or hinted at in the ads leading up to the release. But fear not, more than a little of the fun of the film is seeing how it all comes together…and don’t forget this is the island where the original took place so keep your eyes out for well-placed mementos of the past. The finale may borrow a bit from 2014’s Godzilla but I found it to be an adrenaline-fueled reward for those of us that have waited so long for the sequel.

If I’m going to knock the film for anything it’s the violence. Yeah yeah yeah, it’s a PG-13 movie and it’s not as gory as it could have been but it’s simply too frightening to take young children too. Many an unlucky soul is eaten and they don’t always go quietly so I’m urging parents to think twice before bringing their children along with them. The violence isn’t just to humans either and I was a little amazed at how visceral a reaction I had in several dino on dino battles.

I had heard some internet buzz that the CGI was poor in Jurassic World but that couldn’t be further from the truth. There’s some top-notch creations here and the effects team mixes computer animation and animatronic models with skill, once again blurring the lines between fantasy and reality. From a baby triceratops giving a ride to young children to the fearsome size of the genetically created Indominous Rex there are moments in Jurassic World where I was transported back in time to the first screening of Jurassic Park.

While I doubt any cast assembled could top the original, director Colin Trevorrow has cast the film with some unexpected choices. Pratt (Guardians of the Galaxy) is a nice, meaty slick of bo-hunk that comes across better in the finished film than he did in a frightfully bad clip released a few months back. I’ve always found Howard to be a bargain basement Jessica Chastain and it’s true her blunt ginger bob is the most severe thing about her, but she too makes for a good female protagonist even if she’s forced to do it in a cream ankle-length sheath dress and high heels. Claims that the film has a sexist tone aren’t totally unfounded, but it feels like it comes from an old-school battle of the sexes place rather than a misogynistic one (helps that the screenwriters are husband and wife).

Making a huge leap from his first film (Safety Not Guaranteed), sophomore director Trevorrow seemed like a random choice when it was announced he was sitting in the director’s chair but credit producer Steven Spielberg (JAWS) with knowing talent when he sees it. Trevorrow keeps things tight and exciting from beginning to end, never letting the audience get ahead of the film and treating them to a bundle of scares and adventure along the way.

I’d waited over a decade for another Jurassic Park movie and wasn’t the least bit disappointed in Jurassic World. It not only honored the film that started it all but made a comfortable place for itself on the shelf next to Spielberg’s history-making effort.

The Silver Bullet ~ Jurassic World

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Synopsis: Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond.

Release Date: June 12, 2015

Thoughts: I love the holiday season that is swiftly approaching, the great food of Thanksgiving, the joy of Christmas, the promise of a New Year, and the anticipation of an awards season that looks to be packed with the most worthy of contenders.

After watching the first trailer for 2015’s Jurassic World, though, I kinda want them all to be over so we’ll be that much closer to seeing what’s up with the dinos 22 years after their debut in Steven Spielberg’s landmark original.  I was skeptical at first that this fourth film would be in line with the sillier third entry but our first look has a Spielberg vibe of adventure and wonderment flowing through its veins.  With Chris Pratt (Guardians of the Galaxy) heading the cast and a nice tease of familiar dinos and one nasty new one, this park can’t be open soon enough.