Movie Review ~ Love, Antosha


The Facts
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Synopsis: A portrait of the extraordinary life and career of actor Anton Yelchin.

Stars: Irina Yelchin, Viktor Yelchin, Anton Yelchin, Drake Doremus, J.J. Abrams, Sofia Boutella, John Cho, Willem Dafoe, Jennifer Lawrence, Jodie Foster, Chris Pine

Director: Garrett Price

Rated: R

Running Length: 92 minutes

TMMM Score: (7.5/10)

Review: Love, Antosha starts out like many documentaries about a life cut short often do.  A young child is being filmed by his dad showing off his imagination in creating a world of his own.  Even in this brief moment, we see the light of interest in the boy, a spark of undeniable joy of life and you can just imagine what the parent on the other end of the camera was feeling in watching their son.   The boy would grow up to be a loving son, a trusted friend, a gifted artist, a curious man, a photographer, a movie star, and the victim of tragic accident that took his life at 27.

Born in Leningrad to parents famous in their own right as figure skaters in the Ice Ballet and qualifiers in the 1972 Olympics, Anton Yelchin and his family came to America in 1989 with the hopes of starting a new life away from the oppression of the Soviet regime.  Barely six months old when he arrived in the United States, Anton grew up in California and, nurtured by parents that supported their only child, found his way into acting, first in commercials and eventually in small movies that lead to bigger roles.  Early co-stars included Anthony Hopkins, Morgan Freeman, Diane Lane, and Robin Williams. An engaging lead or a scene-stealing supporting player, Yelchin was equally at home in bold indies or big blockbusters.

Director Garrett Price has amassed a healthy collection of archival footage of Yelchin (Green Room, Only Lovers Left Alive, Star Trek) from personal videos to press interviews and he intersperses those with memories from his family, friends and co-workers that clearly held him in high regard.  Not surprisingly, there isn’t anyone that has a bad thing to say about the young man and with good reason.  From the hand-written letters to his parents to videos with friends, he seems like the thoughtful and considerate life-of-the-party.  If he couldn’t speak it, he would put it to music and sing it.  And any note to his mother always ended with the two words in the movie title.

What gives Love, Antosha an extra boost is that while Yelchin was a familiar face from his numerous film and television credits, he wasn’t much in the public eye during his time in Hollywood.  Most of his closest friends weren’t in the business and if they were, they too kept a low profile.  That allows Price an opportunity to spend more time showcasing the Yelchin we didn’t get to see, and it gives the interview subjects a moment to shine a light on their fallen friend and collaborator.  We also learn some surprising facts about Yelchin related to his health only released after his death that show how much the actor overcame to get where he was, which weirdly winds up giving greater irony to his fatal accident.  Yelchin may already have been playing on borrowed time, so his zest for life wasn’t entirely without preparation.

Considering how many productions Yelchin was involved with, it’s amazing Price was able to get small slices of time with a host of A-List talent and ask them to reflect on their time with the actor.  Directors like Jodie Foster and J.J. Abrams speak of an intellectual actor able to make even the smallest moment matter in unexpected ways, co-stars Chris Pine and Willem Dafoe remark on Yelchin’s extra-curricular activities as a photographer interested in the seedier side of things, and friends Jennifer Lawrence and John Cho offer additional insights into what made Yelchin such a dynamic presence to be around.  Special mention for Kristen Stewart who speaks with a mixture of youthful embarrassment but adult graciousness on how Yelchin was her first heartbreak. Most poignant are the moments spent with his parents who came to this country searching for a better life and now spend each day visiting their son’s grave.

The bits and pieces of a life could never be summed up in 90 minutes but Price has done wonderful work sketching out the trajectory of how Yelchin came to make his way up through Hollywood.  At the same time, it miraculously doesn’t dwell in the melancholy of his tragic death, either.  Though obviously still grieving the loss of their only child, his parents have a matter-of-factness to the way they speak of their son.  They clearly still have that image of the boy working through new make believe in front of the camera in their heads…and now they have Love, Antosha to remind them how much he meant to others as well.

31 Days to Scare ~ The Silence of the Lambs

The Facts:

Synopsis: A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.

Stars: Jodie Foster, Anthony Hopkins, Ted Levine, Brooke Smith, Scott Glenn, Anthony Heald, Lawrence A. Bonney, Kasi Lemmons, Lawrence T. Wrentz

Director: Jonathan Demme

Rated: R

Running Length: 118 minutes

TMMM Score: (10/10)

Review: As we began to near the end of 31 Days to Scare 2017 I started thinking about what could be the grand finale selection. So many films from the golden age of Hollywood or the new wave of auteur filmmakers could have taken the final spot and there are certainly classics and classics in the making I’ve neglected to feature this year…but at the end of the day it call comes down to this: The Silence of the Lambs.

Though many would classify this as more suspense thriller than outright horror, I’d argue it’s a hybrid of numerous genres. Encapsulating everything from the cold sweat of a Western face-off to the investigative moxie of a political conspiracy flick, The Silence of the Lambs isn’t just one thing at any one time. That’s why it’s an enduring classic, a movie that swept the Academy Awards though the Academy had long had a clear aversion to rewarding any kind of horror effort. Director Jonathan Demme (Ricki and the Flash) brought his assured A-game to the screen and working with Ted Tally’s brilliant adaptation of Thomas Harris’s chilling novel they created something mighty special…and very very VERY scary.

Agent Clarice Starling (Jodie Foster, Carnage) is plucked from a morning run on the orders of her superior Jack Crawford (Scott Glenn, The Bourne Legacy). He wants her to take a swipe at interviewing the notorious serial killer Hannibal ‘The Cannibal’ Lecter (Anthony Hopkins, Noah)and see if he’ll open up to her. She sees it as a chance to impress her boss, Crawford hopies it’s something more than that. Knowingly sending her into the hungry lions den as bait, he hopes to entice the brilliant madman into helping with the investigation into an active killer (Ted Levine) that has been abducting, shooting, and skinning his victims.

The initial meeting between Starling and Lecter is the stuff of movie clip show heaven. A master class of restrained acting from both actors (who would win Oscars for their work), these scenes are so intricately designed because often the two aren’t even in the same shot as the other…yet it’s directed in a way that you feel they are. It’s a thrilling and dangerous relationship and though there are other supporting characters in the movie (Kasi Lemmons, Candyman, as Clarice’s academy friend and Brooke Smith, Interstellar, as a new target for the murderer) the movie is at its absolute best when Foster and Hopkins are quid pro quo-ing.

The clues that Lecter gives Starling sends the young trainee on her own hunt to find the madman while working through painful memories of her past. Lector preys on her vulnerability that’s hidden far beneath her steely exterior. He knows she has a lot to prove and manipulates every situation to make her demonstrate her worth…down to catching a killer almost entirely on her own. Whether she’s crawling into an abandoned storage unit (creepy!) or being pursued in an underground labyrinth (seriously…creepy!) Foster plays Clarice as intelligent but not a soothsayer in knowing the best way around each situation. With limited screen time, Hopkins is really a supporting player but his impact is so great and his presence so missed when he’s not around he easily nabbed his Best Actor statue away from other nominees.

The late Demme’s personal preference for having actors speak directly into the camera makes the movie feel very intimate, secretive, real…he does this in most every one of his films but never to the success rate he achieves here. It’s a movie that works every time in every single way. There’s no fat anywhere to be found, it’s 118 minutes of perfectly constructed shots and revealing dialogue. Winning Oscars not only for its lead actors but for Demme, Tally, and Best Picture, The Silence of the Lambs is tough viewing and not for the squeamish but to see it is to appreciate the stylish storytelling on display. Perfect.

The Silver Bullet ~ Money Monster

 

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Synopsis: A bombastic TV personality is taken hostage along with his crew live on air. Unfolding in real time, they must find a way to keep themselves alive while simultaneously uncovering the truth behind a tangle of big money lies.

Release Date: May 13, 2016

Thoughts: I miss Jodie Foster.  The two time Oscar winner hasn’t been in a film since 2013 (Elysium), choosing her projects so carefully that she’s now in a state of semi-retirement.  So whenever she does choose to come out to play, I tend to take notice.  Foster’s in the director’s chair for Money Monster but she’s brought on some heavy artillery casting two mega A-list movie stars to play a brash financial guru and his weary producer that get taken hostage by an irate fan. Foster’s directing roster may be spotty but this has the whiff of something interesting, and not just because George Clooney (Tomorrowland) and Julia Roberts (Mirror, Mirror) look well-matched (too bad I Love Trouble hadn’t been made today…then again…). Co-starring Jack O’Connell (Unbroken) and arriving at the cusp of the onslaught of big summer pictures, I’ll invest some time in this Monster.

Movie Review ~ Elysium

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The Facts:

Synopsis: Set in the year 2154, where the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth, a man takes on a mission that could bring equality to the polarized worlds.

Stars: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, William Fichtner, Wagner Moura

Director: Neill Blomkamp

Rated: R

Running Length: 109 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: Achieving a minor miracle of a success with 2009’s District 9 (which went on to receive an Oscar nomination for Best Picture), it’s interesting that it took director Neill Blomkamp several years to release his follow-up film.  Laboring long and hard on a film that, like District 9, is not merely a science fiction stunner but a thinly veiled allegory about something bigger the wait was (mostly) worth it with Elysium.

Now I know this film has some problems.  Its storyline is a bit fractured with holes that are wide and frequent but it’s the intense focus on the superior visual design of the movie that earns high marks from this reviewer.  Surely housing the best looking effects of any film released in 2013, Elysium sometimes becomes too enamored of its own shine and flash and that’s why it’s class warfare parable doesn’t seem as fully fleshed out as Blomkamp’s apartheid statement hiding under the wiry guts of District 9’s plot.

That being said, you have to hand it to Blomkamp for aspiring to something greater than just delivering straight-forward science fiction with a message that doesn’t seem force-fed or totally obvious.  I’ve mentioned in my review of the trailer for Elysium that Matt Damon (Promised Land) and Jodie Foster (Carnage) are notoriously choosy about their films and it isn’t hard to see why both actors eyeballed this project.  Though I don’t feel either broke any new ground, it winds up providing solid fodder for Damon to continue his flawed hero character he’s been honing since the Good Will Hunting days and for Foster to fashion another ice queen so brittle she might break if she bumped into a wall.  Foster adopts a strange accent that sounds like it was both an afterthought and extensively fixed in post production dubbing…it just felt off and a rare misstep for the actress.  The most satisfying performance comes from Sharlto Copley’s (Europa Report) wicked wicked contract killer, a rough and tumble movie villain from a movie era long since obliterated.

Blomkamp’s script has its fair share of twists and interesting commentary about future society until it pares back the bigger ideas for bigger action sequences.  These aren’t necessarily unwelcome bits of action but it feels like Blomkamp was a servant to two masters…his own ideology of what he could say with this film and a movie studio that supports the director but also sees the bottom line of a summer action film.

I did enjoy the film more than I thought I would and found it a wonder to look at, if not always to follow along with.  I’m hoping that Blomkamp gets back to what made his first US splash such a smash and find a way to achieve more balance with what he’s saying and what he’s showing.

The Silver Bullet ~ Elysium

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Synopsis: Set in the year 2154, where the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth, a man takes on a mission that could bring equality to the polarized worlds.

Release Date:  August 9, 2013

Thoughts: South African filmmaker Neill Blomkamp made a big splash with his first film, 2009’s District 9, a sci-fi action film set in the future that was a very thin veiled statement on the horrors of apartheid.  With his newest film, he seems to be taking on a bit of class warfare in the quest of equality.  Attracting the notoriously picky Matt Damon (Promised Land) and Jodie Foster bodes well for the quality of the picture, and this first trailer shows the August release has impressive visuals to go along with its action roots.  We’ve had a healthy run of futuristic pictures in the last few years and it will be interesting to see how Elysium fits into the genre.