Synopsis: A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never-before-seen footage.
Stars: Chevy Chase, Kevin Bacon, Al Jean, Billy Bob Thornton, Ivan Reitman, John Landis, Judd Apatow, P.J. O’Rourke
Director: Douglas Tirola
Running Length: 98 minutes
TMMM Score: (7/10)
Review: Though I’ve watched quite a few of the big screen offerings boasting the name National Lampoon, I don’t think I’ve ever actually seen the bawdy, rule-challenging magazine that started it all. Those in the same boat as me will be well served to devote some time to Douglas Tirola’s Lampoon love letter Drunk Stoned Brilliant Dead: The Story of the National Lampoon because it gathers nearly every living member that was a major contributor to the magazine and films, detailing how the magazine rose to record high circulation before crashing and burning near the turn of the century.
The ground-breaking publication had a 28 year run starting in 1970, born as an offshoot of sorts to the Harvard Lampoon, a chaste satire magazine that I’m pretty sure didn’t feature as many bare breasts as its wicked cousin. Attracting some of the best and brightest in young comedic talent, the magazine grew to phenomenal popularity in pop culture and found its players turning up on a radio shows, stage plays, and, eventually movies.
The timing seems right for this documentary, coming on the heels of the numerous retrospectives that surrounded the 40th Anniversary of Saturday Night Live. Looking at the members of the National Lampoon that were eventually lured away to form the original cast of SNL, you get an even greater sense as to where they cut their satiric teeth before achieving the national spotlight every Saturday night.
It’s a fairly straight-forward documentary with good sound bites presented by people with names we recognize more for their behind the scenes contribution than anything onscreen. Though they are now older and (maybe) wiser, the wealth of timeworn photos show that in their heyday these people partied hard and produced a ribald humor magazine that was a counter-culture phenom of its time. It’s hard to know if such a thing could happen in this day and age, making the National Lampoon a time capsule of sorts for how things (and people) (and humor) used to be.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
I just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do
The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).
A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.
I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.
Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.
The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.
Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.
Movie Review ~ Batkid Begins The Facts: Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon. Stars: Miles Scott Director: Dana Nachman Rated: PG Running Length: 87 minutes TMMM Score: (7/10) Review: Can I admit something to you and not have you hate me? When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor. Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day? Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer. Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization. While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.
Movie Review ~ The Overnight The Facts: Synopsis: A family “playdate” becomes increasingly interesting as the night goes on. Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche Director: Patrick Brice Rated: R Running Length: 79 minutes TMMM Score: (7/10) Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway. A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing. Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple. Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over. Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section. It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.
Movie Review ~ Ant-Man The Facts: Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson Director: Peyton Reed Rated: PG-13 Running Length: 117 minutes TMMM Score: (6/10) Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie. I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxybut it’s sadly missing the humor that made Guardians so much fun. It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber. I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe. Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities. A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.
Movie Review ~ Irrational Man The Facts: Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act. Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg Director: Woody Allen Rated: R Running Length: 96 minutes Trailer Review:Here TMMM Score: (6/10) Review: It happens every year and every year you never quite know what to expect. I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair. I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer. Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man. As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack. Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore. Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.
Movie Review ~ Trainwreck The Facts: Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy. Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man Director: Judd Apatow Rated: R Running Length: 125 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene. Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work. Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome. I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all. The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative. He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film. Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss. Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.
Movie Review ~ Mr. Holmes The Facts: Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman. Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker Director: Bill Condon Rated: PG Running Length: 104 minutes Trailer Review:Here TMMM Score: (8/10) Review: In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up. McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life. With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon. Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too. An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.
Movie Review ~ Paper Towns The Facts: Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door. Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith Director: Jake Schreir Rated: PG-13 Running Length: 109 minutes TMMM Score: (7/10) Review: After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks. Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars. While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children. Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons. The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown. Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.
Movie Review ~ Pixels The Facts: Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games. Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad Director: Chris Columbus Rated: PG-13 Running Length: 105 minutes TMMM Score: (3/10) Review: A movie where everyone involved should hang their head in shame. There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything. Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance. For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.
Movie Review ~ Southpaw The Facts: Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track. Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris Director: Antoine Fuqua Rated: R Running Length: 123 minutes TMMM Score: (6.5/10) Review: By now, we know that Jake Gyllenhaal is a smart actor. With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles. So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars. I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland. Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.
Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film. If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind. I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving. Worth it for the performances but gets knocked out by an also-ran plot.
Movie Review ~ Samba The Facts: Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo Director: Olivier Nakache, Eric Toledano Rated: R Running Length: 118 minutes TMMM Score: (5.5/10) Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of. And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit. From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien. Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film. I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved. Slightly recommended but only if the plot or stars appeal to you.
That almost did it for July…but there was still one weekend to go! Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn. I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.
I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation. I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t. It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up. Still, I’m hoping it made enough money to warrant a holiday themed sequel. In any event…it’s a damn sight better than European Vacation.
Wow – July didn’t skimp on variety, did it? Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?
Synopsis: Since she was a little girl, it’s been drilled into Amy’s head by her rascal of a dad that monogamy isn’t realistic. When she finds herself starting to fall for the subject of the new article she’s writing, Amy starts to wonder if other grown-ups, might be on to something
Release Date: July 17, 2015
Thoughts: There’s little love lost between me and director Judd Apatow. Though he’s got a better track record as a producer, in my book his directorial efforts are long, languid, lugubrious, and lame. Sure, his first few films had a certain freshness to them but by the time we got around to the seriously dreadful This is 40 I literally threw my hands up in exasperation at Apatow’s inability to deliver a movie with true insight or a running length of less than two hours.
With any luck, Apatow is merely the silent conductor on writer/star Amy Schumer’s (Seeking a Friend for the End of the World) comedy train. The raunchy comedienne would seem to be a natural fit with Apatow’s style but I’d hope she insisted on bringing in an editor to keep the film as compact as possible. Sadly, I’m not inspired by the overly long trailer or a stream of cameos by famous faces not known for their acting chops. Still, check out Tilda Swinton (Only Lovers Left Alive)…with her modern feminine look the actress shows again that she’s operating outside the expected.
Review: A miserable cinematic mallet to the head, This Is 40 is the latest film from director/writer Apatow and is being billed as a “sort-of sequel” to his 2007 blockbuster Knocked Up. Instead of continuing on the story of the mismatched couple that found themselves pregnant, Apatow has crafted a very long follow-up that focuses on the characters from the “B” storyline from the first film. In Knocked Up, married couple Pete (Rudd) and Debbie (Mann) were interesting variations on the best friend characters…people that had problems of their own that didn’t always come to the rescue like they would in most films.
In This Is 40, Debbie and Pete are both approaching the big 4-0 within days of each other (at least I think they are close together, the timeline for the film seemed to be rewritten every half hour) and…stop me if you’ve heard this before…the female is taking getting older worse than the male!!! I know, right? Unheard of! That’s just one of the many clichéd situations, jokes, dialogue, etc. that This Is 40 employs in its epically long 2 ¼ hours.
It’s clear that Rudd (Wanderlust, The Perks of Being a Wallflower) and Mann (ParaNorman) have good chemistry and, like Knocked Up, I totally bought them as a married couple. I’m just convinced that these particular characters didn’t need another whole film to themselves to complete their arc. What’s more, this film is LONGER than Knocked Up and doesn’t have the strong supporting players that film did to keep things moving. Instead, the movie is laboriously carried by Rudd, Mann, and the actresses playing their daughters. Did I mention that Mann is married to Apatow and their real-life children play the offspring of Mann/Rudd (clearly standing in for Apatow) in the film? Basically you are paying money to see the Apatow family home movies.
Like Apatow’s previous directorial efforts (Knocked Up, The 40 Year Old Virgin, Funny People) the movie is nearly 90 minutes too long. There is so much extraneous material here that Apatow has seemed to jump the Director’s Cut gun and just given us his preferred cut of the film now instead of later. What’s more, Universal Studios let him do it! There are characters and scenes that could be wholly excised and not harm anything integral to the story yet there they are consistently ruining any sort of momentum the film gets going. I’d go out on a limb and say that every scene went on at least a minute too long.
When you have to say that Megan Fox is the best of the supporting players, you know you may be in trouble. The truth is, Fox is quite good as an employee at Mann’s barely mentioned California boutique and she saves whatever scenes she’s a part of…even though many of the jokes come at her expense. Brooks and Lithgow play Rudd and Mann’s loser fathers – both actors could play these characters in their sleep…and it looks like they are asleep most of the time. (Interesting to note that the credits list more make-up artists for Brooks than Mann…yet he still looks like a sand dune with eyes) Yi and O’Dowd are awful in their roles…McCarthy starts off fairly well in her glorified cameo until she and Apatow take the comedy to an out-of-control hyper-vulgar state that lost my attention almost immediately.
Vulgarity is really the lifeblood of this film and Apatow may have thought he was being real witty letting his actors use all the swear words in the book and their derivatives but it only shows how average his writing style is by not finding a better voice to give to his actors. I’m absolutely no prude when it comes to potty mouth-edness but the amount of expletives that come from every person in the film (even the children) is exhausting and undercut any point they are trying to make while using them.
Mann and Rudd spend 98% of the movie bickering and when they aren’t bickering they’re drunk, or high, or having sex, or laughing at their own jokes. By the time Mann blows up at Rudd for the 900th time, the audience is numb to the conversation and we just await their eventual reconciliation. Even if Apatow gets in a few on-the-nose observations about married life, they wind up being overshadowed by a general feeling of misery that is absolutely toxic.
So, in summary, here’s what I learned from seeing This Is 40: Marriage is hard, raising kids isn’t easy, parents are crazy, getting old sucks, and young people have different musical tastes than older people. Cutting edge material, Mr. Apatow….cutting edge. It’s hard to believe that the same guy that gave us the excellent and witty television show Freaks and Geeks has sunk to this sub-par level. It’s one of the least entertaining and least funny films released in 2012.
Synopsis: A look at the lives of Pete and Debbie a few years after the events of Knocked Up.
Release Date: December 21, 2012
Thoughts: In my review of the teaser trailer to This Is 40 I made mention that while I was a fan of director Judd Apatow’s work I remain concerned that he doesn’t know how to edit himself. His movies tend to run long and belabor the points that he’s made at several junctions. I’m betting this “sorta sequel” to Knocked Up runs over two hours but let’s hope against hope that Apatow has learned how to edit judiciously. This second trailer opens up the film a bit to show more of the supporting players (many are Apatow staples) and gives us a heads up that the raunchy humor will be delivered in full force. I think Rudd and Mann are appealing actors and non-traditional leading players so am looking forward to this…I just want to know how large of a soda I’ll have to get so as not to need a bathroom break.