The Silver Bullet ~ Star Wars: The Last Jedi (Trailer #2)

Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Release Date: December 15, 2017

Thoughts:

The Silver Bullet ~ Star Wars: The Last Jedi

Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Release Date: December 15, 2017

Thoughts: Star Wars, Luke Skywalker, OMG, Amazing, Laura Dern, December Get Here Soon!, Why are you still reading my thoughts…watch the first teaser trailer now!

Movie Review ~ Star Wars: The Force Awakens

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The Facts:

Synopsis: A continuation of the saga created by George Lucas and set thirty years after Star Wars: Episode VI – Return of the Jedi.

Stars: Harrison Ford, Carrie Fisher, Mark Hamill, John Boyega, Daisy Ridley, Oscar Isaac, Max von Sydow, Adam Driver, Domhnall Gleeson, Gwendoline Christie, Lupita Nyong’o, Andy Serkis, Anthony Daniels, Kenny Baker, Peter Mayhew, Crystal Clarke, Pip Anderson, Christina Chong, Miltos Yerolemou

Director: J.J. Abrams

Rated: PG-13

Running Length: 135 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: Hey all you spoiler-phobic Star Wars fans…you’ve come to the right place!  Have no fear, I’m not going to reveal any major plot points or ruin any of the surprises that director J.J. Abrams (Star Trek, Star Trek: Into Darkness) has in store for you.  So I’m going to give you two reviews…one that is as spoiler-free as can be and another that will be slightly more descriptive (but still without any key points you aren’t already aware of).  Are you ready?  OK!

Totally spoiler-free review:

The wait was worth it and Star Wars fans finally have the sequel they’ve been waiting for since 1983’s Return of the Jedi.  The effects are marvelous, the script tight, and the score by John Williams returns the sound of the series back to its grandly epic origins.  In short, it’s a film that knows where it came from and has a vision for the future.

Now…for some more descriptive musings on Star Wars: The Force Awakens.

There’s a moment in the silent moments before Star Wars: The Force Awakens begins when my heart started to beat a little faster, my breath started catching a bit.  After all this time, a direct sequel to the original trilogy of the operatic space odyssey created by George Lucas was waiting mere frames away.  The time to hold grudges against the weak prequels vanished when those familiar words came up on screen… “A long time ago in a galaxy far far away…” and then…the logo, the music, the opening crawl that lays out what’s been going on since we last saw Luke, Leia, Han Solo, and other creatures great, small, or mechanical.  I gotta admit, I had goosebumps from the tips of my toes to the top of my head.

With the Sith destroyed and the Empire fallen, a new enemy has surfaced that threatens the peace the Resistance has tried to bring to the galaxy.  The First Order has risen from the ashes of the Empire with a new leader (Supreme Leader Snoke, Andy Serkis, Dawn of the Planet of the Apes), a new General (Hux, Domhnall Gleeson, About Time), and a new commander (Kylo Ren, Adam Driver, Frances Ha) strong with the force with ties to Darth Vader.  The First Order is searching for a warrior gone missing, tracking an ace pilot for the Resistance (Oscar Isaac, A Most Violent Year) to a planet where he’s meeting with an elder (Max Von Sydow, Extremely Loud and Incredible Close) who holds a key to the warrior’s whereabouts.

In a nice tip of the hat to the original Star Wars, this important piece of information is hidden within a droid and soon finds itself in the hands of Rey (newcomer Daisy Ridley), an otherwise ordinary civilian that must travel from her planet via a familiar ship long since left for junk.  Accompanied by defecting Storm Trooper Finn (John Boyega) before being joined by Han Solo (Harrison Ford, The Expendables 3) and Chewbacca (Peter Mayhew), all are thrust into an adventure that hops planets and light years.

When Disney bought Lucasfilm Ltd (thereby acquiring the rights to the Star Wars franchise) for a cool $4 billion there was a general discomfort that the House of Mouse wouldn’t do right by the characters.  But Disney has delivered, and delivered in a big way.  The $200-million-dollar film looks amazing with top-notch special effects seamlessly blending with live action to create 135 minutes of thrilling sequence after thrilling sequence.  Not all thrills come from special effects though; just try to stave off the chills of hearing John Williams stirring score or deflect the rousing excitement of Han Solo reuniting with Princess (now General) Leia (a marvelously sanguine Carrie Fisher).  When Ford and Fisher are on screen together the decades absolutely melt away and screenwriters Lawrence Kasdan, Michael Arndt, and J.J. Abrams have wisely kept their banter appropriately campy and fun.  Ford in particular looks like he’s having more fun on screen then he’s had in years, reminding us why he’s a movie star.

Speaking of stars, Abrams has impeccably cast the film’s two leads with Ridley being the clear stand-out.  Reminding me of a younger Keira Knightly, Ridley ably handles the range of her arc which puts her in numerous precarious situations.  Boyega, too, is a welcome presence and while early on the actor tries a bit too hard, he’s redeemed by the end once he relaxes into the role.  Both actors bring an energetic vibrancy to the screen, we’ve just met them yet we’re on their side from the beginning.  They mesh nicely with the returning cast members and other new faces (including 12 Years a Slave Oscar-winner Lupita Nyong’o as a kind of next-gen Yoda), making this an easily accessible film for longtime fans or those new to the franchise.

If I had one gripe, it’s a small-ish one and it has to do with the Serkis’ realization of Snoke.  The one effect that comes off as too CGI, I wished that the larger than life baddie was introduced on a more practical level instead of being motion-captured to the high heavens into a shadowy evil from the Dark Side.  Still, it’s a small complaint for a film that’s overwhelmingly enjoyable.

Before seeing this seventh episode of the Star Wars saga, I was planning on re-watching all of the films (which I hadn’t seen in, gulp, nearly a decade) to bone up on the story up until this point.  Time constraints made that impossible and in a way I’m glad that I hadn’t inundated myself with previous installments because it helped me take in The Force Awakens for what it was, the beginning of the next chapter of Star Wars.  And what an impressive beginning it is.

The Silver Bullet ~ The Jungle Book (2016)

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Synopsis: An orphan boy is raised in the jungle with the help of a pack of wolves, a bear, and a black panther.

Release Date: April 15, 2016

Thoughts: You’ve got to hand it to Disney, while other studios are remaking/rebooting their films (sometimes cannibalizing them along the way), the House of Mouse is taking an interesting approach and remaking their classic animated endeavors as larger than life live-action spectacles. With the success of the rides turned movies like Pirates of the Caribbean franchise (let’s forget The Haunted Mansion and The Country Bears happened, shall we?) and a splendid live-action of Cinderella, it’s looking like it is going to become a yearly event to see cartoons come to life. First up is The Jungle Book and it’s a challenging property I wouldn’t have thought Disney would take on so early but the first look presented here feels like an exciting take on the much loved story of a Mowgli and his jungle friends. Directed by Jon Favreau (Iron Man) and featuring the voices of Bill Murray (Aloha), Scarlett Johansson (Under the Skin), Idris Elba (Mandela: Long Walk to Freedom), Lupita Nyong’o (12 Years a Slave), Ben Kingsley (Iron Man 3), and Christopher Walken (Jersey Boys), it’s a wild gamble that I’m sure Disney is hoping will pay off…especially with a live-action Beauty and the Beast being prepped for 2017.

The Silver Bullet ~ Star Wars: Episode VII – The Force Awakens

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Synopsis: A continuation of the saga created by George Lucas set thirty years after The Return of the Jedi.

Release Date:  December 18, 2015

Thoughts: If you’ve been following this blog for any length of time you’ll know that I love a good, old-fashioned teaser trailer.  Lately, a “teaser trailer” has been more along the lines of a 2:30 (or longer) appetizer to share rather than the kind of amuse-bouche executed so skillfully during the late 80s/early 90s.
Blessedly, our first look at the hotly anticipated next chapter in the Star Wars franchise harkens back to those fondly remembered days of yore when brief glimpses whet the whistle of movie audiences everywhere.

Directed by J.J. Abrams (who successfully rebooted another Star franchise with Star Trek and Star Trek: Into Darkness) and co-written by Lawrence Kasdan (continuing his long history with the franchise after scripting The Empire Strikes Back and Return of the Jedi) it’s an understatement to say that whatever countdown fans have had for a new outer space adventure has officially started now that this satisfying peak has been released.  My only concern as of now is that with Abrams on board it will look similar to the Star Trek films and rely too much on the director’s flare for the, well, solar flare camera work he’s become infamous for.

Grumble grumble quibble quibble…right?  When all is said this, along with Jurassic World, are two of my most anticipated films of 2015.

Movie Review ~ Non-Stop

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The Facts
:

Synopsis: An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.

Stars: Liam Neeson, Julianne Moore, Nate Parker, Michelle Dockery, Scoot McNairy, Lupita Nyong’o, Linus Roache, Corey Stoll

Director: Jaume Collet-Serra

Rated: PG-13

Running Length: 106 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review: I’m that weird duck traveler that loves to head off for an adventure but dreads the flight that will take me to my destination.  I don’t know why I have this irrational fear of flying and though I’m not someone that white knuckles it from wheels up to wheels down let’s just say that the sooner I’m back on solid ground the better.   

All that aside, can I just tell you how much I enjoy a thriller that involves any sort of in-flight dilemma?  I’m sure the root of some of my fears has come from seeing various maladies befall passengers in the Airport films and the hostile takeovers of Flightplan, Executive Decision, Passenger 57, Turbulence, et. al.  Though flying is the safest way to travel it can be the most dangerous when you toss in an action star like Liam Neeson looking for a killer on a transatlantic flight.

Let’s get this straight…Non-Stop is exactly the quality of film that you think it is.  It’s all muscle with little logic available to explain away large leaps of faith that it asks the audience to just go with.  And y’know what…for the most part it works well as a short fused thrill ride that gets you cruising along nicely up at 40,000 feet before encountering some midflight turbulence in anticipation of a watery landing.

Neeson (The Grey, The LEGO Movie) doesn’t have to stretch much to play a weary air marshal first class-ing it on a plane bound for London.  The film opens by letting us know there’s more than a few red herrings that will be joining him as each person he passes in the airport somehow manages to turn slllloooowwwlllly around with a grimace on their face.  For all we know, the entire plane is full of psychopaths.

Though he’s seated next to a kinda quirky kinda mysterious female (Julianne Moore, Carrie) and doted on by a lovely trolley dolly (Michelle Dockery, showing she’s capable of more than merely looking glum on Downton Abbey) his attention turns to the mysterious in-flight texts he receives from a passenger threatening to trim the flight manifest every twenty minutes until a payload of 150 million dollars is delivered…to a bank account in Neeson’s name.

So begins an in flight cat and mouse game that gets less interesting the more implausible it gets.  Non-Stop shows early promise with its slow burn first half but winds up flaming out long before the end is near.  And that’s too bad because had it capitalized more on the Hitchcockian mystery it aspired to it may have been a film that would be worth repeat viewings. 

Director Jaume Collet-Serra has been behind the camera for several flawed but interesting thrillers in his short career.  After the guilty pleasure House of Wax he scored nicely with the creep-fest Orphan before scaring us even more by casting the awful January Jones alongside Neeson in the marginal UnknownNon-Stop is more middle of the road work and wind up being best known for wasting 12 Years a Slave star Lupita Nyong’o in a throwaway role – though she does rock some serious Fresh Price of Bel Air meets Grace Jones afro realness. 

If you’re willing to check your logic in the overhead bin and keep your rolled eyes in the upright position, Non-Stop is harmless entertainment.

Oscar Predictions 2014

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Hello!

Well, though I always find it difficult to nail down my Oscar selections pre-nomination day because I feel like I’m somehow cosmically jinxing  potential favorites, I’m taking part in The 2014 Oscar Contest over at Film Actually because…well…it’s just the right thing to do 🙂

This being a contest and all I threw in a few dark horse candidates and left out some bigger names just to keep it interesting.  I don’t necessarily think there will be 10 nominees for Best Picture but ultimately I couldn’t make up my mind on which ones to remove from my list…

I hope there are a few surprises tomorrow morning, though….even if it means I lose a few points in the contest 🙂

Below are my predictions for who will go to bed tomorrow night an Oscar nominee…

BEST PICTURE
12 Years a Slave
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
Saving Mr. Banks
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuarón, Gravity
Spike Jonze, Her
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

BEST ACTOR
Bruce Dern, Nebraska
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyers Club
Robert Redford, All is Lost

BEST ACTRESS
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Daniel Brühl, Rush
Michael Fassbender, 12 Years a Slave
James Gandolfini, Enough Said
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska
Julia Roberts, August: Osage County

BEST EDITING
Jay Cassidy, Crispin Struthers, American Hustle
Joe Walker, 12 Years a Slave
Christopher Rouse, Captain Phillips
Alfonso Cuarón, Mark Sanger, Gravity
Jeff Buchanan, Eric Zumbrunnen, Her

BEST ORIGINAL SCREENPLAY
Woody Allen, Blue Jasmine
David O. Russell and Eric Singer, American Hustle
Joel & Ethan Coen, Inside Llewyn Davis
Spike Jonze, Her
Bob Nelson, Nebraska

BEST ADAPTED SCREENPLAY
John Ridley, 12 Years a Slave
Tracy Letts, August: Osage County
Julie Delpy, Ethan Hawke, Richard Linklater, Before Midnight
Steve Coogan, Jeff Pope, Philomena
Terence Winter, The Wolf of Wall Street

BEST FOREIGN LANGUAGE FILM
The Broken Circle Breakdown, Belgium
The Hunt, Denmark
The Grandmaster, Hong Kong
The Great Beauty, Italy
The Notebook, Hungary

BEST CINEMATOGRAPHY
Sean Bobbitt, 12 Years a Slave
Emmanuel Lubezki, Gravity
Bruno Delbonnel, Inside Llewyn Davis
Phedon Papamichael, Nebraska
Roger Deakins, Prisoners

BEST PRODUCTION DESIGN
Adam Stochausen & Alice Baker, 12 Years a Slave
Judy Becker & Heather Loeffler, American Hustle
Catherine Martin & Beverly Dunn, The Great Gatsby
Jess Gonchor & Susan Bode, Inside Llewyn Davis
Michael Corenblith & Susan Benjamin, Saving Mr. Banks

BEST SOUND MIXING
Captain Phillips
Gravity
Inside Llewyn Davis
Lone Survivor
Rush

BEST SOUND EDITING
All is Lost
Captain Phillips
Gravity
Lone Survivor
Rush

BEST COSTUME DESIGN
Catherine Martin, The Great Gatsby
Patricia Norris, 12 Years a Slave
Daniel Orlandi, Saving Mr. Banks
Michael Wilkinson, American Hustle
Mary Zophres, Inside Llewyn Davis

BEST ORIGINAL SCORE
Alex Ebert, All is Lost
Thomas Newman, Saving Mr. Banks
Steven Price, Gravity
John Williams, The Book Thief
Hans Zimmer, 12 Years a Slave

BEST DOCUMENTARY FEATURE
20 Feet from Stardom
The Act of Killing
The Crash Reel
Stories We Tell

The Square

BEST ANIMATED FEATURE
The Croods
Despicable Me 2

Frozen
Monsters University
The Wind Rises

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek: Into Darkness

BEST MAKEUP & HAIRSTYLING
American Hustle
Dallas Buyers Club
The Lone Ranger


BEST ORIGINAL SONG
“Amen”, All is Lost
“Let It Go”, Frozen
“The Moon Song”, Her
“Ordinary Love”, Mandela: Long Walk to Freedom
“Young & Beautiful”, The Great Gatsby

Movie Review ~ 12 Years a Slave

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The Facts:

Synopsis: In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.

Stars: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Garret Dillahunt, Paul Giamatti, Scoot McNairy, Lupita Nyong’o, Adepero Oduye, Sarah Paulson, Brad Pitt, Michael Kenneth Williams, Alfre Woodard, Chris Chalk, Taran Killam, Bill Camp

Director: Steve McQueen

Rated: R

Running Length: 134 minutes

TMMM Score: (10/10)

Review: How do you say that you loved a movie that’s about the horrors of slavery and not sound like a backwards monster?  That’s the question I’ve been pondering weeks after seeing the truly remarkable 12 Years a Slave and perhaps why it’s taken me a little longer to move forward with a review of the movie.  No doubt about it, this is one of the finest films of 2013 and its handsome production design, score, cinematography, and almost flawless pacing make it a triumph on a technical level too.  Still…the subject is so horrifying that it’s thrown me for a loop how to praise it respectfully.

An adaptation of the 1853 novel by Solomon Northrup, 12 Years a Slave is a chronicle Northrup’s abduction from Washington D.C. in 1841 and how he winds up in slavery on several southern plantations.  Though he was born a free man in New York City, Northrup’s rights are discredited and he endures over a decade of life as a slave.  How Northrup survives to write his tale shows a fortitude of the human soul that’s at the heart of this powerful work from director Steve McQueen (no, not that one…the one that directed Shame and Hunger).

Chiwetel Ejiofor is the name you’ll want to familiarize yourself with because you’ll be hearing it at the top of the awards buzz as the end of the year draws near.  A familiar actor with a diverse background of roles, Ejiofor takes the reins of the film ably and leads a starry cast of A-List actors…but make no mistake, this is Ejiofor’s movie all the way.  With a wise earthiness that gives humanity to his oppressed character, Ejiofor delivers a performance of dignity and thoughtfulness that makes the movie even more electric.

Ejiofor is just but one of a long list of impressive performances in 12 Years a Slave…so impressive that it wouldn’t be hard to imagine Ejiofor not being the only winner come Oscar night.  Making a powerhouse film debut is Lupita Nyong’o as Patsy, a slave Solomon meets when he comes to live on the plantation run by Edwin Epps (Michael Fassbender, Prometheus).  Nyong’o’s role is ever so tricky and she’ll knock your socks off the way she handles several of the cruelest scenes the film has to offer.  Fassbender too is monumentally effective as the evil owner that delights in working his slaves throughout the day and whipping them when they don’t meet his criteria of daily success.  This is McQueen’s third collaboration with Fassbender and while Fassbender’s work in Shame and Hunger were strong, they pale in comparison to how he navigates into the truly unforgivable places Epps has to venture.

Among the other impressive actors are Benedict Cumberbatch (Star Trek: Into Darkness) as the first plantation owner Solomon encounters and the one that does the best he can for him even as he struggles with his morality, Adepero Oduye is heartbreaking in her brief turn as a slave separated from her children, and Alfre Woodard is positively dynamite in her cameo.  The only actor striking an off note here is the biggest star of all…producer Brad Pitt (World War Z) who shows up late in the film in the kind of role that probably should have gone to someone else when you consider how it factors into the overall scope of Solomon’s tale.

Yet the reason why the film hits you at such a deep level is the way that McQueen never lets anyone (good or bad) come off as merely “acting”…the characters all feel like real people because they are played with a commitment that was essential.  As evil as the most wicked person is in the film (that’d be either Fassbender, Mud‘s Sarah Paulson as Epps cruel wife, or Paul Dano, even more frightening here than he was in Prisoners) McQueen never lets us forget that these are people with their own set of beliefs and are acting upon them as they feel is right.  We, the audience, know that slavery is wrong but it would have been too easy to craft these characters as simply soulless…that they are following what they were brought up to know gets the message home loud and clear that the root of the evil lies in the history, not the present.

Though the agony of slavery has been captured before in films such as Steven Spielberg’s 1997 Amistad, the landmark mini-series Roots, and yes…even Django Unchained there’s a different feel to McQueen’s work on 12 Years a Slave that sets it apart from the rest.  It’s such a well-made, worthy film that I’m hoping audiences and Oscar voters aren’t turned off by the themes and horrific violence (there’s a whipping scene that I wound up having to avert my eyes for).  To miss the movie would be missing a film that I believe will stand the test of time.