Movie Review ~ Golden Arm


The Facts:

Synopsis: A tough lady trucker trains her girly best friend to compete in the National Ladies Arm Wrestling Championship.

Stars: Betsy Sodaro, Mary Holland, Olivia Stambouliah, Eugene Cordero, Aparna Nancherla, Dawn Luebbe, Ron Funches, Ahmed Bharoocha, Dot-Marie Jones, Kate Flannery

Director: Maureen Bharoocha

Rated: NR

Running Length: 90 minutes

TMMM Score: (8/10)

Review: All good things come to those who wait…or are forced to wait.  At least that’s what it feels like watching a winning little indie like Golden Arm make its debut a year after it was slated to premiere at the South by Southwest Film Fest (SXSW).  Director Maureen Bharoocha wrote a great piece for The Hollywood Reporter detailing how the pandemic derailed her big moment that felt like the pot of gold for her and everyone involved with the production at the end of an arduous shoot.  The piece was frank and honest, not so much a pity party but a “this sort of stinks” soiree that she felt like she earned the right to throw.  Missing out on SXSW was a blow to a number of filmmakers, many of whom are now just seeing their films start to roll out through brokered deals that perhaps aren’t as lucrative as they could have been with the buzz that came out of the popular film fest held in Austin, TX.

I have a sneaking suspicion that Bharoocha wasn’t too worried deep down because she knew once people started to see this women’s arm-wrestling road trip movie (don’t laugh, you’ll regret it soon) they’d be spreading the good word for her.  You see, Golden Arm might have needed a festival run to obtain a higher profile release which often can help salvage a mediocre film but in reality it exudes a kind of confident charm that easily helps it rise above any of its budget limitations.  A scrappy film to match its scrappy cast and scrappy sport, there’s honest to goodness joy to be found here amidst the crazy costumes and some over the top archness.

It does take a second or two to orient yourself to Bharoocha’s bold world of wonder but once acclimated you’re in for a treat as we meet Danny (Betsy Sodaro, The To Do List) as she dominates in her latest raucous arm wrestling championship.  A ballsy trucker that puts her arm where her mouth is, she’s sidelined from her ascent to take the top cash prize at the Oklahoma City Women’s Arm-Wrestling competition when notorious Brenda the Bonecrusher (Olivia Stambouliah) gives her wrist a good twist.  Nursing her injury and a bruised ego and not wanting to see Brenda make it to the top, she pays a visit to her best friend Melanie (Mary Holland) who is the only person she can think of that could outmaneuver the best of the best.

Melanie’s arm-wrestling college days are long gone so Danny pretends she needs someone to accompany her on her route, using Melanie’s currently pending divorce and struggling bakery business as reason to encourage a break from her usual routine.  They aren’t too far out of the city when Danny lets Melanie in on her true intentions, bringing her to train with legendary champion Big Sexy (Dot-Marie Jones).  If Melanie can find her lost “golden arm” and recharge her self-esteem, she could be poised to join the crazy ranks at the wrestling competition where all moves to strongarm the opposition will be tried and all bets on fairness are off.

There’s some clear evidence the movie is put together (lovingly) with Scotch tape but for the most part Golden Arm is the second best shot in the arm movie fans can get lately.  The cast is uniformly ready for fun and even if the occasional day player might show the more amateur nature of the production from an acting perspective, there’s a lot of mileage to be had on the charisma of Holland and Sodaro alone.  Holland, fresh from stealing scenes in Hulu’s Happiest Season which she co-wrote, is the unlikeliest of heroines for an arm-wrestling film but she’ll make you a believer.  If Sodaro’s role had been played by a guy it would have been totally insufferable and I’m not sure she isn’t sort of obnoxious most of the time…but I enjoyed it nonetheless.  Both work well as individual characters and as a duo learning about themselves over one adventurous trip together.  Completing their trio is Stambouliah as an over-the-top meanie who takes her sport seriously and convinces us of its importance as well.  Stambouliah’s deadpan delivery gives great comedic fuel to the script from Ann Marie Allison and Jenna Milly.

The movie can’t help but throw in a love interest B-plot that feels incredibly extraneous.  When you have an appealing A-storyline with performers that make the time fly, why slow things down with a secondary story that doesn’t measure up the same way?  Still, at 90 minutes the movie zooms by with little fuss and you won’t have to tap out of Golden Arm before it overstays its welcome.  I’m not sure if any other tinkering was done to the film over the past months but Bharoocha’s entertaining finished product should get her noticed and back to work as Hollywood moves into production mode again.

Movie Review ~ Happiest Season


The Facts

Synopsis: A young woman with a plan to propose to her girlfriend while at her family’s annual holiday party discovers her partner hasn’t yet come out to her conservative parents.

Stars: Kristen Stewart, Mackenzie Davis, Alison Brie, Aubrey Plaza, Dan Levy, Mary Holland, Victor Garber, Mary Steenburgen

Director: Clea DuVall

Rated: PG-13

Running Length: 102 minutes

TMMM Score: (9/10)

Review:  I wouldn’t say that I’ve been stuck on the same cycle of Christmas movies over the years but what I will admit is that I’ve attached myself to a select few holiday films that spoke to me as I grew older.  That’s because a number of Christmas films never really appealed to me as a person so I found it hard to relate to them, and it became more of a struggle as I got older.  I’m an only child and gay so watching movies with large family gatherings seeing everyone coming home with their husbands and wives started looking less like my life and more like a strange phony Christmas card.  So when it came to movies to watch over Christmas, I kept to the old standards and eschewed most of the newer ones, leaning toward any that focused on “different” families during the holidays.

Thankfully, as the world has evolved so have the entertainment options and that’s why a sizable shift has occurred in the offerings of the season.  Movies that show diverse families, gay couples, interracial relationships, the differently abled, autistic, etc. may not be there in droves but they are there and each year there are more of them.  Already this season we’ve had the fantastic Jingle Jangle: A Christmas Journey with its largely black cast appear and snuggle into the Netflix queues of many and now Hulu is presenting Happiest Season, a gay Christmas film from queer director/actress Clea DuVall (Argo).  Though originally targeted for a theatrical release, Hulu is debuting it on Thanksgiving and it should give audiences from all walks of life something to be grateful for in 2020.

Girlfriends Abby (Kristen Stewart, Personal Shopper) and Harper (Mackenzie Davis, Terminator: Dark Fate) have been living together for six months and Abby is ready to ask Harper to marry her.  Though not a fan of Christmas and without parents, she takes Harper’s last-minute invitation to her family’s home for the holidays as a sign that the time is right to make it official.  She has the ring and though her best friend John (Dan Levy, Admission) thinks marriage is archaic, wants to ask Harper’s dad for his blessing before popping the question in front of her family.  There’s just one tiny problem.  Harper hasn’t told her strait-laced family that she’s a lesbian and with her father about to start a run for mayor of their conservative town, she doesn’t think it wise to rock the boat during the holidays.

Against her better judgement and because Harper tells her this after they’re in the car and nearly there, Abby agrees to lie and pretend to just be Harper’s roommate for the duration of their stay.  Referred to as “the orphan” by Harper’s mom Tipper (Mary Steenburgen, Book Club), Abby is introduced to the rest of the family including dad Ted (Victor Garber, Sicario), and sisters Jane (Mary Holland, Mike and Dave Need Wedding Dates, also a co-writer) and Sloane (Alison Brie, The Rental), each with their own secret or personal hang-up that will spill out over the next few days as they come together for festive gatherings.  As Abby watches Harper change when confronted with her judgmental family and their high standard expectations, she begins to question how much she actually knows the woman she fell in love with in the first place.  With Harper’s ex-boyfriend hanging around and a big family dinner approaching, can Abby still pop the question and will Harper be honest in front of her family and friends?

Fans of The Family Stone will find Happiest Season to be a not-so-distant relative in terms of style and tone and I half expected Sarah Jessica Parker’s character in that holiday film to show up in the final scene because she easily could have been a fourth sister in this tightly-wound family.  That film has its share of detractors (it took me several watches to truly appreciate it) but I don’t think Happiest Season will have trouble earning fans out of the gate.  DuVall and Holland have crafted a believable, tender, and often very funny film that applies just the right amount of emotion throughout.  It’s just serious enough to get a message on how each person’s coming out story is different and why support for that timeline is important and it’s humorous enough to land elevated comedy that isn’t your usual farce fare.

Still a rather new director, DuVall has an ease in her method that lends a grounded feel to the proceedings, helped immeasurably by a homerun cast.  I think we’ve all come to the agreement that Stewart is just bound to keep surprising audiences and she does it here again with the most relaxed, lived-in role I’ve seen her offer up in quite some time.  The naturalism is on such a different level that at times it feels like DuVall just happened to capture Stewart out and about, in her element.  If Davis comes off a little less successful, perhaps it’s only because she’s wearing several different masks throughout and we’re so on Abby’s side that every time Harper denies their relationship in public it pulls us further away from her.  Together, the two actresses create a believable picture of a couple in love and, even better, one that has settled into a flow with an ease about their interaction that comes across nicely.  That’s what makes the events while they’re at the house sting, because we can see how different Harper is acting in front of people that don’t know her for who she really is.

It’s always a gamble when a co-writer is also a significant supporting character and while Holland has given herself a character with some of the most outright funny bits in the film (and she’s quite funny, make no mistake), she knows when to point the spotlight away as well.  Garber’s role is a bit thankless, as is Brie’s, mostly because at the outset they are outwardly the most staid characters so it’s good news that Steenburgen’s chipper Tipper is such a joy no matter what she’s doing onscreen.  Both Levy and Aubrey Plaza (The To Do List) have smaller roles than are advertised and while Levy is basically doing an extension of the character he played on Schitt’s Creek (and gets the movie’s most genuine moment of clarity), Plaza blessedly is tasked with a more serious vibe that works nicely for the usually comically obtuse actress.  The only awkward moment in the movie is a very ill-advised sequence when Stewart is interrogated by two mall security officers played by Lauren Lapkus (Jurassic World) and Timothy Simons (The Hustle) – it’s totally unfunny and pointless, feeling like a favor DuVall did on behalf of two friends that needed a paycheck.

Some will skip Happiest Season because they don’t agree with what is represented within and that’s unfortunate.  Unfortunate they can’t see that love is love and unfortunate they are missing a well-constructed holiday film with strong performances and confident direction.  I can easily see this one making its way onto a rotation of Christmas films in my house and, paired with The Family Stone, a nice alternative to the overly maudlin cookie-cutter stereotypical products that are delivered yearly.  It’s time to think bigger and more inclusive and Happiest Season happily opens its arms wide to welcome all.