Movie Review ~ The King’s Man

The Facts:  

Synopsis: As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. 

Stars: Ralph Fiennes, Gemma Arterton, Rhys Ifans, Matthew Goode, Tom Hollander, Harris Dickinson, Daniel Brühl, Djimon Hounsou, Charles Dance, Aaron Taylor-Johnson, Stanley Tucci, Valerie Pachner 

Director: Matthew Vaughn 

Rated: R 

Running Length: 131 minutes

Trailer Review: Here 

TMMM Score: (7.5/10) 

Review:  Back in 2014, Kingsman: The Secret Service was one of the real delights of the year.  An out-of-left field adaptation of a comic book by Mark Millar, director Matthew Vaughn turned it into a high-octane thrill ride and firmly introduced Taron Egerton to audiences in the process.  The 2017 sequel, subtitled The Golden Circle, promised way more than it delivered (i.e. we got far less of the American sector of the spy ring, including Channing Tatum than we were originally thought) and even I was surprised a third entry, a prequel, was greenlit by the studio.  Then the 20th Century Fox merger with Disney happened and, once complete, the pandemic lockdown hit…so it’s been a whole five years since our audiences last travelled to the Saville row shop which acts as home base for this ring of crime fighters.

With all these delays and having to introduce series fans to an entirely new cast of players, how surprising, then, to find that after two raucous films, The King’s Man is often more of a historic war drama in a similar vein to 1917 with a revisionist edge. Chock-a-block with cameos and not above a major rug pull impossible to predict, an already intriguing universe expands…and quite nicely.  If the previous films were more party than hearty, this one prefers to take its time and arrive fashionably late to the festivities.  It may be later than series fans want, but I found the wait to be worth it.

After an opening prologue in turn of the century South Africa that sets up some of the lasting relationship issues between aristocrat Orlando Oxford (Ralph Fiennes, No Time to Die) and his son Conrad (played as an adult by Harris Dickinson, Maleficent: Mistress of Evil), we jump ahead to the early days of World War I.  Due to his status, Conrad wouldn’t have to sign up to fight but it’s what he desperately wants.  Orlando, on the other hand, isn’t willing to let his son be served up for sacrifice because of a war started (as we are led to believe thanks to Vaughn and Karl Gajdusek’s loose screenplay) by a three-way tantrum between royal cousins manipulated by an unseen enemy pulling the strings from a mountaintop lair. It falls to the men to stop the ring of spys preventing the U.S. from entering the war with Europe if there is to be any hope of the U.K. surviving.

Aside from dealings with King George, Kaiser Wilhelm, and Tsar Nicholas (all played by Tom Hollander, Bohemian Rhapsody), Mata Hari (Valerie Pachner, A Hidden Life), Woodrow Wilson, Lenin, and another historical figure revealed so close to the end that I’d classify it as a spoiler, the films somewhat centerpiece revolves around a meeting with the infamous Rasputin.  Played with typical over-the-top delight by Rhys Ifans (Spider-Man: No Way Home), the character is marvelous in its design to be crass and creepy while still working within the context of the movie.  Your eyes will definitely bug out at one point during his meeting with the Oxford men – especially in one particular moment of craziness that’s become typical of any Vaughn film.

Overall, The King’s Man is playful, if violently wild with its tonal tidal shifts. Throw out whatever adherence to history you may come in with because the movie isn’t interested in accuracy in the least and its breezy way of tearing up the textbook approach becomes more fun if you just go with the flow. Best to report is the positioning of Fiennes as a quite appealing hero, proving again he’s always game for subversive fun. Same goes for Djimon Hounsou (A Quiet Place II), an eternally underrated supporting player. I’d re-up for another adventure with these two, but you can leave Gemma Arterton (Quantum of Solace) off the roster.  While I always appreciate having a female perspective in the boy’s club, there wasn’t much happening with this character or Arterton’s performance that made much of an impression. Capping off the threequel is a dandy song sung by FKAtwigs that would have been perfect had it been accompanied by a creative end credit sequence. If you liked the first two entries in the Kingsman franchise and are prepared for measured change, this one should suit you nicely

The Silver Bullet ~ The King’s Man



Synopsis
: As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.

Release Date: September 18, 2020

Thoughts: In 2014, the spy adventure Kingsman: The Secret Service was a surprise hit with audiences and critics and presented a cheeky fun alternative to the wise acre superhero franchise films that were multiplying like rabbits.  It also helped to introduce the public to Taron Egerton who would return in 2017 for the go-big-or-go-home sequel before hitting the big time with his hopefully Oscar nominated turn in 2019’s Elton John biopic Rocketman.  With Egerton’s star on the rise and booked out on other projects and with the franchise having bankable legs, 20th Century Fox was in a bit of a tough place with director Matthew Vaughn on how to continue the story of the elite gentlemen’s agency that battled boffo baddies in style.  The answer?  Go back to the beginning. Recently moved from it’s original February release date, September 2020 will now bring us The King’s Man, tracking the original formation of the organization featuring Ralph Fiennes (Official Secrets), Gemma Arterton (Quantum of Solace), Djimon Hounsou (Charlie’s Angels), and Harris Dickinson (Maleficent: Mistress of Evil).  I’m sure I’ll miss the Egerton-factor but this second trailer feels in the same spirit as the two previous films with action packed intrigue to spare.  Looks like royal fun.  

The Silver Bullet ~ Kingsman: The Secret Service

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Synopsis: A veteran secret agent takes a young upstart under his wing.

Release Date: October 24, 2014

Thoughts: This adaptation of the comic book “The Secret Service” looks fairly interesting based on this trailer I originally saw way back in May with X-Men: Days of Future Past. Sure, we’ve been inundated with countless big screen treatments of books focusing on seemingly ordinary teens that are tasked with saving the world…but something about this reminds me of a working class James Bond and that’s intriguing. Though I’ve grown weary of Samuel L. Jackson (RoboCop) popping up in every movie, I’m even more concerned about the recent overexposure of Colin Firth (Magic in the Moonlight). Kingsman: The Secret Service will mark the sixth film of his to be released in 2014…thank heaven he dropped out as the voice of December’s Paddington! Directed by Matthew Vaughn (Kick-Ass 2), this potential franchise starter could be a nice film to take in during the crisp autumn season.

Movie Review ~ X-Men: Days of Future Past

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The Facts:

Synopsis: The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants

Stars: Patrick Stewart, Ian McKellen, Hugh Jackman, Michael Fassbender, James McAvoy, Jennifer Lawrence, Halle Berry, Nicholas Hoult, Ellen Page, Shawn Ashmore, Peter Dinklage, Omar Sy, Daniel Cudmore, Fan Bingbing, Boo Boo Stewart, Adan Canto, Evan Peters, Josh Helman, Lucas Till, Evan Jonigkeit

Director: Bryan Singer

Rated: PG-13

Running Length: 131 minutes

TMMM Score: (7.5/10)

Review:  Ok, I believe by now we’ve established the kind of reader-critic relationship that allows me to be as open and honest with you as I possibly can.  So, I the spirit of putting it all out there on the table I need to tell you that the X-Men and all their variations have never really been my thing.  Aside from a childhood desire to beat the SEGA game, I’ve never truly warmed to Professor X and his motley crew of mutant heroes and villains…even after seven films.

Though the overreaching message of the film (we’re all mutants in some form or another and that’s ok) is a positive one that has the ability to speak to anyone, there’s something about the over eagerness of the filmmakers to constantly “get it right” that I find myself enjoying the spectacle at a distance.

It doesn’t help that the quality of the movies hasn’t maintained any sort of consistency since X-Men was released in 2000.  The first sequel improved upon its predecessor but when original director Bryan Signer vacated the series for Superman Returns the third entry landed with a thud.  Spinning off the series into a poorly executed Wolverine origin story further dug a hole for the franchise before 2011’s X-Men: First Class saved a listing ship.  I didn’t dislike 2013’s The Wolverine as much as my colleagues but by that point fans were a little sensitive to their mutants getting less than stellar cinematic adventures.

Now we’ve arrived in the present with X-Men: Days of Future Past…but we won’t stay there long as the enjoyable seventh entry of the series is more interested in looking back than moving forward.  There’s a lot (A LOT) going on in Simon Kinberg’s script…so much so that I often found myself struggling to remember how all the pieces fit, who is who, and what decade we’re in.  After an opening in a desolate not-too-distant future, Wolverine (Hugh Jackman, Prisoners, who must have been paid in how many bicep veins are present) is sent back to the early 70’s by Professor X (Patrick Stewart) and Magneto (Ian McKellen, The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug) to prevent rouge Mystique (Jennifer Lawrence, American Hustle) from setting a series of events into motion in the past that will have a deadly impact for the future.

Juggling two separate time frames, returning director Bryan Singer manages to keep everything in balance for the most part.  Having watched X-Men: First Class directly before seeing this new film, I was impressed that Singer and Kinberg carved out a new path while keeping continuity through some difficult loose ends previous director Matthew Vaughn left for the new crew to figure out.

Less impressive is an overall humdrum feeling the movie left me with after all was said and done.  I’m not suggesting the movie isn’t terrific popcorn entertainment or doesn’t contain a handful of impressively filmed sequences (like Evan Peters as Quicksilver showing off his talents while Jim Croce’s “Time in a Bottle” plays in the background) but it all feels overly calculated, designed to allow the franchise to continue without really having to answer for past mistakes.

With Lawrence’s star gone supernova since the last installment, her part is significantly beefed up here.  Mystique has never been so front and center and Lawrence manages to eek out some nice moments under her full body make-up.  As the younger Professor X and Magneto, James McAvoy (Trance) and Michael Fassbender (12 Years a Slave) don’t seem quite as invested this time around, but then again there’s not the same kind of character discovery available to them.  Jackman can play the role in his sleep…and by now it looks like he is.

Moving fast through its 131 minute running length, the end of the film sets up the next volume of X-Men escapades nicely…but then again if you really think about it that’s all the movie seemed interested in in the first place.  Fairly and frequently violent for a PG-13 film, parents should think twice before bringing young children along…Godzilla has less death/carnage in it.

With all my griping about overall ulterior motives, I’ll admit the movie fits neatly into the mode of summer blockbuster by combining all the right elements into the mix.  I think fans will look back and see the mechanics of the script in years to come…but by that time these will be the true days of future past.