Movie Review ~ Godzilla: King of the Monsters


The Facts
:

Synopsis: The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.

Stars: Vera Farmiga, Ken Watanabe, Sally Hawkins, Kyle Chandler, Millie Bobby Brown, Bradley Whitford, Thomas Middleditch, Charles Dance, O’Shea Jackson Jr., Aisha Hinds, Zhang Ziyi

Director: Michael Dougherty

Rated: PG-13

Running Length: 133 minutes

TMMM Score: (7/10)

Review: I guess I never knew quite how popular Godzilla was until I started doing my homework in prep for seeing his latest Hollywood endeavor, Godzilla: King of the Monsters. While this film is only his third movie to be produced by a major Hollywood studio, it’s the 35th overall to feature the big green lizard/dragon/sea beast that smashes big cities with a mere flick of his craggy tail. That’s pretty impressive for a mega-monster originally conceived in 1954 as a cautionary tale on nuclear technology. As the world changed, so did Godzilla’s alliances, though his popularity waxed and waned over the ensuing decades, getting revived very few years to keep him in the public consciousness.

After a disastrous attempt at bringing him to life for American audiences via a 1998 soggy blockbuster, in 2014 director Gareth Edwards found a formula that worked with the impressive, popcorn-chomping, good-time fun of Godzilla. Always hungry for the next big franchise, Warner Brothers was already in the works on a sequel to their hit film when they decided that 2017’s Kong: Skull Island would be a tie-in experience that was slightly retro-fitted to expand upon their “monster-verse”. With two titans now in their corner and plenty of foes from the subsequent canon of sequels (official and cheapie otherwise), the studio went all in with Godzilla: King of the Monsters. The resulting product is one that doubles down on the monster mayhem but misses the mark on the human element that its predecessor made time for.

Five years have passed since Godzilla went head to head with two massive creatures that left much of San Francisco destroyed. Returning to the depths of the ocean, Godzilla hasn’t been seen since, nor have any more ghastly beasties risen from the ground to wreak havoc. Still, crypto-zoological organization Monarch has been continuing their covert work on the titan project that began years earlier. The discovery of Skull Island helped them pinpoint other locations around the globe where sleeping beasts may lie and outposts have been set-up in these areas to study these creatures and protect the outside world from disturbing their slumber.

Paleobiologist Emma Russell (Vera Farmiga, The Conjuring) and her daughter Madison (Millie Bobbie Brown, Stranger Things) live on one of the Monarch outposts and as the film opens they are present for the birth of Mothra, a giant caterpillar creature that Emma has developed a way to communicate with. No sooner has contact been established when an eco-terrorist (Charles Dance, Pride and Prejudice and Zombies, playing his umpteenth villain) bursts in, abducts mother and daughter, and makes off with the device that not only can communicate with the titans but can also rouse them from their rest and send them on a rampage.

As the titans are let loose, including Rodan and the alpha-est alpha of them all, the three dragon-headed beast King Ghidorah, it calls forth Godzilla from the fathoms and he doesn’t seem too happy about cutting his watery rest short. Audiences should be pleased, however, that Godzilla gets far more screen time in the sequel and actually gets to be the bona-fide star of his own film. He definitely gets more screen time than some of the top-billed stars, many of whom seem to have signed up only to stand with their mouth agape on the bridge of a ship/aircraft carrier/submarine and occasionally throw out bits of trivia (I’m looking at you Zhang Ziyi, The Grandmaster). At least lead player Kyle Chandler (The Spectacular Now) is a marked improvement over the teeth-gnashing overacting of Bryan Cranston in the first film…but the scenery is still chewed to the bone by Bradley Whitford (Saving Mr. Banks) who manages to not only play the same irksome character in each movie but wear the same athleisure wardrobe as well. The only two notable actors reprising their roles are Ken Watanabe (Pokémon Detective Pikachu) and Sally Hawkins (The Shape of Water) as Monarch scientists and both seem to be squeezing each others hand for moral support for much of the picture.

Cutting his teeth successfully on smaller films like Trick ‘r Treat and Krampus, director Michael Dougherty graduates to the big time in a big way. Godzilla: King of the Monsters is an overwhelming film and at times it feels like you’re getting swept away into a vortex along with everyone else in the movie. Surprisingly iffy special effects at times go hand in hand with stunningly rendered creature feature work – when Godzilla and King Ghidorah charge each other (seen in the previews but even more exciting in context) there a definite electric charge that ran through the audience.  Dougherty is best when the action is pulled back on a massive scale to see the creatures in their full glory — it’s only when we get up close and personal that you begin to see the seams…the man in the rubber suit as it were.

If only that pesky plot-stuff didn’t pop up to get in the way of all of the chaos from these colossuses, right? While the crux of the plot has the whiff of something audiences already explored in Avengers: Infinity War and Avengers: Endgame, Dougherty penned the script along with returning screenwriter Max Borenstein and franchise newbie Zach Shields.  The film feels like a hodgepodge of ideas and necessary exposition to get us caught up to where we need to be before the next film, Godzilla vs. Kong, arrives in March 2020.   There’s a whole lot going on here and not a lot of time for anything to sink in. Major plot points are glossed over — don’t blink or you’ll miss that a character has a twin who appears in one scene while two major characters perish in separate parts of the movie and we barely notice because it’s so hard visually to see what happened.  As is the case with many sequels, there’s more mythology to explain and some of it (such as where Godzilla goes when he isn’t in battle mode) is quite interesting but we’re yanked away so fast it begins to feel like Daughtery is contractually obligated to get to the next big clash.

This is one of those pure entertainment films that doesn’t ask much of you outside of 2 ½ hours of your time and the price of a ticket. It’s escapist stuff that’s big, loud, silly, but ultimately a fun watch. If you’re spending time thinking about why the actors are doing what they’re doing then you’re missing the point of it all – just wait a few minutes and Godzilla will be back to show you why he’s king of the monsters. Bow down.

Movie Review ~ Krampus

krampus_ver3

The Facts:

Synopsis: A boy who has a bad Christmas ends up accidentally summoning a Christmas demon to his family home.

Stars: Adam Scott, Toni Collette, Emjay Anthony, Allison Tollman, David Koechner, Conchata Ferrell, Stefania LaVie Owen, Krista Stadler

Director: Michael Dougherty

Rated: PG-13

Running Length: 98 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: ‘Tis the season to be merry, not scary, but don’t tell the makers of Krampus that.  In fact, try to put aside your notions of what a “holiday movie” is and hunker down with this chilly chiller that aims to give your yuletide some monster movie madness.  Part Gremlins, part National Lampoon’s Christmas Vacation, Krampus may not be destined for a yearly Christmas watch but it’s still fine entertainment, a more than decent bit of counter-programming to more traditional festive choices.

Popular in Austrain folklore for hundreds of years, the Krampus is a massive goat-like creature that has a fondness for punishing bad boys and girls that are most certainly on Santa’s naughty list.  I’m a little surprised that it’s taken this long for Krampus to headline his own Hollywood film but time has shown that Christmas is one holiday that movie audiences don’t like to see sullied with blood and gore (unless it’s in a “respectable” Scorsese or Coppola picture).

Released so soon after Black Friday, the opening credits of Krampus elicit some knowing chuckles playing over a slo-mo scene of chaos with customers at MegaMart pushing each other down and climbing over employees to get the best deals. Overzealous deal seekers are tasered and beaten as ‘It’s Beginning to Look a Lot Like Christmas’ sweetly plays in the background.  This opening tells you exactly what kind of movie you’re watching and helps set the tone for what’s to come.

Pre-teen Max (Emjay Anthony, The Jungle Book) just wants Christmas to be the way it was when he was younger, when his family spent more time together and everyone still believed in Santa Claus (ooops, spoiler alert?).  Nowadays, his sister (Stefania LaVie Owen) has better things to do and his parents (Adam Scott, The Secret Life of Walter Mitty & Toni Collette, The Way Way Back) have lost some of their spark.  With the arrival of his timid aunt (Allison Tollman) and obnoxious uncle (equally obnoxious David Koechner, Hit and Run), their brood of heinous hellions, and a boozy grump of an aunt (Conchata Ferrell, Erin Brockovich), things go from bad to worse when Max inadvertently conjures up our titular monster.  Arriving with a bitter snowstorm and a host of creepy creatures to do most of his dirty work, Krampus stalks the snowbound family now holed up in their house without power or heat.

Director Michael Dougherty made a slick little Halloween horror film in 2007 called Trick ‘r Treat, an anthology film heavy on atmosphere that’s earned a cult following over the years.  He works a similar magic with Krampus, turning a hectic Christmas family gathering into a fight for survival as one by one the relatives meet grim, yet not overly gruesome, ends.

Working within the confines of a PG-13 rating without pandering, the movie is low on grotesque gore, opting instead to focus its efforts on several nicely spooky sequences that mix impressive CGI seamlessly with practical effects. There’s even a clever nod to television holiday specials with an animated sequence accompanying Max’s Austrian grandmother’s (Krista Stadler) recounting her previous run-in with Krampus when she was a young girl.  Horror fans with a bloodlust should look elsewhere because there’s little to be found here.

Over time audiences have soundly rejected horror films like Silent Night, Deadly Night that set out to make Santa and the holiday itself something to fear.  That’s not the case with Krampus.  Dougherty actually is celebrating the time of year and lamenting the loss of tradition that heavy commercialism has been chipping away at.  There’s a good moral to the story and though it starts off tentative and takes a while to get going, it has a terrific final act.  At times I wanted the film to be more than it was, maybe a little scarier, maybe a little less on-the-nose in its observances…but it’s a pleasing diversion that tickles as much as it terrifies.

The Silver Bullet ~ Krampus

krampus

Synopsis: A demon seeks out naughty people to punish them at Christmas time.

Release Date: December 4, 2015

Thoughts: In 2007, writer/director Michael Dougherty crafted a splendid little anthology film, Trick ‘r Treat, that quickly attained a cult status among horror aficionados.  It had a fair share of scares but even better it had something that’s missing from most fright flicks…atmosphere.  A sequel to Trick ‘r Treat is in the works but Dougherty fans won’t have to wait long for his next jolt joint because clearly he’s still in the holiday spirit with December’s Krampus.

Using the anti-St. Nick figure popularized in Austrian culture as inspiration, the film centers on a dysfunctional family that gathers for the holidays pitted against a horned beast intent on keeping things not so merry and bright.  Dougherty has a wicked sense of humor and with wise-acre comedians Adam Scott (The Overnight) and David Koechner (Hit and Run) on board I can kind of see where this one will land on the comedy vs horror scale.  Toni Collette (Muriel’s Wedding) also pops up, lending a little dramatic credibility.  It looks like good scary fun that I hope won’t veer too far into campy territory.