Synopsis: A furloughed convict and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.
Stars: Chris Hemsworth, Viola Davis, Tang Wei, Wang Leehom
Director: Michael Mann
Running Length: 135 minutes
Trailer Review: Here
TMMM Score: (4/10)
Review: Director Michael Mann hasn’t released a film since Public Enemies came and went back in 2009. Though the 71 year old director tried his hand at the ill-fated HBO series Luck, it seemed like Mann was taking his sweet time on deciding on his next project. Now, if Blackhat had been the kind of return to form Mann fans had been waiting for, I’d say that the wait would have been worth it…but it’s not and it isn’t.
Originally titled Cyber (wait, are you snoring yet?), Black hat refers to someone violating computer or Internet security maliciously or for illegal personal gain. A globe-hopping crime drama involving a team of computer experts and government agents tracking down a cyber-villain that hatches a plot straight out of a failed James Bond film, Mann’s film is a cold as steel chrome-plated stumble.
Moody to the point of needing an anti-depressant, the film opens with an inside look at a computer virus attacking a Chinese nuclear reactor. (This sequence looks like it was drafted the same time Matthew Broderick was playing his WarGames.) When a stock market upset happens shortly after, federal agents (involving a bored looking and sounding Viola Davis, Beautiful Creatures) partner with a Chinese official (Leehom Wang) to identify the criminal.
Enter Chris Hemsworth (The Cabin in the Woods) as a jailed cybercriminal that happens to be the ex-college classmate of the Chinese agent. Sprung from prison so his talents may be further exploited, he leads everyone on a chase over the Western part of the globe as each new destination provides a clue to the whereabouts and endgame of our terrorist. Oh, and Hemsworth falls in love with the sister of the Chinese agent…just so there’s a reason to feature Hemsworth frequently sans shirt.
While the movie has the typical Mann touches of gorgeous aerial shots and breathless action sequences that put you right into the action, it’s also chock full of concerning missteps that wouldn’t seem out of place for a newbie filmmaker. The film is far too long and in need of a editor willing to stand up for several subplots to be excised and the love story between Hemsworth and Wei Tang is hardly steamy and with Tang’s heavy accent hard to make much sense of. Let’s not mention some of the worst dubbing in a mainstream film you’ll ever see.
A final showdown finds Hemsworth hunting down our bad guy and his cronies in the midst of a parade. Things understandably get out of control pretty fast and the revelers laughably keep moving like nothing’s wrong amidst gunfire, stabbings, and other bloodletting. Perhaps this sequence would have been better on the written page as the ending for some spy novel you’d pick up in an airport kiosk.
With his impressive body of work, Blackhat won’t be the final word on Mann’s career but it may be his most disappointing footnote. While I found myself engaged when the film started deciphering its central mystery, I drifted away when the plot became a convoluted mess. With a running time of over 2 hours, Blackhat is one that is easily skippable in theaters and possibly worth a look when it arrives for home consumption…that way you can rewind it if you fall asleep.