Movie Review ~ A Quiet Place

The Facts:

Synopsis: A family lives an isolated existence in utter silence, for fear of an unknown threat that follows and attacks at any sound.

Stars: Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds

Director: John Krasinski

Rated: PG-13

Running Length: 90 minutes

TMMM Score: (9/10)

Review: It would be a smart movie for theaters to support concession-free screenings of A Quiet Place because nothing will ruin this movie more than a noisy candy-wrapper or your neighbor munching on a tray of nachos. It would also save the clean up afterwards from people absent-mindedly spilling their popcorn in fright. Director John Krasinki’s slick, tension filled freak-out of a horror film makes for a monumentally entertaining movie-going experience and one that will, I think, hold-up on repeat viewings.

Set several years in the future, the world has been invaded by blind creatures that hunt by sound. Vicious and apt to strike without warning, they’ve decimated populations and driven the few survivors into hiding.   When A Quiet Place opens, we meet Evelyn (Emily Blunt, Edge of Tomorrow), Lee (Krasinski, Aloha), and their children as they venture into town in search of medication. Speaking in sign language and walking barefoot to avoid any unwanted noise, the family clearly knows the rules to abide by in order to avoid drawing attention to themselves from three monsters that roam the area.

Back on their farm, Lee and Evelyn try to keep a sense of normalcy amidst the terror. Son Marcus (Noah Jupe, Suburbicon) and daughter Regan (Millicent Simmonds, Wonderstruck) play Monopoly with cotton balls and felt cutouts and are silently homeschooled by Evelyn while Lee continues to try to contact the outside world. They build a nightly bonfire on top of their silo and watch for other sequestered families to do the same, desperately trying to remain connected with those in similar situations.

Originally conceived as a totally dialogue free film, screenwriters Bryan Woods and Scott Beck team with Krasinski on a screenplay that is still light on dialogue but one that winds up saying a lot. There’s no backstory provided, save for brief glimpses of newspaper clippings and a white board filled with information on the creatures. Audiences are left to fill in the blanks and much credit should go to Kransiski for handling these large chunks of exposition in a decidedly un-fussy fashion.

At 90 minutes including credits, the film makes the most of its short running time by maximizing on sustained bursts of tension. This is one where you can’t help but find yourself white-knuckling your armrest (or your companion’s arm) as scene after scene ratchets up the fear level until it’s almost unbearable to watch. You’ll cringe at every creak in the floor, wince when you can see an unwanted noise on the horizon, and fight the urge to yelp when Krasinki introduces several well-timed jump scares.

Beautifully photographed by Charlotte Bruus Christensen (Far from the Madding Crowd) and scored with restrained flair by the usually bombastic Marco Beltrami (World War Z), Krasinski has assembled a talented group on both sides of the camera. Spouses in real life, Blunt and Krasinki have an easy chemistry that feels unforced, as does their nurturing relationships with their children. With several high profile roles in 2017, Jupe continues to impress and works well opposite the striking Simmonds who is actually deaf. The film benefits from Simmonds mesmerizing presence in every way, often switching to her perspective by having the sound completely removed.

Along with the scares, the movie has a few unexpected twists along the way that I wouldn’t dare reveal here. One happens fairly early on and others emerge naturally as the film goes for broke in its relentless final act. Though the creatures are the product of solid special effects, Krasinski keeps them largely out of full view until the conclusion. There’s a lot of work done in close quarters, further heightening the immediacy of the danger facing this family.

A worthy spree of scares, A Quiet Place may face some criticism for being too simple of a set-up and execution but I was bowled over by Krasinski’s efforts. Add to that a quartet of dynamite performances and more jolts than you’d imagine and you have a film that’s easy to recommend. Just make sure you keep a firm grip on your popcorn.

 

Movie Review ~ Wonderstruck

The Facts:

Synopsis: The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.

Stars: Julianne Moore, Michelle Williams, Oakes Fegley, Millicent Simmonds, Cory Michael Smith, Tom Noonan, James Urbaniak

Director: Todd Haynes

Rated: PG

Running Length: 117 minutes

TMMM Score: (6.5/10)

Review: We’re all about honesty at The MN Movie Man so I’ll admit that I was a little sleepy when I caught an early preview of Wonderstuck a few weeks back. Seen on a double screening day, I struggled greatly not only keeping up with its ping-pong-y plot but just staying awake for the new film from well-liked director Todd Haynes. Based on Brian Selznick’s thick tome that’s a hybrid of novel and picture book (much like his previous hit Hugo which found its own way to screens a few years back), Selznick also wrote the screenplay and one wonders what Haynes would have done (or could have done) had he run the whole show.

Taking place in two time periods that eventually collide in unexpected ways, Wonderstuck spends a good hour just to get moving and another half hour after that to provoke the kind of wonderment I think the filmmakers were going for. For those first sixty minutes I was largely at sea with the two tales. One features a motherless boy named Ben (Oakes Fegley, Pete’s Dragon) in the ‘70s who loses his hearing in a freak accident before running away to find his unknown father. The other trails deaf-mute Rose (the exceptional Millicent Simmonds) as she embarks on a quest to track down her favorite Hollywood actress (Julianne Moore, Still Alice) making a return to the New York stage following the advent of talkies in the late ‘20s.

Ben’s story is displayed in the vibrant, pulsating with color world of the ‘70s while Rose’s is presented in somber black and white silence. No matter how good or bad his movies are, the one thing you can absolutely say about a Todd Haynes film is that the production design will be flawless and that’s certainly the case here. Production designer Mark Friedberg (The Amazing Spider-Man 2) recreates two totally different eras of NYC with a master’s touch. I totally marveled at the depth of detail evoked by each period…if this isn’t an Oscar front-runner already, it surely will be as more people in the know see it.

How the stories eventually come together is a mystery that isn’t as easy to solve as you may first realize. The disparate time periods would suggest a different solution than Selznick arrives at but by the time we get to our destination the film has overstayed its welcome every so slightly and explained more than it showed how it all came to be.  It does help that the performances across the board are delivered with a strong sense of conviction.  Fegley’s frustration at his loss of hearing, the loss of his mother (Michelle Williams, Halloween H20: 20 Years Later), and the needle in NY haystack he’s out to find is crushingly felt as is Simmonds wish for independence despite the limitations others perceive her as having.  Moore, as usual, makes a strong showing in dual roles that are polar opposites of each other.

To its credit, the final fifteen minutes are exceptionally moving and send you out of theater better than when you arrived…but at the same time I wish the film had found another fifteen minutes to excise. It wants to be a family art-house prestige picture but can’t get out of its own way to find a stronger rhythm that will hold the attention of young and old alike. That’s all well and good for the previous films that Haynes has directed like Carol or Far From Heaven, these films had the benefit of playing to an adult audience looking for a sophistication. If Wonderstruck is able to find that family audience, I think that’s wonderful and I hope it happens. However, parents should take this one in first to determine if their kids are up for something challenging.