Movie Review ~ Kick-Ass 2

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The Facts:

Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Stars: Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Morris Chestnut, John Leguizamo, Donald Faison, Jim Carrey

Director: Jeff Wadlow

Rated: R

Running Length: 103 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: Like I said in my review of the red-band trailer for Kick-Ass 2, I wasn’t a huge fan of the 2010 original which had a premise (everyday kid turns crime fighter with less than spectacular results) that was exploited ad nauseam and was much longer than it needed to be.  While I enjoyed that when the good guys got a beat down they actually bled and that some had vocabularies that would make a sailor blush, the original film just felt played out before the first reel was done.

So a sequel was not high on my wish list in the grand scheme of things.  Ah, but when you have a film that does surprisingly well at the box-office that didn’t cost a lot to make, movie studio execs quickly get those crazy dollar signs instead of pupils and before you know it three years later I found myself taking in a decent if totally unnecessary second chapter in the story of Kick-Ass and his rough and tumble compatriots.

In the years since the first film, two of the three leading actors have turned in some interesting work.  While Dark Shadows wasn’t the hit Chloë Grace Moretz thought she signed up for, her character had a wacky arc that the actress went to the mat with.  Even more surprising, Aaron Taylor-Johnson got the Oliver Stone treatment in Savages before buttoning-up nicely for Anna Karenina last fall.  It was refreshing to see that both actors easily slid back into their roles and try though they might to get something cooking with the development laid out by writer/director Jeff Wadlow, there’s only so much you can do with very few ingredients.

The worst thing about the movie is not the crazy violence (violence so outlandish that star Jim Carrey, The Incredible Burt Wonderstone, refused to promote it…after cashing his sizable paycheck, natch) or the funny-in-a-sad-way performance of Christopher Mintz-Plasse (The To Do List…and what’s with the three name names of our leads?) but that it’s not very well made.  This had to have had a larger budget than the original…so why does everything from the sets to the costumes to the special effects look so flimsy and cheap?  There’s a chase scene on top of a van that, while impressively choreographed, appears to be filmed via time travel to 1985.

Another sticking point was that the movie keeps our two leading players apart for so much of the movie.  While Moretz is off working a Mean Girls meets Carrie subplot (bad-timing, because Moretz is starring in October’s Carrie remake), Taylor-Johnson is making new friends in Carrey, Donald Faison, and Lindy Booth as upstart civilian superheroes.  When Moretz and Taylor-Johnson are together the movie finds a pleasantly comic groove but these moments come too little, too late.

All said, Kick-Ass 2 is no gem and not a film worthy of your dog days of summer time or effort.  If you’re a fan of the original, this can wait until you can rent it…all others are advised to pick something else.  (Check my archive if you want a few suggestions!).

The Silver Bullet ~ Kick-Ass 2 (Red Band Trailer)

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Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Release Date:  August 16, 2013

Thoughts:   OK…I’m going to come clean about something…are you ready?  I didn’t really like the first Kick-Ass when it was released in 2010.  There, I said it and I hope we can still be friends. 

While I appreciated the anti-superhero movie for what it was trying to accomplish I felt it wound up just being an excuse for tiny tyke Chloë Grace Moretz (Dark Shadows, Carrie) to spew profanity while our titular hero got the bloody crap kicked out of him.  It was overlong and overstuffed, resulting in a film I just couldn’t warm to.  With the nice take at the box office, a sequel was a foregone conclusion so this summer Kick-Ass and Hit-Girl are back and this time they’re up against old comrade Red Mist.  With a new director and screenwriter on board we’ll have to see if the sequel can make a better impression on me than the original.

Movie Review ~ The Call

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The Facts:

Synopsis: When 911 operator Jordan Turner receives a call from a girl who has just been abducted, she soon realizes that she must confront a killer from her past in order to save the girl’s life.

Stars: Halle Berry, Abigail Breslin, Morris Chestnut, Michael Eklund, Michael Imperioli

Director: Brad Anderson

Rated: R

Running Length: 95 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review:  It’s so aggravating to find yourself in the theater watching a B-movie that thinks it’s playing in the big leagues, so there’s something to be said about a movie that knows its place.  Though it’s a B-movie through and through, The Call manages to rise above its direct-to-video set-up and break on through to the other side of schlock entertainment.

I’d seen the trailer for The Call more than a few times and with each viewing I was less and less interested in it because I felt the preview gave away too much of the movie…a feeling I still stand by after seeing the final product.  However, even a giveaway trailer couldn’t quite put a damper on the fact that the film is more enjoyable than it has any real right to be.

Originally titled The Hive, referring to the 911 control center where much of the film takes place, The Call starts out strong as we find 911 operator Jordan (Berry, Cloud Atlas) using her expertise to help a young girl escape an intruder.  Trouble is, Berry is too on the ball and she inadvertently plays a part in the girl’s demise at the hands of a killer.  Six months pass and Berry is unable to bring herself to take more calls, deciding instead to teach incoming operators…until a girl (Breslin) calls from the trunk of a car after being abducted from a mall parking lot.

The Operator and The Abducted work together as they battle near escapes, broken cell signals, and one very loony tunes psycho across the highways and byways of Los Angeles.  Under Anderson’s (The Machinist, Next Stop Wonderland, the underrated Session 9) slick direction, the film chugs along without ever letting the audience get too far ahead.  Though Richard D’Ovidio’s lean script is filled with your stock close calls and convenient happenstances, it somehow works in a throwback sort of way.

Oscar winner Berry has had a rough go with movie choices for most of her career – for every good movie she’s done there are three or four others that she (and we) would like to forget.  I had my reservations going in and although she lays the emotional anxiety on thick, she acquits herself nicely by making her character a believable fighter and do-righter.  Breslin is another actress that can’t quite find her footing as she mozies through some teenage awkwardness…but the film allows her some opportunity to break out of the Little Miss Sunshine mode.

Most interesting in the cast is Eklund as our resident kidnapper (don’t worry, that’s not a spoiler).  Eklund’s role is a tricky one – in these types of films the killer is usually either a pervert or nutcase and Eklund opts to mash those two together and produces a slow burn of creepiness.  When the film trips near the end and rips off a classic Oscar winning horror film it’s Eklund that brings it back to reality.

It’s not a perfect film by any means.  The secondary characters exist only to get Berry, Breslin, and Eklund where the script dictates they need to be and the ending may be something the audience wants but it’s not what the movie deserves.  Fortunately, for the previous 90 minutes The Call has brought you along on a breezy thrill ride that serves its purpose and delivers the goods.

The Silver Bullet ~ The Call

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Synopsis: In order to save a young girl’s life, an emergency operator must confront a killer from her past.

Release Date:  March 15, 2013

Thoughts: Originally titled The Hive, the trailer for the blandly retitled The Call represents everything I really dislike about previews.  It’s too long, too detailed, and doesn’t leave you wondering about what kind of movie you’re going to see.  Like the trailers from the past (I’m talking up through the mid 80’s) this preview gives away everything but the closing credits…so what’s left to entice viewers to see the film?  Oscar winner (!) Halle Berry continues her downward descent in film with another quick buck half-effort.  I think she’s better than this but still seems intent on following up every interesting film she does (Cloud Atlas) with a hokey piece of direct to video garbage.  Admittedly, I have a soft spot for these schlocky films…but only when they’re viewed cheap on streaming video or a $1 rental from Redbox.  Perhaps there is a twist the film has left hidden, though I’m not too confident that there’s more to uncover when a preview is this revealing.