Movie Review ~ Paddington 2

The Facts:

Synopsis: Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen.

Stars: Hugh Bonneville, Sally Hawkins, Brendan Gleeson, Julie Walters, Jim Broadbent, Peter Capaldi, Hugh Grant, Ben Whishaw

Director: Paul King

Rated: PG

Running Length: 103 minutes

TMMM Score: (9/10)

Review: Two short years ago Paddington, Michael Bond’s famous bear in the blue coat and red hat, finally got his first big screen adventure and it was a lovely bit of whimsy that snuck up on me in the best way possible. With its message of kindness filtered through quirky characters and a colorful kaleidoscope of production design, Paddington strangely wasn’t the huge sleeper hit in the US it should have been. Still, enough critics took note of its quality, coupling that with its snazzy UK box office a sequel was greenlit, and boy, are we lucky to have another one of these charming films!

The lovable bear (voiced by Ben Whishaw, Skyfall) has settled into life with the Brown family at their comfortable home in London. Mr. Brown (Hugh Bonneville, Breathe) is going through a mid-life crisis, dying his hair and exploring new yoga poses while Mrs. Brown’s (Sally Hawkins, The Shape of Water) attention is focused on swimming to France. Their children, Judy and Jonathan, are both preoccupied with their own teenage interests while their housekeeper Mrs. Bird (Julie Walters, Brave) keeps the house running and everyone fed.

A popular fixture on their winding street that has a way of bringing sunshine to all he encounters (save for stodgy Mr. Curry of the neighborhood patrol), Paddington is living his best life, even if he occasionally gets into a spot of trouble.  In this outing, Paddington’s Aunt Lucy (voiced by Imelda Staunton, Maleficent) is still back in darkest Peru and he wants to get something special for her in celebration of her 100th birthday. Though at one time she planned to visit London with her late husband, they never made the trip but her adopted nephew finds the perfect gift in an expensive hand-made pop-up book of the sights of city in the curiosity shop owned by Mr. Gruber (Jim Broadbent, The Legend of Tarzan).

While visiting the opening night of a dazzling ‘steam circus’ with the Browns, Paddington mentions the book to Phoenix Buchanan (Hugh Grant, Cloud Atlas), a washed up actor that happens to be the descendant of a magician who was desperate to acquire the same pop-up tome. Evidently, contained on its pages are clues to finding a wealth of jewels hidden away by the proprietor of the circus. When the book is stolen and Paddington is jailed for the crime, he has to find a way to clear his name before Phoenix can acquire the bounty.

Returning director Paul King doesn’t yield to the episodic nature of Bond’s original creations.  This is a bear and family that have adventures and Paddington 2 hits the ground running, barely leaving any time to catch your breath.  Bounding joyously through scenes that find Paddington bungling a job at a barber shop to his revolutionizing the lives of his fellow inmates by educating the gruff cook (Brendan Gleeson, In the Heart of the Sea) on the tastiness of orange marmalade, the movie will leave you smiling.  It’s so focused on celebrating the innate goodness in people and kindly revealing how unfortunate it is to be someone who can’t find the fun in life, I can’t pick out anything that felt like a misstep.  It’s also a legitimately funny and ultimately moving (bring a tissue or two) bit of family entertainment, something of a rarity these days.

While both films earn a strong recommendation, I’d give the edge to this sequel, if only for the fact that the first one dealt with a bit more intense villain (Nicole Kidman’s sinewy meanie wanted to stuff Paddington!) and Grant’s character is just a sad song and dance man that wants money to finance a West End revue.  On that note, make sure to stay through the credits for an incredibly pleasing musical production number featuring Grant tap-dancing to Stephen Sondheim.  Nominated for three BAFTA awards (take that, The Post!) the good news is that there’s already a Paddington 3 in the works, let’s hope nothing gets in the way of its release within the next two years.  While we’re at it, this would make a great series for Netflix…just a thought.

2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Movie Review ~ Paddington (2014)

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The Facts:

Synopsis: A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven

Stars: Sally Hawkins, Hugh Bonneville, Jim Broadbent, Nicole Kidman, Ben Whishaw, Peter Capaldi, Julie Walters, Imelda Staunton, Michael Gambon

Director: Paul King

Rated: PG

Running Length: 94 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: I wouldn’t hold it against you if you took one look at the above poster for Paddington and wanted to run for the exit – with it’s on the nose tagline and been-there-seen-that antics you may write off this big screen adaptation of Michael Bond’s beloved literary bear as a kids-only affair.  That would be a mistake.

My history with Paddington goes way back to a local theater company in Minnesota.  My first theatrical experience was seeing a stage production of Paddington at the Children’s Theater Company and ever since then I’ve had an overwhelming fondness for the bear from darkest Peru that arrives in London looking for a family that will take him in.  As lovable as that other popular children’s bear, Winnie-The-Pooh, but faced with bigger city adventures, Paddington was a true bear of the world.

As this is (surprisingly) Paddington’s big-screen debut, we’re treated to a streamlined origin story that shows how our hero moves from living the wilds of Peru with his aunt and uncle (Imelda Staunton, Maleficent, and Michael Gambon) to modern day London where he’s taken in by the Brown family.  When his arrival catches the eye of a sinister taxidermist (Nicole Kidman, Stoker), it’s up to Paddington and the Browns to outwit her and avoid getting stuffed.

Had Paddington been an American production, this whole set-up might have played like the also-ran story it is.  Under the helm of a British team, however, the movie is positively charming from its spirited performances to a colorfully gorgeous (not gaudy) production design.  Populated with richly strong primary colors that ground the movie in a kind of whimsical reality instead of the pure fantasy it actually is, there’s interesting detail around every corner.

Director Peter King keeps things moving at a brisk pace, never letting the 94 minutes feel slack.  True, that does mean some slight overuse of slapstick humor but it’s a good natured fun that’s well-mannered and veddy veddy British.

Though originally voiced by Colin Firth, the voice of Paddington comes courtesy of Ben Whishaw (Skyfall) and it’s easy to see why Firth and the filmmakers parted ways.  Firth’s voice was perhaps too mature for the impish bear and Whishaw gives him a youth that rings true.  Hugh Bonneville (The Monuments Men) and Sally Hawkins (Blue Jasmine) are nicely paired as the head of the Brown family.  She’s a free spirit and he’s a button-ed down businessman overly protective of their two children which leads to a nice subplot about the Browns that blends nicely with Paddington’s tale.

Even saddled with a platinum bob that appears to have gone through several iterations during filmmaking, Kidman is razor sharp as the villainess of the picture.  Even when she’s popping up in slight films, Kidman keeps things interesting so while her role may veer to the “too scary for young kids” side (you decide if you want to explain taxidermy to your youngins) she’s a statuesque ice queen that’s nicely menacing.

A true unexpected delight, it’s a shame the film wasn’t released in its original Christmas slot to attract the kind of family crowds it deserves but it was quite a busy time for holiday releases.  The humor may not be crass enough to keep U.S. audiences used to fart jokes appeased but I was downright charmed by the movie.  It’s sweet, quite funny, and exceedingly well made…did I mention the visual effects deserve a round of applause?  Paddington has taken a long time to get from Peru to movie screens…and the journey was worth the wait.

The Silver Bullet ~ Paddington

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Synopsis: PADDINGTON follows the comic misadventures of a young Peruvian bear with a passion for all things British, who travels to London in search of a home.

Release Date:  December 14, 2014

Thoughts: It seems a true miracle that it has taken so long for literature’s favorite bear to make his big screen debut. Arriving in 1958 and appearing in 20 books and several animated TV series, the bear from darkest Peru will be popping up for a Christmas-timed origin story. Voiced by Colin Firth (), I’m hoping that Paddington keeps its British sensibilities firmly in tact because that happens to be what has drawn me to the books over the years. I’d hate to see the polite bear of my youth be upended/updated to attract modern audiences. In addition to Firth, Nicole Kidman (Stoker), Hugh Bonneville (The Monuments Men), Sally Hawkins (Blue Jasmine), Julie Walters (Billy Elliot), and Jim Broadbent (Closed Circuit) will all be on hand to usher in Paddington’s first trip to the cinema.