Movie Review ~ The 5th Wave

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The Facts:

Synopsis: Four waves of increasingly deadly alien attacks have left most of Earth decimated. Cassie is on the run, desperately trying to save her younger brother.

Stars: Chloë Grace Moretz, Nick Robinson, Alex Roe, Maria Bello, Maika Monroe, Liev Schreiber, Ron Livingston, Maggie Siff

Director: J Blakeson

Rated: PG-13

Running Length: 112 minutes

TMMM Score: (5/10)

Review: As is tradition, January is proving to be a rough month at the movies…which is largely why The 5th Wave is only the second movie I’ve seen in the theaters so far in this new year.  While it’s not as pretentiously terrible as the other movie I saw earlier in the month (Anomalisa…oy), the latest big screen first installment of a Young Adult trilogy of novels struggles to set itself apart from the numerous other (and better) page to screen adaptations.

Coming off like a Muppet Babies retelling of Independence Day, The 5th Wave is the first novel in Rick Yancey’s trilogy following the after effects of an alien invasion that leaves the world in ruins. An electromagnetic pulse has destroyed anything with a current or engine, a super strain of the bird flu, and a series of catastrophic earthquakes that yield gigantic, yes, waves, has trimmed the population down by the millions.  The screenplay by Susannah Grant (Erin Brockovich), Akiva Goldsman (Winter’s Tale), and Jeff Pinkner (The Amazing Spider-Man 2) often feels more mature than the characters speaking the lines, but that winds up helping the film overall.

At the center of the mayhem is 16-year-old Cassie and her younger brother Sam (spoiler alert if you miss the first 15 minutes of the movie: the parents don’t make it…), left to fend for themselves against an alien race known as the Others who are taking steps to rid the planet of its inhabitants.  When Cassie and Sam are separated by the kind of “just missed the bus” moments that can only exist in fantasy movies, the siblings find themselves split into two separate plot threads.  One thread follows Cassie’s rocky journey to reunite with her brother and the other tracks Sam as he is recruited into an army of children trained to exterminate the alien species by a grumpy looking Liev Schrieber (Spotlight) and a heavily made up Maria Bello (Prisoners, who, it must be said, gets the biggest laugh of the movie thanks to a sight gag involving her red lipstick).  There are a few twists that aren’t hard to predict, though to its credit the film doesn’t expressly telegraph each and every move.

It’s the end of the world as she knows and she feels…ok?  Though the first 1/3 of the movie is decently paced and mildly involving, its biggest problem is its bored-looking star.  Using flared nostrils and expressive lips as a substitute for deep emotion, Chloë Grace Moretz (Carrie, Dark Shadows) saunters through the majority of the movie killing time and collecting her paycheck. She gets a few good tough chick moments but they are weakened by the film feeling obligated to give her googly eyes for a hunky piece of could-be-alien man meat (Alex Roe, filling the man-meat qualifications nicely).

I actually found myself more interested in the parallel storyline of a squad of teens and pre-teens going through basic training, though overall it’s given unfortunately short shrift in favor of more Moretz moments.  Led by Zombie (Nick Robinson, Jurassic World) alongside interesting but underdeveloped characters (like Tony Revolori, The Grand Budapest Hotel and especially Maika Monroe, Labor Day), had the film focused solely on the squad, it may have found its footing easier when it rounds the corner into its final act.   A brief side note, I’m growing a bit weary seeing kids killing kids and being put into such deadly harm so parents, even though its based on a book your kids can pick up in their library, this easily earns it PG-13 thanks to several overly violent and disturbing passages.

As to the conclusion of the movie, it’s no secret that this is the first in a planned trilogy so there’s little resolution to offer by the end…making the previous two hours feel like a large set-up to sequels that may not happen should The 5th Wave get deep sixed at the box office.  My advice would be to wait until the second (or third, or fourth if they dare to split it into two movies) is released and catch The 5th Wave from the comfort of your own home.

The Silver Bullet ~ Fort Bliss

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Synopsis: After returning home from an extended tour in Afghanistan, a decorated U.S. Army medic and single mother struggles to rebuild her relationship with her young son.

Release Date: TBA 2014

Thoughts: With so many movies being made about the war experience from the male perspective, it’s refreshing to see a different angle being positioned for Fort Bliss. Single mother Michelle Monaghan (Mission: Impossible – Ghost Protocol) returns from her tour in Afghanistan to find that reconnecting with her son and adjusting back into society is just as tough as she imagined it to be. I’ve always been on the fence about Monaghan, that is until I saw her stellar work in HBO’s True Detective this past year where she went toe-to-toe with Woody Harrelson and Matthew McConaughey and held her own quite well. She seems like a good fit for this role and she’s backed by a nice array of familiar character actors. Who knows if this will go anywhere but seems to me like it’s a film that may hold some interest.

Movie Review ~ The Conjuring

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The Facts:

Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Stars: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Joey King, Shanley Caswell, Haley McFarland, Mackenzie Foy, Kyla Deaver, Sterling Jerins

Director: James Wan

Rated: R

Running Length: 112 minutes

Trailer Review: Here & Here

TMMM Score: (9/10)

Review: It’s fun to be scared, isn’t it?  I know many people that would disagree with that statement but I’ve always found a base thrill in any amount of fright that I can find be it at the hands of a ghoul in a haunted house, a towering rollercoaster that looks more than a tad bit rickety, and in a dark movie theater watching the latest horror flick designed to scare the pants off of you. 

Even after hearing early positive buzz on The Conjuring and liking what I’d seen/read up until it was released, I was still wary that my expectations were raised too high to get out of the film the kind of entertainment I was looking for.  That all changed frame one as the Warner Brothers logo appeared along with Joseph Bishara’s ominous music and I just knew…this is going to be one scary flick.  And it was.  And I loved it.

The Conjuring represents a full feast of fright after sparse offerings in theaters over the last year.  For my money, it’s the scariest movie released in theaters in some time and the scares it provides are well earned and long-lasting.  Moments of good old fashioned dread exist in the movie that are genuine and cleverly constructed for maximum impact.  Not merely content to scare you once, director James Wan (Saw, Dead Silence, Insidious) applies the pressure and maintains it for long stretches of time, creating several truly harrowing sequences.

Based on the true story of Perron family from the files of paranormal investigators Ed and Lorraine Warren, The Conjuring opens with a dandy of an intro to the kind of work that Ed (Patrick Wilson, Prometheus) and Lorraine (Vera Farmiga) do.  I wouldn’t dream of spoiling this opening but will say that it plays a nice twist on the kind of opening that Scream introduced so well and that has been oft-copied ever since. 

It’s 1971 and Carolyn (Lili Taylor, Being Flynn) and Roger (Ron Livingston, The Odd Life of Timothy Green) Perron have moved their five daughters (including Joey King from White House Down and Oz, The Great and Powerful) to a large farmhouse nestled in the boondocks of New England.   Though the actual events took place over 10 years, for cinematic purposes the timeline is several weeks…compressing years worth of occurrences is something the movie pretty much had to do.   It’s not long before the family gets to know their house a bit better; finding a boarded up cellar filled with cobwebs and antique toys that provide a few cursory scares. 

Mysterious bruising, the unexplained nightly stopping of all clocks at 3:07am, and other spooky bumps in the night don’t signal much of a warning until all hell breaks loose one night in the first of many masterfully filmed passages of piled on horror. 

Though we’ve already met the Warrens and seen their suburban home life (including a locked room full of creepy items from their various cases), they finally step center stage when Carolyn begs them for help.  When the Warrens arrive and start looking into the house and its dark past, they discover a history of horrifying events that shed some light on the present happenings.  The deeper they dig, the more danger they unearth not only for the family but themselves as well.

Even the best made horror film is largely at the mercy of the actors that are involved and Wan has assembled a crack mix of interesting actors to take on these roles.  Wilson may be a tad milquetoast in the role but he never overplays it, wisely playing second banana to Farmiga.  Ah yes, Farmiga.  Aside from the treasure trove of terror, the chief pleasure of The Conjuring is Farmiga’s multi-dimensional and fully committed take on the role of a clairvoyant who sees/feels more than we could ever imagine.  This is a smart actress who keeps us interested in the movie even if, like most horror films centered on a mystery, the more we know about the “why” behind the terror the less we are scared of it. 

Just a slight step below Farmiga is Taylor, one of the best actresses of her generation that continues to take on a range of roles in mainstream and indie films.  Largely absent from the horror genre since the turkey remake of The Haunting back in 1999, Taylor is perfectly cast as a normal wife and mother that’s pitched into a nightmare she can’t wake from.  Farmiga and Taylor are a dynamic duo, bravely enduring the wringer that Wan and screenwriters Chad and Carey Hayes put them through.

The Conjuring has no nudity, no explicit language, and a modest modicum of blood so it landed an R from the MPAA due to its “sequences of disturbing violence and terror”.  There’s something revelatory about a movie earning that restriction based solely because it’s too scary – and earn it it does.  This hopefully will be a perennial classic that finds its way on the shelf next to films like Halloween, The Changeling, and Poltergeist.  If your spine needs a good tingling, The Conjuring is just the medicine the doctor ordered.

The Silver Bullet ~ The Conjuring (Trailer #2)

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Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Release Date:  July 19, 2013

Thoughts:  I don’t normally post a second trailer for a movie so close to the time that I posted the first trailer, but this new preview for July’s The Conjuring rustles up more than a few scary moments that I wanted to share.  Though we’ve had many horror films that were “based on a true story”, the premise of The Conjuring intrigues me as its inspired by the case files of paranormal investigators Ed and Lorraine Warren who were famous for their involvement in more than a few high profile haunting inquiries (they were consulted on the famous Amityville Horror case).  I always get nervous when a film shows so many key moments and hope that some scares are put on reserve for paying audience members.  I like the cast assembled here and it’s old-school style should play a part in creating an atmosphere rich with potential.

The Silver Bullet ~ The Conjuring

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Synopsis: A family encounters spirits living among them in their New England farmhouse.

Release Date:  July 19, 2013

Thoughts: It’s so easy to put a shine on a dull coin so I always take movie posters and previews with a grain of salt.  Even a trailer for the worst movie can be edited to look like an Oscar contender while true award-worthy material can be hidden by a so-so preview.  Even knowing this, I have to say that the recently released poster and trailer for the summer scare-a-thon The Conjuring gives me high hopes.  It’s directed by James Wan who was behind the camera for Saw, the strangely underrated Dead Silence, and Insidious…even if those films weren’t quite your cup of tea I’d argue that they had more style/cinematic flair than many of the films in its genre.  Another bonus is the cast – Lili Taylor and Vera Farmiga are two of the more interesting actresses in Hollywood so when you add Ron Livingston and Patrick Wilson to the mix you have a quirky quartet that might just work.

Though the trailer may seem to give away a nifty scare for free I’ll be waiting patiently until July to see what thrills this team can conjure up for us.