Movie Review ~ What Happens Later

The Facts:

Synopsis: Two ex-lovers get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier.
Stars: Meg Ryan & David Duchovny
Director: Meg Ryan
Rated: R
Running Length: 105 minutes
TMMM Score: (6/10)
Review: With all the love and respect I can offer to Julia Roberts and Sandra Bullock, the undisputed queen of the romantic comedy in the ‘90s was Meg Ryan. Through a run of rewatchable hits that started with 1989’s When Harry Met Sally through 1998’s You’ve Got Mail, Ryan was a guaranteed good time at the movies. Unfortunately, her silver streak hit the skids when her personal life crisscrossed with her professional persona on the set of the 2000 stinker Proof of Life. While she had a few near misses in the years since (2001’s Kate & Leopold and an underappreciated remake of The Women in 2008), her career has gone mostly silent.

Ryan stepped behind the camera in 2015, making a modest debut with the period-set drama Ithaca. Surrounding herself with the comfort of longtime costar Tom Hanks and son Jack Quaid, Ryan took a small role but immersed herself in the technical side of the process, and her years in the industry helped her turn in a respectable, if flawed, debut. Eight years later, Ryan returns to her dual roles in front of and behind the camera with What Happens Later. It shows both the growth of an artist stretching in new directions and the sparkle of the charming actress who has been a frequent sick/rainy/snow day companion on-screen to audiences around the world.

Based on Steven Dietz’s 2008 play Shooting Star, Ryan helps adapt the two-hander, opening it up (slightly) to take up more space as it follows a former couple reunited by fate in an airport during a snowstorm. At first, I was nervous that Ryan had worked with Dietz and co-adapter Kirk Lynn and took things too far into fantasy. Changing the names of the characters from Elena and Reed to Willa (Ryan, Joe Versus the Volcano) and Bill (David Duchovny, Pet Sematary: Bloodlines), who cross paths as they are trying to board planes going to the same destinations the other has just come from felt too on the nose. The viewer is already working to decipher if this is straight-up fantasy or a genuine coincidence, but the opening stretch leans hard into wanting you to think it’s operating in some alternate reality where exes with similar-sounding names can meet and hash out their unresolved issues.

Even if I wasn’t aware this was based on a play, the presentational banter and monologuing contained in the script for What Happens Later is a dead giveaway. Still, Ryan and editor Jason Gourson edit the scenes together in a way that breaks up what could be a monotonous conversation that stretches into the echoing darkness of a never-ending night. Filming in an actual airport, cinematographer Bartosz Nalazek has his work cut over for him, especially when it appears there is a mixture of paid background extras and real passengers trying to catch their flight. Look closely in the background (which at times is crudely blurred), and you’ll see people staring directly at Ryan and Duchovny as they walk by or, in one strange instance, filming them on their Smartphones. 

For her part, Ryan slips easily into the carefree Willa. You can see what attracted her to the role in What Happens Later, though, because Willa carries an emotional burden she wasn’t expecting to hold on to for longer than a quick plane ride across the country. The effervescent aura that made Ryan so dang charismatic twenty years ago is still present, and she’s matched nicely with Duchovny, who is operating in a far more relaxed mode than he has in years. The two have a natural chemistry, and if the script gives them a few clunkers to spit out, they’re talented enough to massage them into something meaningful. There’s a third character thrown in the mix, an omnipresent voice of the airline terminal announcer. The credits attribute the voice to Hal Ligget, but let’s say that Ryan hasn’t come to her second movie as a director without bringing a close friend with her.

More than anything, What Happens Later further indicates that Ryan is comfortable returning to her rom-com roots but able to blend the more dramatic flourishes she sought before taking a break from Hollywood. Is the movie destined to be an enduring classic? Hardly, it’s too woo-woo in tone and trips over some production and editing flaws that reveal Ryan’s still gaining her footing in the directing arena. We want her to stick around, so tossing support her way now means we will hopefully see more of her later. 

Movie Review ~ Falling for Christmas

The Facts:

Synopsis: A newly engaged, spoiled hotel heiress gets into a skiing accident, suffers from total amnesia, and finds herself in the care of a handsome, blue-collar lodge owner and his precocious daughter in the days leading up to Christmas.
Stars: Lindsay Lohan, Chord Overstreet, George Young, Jack Wagner, Olivia Perez, Alejandra Flores, Chase Ramsey, Sean Dillingham, Antonio D. Charity
Director: Janeen Damian
Rated: PG-13
Running Length: 93 minutes
TMMM Score: (8/10)
Review:  Up in my neck of the woods, the weather hasn’t quite gotten frightful, but the holiday movies are arriving, and so far, I am happy to report that they are indeed delightful. Our first present under the Christmas tree is this much-anticipated Netflix film I’ve been waiting for almost since last December. I may even say that I’ve been waiting for it for longer than that because Falling for Christmas isn’t your run-of-the-mill factory-produced offering but a welcoming back of sorts for a star we haven’t seen for some time, Glee’s Chord Overstreet. Nah, I’m kidding. While Overstreet is the male lead of this well-produced treat, you’re here to read about the return of LiLo herself: Lindsay Lohan.

Getting her start in the soap opera Another World before the age of 10, Lohan made a name for herself in the solid 1998 remake of the Disney classic, The Parent Trap. Her real superstardom would be locked in when Mean Girls was released six years later, but just as quickly, the pressures of having to deliver would push her in dangerous directions. With parents more interested in being stars themselves, Lohan essentially had to go it alone. The missteps we all made growing up were, for her, the subject of gossip magazines and the Hollywood rumor mill. Everything we experienced in private she went through on movie sets. By 2013, she had earned the reputation of an unreliable commodity, valued more for her crash-and-burn potential than anything else. What has everyone always said about her through it all? Her talent was undeniable.

Lohan has spent the past few years slowly building up her brand again, including signing a deal with Netflix for several feature films. The first picture in that package is Falling for Christmas, and right out of the gate, Lohan has a winner on her hands, a movie tailored to her talents and contoured to the charm that made her loyal fans fall for her all those years ago and stick by her side. Even better? While Falling for Christmas could undeniably be lumped into those annual Hallmark-y/Lifetime-ish holiday films that feature key elements (a red dress, cups of hot cocoa, carols, one big kiss at the end), Jeff Bonnett and Ron Oliver’s script has loftier ambitions.

Beauregard Belmont (soap star Jack Wagner) has made the ski resort experience a luxury destination for those who want to hit the slopes in style. All the comforts of home are elevated, and his Instagram-ready accommodations are growing in popularity with each passing season. That’s great news for him, but it spells tough times for Jake Russell’s North Star Lodge in Summit Springs. A family-owned business gifted to him by his late wife’s father the North Star Lodge is seeing their reservations for Christmas dwindle, losing customers to Belmont’s fancier digs. Jake (Overstreet) is doing his best to make ends meet but he’s starting to come up short.

As the film opens, Jake meets with Belmont to find a compromise so that both businesses may thrive. Still, Belmont has other things to worry about, namely finding a job for his daughter Sierra (Lohan), who is about to be engaged to vain influencer Tad (George Young, Malignant). Tad has no sooner put a ring on it at the peak of a snowy mountain than Sierra is falling down the side of said mountain, bumping her head and forgetting who she is. Luckily, she’s rescued by Jake and winds up waiting for her memory to return at his lodge, helping and getting to know his young daughter (Olivia Perez, In the Heights) and mother-in-law (Alejandra Flores). One guess what happens the more time the widower and amnesiac heiress spend together at a cozy inn at the most festive time of year?

Poking holes in a block of Swiss cheese like Falling for Christmas is pointless. Lohan’s character is a Paris Hilton type, and if she went missing, I doubt she’d be left unaccounted for as long as Lohan is (then again…). It’s always hysterical how easily movies think amnesia can come and go, with memories jumping in and out at will. Lohan keeps the film bright and bubbly, with that soft, husky voice back into its higher register (not down in the deep smoker’s well it had dropped to) and her eyes sparkling and ready to have fun. There’s a twinkle in Lohan’s smile and spirit we haven’t seen in some time, and that vibrancy goes a long way in making Falling for Christmas sit right. 

Credit also must go to director Janeen Damian for surrounding her star with a strong cast and production. It feels like the “good” Netflix money has gone into it, with the Utah-filmed movie giving off an authentic vibe. It helps that it was filmed last November when it was visibly cold and not in the Spring like most are when they are forced to rely on foam snow to cover the trees. Overstreet has a winsome hangdog look, but he’s incredibly winning as the right guy for Lohan’s character. I must also give significant kudos to Perez for landing on the tolerable scale of child actors – so many kids in similar-themed movies can torment you with their cutesiness. 

We’re only in the second week of November, but it’s never too early to welcome a little holiday cheer into your heart, which is why Falling for Christmas is such a pleasure. I had my fingers crossed this would be as warm and pleasing as it was; that it turned out to be high-quality was the curled bow on top of it all. Lohan could have an entirely new career as the Queen of Christmas if she wanted, and ooo, would I love that! But if this is the only holiday outing we get with her, it’s a jolly one!

The Silver Bullet ~ “Snow White and the Huntsman” Trailer

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Synopsis: In a twist to the fairy tale, the Huntsman ordered to take Snow White into the woods to be killed winds up becoming her protector and mentor in a quest to vanquish the Evil Queen.

Release Date: June 1, 2012

Thoughts: Charlize Theron is by far the fairest of them all in this second trailer for the summer’s second Snow White feature.  The other one is Mirror Mirror and while it is coming out first, it has a more cartoony feel to it that just doesn’t sit well with me.  This take on the familiar Snow White tale, however, looks damn good and boasts some fairly awesome visuals.  Early buzz has Theron stealing every frame she’s in and possibly setting herself up for an Oscar nomination (no joke!).  Even the dour presence of Kristen Stewart strikes the right tone and hints at a Snow White that is more arse-kicker than fairy princess.  This is high on my summer must see list and I pray it lives up to the two visually stunning trailers it has given us thus far.