The Silver Bullet ~ The Conjuring 2

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Synopsis: Lorraine and Ed Warren travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

Release Date:  June 10, 2016

Thoughts: A follow-up to his supreme 2013 fright fest, director James Wan (Furious 7) returns with stars Patrick Wilson (Prometheus) and Vera Farmiga (The Judge) as paranormal investigators Ed and Lorraine Warren.  With a filing cabinet full of The Warrens cases on which to base the sequel (including a stop in at that famous house in Amityville), it’s nice to see Wan and company go international in search of spookier scares. Though this first look is billed as a “teaser”, it runs around two and a half minutes and manages to pack in some dandy macabre morsels. The first film scared the pants off of me but I’m crossing my fingers that Wan’s sequel doesn’t suffer the same fate as the lackluster spin-off Annabelle and Insidious: Chapter 2, the disappointing continuation of Wan’s breakout hit Insidious.

The Silver Bullet ~ Annabelle

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Synopsis: A spinoff of The Conjuring that follows the origins of the demonic doll featured in the 2013 film.

Release Date: October 3, 2014

Thoughts: It was around this time last summer when The Conjuring opened in theaters, scaring the pants off of audiences (this reviewer included) and increasing the sales of nightlights everywhere. Not to be confused with the late summer horror film Jessabelle, Annabelle is a spinoff focusing on the creepy doll featured in the prologue of The Conjuring that factored into the final act of the scare-fest. Little is known about the plot of the picture, but I’m not sure how much of it was taken from the actual case files surrounding the real life horrors brought on by the titular doll. Rather long to be a true teaser and possibly giving away some of its spooks in advance, I’m still on board to see what evils this doll gets up to when she was younger.

2013 – Best of the Best, Worst of the Worst, Grand Totals

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My my my, how time flies!  It’s hard to believe I’m just finished up my second year of reviewing movies for this blog.  I think I’ll look back on this year as the truly terrible twos as I found it difficult to carve out time in my schedule to write as many reviews as I wanted and didn’t tackle as many older reviews as I planned.  Thanks to some creative shuffling all of that will change in 2014 so you can look forward to 365 days of consistent reviews and information on upcoming releases. 

But hey…wait a second…we still need to wrap up 2013, right?  Below I’ve compiled my list of the best and worst of 2013.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter, and like my new Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

 

Best of

5. Gravity I’m a total sucker for films set in space so the concept of Gravity had me hooked from the start and I tracked each step of its journey from casting to early buzz to the eventual release of one of the best made films, well, ever when you look at it from a cinematic standpoint.  Director Alfonso Cuarón fashioned a breathtaking look at both the solemnity of outer space and the strength of inner human emotion in a taut 90 minutes that delivers astounding technical prowess and dynamite performances from stars Sandra Bullock and George Clooney.  Bullock especially flexes impressive acting muscles here, reminding us again that she’s more than a romantic comedy sweetheart and silencing all the naysayers jawing that her Oscar for The Blind Side wasn’t deserved. 

4. Stoker – This film came and went pretty quickly but it’s still very much on my mind all these months later.  If you missed this dark family drama in theaters do yourself a favor and seek it out pronto if you’re in the mood for a black as night tale with no real heroes and several sly twists that keep you off balance.  The first US film from Korean director Chan-wook Park was sleek and sophisticated with bursts of violence that delivered a wicked jolt…like Alfred Hitchcock meets David Lynch.  Nicole Kidman (Far and Away) was especially good in this one as jealous widow living in a creepy mansion with her troubled teenage daughter.  When a mysterious relative appears soon after her husband dies under shady circumstances, the bodies start to pile up and no one is quite safe from vengeance.

3. Prisoners – About halfway through Prisoners I realized just how starved I’d been for an edge of your seat crime drama.  This is an A-List film from top to bottom with a starry cast of Oscar nominees doing impressive work with very heavy material.  Special mention must be made to cinematographer Roger Deakins (Skyfall) who finds terrifying ways to frame the action and star Jake Gyllenhaal (End of Watch – a top film of mine for 2012) who brings a gritty sophistication to a cop tracking the disappearance of two little girls.  Though a long affair, Prisoners earns/deserves every minute of your attention as it makes its way through a mystery that gets deeper and more horrifying as it goes on.

2. Her – Though it hasn’t been released in all markets yet, trust me when I say that Her is one of the best and most original romantic films you’re likely to see.  I was originally unsure of how much I’d like this one, not being a huge fan of Joaquin Phoenix (The Master, Parenthood) and finding director Spike Jonze’s work to be admirable but generally over praised.  Add to that a concept (man falls in love with a computer operating system) and you have a film that on paper probably shouldn’t work.  But work it does and fairly brilliantly under the collaboration of Jonze, Phoenix, and the voice of Scarlett Johansson (Don Jon).  Without ever being in the same room (or even seeing one frame of Johansson) the two actors form a believable romance involving two personalities that find each other and connect in a most special way.  And say what you will about American Hustle but Amy Adams does her best work of the year here as a friend of Phoenix that has her own journey and observations on life.  An appealing and (more importantly) different film that winds up being just what the 2013 doctor ordered.

1. The Way Way Back – I caught this one before 2013 was half over and I knew right away that the film would wind up pretty high on my best of the year list.  Reflecting back on 2013 I can’t say that I saw a film that moved me more than this true treasure of a film.  Following an awkward teen during a summer vacation with his mom and her new boyfriend, our young hero finds his voice that had been held at bay by adults that don’t understand him.  When he forms a bond with a carefree worker at a local waterpark, he discovers his own worth and a transformation occurs that we can only see a small part of because it happens from within.  Jim Rash and Nat Faxon, the Oscar winning screenwriters of The Descendants, make their directorial debut with an even hand that allows for equal parts laughs and tears.  Sam Rockwell (Iron Man 2) deserves an Oscar nomination for his performance as a Peter Pan-ish guy that finds himself the mentor to a boy that just needs a friend and someone to listen to him.  Steve Carrell (Despicable Me 2) gets to show his non-comedic side to stellar results and there’s rich supporting work from Allison Janney and especially Toni Collette (Muriel’s Wedding).  Rash and Faxon steer clear of the pitfalls of most of these types of coming-of-age films by not heaping new problems onto our lead character but dealing with the baggage he came in with.  I saw the film three times in theaters and told everyone I knew about it and I’ve yet to meet someone that hasn’t loved it as much as I did.  Winners don’t come in a better package than The Way Way Back and though it doesn’t look like the film is getting the type of end of the year awards it deserves, this gets my vote for Best Picture of the year.

Honorable Mentions: The Conjuring, Nebraska, Saving Mr. Banks, 12 Years a Slave, 20 Feet From Stardom, About Time, The Secret Life of Walter Mitty, The Hunt,

Worst of

5. The Heat – I remember the first preview I saw for The Heat and was stunned that a purported comedy from Bridesmaids director Paul Feig and starring Melissa McCarthy had exactly zero laughs in it.  That’s when I started to get worried that this rushed into production film that paired McCarthy with Sandra Bullock would be a comedy in name only and I’d be stuck for two hours of ham fisted attempts to pummel me into laughter submission. Turns out my gut was right because The Heat was a debacle to watch and a pain in the ass to sit through.  As a fan of Feig, McCarthy (who was better in the worse reviewed Identity Thief), and Bullock I wanted this film to be one hundred times funnier and twenty minutes shorter.  The supporting players are embarrassing and the wasted potential of the movie is one of the honest tragedies of 2013.

4. Side Effects – Though I sorta liked what Steven Soderbergh did with Haywire in 2012 I put his other effort from last year, Magic Mike, on my worst of the year wrap-up and sadly 2013 finds another Soderbergh film earning a spot on the naughty list.  Widely rumored to be Soderbergh’s last film as a director, Side Effects sends the Oscar winning director out with a whimper thanks to a ripped from Law & Order: SVU plotline and a lack of logical construction that left cast members like Rooney Mara (The Girl with the Dragon Tattoo), Jude Law (Hugo), Channing Tatum (21 Jump Street), and Catherine Zeta-Jones (Red 2) out in the cold.  The true side effect from the film is ambivalence to Soderbergh’s future efforts.

3. Now You See Me – I’ve always had a problem with films that deal with magicians because the suspension of disbelief isn’t the same as seeing someone perform a trick live.  So the deck was slightly stacked against Now You See Me, which doesn’t excuse the fact that the film is pretty lame and barely eeks by with its flimsy heist plot.  The worst thing about the film is that it winds up cheating the audience and pretty blatantly so with its revisionist plot twists that don’t make sense no matter how many rabbits the filmmakers try to pull out of their cinematic hat.  The ending for the film feels tacked on, an obvious product of reshoots due to poor reaction to early preview screenings.  Despite a nice roster of watchable actors like Marc Ruffalo (Marvel’s The Avengers), Michael Caine (Batman Begins), and Morgan Freeman (The Dark Knight) this was a summer bummer.  Now You See Me is one you shouldn’t.

2. Austenland – Listen, I love a “chick flick” as much as the next guy but there’s got to be a point where you say enough is enough and stop shelling out money to see what amounts to over produced television movies that somehow have found their way into your local cinema.  Austenland is a trip you’ll fire your travel agent (or movie critic) for recommending to you thanks to a general absurdity and bland leading performance from Keri Russell (Dark Skies) that turns what may have been a pleasant enough Lifetime movie to a Montezuma’s Revenge affair you’ll be thankful you don’t have to visit ever again.  Skip it, rent a hotel room and watch any other Jane Austen adaptation if you desire to be transported to another place in the company of characters from the Austen canon.

1. Girl Most Likely – It’s almost ironic that Kristen Wiig is starring in a movie called Girl Most Likely because her potential is fairly unlimited…but not if she keeps making garbage like this would-be comedy that winds up at the very top of my Worst of the Year list.  Unfunny, ungainly, and filled with heinously unappealing performances from the majority of the cast, I can’t imagine Wiig (Friends with Kids) is very proud of this one nor should she be.  Her sad sack playwright is the worst kind of anti-hero…the one the film wants you to root for but who has their head so far up their ass you simply cannot get behind them.  Wiig does what she can with the material but gives up about fifteen minutes in, which is more than I can say for Darren Criss, Matt Dillon and Annette Bening, all ghastly bad in their supporting roles that are less supporting and more sabotaging.  When the film changes tone for the ninth time near the conclusion you’ll be numb in both the mind and butt.  Painful to sit through, this is one turkey viewers should earn a medal for sitting through.

(Dis)Honorable Mentions: The Incredible Burt Wonderstone, Trance, The Hangover Part III, Lee Daniels’ The Butler, Don Jon, This Is the End, Olympus Has Fallen, Thanks for Sharing

Special mentions

Most Misunderstood

Oblivion – Seems like Tom Cruise just can’t catch a break.  Though Oblivion fared better at the box office than his 2012 misses Rock of Ages (which deserved to tank) and Jack Reacher (which didn’t) there seemed to be this lingering animosity to Cruise that people (aka critics) just can’t get over.  That’s too bad because Oblivion was an exciting sci-fi film with excellent visuals, a powerful score, and strong performances (especially Andrea Riseborough, Disconnect) that kept me hooked.  Some fuddy duddy people aped on the Twilight Zone-y plot but they probably should have checked their logic sheets at the door because in sci-fi all rules are off.  Cruise has another futuristic film coming out way in 2014 and we’ll see if Edge of Tomorrow gets shirked in the same way Oblivion did.

Honorable Mention: Beautiful Creatures

Joe’s Humble Pie Award of 2014

The CallIf you had asked me my thoughts on The Call based simply on the trailer I would have told you that Halle Berry’s losing streak was going to continue.  So it was with a special kind of eating my words type of glee that I was happy to report the film was much better than its trailer would suggest.  The movie had thrills and chills and even if the twists felt a bit stale it didn’t matter much because the action moves like a locomotive.  Berry (Cloud Atlas) has struggled with headlining a film but the decent box office of The Call shows that she may be finding her footing in choosing her projects.  Definitely worth a look for fans of tightly wound thrillers. 

Honorable Mention: We’re The Millers

Movies You Probably Haven’t Seen But Should:

Indian Summer

The Changeling

Smooth Talk

Ghost Light

The Grandmaster (Yi dai zong shi)

The Spectacular Now

Blackfish

The East

Kon-Tiki

The Silence (Das letzte Schweigen)

Click HERE for a full listing of films seen in 2013

Total Movies Seen in the Theater: 138

Total Movies Seen at Home: 225

Grand Total for 2013 (not counting films seen multiple times): 363

Where I Saw the Most MoviesShowplace ICON (51!)

Movie Review ~ The Conjuring

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The Facts:

Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Stars: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Joey King, Shanley Caswell, Haley McFarland, Mackenzie Foy, Kyla Deaver, Sterling Jerins

Director: James Wan

Rated: R

Running Length: 112 minutes

Trailer Review: Here & Here

TMMM Score: (9/10)

Review: It’s fun to be scared, isn’t it?  I know many people that would disagree with that statement but I’ve always found a base thrill in any amount of fright that I can find be it at the hands of a ghoul in a haunted house, a towering rollercoaster that looks more than a tad bit rickety, and in a dark movie theater watching the latest horror flick designed to scare the pants off of you. 

Even after hearing early positive buzz on The Conjuring and liking what I’d seen/read up until it was released, I was still wary that my expectations were raised too high to get out of the film the kind of entertainment I was looking for.  That all changed frame one as the Warner Brothers logo appeared along with Joseph Bishara’s ominous music and I just knew…this is going to be one scary flick.  And it was.  And I loved it.

The Conjuring represents a full feast of fright after sparse offerings in theaters over the last year.  For my money, it’s the scariest movie released in theaters in some time and the scares it provides are well earned and long-lasting.  Moments of good old fashioned dread exist in the movie that are genuine and cleverly constructed for maximum impact.  Not merely content to scare you once, director James Wan (Saw, Dead Silence, Insidious) applies the pressure and maintains it for long stretches of time, creating several truly harrowing sequences.

Based on the true story of Perron family from the files of paranormal investigators Ed and Lorraine Warren, The Conjuring opens with a dandy of an intro to the kind of work that Ed (Patrick Wilson, Prometheus) and Lorraine (Vera Farmiga) do.  I wouldn’t dream of spoiling this opening but will say that it plays a nice twist on the kind of opening that Scream introduced so well and that has been oft-copied ever since. 

It’s 1971 and Carolyn (Lili Taylor, Being Flynn) and Roger (Ron Livingston, The Odd Life of Timothy Green) Perron have moved their five daughters (including Joey King from White House Down and Oz, The Great and Powerful) to a large farmhouse nestled in the boondocks of New England.   Though the actual events took place over 10 years, for cinematic purposes the timeline is several weeks…compressing years worth of occurrences is something the movie pretty much had to do.   It’s not long before the family gets to know their house a bit better; finding a boarded up cellar filled with cobwebs and antique toys that provide a few cursory scares. 

Mysterious bruising, the unexplained nightly stopping of all clocks at 3:07am, and other spooky bumps in the night don’t signal much of a warning until all hell breaks loose one night in the first of many masterfully filmed passages of piled on horror. 

Though we’ve already met the Warrens and seen their suburban home life (including a locked room full of creepy items from their various cases), they finally step center stage when Carolyn begs them for help.  When the Warrens arrive and start looking into the house and its dark past, they discover a history of horrifying events that shed some light on the present happenings.  The deeper they dig, the more danger they unearth not only for the family but themselves as well.

Even the best made horror film is largely at the mercy of the actors that are involved and Wan has assembled a crack mix of interesting actors to take on these roles.  Wilson may be a tad milquetoast in the role but he never overplays it, wisely playing second banana to Farmiga.  Ah yes, Farmiga.  Aside from the treasure trove of terror, the chief pleasure of The Conjuring is Farmiga’s multi-dimensional and fully committed take on the role of a clairvoyant who sees/feels more than we could ever imagine.  This is a smart actress who keeps us interested in the movie even if, like most horror films centered on a mystery, the more we know about the “why” behind the terror the less we are scared of it. 

Just a slight step below Farmiga is Taylor, one of the best actresses of her generation that continues to take on a range of roles in mainstream and indie films.  Largely absent from the horror genre since the turkey remake of The Haunting back in 1999, Taylor is perfectly cast as a normal wife and mother that’s pitched into a nightmare she can’t wake from.  Farmiga and Taylor are a dynamic duo, bravely enduring the wringer that Wan and screenwriters Chad and Carey Hayes put them through.

The Conjuring has no nudity, no explicit language, and a modest modicum of blood so it landed an R from the MPAA due to its “sequences of disturbing violence and terror”.  There’s something revelatory about a movie earning that restriction based solely because it’s too scary – and earn it it does.  This hopefully will be a perennial classic that finds its way on the shelf next to films like Halloween, The Changeling, and Poltergeist.  If your spine needs a good tingling, The Conjuring is just the medicine the doctor ordered.

The Silver Bullet ~ The Conjuring (Trailer #2)

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Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Release Date:  July 19, 2013

Thoughts:  I don’t normally post a second trailer for a movie so close to the time that I posted the first trailer, but this new preview for July’s The Conjuring rustles up more than a few scary moments that I wanted to share.  Though we’ve had many horror films that were “based on a true story”, the premise of The Conjuring intrigues me as its inspired by the case files of paranormal investigators Ed and Lorraine Warren who were famous for their involvement in more than a few high profile haunting inquiries (they were consulted on the famous Amityville Horror case).  I always get nervous when a film shows so many key moments and hope that some scares are put on reserve for paying audience members.  I like the cast assembled here and it’s old-school style should play a part in creating an atmosphere rich with potential.

The Silver Bullet ~ The Conjuring

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Synopsis: A family encounters spirits living among them in their New England farmhouse.

Release Date:  July 19, 2013

Thoughts: It’s so easy to put a shine on a dull coin so I always take movie posters and previews with a grain of salt.  Even a trailer for the worst movie can be edited to look like an Oscar contender while true award-worthy material can be hidden by a so-so preview.  Even knowing this, I have to say that the recently released poster and trailer for the summer scare-a-thon The Conjuring gives me high hopes.  It’s directed by James Wan who was behind the camera for Saw, the strangely underrated Dead Silence, and Insidious…even if those films weren’t quite your cup of tea I’d argue that they had more style/cinematic flair than many of the films in its genre.  Another bonus is the cast – Lili Taylor and Vera Farmiga are two of the more interesting actresses in Hollywood so when you add Ron Livingston and Patrick Wilson to the mix you have a quirky quartet that might just work.

Though the trailer may seem to give away a nifty scare for free I’ll be waiting patiently until July to see what thrills this team can conjure up for us.